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Many people who do not believe in God believe that 'everything is God' - that everything is part of an all-inclusive divine unity. In Pantheism, this concept is presented as a legitimate position and its philosophical basis is examined. Michael Levine compares it to theism, and discusses the scope for resolving the problems inherent in theism through pantheism. He also considers the implications of pantheism in terms of practice. This book will appeal to those who study philosophy or theology. It will also be of interest to anyone who does not believe in a personal God, but does have faith in a higher unifying force, and is interested in the justification of this as a legitimate system of thought.

Many people who do not believe in God believe that 'everything is God' - that everything is part of an all-inclusive divine unity. In Pantheism, this concept is presented as a legitimate position and its philosophical basis is examined. Michael Levine compares it to theism, and discusses the scope for resolving the problems inherent in theism through pantheism. He also considers the implications of pantheism in terms of practice. This book will appeal to those who study philosophy or theology. It will also be of interest to anyone who does not believe in a personal God, but does have faith in a higher unifying force, and is interested in the justification of this as a legitimate system of thought.

Do you feel a deep sense of belonging and wonder in a forest or by the ocean? Are you speechless with awe when you see the Milky Way strewn with stars? Do you find it hard to conceive of a divinity separate from the beauty of nature or the power of the universe? Then you are probably a pantheist. The heart of Pantheism is reverence for Nature and the Universe. It offers a vibrant alternative to theism and atheism, with a joyful and accepting approach to life on this earth. Pantheism dates back to the very first Greek philosophers, and was the religious viewpoint of many famous thinkers and artists, including Marcus Aurelius, Spinoza, Wordsworth, Whitman, Emerson, Thoreau, Einstein, and Frank Lloyd Wright. The dominant religious approach of the nineteenth century, pantheism is seeing a modern revival as the underlying world view of the environmental movement, of leading scientists, and of nature-revering paganism. This accessible, clear and authoritative handbook is the only available introduction to the history, theory and practice of Pantheism. "Surely one of the most extraordinary books written in recent years about the subject of religion." --Dr. Bill Bruehl, Amazon Books

Pantheism is the belief that the universe and nature are divine. This book explains the pantheist affirmation of life, body and earth, how it differs from atheism and theism, the approach to mediation and mysticism, also its roots in Greece and China.

Many books have successfully defended Christianity against Western rational skepticism. 'Apologetics in the New Age' represents the first serious attempt by evangelical philosophers to answer Eastern pantheism in general and the New Age movement in particular. Teaming up with David Clark, Norman Geisler, one of evangelicalism's leading apologists, probes the pantheistic worldview and its relationship to the New Age movement. Pantheism, the authors write, constitutes the soil in which the movement grows. The notion that every person participates in the divine has found fertile expression in contemporary American culture. The American consciousness of the Eastern alternative has risen rapidly in the last few decades, the authors remind us. Christian apologists have been caught unaware.... For this reason, we believe that Christian apologists must turn their attention in a new direction by developing new arguments for this New Age.

Many books have successfully defended Christianity against Western rational skepticism. 'Apologetics in the New Age' represents the first serious attempt by evangelical philosophers to answer Eastern pantheism in general and the New Age movement in particular. Teaming up with David Clark, Norman Geisler, one of evangelicalism's leading apologists, probes the pantheistic worldview and its relationship to the New Age movement. Pantheism, the authors write, constitutes the soil in which the movement grows. The notion that every person participates in the divine has found fertile expression in contemporary American culture. The American consciousness of the Eastern alternative has risen rapidly in the last few decades, the authors remind us. Christian apologists have been caught unaware.... For this reason, we believe that Christian apologists must turn their attention in a new direction by developing new arguments for this New Age.

