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Assistant DA Alexandra Cooper returns in the new breakneck thriller by the New York Times bestselling author of Death Angel who once again captures the essence of New York City—its glamour, its history, its possibilities, and its endless capacity for darkness. Grand Central Station is hiding more than just an underground train system. When the body of a young woman is found in the tower suite of the Waldorf Astoria, Assistant DA Alex Cooper and Detective Mike Chapman find themselves hunting for a killer whose only signature is a carefully drawn symbol carved into his victims’ bodies, a symbol that bears a striking resemblance to train tracks.After a second body is discovered in a terminal alleyway, attention shifts to the iconic transportation hub and the potential for a bigger attack. With the President of the United States set to arrive for a United Nations meeting, Alex and Mike must contend with Grand Central’s expansive underground tunnels and century-old dark secrets—as well as their own changing relationship—to find a killer who’s cutting a deadly path straight to the heart of the city.

Most readers first encounter Augustine's love for Scripture's words in the many biblical allusions of his masterwork, the Confessions. Augustine does not merely quote texts, but in many ways makes Scripture itself tell the story. In his journey from darkness to light, Augustine becomes Adam in the Garden of Eden, the Prodigal Son of Jesus' parable, and the Pauline double personality at once devoted to and rebellious against God's law. Throughout he speaks the words of the Psalms as if he had written them. Crucial to Augustine's self-portrayal is his skill at transposing himself into the texts. He sees their properties and dynamics as his own, and by extension, every believing reader's own. In Christ Meets Me Everywhere, Michael Cameron argues that Augustine wanted to train readers of Scripture to transpose themselves into the texts in the same way he did, by the same process of figuration that he found at Scripture's core. Augustine discovered this skill by learning to read Scripture as a work of divine rhetoric that mirrors the humility of the human Christ who forms humble readers to ascend its spiritual heights. Tracking Augustine's developing skill in reading Scripture's figures as microcosms of the history of salvation during the first fifteen years of his Christian life, Cameron shows how Christ's self-transposition into Scripture's readers became the key to Augustine's hermeneutics.

Most readers first encounter Augustine's love for Scripture's words in the many biblical allusions of his masterwork, the Confessions. Augustine does not merely quote texts, but in many ways makes Scripture itself tell the story. In his journey from darkness to light, Augustine becomes Adam in the Garden of Eden, the Prodigal Son of Jesus' parable, and the Pauline double personality at once devoted to and rebellious against God's law. Throughout he speaks the words of the Psalms as if he had written them. Crucial to Augustine's self-portrayal is his skill at transposing himself into the texts. He sees their properties and dynamics as his own, and by extension, every believing reader's own. In Christ Meets Me Everywhere, Michael Cameron argues that Augustine wanted to train readers of Scripture to transpose themselves into the texts in the same way he did, by the same process of figuration that he found at Scripture's core. Augustine discovered this skill by learning to read Scripture as a work of divine rhetoric that mirrors the humility of the human Christ who forms humble readers to ascend its spiritual heights. Tracking Augustine's developing skill in reading Scripture's figures as microcosms of the history of salvation during the first fifteen years of his Christian life, Cameron shows how Christ's self-transposition into Scripture's readers became the key to Augustine's hermeneutics.

Return to the pulse-pounding world of the Dragons of Eternity by New York Times bestselling author Alexandra Ivy.Being born a half-breed means a life of brutal servitude for most dragons. But not for Char. He has a unique ability to turn every situation to his advantage—including an honored position next to his master, Baine, as well as an open invitation into the beds of the most beautiful females in the harem. It isn’t until he’s asked to use his special powers to slow time and protect a beautiful female dragon that his luck finally runs out.Blayze has spent her entire life trapped by her curse. But when Char wraps her in his magic, she can finally clear her mind long enough to use her powers to travel back through time. She’s determined to discover who is responsible for destroying her life, and kill him before he can strike. She hadn’t planned to take Char with her, but once he’s there, she discovers that the gorgeous half-breed dragon is devoted to protecting her.Together they must navigate the dangerous world of dragon politics to expose her enemies, while discovering that passion and true love cannot be denied, no matter how many obstacles might stand between them.

