19 products were found matching your search for PROTEST Herren Shorts PRTORHEN in 2 shops:

Stay stylish with this Obey short-sleeved crew-neck t-shirt for men. Featuring a regular fit, silkscreen print on the left side and back, and made of 100% Cotton. Easy to care for with hand or machine wash. Model is 180 cm tall and wears size M.

Stay stylish with this Obey short-sleeved crew-neck t-shirt for men. Featuring a regular fit, silkscreen print on the left side and back, and made of 100% cotton. Easy to care for with hand or machine wash. Model is 180 cm tall and wears size M.

Stay stylish with this Obey short-sleeved crew-neck t-shirt for men. Featuring a regular fit, silkscreen print on the left side and back, and made of 100% Cotton. Easy to care for with hand or machine wash. Model is 180 cm tall and wears size M.

Stay stylish with this Obey short-sleeved crew-neck t-shirt for men. Featuring a regular fit, silkscreen print on the left side and back, and made of 100% Cotton. Easy to care for with hand or machine wash. Model is 180 cm tall and wears size M.

Stay stylish with this Obey short-sleeved crew-neck t-shirt for men. Featuring a regular fit, silkscreen print on the left side and back, and made of 100% Cotton. Easy to care for with hand or machine wash. Model is 180 cm tall and wears size M.

Stay stylish with this Obey short-sleeved crew-neck t-shirt for men. Featuring a regular fit, silkscreen print on the left side and back, and made of 100% Cotton. Easy to care for with hand or machine wash. Model is 180 cm tall and wears size M.

Stay stylish with this Obey short-sleeved crew-neck t-shirt for men. Featuring a regular fit, silkscreen print on the left side and back, and made of 100% Cotton. Easy to care for with hand or machine wash. Model is 180 cm tall and wears size M.

Upgrade your summer wardrobe with these men's casual shorts from Hugo Boss. Made from 100% cotton, these Herren-Bermudashorts are perfect for the warmer seasons. Add a touch of style to your outfit with these textile shorts from the Spring/Summer collection.

Paperback. Art has always declared its dissatisfaction against the status quo. Throughout history artists have used their art to criticise and protest against a range of injustices and inequalities. Their art is an act of defiance, but more importantly it has given a voice to the marginalised.This short but powerful book showcases the work of a range of artists from the last eighty years who have challenged traditional boundaries, spoken up for the powerless and against those who seek to deny people their human rights. Exploring deeply political and critical art which uses irony, satire, subversion and provocation, it features responses to war, violence, oppression, gender and racial inequalities, the AIDS epidemic, LGBTQ+ rights, the Black Lives Matter movement and the climate crisis, in a variety of media.A Brief History of Protest Art reveals the important role of art in confronting political and social issues, and how it can help to change attitudes to create a better future. A visual journey through eighty years of protest art, which is more relevant than ever in our digital, visually-rich and social-media driven age Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the 1960s, a decade shaped by the country’s first large-scale student protests. The movement yielded a wave of new books featuring innovative graphic design combined with photography: serialized imagery, gripping text-image combinations, dynamic cropping and the use of provocatively "poor" materials. The writings and images by Provoke's members―critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yakata Takanashi and Daido Moriyama―were suffused with the tactics developed by Japanese protest photographers such as Nobuyoshi Araki, Eikoh Hosoe and Shomei Tomatsu, who pointed at and criticized the mythologies of modern life. Provoke accompanies the first exhibition ever to be held on the magazine and its creators. Illuminating the various uses of photography in Japan at the time, the catalogue focuses on selected projects undertaken between 1960 and 1975 that offer a strongly interpretative account of currents in Japanese art and society at a moment of historical collapse and renewal.

Short writings and segments of longer prose works containing critical and ironic treatments of war and social injustice by the famous Missouri story-teller

Upgrade your summer wardrobe with these men's casual shorts from Suns. Perfect for the warmer seasons, these Herren-Bermudas are part of the Spring/Summer collection. Made from a comfortable blend of 92% nylon and 8% elastane/lycra, these shorts are a stylish and practical choice for any casual occasion.

When, in October 1517, Martin Luther pinned his Ninety-Five Theses to the door of All Saints' Church in Wittenberg he shattered the foundations of western Christendom. The Reformation of doctrine and practice that followed Luther's seismic action, and protest against the sale of indulgences, fragmented the Church and overturned previously accepted certainties and priorities. But it did more, challenging the relationship between spiritual and secular authority, perceptions of the supernatural, the interpretation of the past, the role of women in society and church, and clerical attitudes towards marriage and sex. Drawing on the most recent historiography, Helen L Parish locates the Protestant Reformation in its many cultural, social and political contexts. She assesses the Reformers' impact on art and architecture; on notions of authority, scripture and tradition; and - reflecting on the extent to which the printing press helped spread Reformation ideas - on oral, print and written culture.

What do anarchists want? It seems easier to classify them by what they don't want, namely, the organizations of the State, and to identify them with rioting and protest rather than with any coherent ideology. But with demonstrations like those against the World Bank and the International Monetary Fund being blamed on anarchists, it is clear that an explanation of what they do stand for is long overdue. Colin Ward provides answers to these questions by considering anarchism from a variety of perspectives: theoretical, historical, and international, and by exploring key anarchist thinkers, from Kropotkin to Chomsky. He looks critically at anarchism by evaluating key ideas within it, such as its blanket opposition to incarceration, and policy of "no compromise" with the apparatus of political decision-making. Can anarchy ever function effectively as a political force? Is it more "organized" and "reasonable" than is currently perceived? Whatever the politics of the reader, Ward's argument ensures that anarchism will be much better understood after experiencing this book.