The recent renewal of the faith-reason debate has focused attention on earlier episodes in its history. One of its memorable highlights occurred during the Enlightenment, with the outbreak of the "Pantheism Controversy" between the eighteenth century Jewish philosopher Moses Mendelssohn and the Christian Counter-Enlightenment thinker Friedrich Heinrich Jacobi. While Mendelssohn argued that reason confirmed belief in a providential God and in an immortal soul, Jacobi claimed that its consistent application led ineluctably to atheism and fatalism. At present, there are two leading interpretations of Moses Mendelssohn's thought. One casts him as a Jewish traditionalist who draws on German philosophy to support his premodern Jewish beliefs, while the other portrays him as a secret Deist who seeks to encourage his fellow Jews to integrate into German society and so disingenuously defends Judaism to avoid arousing their opposition. By exploring the Pantheism Controversy and Mendelssohn's relation to his two greatest Jewish philosophical predecessors, the medieval Rabbi Moses Maimonides and the seventeenth century heretic Baruch Spinoza, Michah Gottlieb presents a new reading of Mendelssohn arguing that he defends Jewish religious concepts sincerely, but gives them a humanistic interpretation appropriate to life in a free, diverse modern society. Gottlieb argues that the faith-reason debate is best understood not primarily as an argument about metaphysical questions, such as whether or not God exists, but rather as a contest between two competing conceptions of human dignity and freedom. Mendelssohn, Gottlieb contends, gives expression to a humanistic religious perspective worthy of renewed consideration today.

The recent renewal of the faith-reason debate has focused attention on earlier episodes in its history. One of its memorable highlights occurred during the Enlightenment, with the outbreak of the "Pantheism Controversy" between the eighteenth century Jewish philosopher Moses Mendelssohn and the Christian Counter-Enlightenment thinker Friedrich Heinrich Jacobi. While Mendelssohn argued that reason confirmed belief in a providential God and in an immortal soul, Jacobi claimed that its consistent application led ineluctably to atheism and fatalism. At present, there are two leading interpretations of Moses Mendelssohn's thought. One casts him as a Jewish traditionalist who draws on German philosophy to support his premodern Jewish beliefs, while the other portrays him as a secret Deist who seeks to encourage his fellow Jews to integrate into German society and so disingenuously defends Judaism to avoid arousing their opposition. By exploring the Pantheism Controversy and Mendelssohn's relation to his two greatest Jewish philosophical predecessors, the medieval Rabbi Moses Maimonides and the seventeenth century heretic Baruch Spinoza, Michah Gottlieb presents a new reading of Mendelssohn arguing that he defends Jewish religious concepts sincerely, but gives them a humanistic interpretation appropriate to life in a free, diverse modern society. Gottlieb argues that the faith-reason debate is best understood not primarily as an argument about metaphysical questions, such as whether or not God exists, but rather as a contest between two competing conceptions of human dignity and freedom. Mendelssohn, Gottlieb contends, gives expression to a humanistic religious perspective worthy of renewed consideration today.

Examines Burchfield's art as the culmination of a vein of pantheism that stretches from Emerson, Thoreau, and the Hudson River school to Burchfield's last great watercolors of the 1960s. The author draws on Burchfield's journal and letters to trace the artist's development (American Art Series) Illustrated.

Pantheism is the idea that God and the world are identical―that the creator, sustainer, destroyer, and transformer of all things is the universe itself. From a monotheistic perspective, this notion is irremediably heretical since it suggests divinity might be material, mutable, and multiple. Since the excommunication of Baruch Spinoza, Western thought has therefore demonized what it calls pantheism, accusing it of incoherence, absurdity, and―with striking regularity―monstrosity.In this book, Mary-Jane Rubenstein investigates this perennial repugnance through a conceptual genealogy of pantheisms. What makes pantheism “monstrous”―at once repellent and seductive―is that it scrambles the raced and gendered distinctions that Western philosophy and theology insist on drawing between activity and passivity, spirit and matter, animacy and inanimacy, and creator and created. By rejecting the fundamental difference between God and world, pantheism threatens all the other oppositions that stem from it: light versus darkness, male versus female, and humans versus every other organism. If the panic over pantheism has to do with a fear of crossed boundaries and demolished hierarchies, then the question becomes what a present-day pantheism might disrupt and what it might reconfigure. Cobbling together heterogeneous sources―medieval heresies, their pre- and anti-Socratic forebears, general relativity, quantum mechanics, nonlinear biologies, multiverse and indigenous cosmologies, ecofeminism, animal and vegetal studies, and new and old materialisms―Rubenstein assembles possible pluralist pantheisms. By mobilizing this monstrous mixture of unintentional God-worlds, Pantheologies gives an old heresy the chance to renew our thinking.

