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Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 1.09

Alexander Pedals Fever Pitch Stereophonic Orchestrator Pitch Engine PedalAlexander Pedals hears a symphony, and so can you.The Alexander Fever Pitc...

Suitable for new and experienced composers, the EastWest Hollywood Fantasy Orchestrator provides tools to help the neophyte find that magical sound...

Very nice Crumar Orchestrator Fully serviced in our lab. Perfect working conditions Missing the konbs pot

This retrofit receives MIDI notes and triggering circuit boards the same as you playing on the keyboard with hands and triggering key contacts. It ...

Henry Brant’s new guide to orchestration is, in fact, the result of his lifelong work as a conductor, composer, and teacher; its first page written in the 1940s, and its final page written in 2005. In observation of other orchestration texts throughout his life, Brant realized that many were incomplete, in that they gave instructions based on hoped-for evocations of mystic visions rather than the actual, practical qualities of instruments. Textures and Timbres focuses on the study of acoustic instrumental tone-qualities, offering comprehensive systematic procedures for balancing and mixing them, both in harmonic and linear contexts. The lessons and inspiration shared in this text span Brant’s entire career, from his work in commercial radio to his orchestration classes at the Juilliard School and orchestrations of numerous Hollywood film scores. Textures and Timbres: An Orchestrator’s Handbook is an absolutely vital tool for the conductor.

Henry Brant’s new guide to orchestration is, in fact, the result of his lifelong work as a conductor, composer, and teacher; its first page written in the 1940s, and its final page written in 2005. In observation of other orchestration texts throughout his life, Brant realized that many were incomplete, in that they gave instructions based on hoped-for evocations of mystic visions rather than the actual, practical qualities of instruments. Textures and Timbres focuses on the study of acoustic instrumental tone-qualities, offering comprehensive systematic procedures for balancing and mixing them, both in harmonic and linear contexts. The lessons and inspiration shared in this text span Brant’s entire career, from his work in commercial radio to his orchestration classes at the Juilliard School and orchestrations of numerous Hollywood film scores. Textures and Timbres: An Orchestrator’s Handbook is an absolutely vital tool for the conductor.

Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.

Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.

Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.

Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.

New Alexander Fever Pitch Stereophonic Orchestrator Guitar Effects PedalThis item is new, in box!Orders placed before 12:00 PM Eastern Standard Tim...

IMPORTANT NOTE - Hollywood Fantasy Orchestrator uses instruments from all 5 parts of the Hollywood Fantasy Orchestra series and is not a standalone...

Performance time - ca. 4:35 Adele's Oscar-winning song, as heard in the James Bond motion picture Skyfall. Film orchestrator and arranger J.A.C. Re...

Alexander Pedals Fever Pitch Stereophonic Orchestrator Pitch Engine Pedal - NewThe Alexander Fever Pitch is packed with pitch processing power, wit...

This esteemed Russian composer is universally recognized as both a master orchestrator and a master of ballet music. His music remains popular not ...

This esteemed Russian composer is universally recognized as both a master orchestrator and a master of ballet music. His music remains popular not ...

CRUMAR MULTIMAN S2 with sustain pedal !"Released in 1977 as the successor to the Multiman-S (called the Orchestrator in US), the Multiman S/2 is a ...

Composer: Lucile Lawrence The ABC Of Harp Playing For Harpists Orchestrators And Arrangers Publisher: G SCHIRMER, INC Category: Classical Seri...

The remarkable career of composer-orchestrator Robert Russell Bennett [1894-1981] encompassed a wide variety of both "legitimate" and popular music-making in Hollywood, on Broadway, and for television. Bennett is principally responsible for what is known worldwide as the "Broadway sound" and for greatly elevating the status of the theater orchestrator. He worked alongside Jerome Kern, Cole Porter, George Gershwin, Irving Berlin, Richard Rodgers, and Frederick Loewe on much of the Broadway canon, eventually providing orchestrations for all or part of more than 300 musicals between 1920 and 1975. This work is the first publication of Bennett's autobiography, which was written in the late 1970s. It also includes eight of his most important essays on the art of orchestration. George J. Ferencz is Professor of Music at the University of Wisconsin at Whitewater.Table of ContentsThe Bennett Family TreeGrowing Up in FreemanTo New York, 1916To Paris, 1926Rodgers and Hart in LondonTo Hollywood, 1930Hollywood Beckons AgainRussell Bennett's Notebooks and Other Adventures in Network RadioVictory at SeaThe Sound of MusicRemembrances"The Bohemians"Eight Selected Essays by Robert Russell Bennett