A new history of the world’s most embattled ideaToday, democracy is the world’s only broadly accepted political system, and yet it has become synonymous with disappointment and crisis. How did it come to this? In Can Democracy Work? James Miller, the author of the classic history of 1960s protest Democracy Is in the Streets, offers a lively, surprising, and urgent history of the democratic idea from its first stirrings to the present. As he shows, democracy has always been rife with inner tensions. The ancient Greeks preferred to choose leaders by lottery and regarded elections as inherently corrupt and undemocratic. The French revolutionaries sought to incarnate the popular will, but many of them came to see the people as the enemy. And in the United States, the franchise would be extended to some even as it was taken from others. Amid the wars and revolutions of the twentieth century, communists, liberals, and nationalists all sought to claim the ideals of democracy for themselves―even as they manifestly failed to realize them.Ranging from the theaters of Athens to the tents of Occupy Wall Street, Can Democracy Work? is an entertaining and insightful guide to our most cherished―and vexed―ideal.

Jean, this story's handsome, long-haired little boy, happens to have a very famous father--the artist Pierre Auguste Renoir. But the boy also has a problem. Despite Jean's many protests, his father thinks Jean's hair is too beautiful to be cut short. This renowned artist loves to use his son as a model in many of his paintings, and he insists that Jean is still young enough to keep his hair long. Meanwhile, the other kids often tease Jean, which makes him quite angry--and well-meaning adults sometimes mistake Jean for a pretty girl, which annoys and embarrasses him. How can he convince his dad that he's old enough to have short hair? This gently amusing story for children is beautifully illustrated in a manner that resembles the painting style of Jean's illustrious father, and it includes several illustrations that are faithful copies of Renoir's paintings. Of course, the senior Renoir finally relents, and young Jean Renoir does get his hair cut. Still later as an adult, Jean becomes famous in his own right as a widely acclaimed film director.

Since the civil rights era, the doctrine of nonviolence has enjoyed near-universal acceptance by the US Left. Today protest is often shaped by cooperation with state authorities—even organizers of rallies against police brutality apply for police permits, and anti-imperialists usually stop short of supporting self-defense and armed resistance. How Nonviolence Protects the State challenges the belief that nonviolence is the only way to fight for a better world. In a call bound to stir controversy and lively debate, Peter Gelderloos invites activists to consider diverse tactics, passionately arguing that exclusive nonviolence often acts to reinforce the same structures of oppression that activists seek to overthrow.Contemporary movements for social change face plenty of difficult questions, but sometimes matters of strategy and tactics receive low priority. Many North American activists fail to scrutinize the role of nonviolence, never posing essential questions:· Is nonviolence effective at ending systems of oppression?· Does nonviolence intersect with white privilege and the dominance of North over South?· How does pacifism reinforce the same power dynamic as patriarchy?· Ultimately, does nonviolence protect the state? Peter Gelderloos is a radical community organizer. He is the author of Consensus: A New Handbook for Grassroots Political, Social, and Environmental Groups and a contributor to Letters From Young Activists. He is the co-facilitator of a workshop on the prison system, and is also involved in independent media, copwatching, anti-oppression work, and anarchist organizing.

Excerpt from The Boer Fight for FreedomAfter resigning membership of the British House of Commons in October, 1899, as a personal and political protest against a war which I believed to be the greatest infamy of the nineteenth century, I proceeded, a short time afterwards, to the Transvaal to see and learn more about the little nation against whose liberty and land this crime had been planned and executed.This book embodies the facts and information which I obtained in my intercourse with the leaders and people of both Republics. It also contains the impressions which followed from a few months' close contact with them during their unparalleled struggle to retain their independence.I owe the expression of grateful acknowledgments for the facilities given and the assistance willingly tendered to me by members of both governments during my stay in the Transvaal and Orange Free State, and to numerous officers and officials who supplied me with authentic details of the earlier battles of the campaign in Natal and on the western borderland.My thanks are specially due to Dr. Reitz, State Secretary of the S. A. R.; Attorney-General (now Commandant) Smuts; and to Mr. Piet Grobler, also of the Administration. To Commandant-General Louis Botha, his military secretary Adjutant Sandberg, Adjutant Robert Emmet, Field Cornet Cherrie Emmet, General De la Rey, General Tobias Smuts, Colonel Trichardt (head of the Transvaal artillery), Colonel Blake, the Hollander officers in charge of the English prisoners at Pretoria, the Landrosts of Pretoria and Johannesburg, and to the editors and proprietors of the "Volksstem" and of the "Standard and Diggers' News."About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

In 1993, simply the idea that lesbians and gays should be able to serve openly in the military created a firestorm of protest from right-wing groups and powerful social conservatives that threatened to derail the entire agenda of a newly elected President. Nine short years later, in the wake of September 11, 2001, the Pentagon's suspension of discharge of gay and lesbians went largely overlooked and unremarked by political pundits, news organizations, military experts, religious leaders and gay activists. How can this collective cultural silence be explained?