Not to be confused with pantheism-the ancient Greek notion that God is everywhere, an animistic force in rocks and trees-the concept of panentheism suggests that God is both in the world, immanent, and also beyond the confines of mere matter, transcendent.One of the fundamental premises of this groundbreaking collection of essays is that panentheism, despite being unlabeled until the nineteenth century, is not merely a modern Western invention. The contributors examine a number of the world's established and ancient religious traditions-Christianity, Hinduism, Buddhism, Judaism, and others-to draw out the panentheistic dimensions of these traditions and the possibilities they suggest. Panentheism is not only an esoteric, potentially heretical, and deeply mystical vision of the world's great religious pasts; it is also a key feature of contemporary global spirituality. As this volume demonstrates, the metaphors and practices associated with modern panentheism speak powerfully to the realities of our evolving species and our evolving technological world. Panentheism's enticingly heretical vision of the relationship between the divine and matter has historically been denied a serious place in scholarship. As Panentheism across the World's Traditions shows, the dynamism between matter and spirit that panentheism offers has had a profound influence in the modern world.

Also contains Ethics, Correspondence, all in excellent R. Elwes translation. Basic works on entry to philosophy, pantheism, exchange of ideas with great contemporaries.

Not to be confused with pantheism-the ancient Greek notion that God is everywhere, an animistic force in rocks and trees-the concept of panentheism suggests that God is both in the world, immanent, and also beyond the confines of mere matter, transcendent.One of the fundamental premises of this groundbreaking collection of essays is that panentheism, despite being unlabeled until the nineteenth century, is not merely a modern Western invention. The contributors examine a number of the world's established and ancient religious traditions-Christianity, Hinduism, Buddhism, Judaism, and others-to draw out the panentheistic dimensions of these traditions and the possibilities they suggest. Panentheism is not only an esoteric, potentially heretical, and deeply mystical vision of the world's great religious pasts; it is also a key feature of contemporary global spirituality. As this volume demonstrates, the metaphors and practices associated with modern panentheism speak powerfully to the realities of our evolving species and our evolving technological world. Panentheism's enticingly heretical vision of the relationship between the divine and matter has historically been denied a serious place in scholarship. As Panentheism across the World's Traditions shows, the dynamism between matter and spirit that panentheism offers has had a profound influence in the modern world.

Lessing's Spinozism looms up out of the numerous intellectual riddles of the past. Almost everything has been tried in an effort to sound and weigh the exact amount of Spinozism Lessing betrayed in his conversations with Jacobi. This volume contains in translation the main writings relative to the famous 'pantheism debate' between Jacobi and Mendelssohn, which was prompted by Jacobi's revelation of the Spinozist leanings of the late Lessing. The Introduction provides the context of the debate and draws upon recent studies of 'Lessing's Spinozism' in an attempt to unravel the murky question of Lessing's philosophical legacy. Co-published with McMaster University

After passing through deism, pantheism, and sundry atheistic visions of life, Vladimir Solovyov emerged as a Christian thinker of irrepressible conviction and uncommon genius. The Justification of the Good, one of Solovyov's last and most mature works, presents a profound argument for human morality based on the world's longing for and participation in God's goodness. In the first part of the book Solovyov explores humanity's inner virtues and their full reality in Christ, weaving his moral philosophy with threads drawn from Orthodox theology. In the second part Solovyov discusses the practical implications of Christian goodness for such areas as nationalism, war, economics, legal justice, and family. This edition of The Justification of the Good reproduces the English edition of 1918 and is the only new publication of this work since that date. The book includes explanatory footnotes by esteemed scholar Boris Jakim and a bibliography, compiled by Jakim, of Solovyov's major philosophical and religious works.

