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An understatement can be an overstatement. That's the vision of the Sia Collection. Its essence is to achieve the desire for sleek minimalist lines. Because the most fulfilling pleasures can be the simplest. Attractively smooth and symmetrical, the Sia Collection captures the pureness of modern design with all the comforts hydrotherapy has to offer. Color: Oyster. Material: Acrylic.

An understatement can be an overstatement. That's the vision of the Sia Collection. Its essence is to achieve the desire for sleek minimalist lines. Because the most fulfilling pleasures can be the simplest. Attractively smooth and symmetrical, the Sia Collection captures the pureness of modern design with all the comforts hydrotherapy has to offer. Color: Chroma White. Material: Acrylic.

An understatement can be an overstatement. That's the vision of the Sia Collection. Its essence is to achieve the desire for sleek minimalist lines. Because the most fulfilling pleasures can be the simplest. Attractively smooth and symmetrical, the Sia Collection captures the pureness of modern design with all the comforts hydrotherapy has to offer. Color: White. Material: Acrylic.

An understatement can be an overstatement. That's the vision of the Sia Collection. Its essence is to achieve the desire for sleek minimalist lines. Because the most fulfilling pleasures can be the simplest. Attractively smooth and symmetrical, the Sia Collection captures the pureness of modern design with all the comforts hydrotherapy has to offer. Color: Oyster. Material: Acrylic.

An understatement can be an overstatement. That's the vision of the Sia Collection. Its essence is to achieve the desire for sleek minimalist lines. Because the most fulfilling pleasures can be the simplest. Attractively smooth and symmetrical, the Sia Collection captures the pureness of modern design with all the comforts hydrotherapy has to offer. Color: White. Material: Acrylic.

An understatement can be an overstatement. That's the vision of the Sia Collection. Its essence is to achieve the desire for sleek minimalist lines. Because the most fulfilling pleasures can be the simplest. Attractively smooth and symmetrical, the Sia Collection captures the pureness of modern design with all the comforts hydrotherapy has to offer. Color: Black. Material: Acrylic.

Northanger Abbey depicts the misadventures of Catherine Morland, young, ingenuous, and mettlesome, and an indefatigable reader of gothic novels. Their romantic excess and dark overstatement feed her imagination, as tyrannical fathers and diabolical villains work their evil on forlorn heroines in isolated settings. What could be more remote from the uneventful securities of life in the midland counties of England? Yet as Austen brilliantly contrasts fiction with reality, ordinary life takes a more sinister turn, and edginess and circumspection are reaffirmed alongside comedy and literary burlesque. Also including Austen's other short fictions, Lady Susan, The Watsons, and Sanditon, this valuable new edition shows her to be as innovative at the start of her career as at its close.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

It would not be an overstatement to say that Ilie Nastase was at least partly responsible for the explosion of interest in tennis in the 1970s. Thanks to his prowess on the court, his flamboyant lifestyle, his sex appeal, and the controversy that continually surrounded him, Nastase’s name was well known far beyond the confines of tennis. In this candid autobiography, he recalls his days as a young troublemaker in Bucharest, his rise in the world of tennis, his incident-packed glory years in the game, and his high-profile life as a playboy. A sparkling memoir, recounted with all the swagger and bravado of the original bad boy of tennis.

It is not a large overstatement to claim that mathematics has traditionally arisen from attempts to understand quite concrete events in the physical world. The accelerated sophistication of the mathematical community has perhaps obscured this fact, especially during the present century, with the abstract becoming the hallmark of much of respectable mathematics. As a result of the inaccessibility of such work, practicing scientists have often been compelled to fashion their own mathematical tools, blissfully unaware of their prior existence in far too elegant and far too general form. But the mathematical sophistication of scientists has grown rapidly too, as has the scientific sophistication of many mathematicians, and the real worl- suitably defined - is once more serving its traditional role. One of the fields most enriched by this infusion has been that of combinatorics. This book has been written in a way as a tribute to those natural scientists whose breadth of vision has inparted a new vitality to a dormant giant. The present text arose out of a course in Combinatorial Methods given by the writer at the Courant Institute during 1967-68. Its structure has been determined by an attempt to reach an informed but heterogeneous group of students in mathematics, physics, and chemistry. Its lucidity has been enhanced immeasurably by the need to satisfy a very resolute critic, Professor Ora E. Percus, who is responsible for the original lecture notes as well as for their major modifications.

Leonetto Cappiello is the Father of the Modern Poster. With his penchant for contagious exuberance and intoxicating overstatement, as well as the technique of utilizing strong, flat colors against dark backgrounds, Cappiello shocked, surprised and moved the viewer; he arrested the attention of the passerby with incongruity, and as a result, effectively etched an image into their mind's eye. He created an entirely new advertising vocabulary and his posters can be said to be fantastic - in a completely literal sense.This is the largest collection of Cappiello's work ever presented - 534 poster illustrations in full-color - as well as the most authoritative. Detailed appraisals and annotations accompany each poster, including an introduction that provides the reader with biographical information and an additional 50 color illustrations that show the many other facets of Cappiello's talent - from book and magazine illustrations, to paintings, maquettes, postcards and, most all, his superb early caricatures.

