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First published in 1880, Moths addresses such Victorian taboos as adultery, domestic violence, and divorce in vivid and flamboyant prose. The beautiful young heroine, Vere Herbert, suffers at the hands of both her tyrannical mother and her dissipated husband, and is finally united with her beloved, a famous opera singer. Moths was Ouida’s most popular work, and its melodramatic plot, glamorous European settings, and controversial treatment of marriage make it an important, as well as a highly entertaining, example of the nineteenth-century “high society” novel. This Broadview edition includes a critical introduction and a broad range of contextual documents, including contemporary reactions to Ouida’s fiction and a selection of nineteenth-century writings on marriage, feminism, and the aristocracy.

Pamela Gilbert argues that popular fiction in mid-Victorian Britain was regarded as both feminine and diseased. She discusses work by three popular women novelists of the time: M. E. Braddon, Rhoda Broughton and "Ouida". Early and later novels of each writer are interpreted in the context of their reception, showing that attitudes toward fiction drew on Victorian beliefs about health, nationality, class and the body, beliefs that the fictions themselves both resisted and exploited.

This collection of essays focuses attention on a number of Victorian women writers popular in their own time but forgotten or neglected by literary history, from Margaret Oliphant and Charlotte Yonge to Mary Ward, Marie Corelli, "Ouida" and E. Nesbit. Particular emphasis is given to writings concerned with "the woman question." Discussions of marriage, matriarchy and divorce, satire, suffragette writing, writing for children, and links between literature and art illuminate the complex cultural and literary roles, and the engaging contributions, of Victorian women writers.

In Laurel, Mississippi, in 1935, one daughter of a wealthy and troubled family stood accused of murdering her mother. On her testimony, authorities suspected an equally prominent and well-to-do businessman, her reputed lover, of assisting. Ouida Keeton apparently shot her mother, chopped her up, and disposed of most of her body parts down the toilet and in the fireplace, burning all but the pelvic region, the thighs, and the legs. Attempting to dispose of these remains on a narrow, one-lane, isolated road, Ouida left a trail of evidence that ended in her arrest. People had seen her driving to the road. Within hours, a hunter and his dogs found the cloth in which she had wrapped her mother’s legs. Touted as the most sensational crime in Mississippi history at the time, the Legs Murder of 1935 is almost entirely forgotten today. The controversial outcome, decided by an unsophisticated jury, has been left muddled by ambiguity. With The Legs Murder Scandal, Hunter Cole presents an intricately detailed description of the separate trials of Ouida Keeton and W. M. Carter. Having researched trial transcripts, courthouse records, medical files, and vast newspaper coverage, the author reveals new facts previously distorted by hearsay, hushed reports, and misinformation. Cole pursues many unanswered questions such as what, really, did Ouida Keeton do with the rest of her mother? The Legs Murder Scandal attempts to provide the reader with clarity in this story, which is outlandish, harrowing, and intriguing, all at once.

This collection of essays focuses attention on a number of Victorian women writers popular in their own time but forgotten or neglected by literary history, from Margaret Oliphant and Charlotte Yonge to Mary Ward, Marie Corelli, "Ouida" and E. Nesbit. Particular emphasis is given to writings concerned with "the woman question." Discussions of marriage, matriarchy and divorce, satire, suffragette writing, writing for children, and links between literature and art illuminate the complex cultural and literary roles, and the engaging contributions, of Victorian women writers.

Pamela Gilbert argues that popular fiction in mid-Victorian Britain was regarded as both feminine and diseased. She discusses work by three popular women novelists of the time: M. E. Braddon, Rhoda Broughton and "Ouida". Early and later novels of each writer are interpreted in the context of their reception, showing that attitudes toward fiction drew on Victorian beliefs about health, nationality, class and the body, beliefs that the fictions themselves both resisted and exploited.

Norman Douglas: A Biographyxvii, [3], 519 pp. 8vo. A biography of the British writer best known for his novel South Wind, who also wrote a number of travel books. Holloway describes Douglas's "relationships with Compton Mackenzie, Ouida, the bookseller Orioli, and D.H. Lawrence..." and his extensive time spent in Italy. Douglas's books are discussed at length, and Holloway does not shy away from mentioning the various scandals associated with Douglas's interest in teenage boys (which caused him to flee from England, and later Italy).

Pamela Gilbert argues that popular fiction in mid-Victorian Britain was regarded as both feminine and diseased. She discusses work by three popular women novelists of the time: M. E. Braddon, Rhoda Broughton and "Ouida". Early and later novels of each writer are interpreted in the context of their reception, showing that attitudes toward fiction drew on Victorian beliefs about health, nationality, class and the body, beliefs that the fictions themselves both resisted and exploited.