Follow master astrologer Steven Forrest on an astrological journey into the realm of both darkness and the powers that can transform it: the planetary body Pluto. Whether officially named a planet or not, astrologers everywhere agree that Pluto is a major force. With this groundbreaking work, Steven emerged as one of the foremost voices merging astrological practice with the most courageous forms of humanistic psychology. Upon its initial publication, DELL Horoscope magazine described him as "not only a premier astrologer, but also a wise man." Written with both the astrologer and the layperson in mind, his words convey practical and useful information that will help anyone navigate Pluto’s labyrinthine passages. Along with detailed cookbook-style explanations of Pluto in the houses and signs, the reader will also find comprehensive information for working with transits and progressions. This book is your one-stop shop for all things Plutonian. But most of all, it’s a beacon of light in some famously dark terrain, pointing the reader towards the transformative gifts Pluto can bear, if we choose to face our lives with consciousness and compassion. This revised second edition includes new Introduction and Afterword.

From war to revolution, famine to emigration, The Darkness Echoing travels around Ireland bringing its dark past to life Ireland is a nation obsessed with death. We find a thrill in the moribund, a strange enchantment in the drama of our dark past. It's everywhere we look and in all of our beloved myths, songs and stories that have helped to form our cultural identity. Our wakes and ballads, our plays and famine sites, all of them and more come together to tell ourselves and the world who we are and what we have suffered to get here. Gillian O'Brien had a beloved grandmother who tried on outfits in preparation for her wake. Always fascinated by the Irish preoccupation with death and the rituals around it, Gillian sets out to explore this intriguing habit of ours, to be compelled to celebrate the macabre and relish the darkness of own mortality. In The Darkness Echoing she tours Ireland to find our most haunted and fascinating historical sites, to discover the stories behind them and reveal what they say about Ireland as a nation. 'My history book of the year' Ryan Tubridy

Woven from the nighttime aether by Carole-Anne Eschenazi and the world renowned French illustrator Alexandra Bach, this incredibly beautiful deck embodies shadowy intrigue and feminine energy. Meaning "the night" in French, Tarot de la Nuit is a journey into powerful darkness under the moonlight of glamour and magic. Each Arcana is a work of art, empowering you to find the answers you seek. The companion booklets for most Lo Scarabeo decks are in five languages: English, Spanish, French, Italian, and German.

Darkness is falling everywhere and little ones are getting sleepy, feeling cozy, and being tucked in. It’s time for a wide yawn, a big hug, and a snuggle under the covers--sleep tight! “Working beautifully with the soothingly repetitive text, each painting conveys a warm feeling of safety and affection.”--School Library Journal

Christians everywhere are in the darkness of Deism regarding the Bible. Are you one of them? Deism believes God brings forth, then shows indifference toward finishing. This book asks: At what stage did God take His Holy Spirit away from the finishing details of the Bible? Did God gather the books and order them? Divide and number the chapters and verses? Translate a Bible, choosing its words down to the letters? Did God put Jesus? words in red? ?? In this book, by grace through faith, you will be made strong in knowing and understanding the way of the Father in life in the raising of the Bible from the seed Hebrew Old Testament, to the growth of the Greek New Testament, unto the maturity in the English finished and perfected Bible, the King James Bible. ??

Christians everywhere are in the darkness of Deism regarding the Bible. Are you one of them? Deism believes God brings forth, then shows indifference toward finishing. This book asks: At what stage did God take His Holy Spirit away from the finishing details of the Bible? Did God gather the books and order them? Divide and number the chapters and verses? Translate a Bible, choosing its words down to the letters? Did God put Jesus? words in red? ?? In this book, by grace through faith, you will be made strong in knowing and understanding the way of the Father in life in the raising of the Bible from the seed Hebrew Old Testament, to the growth of the Greek New Testament, unto the maturity in the English finished and perfected Bible, the King James Bible. ??