Winner, Barbara Sudler Award, Colorado Historical Society, 2010It's no overstatement to say that the state of Texas is a republic of barbecue. Whether it's brisket, sausage, ribs, or chicken, barbecue feeds friends while they catch up, soothes tensions at political events, fuels community festivals, sustains workers of all classes, celebrates brides and grooms, and even supports churches. Recognizing just how central barbecue is to Texas's cultural life, Elizabeth Engelhardt and a team of eleven graduate students from the University of Texas at Austin set out to discover and describe what barbecue has meant to Texans ever since they first smoked a beef brisket.Republic of Barbecue presents a fascinating, multifaceted portrait of the world of barbecue in Central Texas. The authors look at everything from legendary barbecue joints in places such as Taylor and Lockhart to feedlots, ultra-modern sausage factories, and sustainable forests growing hardwoods for barbecue pits. They talk to pit masters and proprietors, who share the secrets of barbecue in their own words. Like side dishes to the first-person stories, short essays by the authors explore a myriad of barbecue's themes—food history, manliness and meat, technology, nostalgia, civil rights, small-town Texas identity, barbecue's connection to music, favorite drinks such as Big Red, Dr. Pepper, Shiner Bock, and Lone Star beer—to mention only a few. An ode to Texas barbecue in films, a celebration of sports and barbecue, and a pie chart of the desserts that accompany brisket all find homes in the sidebars of the book, while photographic portraits of people and places bring readers face-to-face with the culture of barbecue.

J. Ann Tickner is ranked among the most influential scholars of international relations. As one of the founders of the field of feminist international relations, she is also among the most pioneering. In many ways her academic career has traced the development of the feminist subfield of IR, and it is no overstatement to say that the field today would look much different without her groundbreaking contributions. A Feminist Voyage through International Relations provides a compendium of Tickner's work as a feminist IR scholar, from the late 1980s through today. The book addresses the issue of methodology in feminist IR and the continuing challenge from traditional IR scholars that feminists don't perform legitimate scientific research. Tickner introduces and contextualizes her previous writings with new essays that trace her intellectual development as a feminist scholar. The chapters consider the introduction of women and gender into the conversation about IR, as well as feminist methodological interventions and conversations with the IR mainstream. The final section of the book includes some of Tickner's later writings on topics including race, imperialism, and religion. She ends with thoughts on the present currents of feminist IR and its place within the wider discipline.Given the way that her career has mirrored the evolution of the subfield, Tickner's book provides a methodological and epistemological story of feminist interventions in IR and a thoughtful reflection on where the field is headed in the future.

“[The Life of John Maynard Keynes] fulfills expectation. It is reliable, instructive, vivid, sensitive and a pleasure to read. It is a due memorial to a man whom Mr. Harrod, without overstatement, describes as ‘one of the greatest Englishmen of his age.’. . .The ordinary citizen, bewildered by economics, will read this book with exhilaration―even with passionate exhilaration―as an account of an astounding personality. . . .His, certainly, was the most compelling personality that I have ever encountered.” ―Harold Nicolson, The ObserverThe Life of John Maynard Keynes traces the life and career of the famous English economist and evaluates his contribution to modern economic policy making.

Northanger Abbey depicts the misadventures of Catherine Morland, young, ingenuous, and mettlesome, and an indefatigable reader of gothic novels. Their romantic excess and dark overstatement feed her imagination, as tyrannical fathers and diabolical villains work their evil on forlorn heroines in isolated settings. What could be more remote from the uneventful securities of life in the midland counties of England? Yet as Austen brilliantly contrasts fiction with reality, ordinary life takes a more sinister turn, and edginess and circumspection are reaffirmed alongside comedy and literary burlesque. Also including Austen's other short fictions, Lady Susan, The Watsons, and Sanditon, this valuable new edition shows her to be as innovative at the start of her career as at its close.

Leonetto Cappiello is the Father of the Modern Poster. With his penchant for contagious exuberance and intoxicating overstatement, as well as the technique of utilizing strong, flat colors against dark backgrounds, Cappiello shocked, surprised and moved the viewer; he arrested the attention of the passerby with incongruity, and as a result, effectively etched an image into their mind's eye. He created an entirely new advertising vocabulary and his posters can be said to be fantastic - in a completely literal sense.This is the largest collection of Cappiello's work ever presented - 534 poster illustrations in full-color - as well as the most authoritative. Detailed appraisals and annotations accompany each poster, including an introduction that provides the reader with biographical information and an additional 50 color illustrations that show the many other facets of Cappiello's talent - from book and magazine illustrations, to paintings, maquettes, postcards and, most all, his superb early caricatures.