5 products were found matching your search for Pacht in 1 shops:

The late 14th and early 15th centuries saw a new style of painting emerging in Northern Europe, the proponents of which included the Van Eyck brothers and the Master Flemalle. Otto Pacht presents his thoughts and observations on these artists and their contemporaries, and on the intellectual and artistic climate of the time. He focuses in particular on the works of the Master of Flemalle, Jan and Hubert van Eyck and The Ghent Altarpiece. Wonderfully illustrated throughout.

Otto Pacht, one of the most significant art-historians of the 'Vienna School', and well known for his analyses of Early Netherlandish art, turns his attention in this publication to the humanist circle of Early Renaissance painters in Venice, dominated by Jacopo Bellini, his sons Gentile and Giovanni, and also his son-in-law Andrea Mantegna. It was a period of newly awakened interest in the Antique, of studies made directly from nature, and of trial and error in the technique of perspective. And in addition, a new awareness of the role of light and colour in the devotional and often monumental images of the Madonna, of altarpieces and of allegories contributed to the founding of what we now recognise as the hall-mark of Venetian painting, that culminated with Titian. Of the Bellini family, it has been Giovanni who was generally regarded as the major figure of the dynasty. Pacht, however, devotes particular attention to Jacopo's work, interpreting it as the basis for his sons' later development. He analyses Jacopo's London and Paris Sketchbook drawings, demonstrating where Late Gothic elements can be seen to be overtaken by the need to give perspective depth to the image, and how subsequent painting took account of these changes. This is also the essence of Pacht's examination of Mantegna's work, where the construction of space and depth is the key to our understanding of Mantegna's creative process. Turning to the next generation of the Bellini family, Pacht guides our eyes to appreciate the refinement and perception of Gentile's portraits, and finally takes us step by step through the works of Giovanni, where fantasy combines with the play of colour and light in creating compositions, devotional images, and landscape settings of perfect harmony and beauty.

Based on lectures given at the University of Vienna, this book examines all types of book decoration and illumination between late Antiquity and the Renaissance from the point of view of format and style. Pacht explains the basic vocabulary and concepts by which this art-form is to be understood, and offers insights into the philosophy, theology, technology and culture underlying its history. His subjects include pictorial decoration in the organic structure of the book; the initial; bible illustration; didactic miniatures; illustration of the apocalypse; illustration of the psalter; the conflict of surface and space. Now available in paperback.

Based on lectures given at the University of Vienna, this book examines all types of book decoration and illumination between late Antiquity and the Renaissance from the point of view of format and style. Pacht explains the basic vocabulary and concepts by which this art-form is to be understood, and offers insights into the philosophy, theology, technology and culture underlying its history. His subjects include pictorial decoration in the organic structure of the book; the initial; bible illustration; didactic miniatures; illustration of the apocalypse; illustration of the psalter; the conflict of surface and space. Now available in paperback.

In the tradition established by Otto Pacht and J. J. G. Alexander with their catalogues of illuminated manuscripts in the Bodleian Library, Oxford, the present publication presents all the vital information on the miniatures, marginalia and other decorations in the manuscripts of one collection. Thanks to the homogeneous nature of the Utrecht University Library's collection, this volume also serves as a much-needed study of manuscript illumination in the Northern Netherlands. Of the 181 manuscripts dealt with here, 132 are from that area. Approximately half of these are from Utrecht, the most important centre of book production in the region during the Middle Ages. A uniquely valuable feature of this publication is the large number of illustrations, most in actual size. All miniatures with identifiable subjects are illustrated, along with a choice of the minor decorations. The extensive entries are supplemented with eight indexes. Special emphasis is laid on iconography, which is indexed both by subject matter and Iconclass number.