Here are the most enduring works of six great American poets, collected in a single authoritative volume. From the overflowing pantheism of Walt Whitman to the exquisite precision of Emily Dickinson; from the democratic clarity of William Carlos Williams to the cerebral luxuriance of Wallace Stevens; and from Robert Frost's deceptively homespun dramatic monologues to Langston Hughes's exuberant jazz-age lyrics, this anthology presents the best work of six makers of the modern American poetic tradition. Six American Poets includes 247 poems, among them such famous masterpieces as "I Hear America Singing," "The Idea of Order at Key West," "The Dance," and "Mending Wall," as well as lesser-known works. With perceptive introductory essays by the distinguished scholar Joel Conarroe and selections that capture the distinctive voices and visions of its authors, this volume is an invaluable addition to any poetry library.From the Trade Paperback edition.

Lessing's Spinozism looms up out of the numerous intellectual riddles of the past. Almost everything has been tried in an effort to sound and weigh the exact amount of Spinozism Lessing betrayed in his conversations with Jacobi. This volume contains in translation the main writings relative to the famous 'pantheism debate' between Jacobi and Mendelssohn, which was prompted by Jacobi's revelation of the Spinozist leanings of the late Lessing. The Introduction provides the context of the debate and draws upon recent studies of 'Lessing's Spinozism' in an attempt to unravel the murky question of Lessing's philosophical legacy. Co-published with McMaster University

Pantheism is the idea that God and the world are identical―that the creator, sustainer, destroyer, and transformer of all things is the universe itself. From a monotheistic perspective, this notion is irremediably heretical since it suggests divinity might be material, mutable, and multiple. Since the excommunication of Baruch Spinoza, Western thought has therefore demonized what it calls pantheism, accusing it of incoherence, absurdity, and―with striking regularity―monstrosity.In this book, Mary-Jane Rubenstein investigates this perennial repugnance through a conceptual genealogy of pantheisms. What makes pantheism “monstrous”―at once repellent and seductive―is that it scrambles the raced and gendered distinctions that Western philosophy and theology insist on drawing between activity and passivity, spirit and matter, animacy and inanimacy, and creator and created. By rejecting the fundamental difference between God and world, pantheism threatens all the other oppositions that stem from it: light versus darkness, male versus female, and humans versus every other organism. If the panic over pantheism has to do with a fear of crossed boundaries and demolished hierarchies, then the question becomes what a present-day pantheism might disrupt and what it might reconfigure. Cobbling together heterogeneous sources―medieval heresies, their pre- and anti-Socratic forebears, general relativity, quantum mechanics, nonlinear biologies, multiverse and indigenous cosmologies, ecofeminism, animal and vegetal studies, and new and old materialisms―Rubenstein assembles possible pluralist pantheisms. By mobilizing this monstrous mixture of unintentional God-worlds, Pantheologies gives an old heresy the chance to renew our thinking.

Everything is connected, and the web is holy.” So wrote Marcus Aurelius, the starting point of Sharman Apt Russell's wise and haunting new memoir about her life as a pantheist. Perhaps no other religious philosophy is as simple and inclusive as pantheism. What is, right now, is divine; there is no god apart from the universe itself. In Standing in the Light, Russell explores the history of this tradition from the Stoic philosophers to the Transcendentalists while reflecting on her own life during a year spent in the mountains and desert of southwestern New Mexico. A season of banding birds, the migration of sandhill cranes, the panicked charge of a young javelina-nature provides the inspiration for meditations on subjects ranging from Buddhist thought to the death of her father, from the Quaker tradition to the sadness of children leaving home, from global warming to the ineffable loneliness of human experience. With a humane heart, an inquisitive mind, and luminescent prose, Sharman Apt Russell invites skeptics, scientists, and seekers everywhere to join her in her exploration of the soul of pantheism.