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4 Orchester Sinfonien Haenchen / Kammerorchester Carl Phillip Emanuel - LP 4049774680045

NOS is its original box. Vintage Hohner Orchesta harmonica in B minor. We have many of these in various keys so let us know what you are lookin...

New old stock unplayed Hohner Orchestra Harmonica with its original box in E minor. We have many of these in various keys so let us know if you a...

New old stock unplayed vintage Hohner Orchestra Harmonica with its original box in E flat minor. We have these in May keys so let us know if you ...

NOS unplayed 1970 s Hohner Orchestra Harmonica in F minor with its original box

A bit of wear and corrosion. All reeds work. Key of C,

Instrumentation: celloPublisher: Schott MusicBinding: Paperback/Soft CoverEditor: Becker, Rolf / Mandalka, RudolfSeries: Orchestra - warm-up gamesContent: Tuttistellen: L.v. Beethoven: Sinfonie Nr. 5 c-Moll, op. 67, 2. Satz - L.v. Beethoven: Sinfonie Nr. 8 F-Dur op. 93, 3. Satz (Trio) - L.v. Beethoven: Sinfonie Nr. 9 d-Moll op. 125, 4. Satz - L.v. Beethoven: Coriolan op. 62, Ouvert眉re - L.v. Beethoven: Egmont op. 84, Ouvert眉re - G. Bizet: Carmen, 1. Akt, Finale - J. Brahms: Sinfonie Nr. 2 D-Dur op. 73, 1. Satz - A. Bruckner: Sinfonie Nr. 7 E-Dur, 1. Satz - P. Hindemith: Sinfonie 'Mathis der Maler', 3. Satz: Versuchung des heiligen Antonius - P. Hindemith: Sinfonische Metamorphosen nach Weber, 2. Satz: Turandot, Scherzo - G. Mahler: Sinfonie Nr. 4 G-Dur, 1. Satz - W.A. Mozart: Die Hochzeit des Figaro, Ouvert眉re - B. Smetana: Die verkaufte Braut, Ouvert眉re - R. Strauss: Don Juan op. 20 - I. Strawinsky: Symphonie en Ut, 1. Satz - P.I. Tschaikowsky: Eugen Onegin, 1. Akt, Nr. 8 - P.I. Tschaikowsky: Sinfonie Nr. 4 f-Moll op. 36, 1. und 2. Satz - P.I. Tschaikowsky: Sinfonie Nr. 6 h-Moll op. 74, 2. und 3. Satz - G. Verdi: Rigoletto, 1. Akt, Nr. 2 - G. Verdi: La Traviata, 1. Akt, Nr. 2 (Chor) und 2. Akt, Nr. 4 - G. Verdi: Die Macht des Schicksals, Ouvert眉re - G. Verdi: Aida, 3. und 4. Akt (Nr. 7) - G. Verdi: Missa da Requiem, Nr. 3 (Offertorium) - R. Wagner: Tannh盲user, Ouvert眉re; 2. Akt, 4. Szene; 3. Akt, Einleitung und 1. Szene (Gebet der Elisabeth) - R. Wagner: Lohengrin, 3. Akt, 3. Szene - R. Wagner: Das Rheingold, 1. und 2. Szene - R. Wagner: Die Walk眉re, 2. Akt, 4. Szene - R. Wagner: Tristan und Isolde, 1. Akt, Einleitung und 2. Akt, 2. Szene - SOLOSTELLEN: L.v. Beethoven: Die Gesch枚pfe des Prometheus op. 43, Nr. 5 Adagio, Andante quasi Allegretto ... and many morePages: 64