Christians everywhere are in the darkness of Deism regarding the Bible. Are you one of them? Deism believes God brings forth, then shows indifference toward finishing. This book asks: At what stage did God take His Holy Spirit away from the finishing details of the Bible? Did God gather the books and order them? Divide and number the chapters and verses? Translate a Bible, choosing its words down to the letters? Did God put Jesus' words in red?    In this book, by grace through faith, you will be made strong in knowing and understanding the way of the Father in life in the raising of the Bible from the seed Hebrew Old Testament, to the growth of the Greek New Testament, unto the maturity in the English finished and perfected Bible, the King James Bible.   

Midnight.The Witching Hour.But the creatures of darkness are not confined to the shadows of the night.Lonely stretches of highways... Bustling college campuses... Quiet suburban neighborhoods... Pricey, upscale day spas... They're everywhere.Earl and Dale, a pair of burly truckers, seem to be drawn to those that dwell in the darkness. Monster hunters by default, they confront the evil fearlessly—and with just a bit of humor. Vampires, werewolves, half-human spider demons, and those that prey on the innocent... All will realize they've met their match when they go head to head with...The Midnight Men

Darkness exists everywhere, and in no place greater than those where spirits and curses still reside. Tread not lightly on ancient lands that have been discovered by this collection of intrepid authors.In DARK TALES OF LOST CIVILIZATIONS, you will unearth an anthology of twenty-five previously unpublished horror and speculative fiction stories, relating to aspects of civilizations that are crumbling, forgotten, rediscovered, or perhaps merely spoken about in great and fearful whispers.What is it that lures explorers to distant lands where none have returned? Where is Genghis Khan buried? What happened to Atlantis? Who will displace mankind on Earth? What laments have the Witches of Oz?Answers to these mysteries and other tales are presented within this critically acclaimed anthology by the following authors."Introduction" by Eric J. Guignard "Angel of Destruction" by Cynthia D. Witherspoon "The Door Beyond the Water" by David Tallerman "To Run a Stick Through a Fish" by Mark Lee Pearson "Quivira" by Jackson Kuhl "Directions" by Michael G. Cornelius "Quetzalcoatl's Conquistador" by Jamie Lackey "Königreich der Sorge (Kingdom of Sorrow)" by C. Deskin Rink "Gestures of Faith" by Fadzlishah Johanabas "Bare Bones" by Curtis James McConnell "British Guiana, 1853" by Folly Blaine "The Nightmare Orchestra" by Chelsea Armstrong "The Funeral Procession" by Jay R. Thurston "Requiem" by Jason Andrew "Gilgamesh and the by Mountain" by Bruce L. Priddy "Buried Treasure" by Rob Rosen "The Small, Black God" by Caw Miller "In Eden" by Cherstin Holtzman "We Are Not the Favored Children" by Matthew Borgard "Rebirth in Dreams" by A.J. French "Whale of a Time" by Gitte Christensen "Sins of our Fathers" by Wendra Chambers "The Talisman of Hatra" by Andrew S. Williams "Sumeria to the Stars" by Jonathan Vos Post "The Tall Grass" by Joe R. Lansdale "The Island Trovar" by JC Hemphill(with interior illustration by Ron Perovich)

Day is done. Darkness is falling everywhere, and little ones are getting sleepy. This gentle book, with its rhythmic verse and peaceful, loving illustrations, will lull toddlers whether it's bedtime, nap time, or simply time for a snuggle.

Danger lurks everywhere at Fablehaven, where someone has released a plague that transforms beings of light into creatures of darkness. In dire need of help, the Sorensons question where to turn, now that long trusted allies have been revealed as potential foes. Kendra embarks on a special mission that only she can attempt because of her new abilities as fairykind, while Seth stays behind and discovers an incredible new talent of his own. The siblings are put to the test as the threat grows both abroad and home at the Fablehaven preserve, and Brandon Mull spins his richest and most thrilling fantasy tale yet in this third title of the popular fantasy series.

Darkness is falling everywhere and little ones are getting sleepy, feeling cozy, and being tucked in. It’s time for a wide yawn, a big hug, and a snuggle under the covers--sleep tight! “Working beautifully with the soothingly repetitive text, each painting conveys a warm feeling of safety and affection.”--School Library Journal