Instrumentation: ViolaPublisher: Schott MusicBinding: Paperback/Soft CoverEditor: Jenisch, Kurt / Schloifer, EckartSeries: Orchestra - warm-up gamesContent: Tuttistellen: B. Bartk: Divertimento fr Streichorchester, 2. und 3. Satz - L.v. Beethoven: Sinfonie Nr. 3 Es-Dur op. 55 ('Eroica'), 3. Satz - L.v. Beethoven: Sinfonie Nr. 5 c-Moll op. 67, 2. Satz - L.v. Beethoven: Sinfonie Nr. 9 d-Moll op. 125, 2. Satz - L.v. Beethoven: Ouvertre zu 'Coriolan' op. 62 - H. Berlioz: Rmischer Karneval op. 9 - H. Berlioz: Symphonie fantastique op. 14, 5. Satz ('Hexensabbat') - G. Bizet: Carmen, 1. Akt, Nr. 6, Nr. 11 und 4. Akt, Nr. 25 - J. Brahms: Sinfonie Nr. 3 F-Dur op. 90, 1. Satz - J. Brahms: Sinfonie Nr. 4 e-Moll op. 98, 1. Satz - J. Brahms: Haydn-Variationen op. 56 a, Variationen 4, 7 und 8 - A. Bruckner: Sinfonie Nr. 3 d-Moll, 3. Satz - A. Bruckner: Sinfonie Nr. 4 Es-Dur ('Romantische'), 2. Satz - C. Debussy: La Mer, 2. und 3. Satz - P. Hindemith: Philharmonisches Konzert, Variation 1 - P. Hindemith: Sinfonie 'Mathis der Maler', 3. Satz - E. Humperdinck: Hnsel und Gretel, 1. Bild, 3. Szene und 3. Bild, 3. Szene - G. Maler: Sinfonie Nr. 1 D-Dur ('Der Titan'), 4. Satz - G. Maler: Sinfonie Nr. 5 cis-Moll, 3. und 5. Satz - G. Maler: Sinfonie Nr. 10, 1. Satz - F. Mendelssohn Bartholdy: Ein Sommernachtstraum op. 61, 1. Satz - W.A. Mozart: Sinfonie Nr. 40 g-Moll KV 550, 4. Satz - Sinfonie Nr. 41 C-Dur KV 551 ('Jupiter'), 4. Satz - Die Hochzeit des Figaro KV 492, Ouvertre - Die Zauberflte KV 620, Ouvertre - S. Prokofjew: Symphonie classique op. 25, 1. und 4. Satz - G. Rossini: Der Barbier von Sevilla, Ouvertre - F. Schubert: Sinfonie Nr. 4 c-Moll ('Tragische'), 4. Satz - B. Smetana: Die verkaufte Braut, Ouvertre und 6. Szene - R. Strauss: Don Juan op. 20 - R. Strauss: Till Eulenspiegels lustige Streiche op. 28 - P. Tschaikowsky: Sinfonie Nr. 5 e-Moll op. 64, 3. Satz (Valse) ... and many morePages: 64

Unplayed NOS Hohner Orchester Harmonica in its original box. We have these available in many different keys so let us know if you are looking for...

NOS Hohner Orchester Harmonica in Db major in its original boxWe have many of these in various keys, so let us know if you are looking foranything ...

Raabe and the Orchestra perform for an audience of 20,000 at the Berlin Waldbuehne.

Directed by Henning Kasten.

The way Richard Strauss spoke of his "beloved Dresdeners" rang of Bavarian humor blended with a subtle touch of mischievous irony and, first and foremost, a good dose of respect and appreciation. Home to the Knigliche musikalische Kapelle ("Royal Musical Ensemble") and the Court Opera, Dresden soon became a center of Strauss's music; many of his works were given their premiere there. Ernst von Schuch, Strauss's "most loyal conductor of choice", was a key figure: at the symphony concerts given b

Unread book in perfect condition.

Abdelazer Suites Orchester Le Phenix/John Holloway Orchester Le Ph nix - CD 4039956212027

The Concerto for Two Violins in d minor, BWV 1043 by J.S. Bach (also known as the Double Concerto) is a prime example of the late Baroque style. It exhibits Bach's utter command of counterpoint, with fugal sections and tight imitation between the two violins. For the violinists, it is simultaneously a solo work and a chamber work: both violinists take turns as the "soloist," but the scope of this music is so much bigger than the notion of "soloist" that it quickly becomes not two voices vying for prominence, but one voice with two parts. While all three movements are rich in melody, harmony, and texture, the sublime second movement can surely be considered one of the most beautiful pieces ever composed.  An indispensable work for any violinist! This Urtext edition for two violins with piano reduction is edited by Hans Eppstein, with piano reduction by Johannes Umbreit, and markings in the violin part by Kurt Guntner.  Published by G. Henle Verlag.Difficulty: A4

Haydn's Second Cello Concerto was composed nearly 20 years after his first, and it is quite different than the first.  More melodic and relaxed, the second concerto is also significantly more challenging.  The authenticity of this piece was questioned for some time as well, until Haydn's signature was discovered on the manuscript in 1951.Edited by Sonja Gerlach, for Cello and Piano. URTEXT EDITION. Published by G. Henle Verlag.Difficutly: A6Click here to learn more about the SHAR Music and ASTA Sheet Music Difficulty Ratings.

The following sources have served as the basis for this edition: the autograph, a copy of the string parts, prepared in part by Brahms, and used as engraver's model, and, finally, a copy of the Simrock first edition with hand-written entries by Brahms ("Handexemplar" = author's copy). Primary source value has been accorded to the carefully written autograph. The more significant divergencies of the first edition are here regarded as probable subsequent changes by Brahms himself. The most important of these will be mentioned in the Comments at the end of this volume. Markings, missing in the sources, apparently due only to some oversight are here included

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Bruckner / Altomonte Orchester St. Florian : Sinfonie 3 Erstfassung 1873 Bruckner / Altomonte Orchester st. Florian - CD 9003643990449