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"How many a man has dated a new era in his life from the reading of a book," wrote Henry David Thoreau in Walden. Today that book continues to provoke, inspire, and change lives all over the world, and each rereading is fresh and challenging. Yet as Thoreau's countless admirers know, there is more to the man than Walden. An engineer, poet, teacher, naturalist, lecturer, and political activist, he truly had multiple lives to lead, and each one speaks forcefully to us today.Sponsored by the Thoreau Society, the brief, handsomely presented books in this series offer the thoughts of a great writer on a variety of topics, some that we readily associate with him, some that may be surprising. Each volume includes selections from his familiar published works as well as from less well known lectures, letters, and journal entries. The books include original engravings by renowned illustrator and book artist Barry Moser.

A hands-on gardener, Henry Homeyer gives practical advice on how to garden, whether building a hot box, transplanting peonies, defeating the deer, growing ladyslipper orchids and shiitake mushrooms, or keeping the birds out of the berry bushes. Each month covers a range of topics relevant to the season: starting seedlings, edging and mulching, gardening with children, getting rid of invasive plants, pruning , planting shrubs for attracting and feeding birds, putting the garden to bed, growing houseplants, . . . These are just a few of Homeyer's 69 short "reflections and observations" on matters of interest to amateur, dedicated, and armchair gardeners alike.Homeyer grew up in the 1950s learning about organic gardening from a grandfather who used manure tea and compost, not 10-10-10, herbicides, and DDT. For him, organic gardening is not a political position, but a common sense approach to having the best soil and the healthiest plants. Of special relevance to denizens of zones 3-5, the climatic belt which includes New England and runs across southern Canada and west to the Rockies, each of the twelve chapters (one for each month) contains several pieces combining technical information, practical tips, personal reflections, and more than a little humor.An unusual feature is Homeyer's interviews with other gardeners. Meet Joe Mooney, the aging wizard of turf at Fenway Park. Spend an afternoon in the garden with Jamaica Kincaid. Visit Jean and Wes Cate, growers of heirloom vegetables at Fox Run Farm. Learn more about the White House gardens from chief horticulturist Dale Haney. Or marvel at Marguerite Tewksbury, an 85-year-old organic gardener who single-handedly runs a farm stand, drives her 1950 Ford Ferguson tractor, and weeds her 6,000-square-foot vegetable patch with a full-sized rototiller. "She doesn't say that keeping active and eating organically keeps her healthy and vigorous, but I have a feeling that it does," writes Homeyer.

All good things are wild and free. -Henry David ThoreauThe Almost True Tales, Thoughts and Observations of a Lifelong Black Sheep Rebel Girl delivers!I wasn't born in this universe. I was blown off a star on a blustery day....  -Rachel Hutcheson, Black Sheep Rebel GirlIn the adult world of "Now I am supposed to..." Black Sheep Rebel Girl writes her own rules and charts her own map.  Follow the wild and hilarious journey as the Rebel Girl takes on talking clouds, drunk pixies, space-travel and more. Find out: Does the edge of the universe exist? Why do angels have eating disorders? How long does true love last? Is normal good? What should you do when you are at the end of your rope? Rebel Girl tells all! Black Sheep Rebel Girl is the first book in the humorous fiction Rebel Girl series featuring whimsical tales, irreverent thoughts, and thought-provoking observations. If you like to laugh, if you like out-of-the-box stories, uplifting anecdotes, and feeling wild, brave, and free, you will love Rachel Hutcheson's book. Pick up Black Sheep Rebel Girl today.

Letters between the two men reveal their thoughts on politics, literature, and homosexuality, as well as their observations of such collegues and friends as John Maynard Keynes, Virginia Woolf, and Betrand Russell.

First edition. Inscribed copy "Inscribed for Doris by the check-listers Brian and Valerie, Gaithersburg 28-iv-87". A biography of Leslie Brooke written by his son Henry. Brooke was one of the most celebrated artists of children's books in the first part of the twentieth century. He has interpretated well known nursery rhymes and fairy tales in The Nursery Rhyme Book, edited by Andrew Lang, The Golden Goose Book and Ring O' Roses. He was best known for his own creations, Johnny Crow's Garden, Johnny Crow's Party, and Johnny Crow's New Garden. Illustrated in black and white. 144 pages. cloth, dust jacket. large 8vo..

A chronicle of the domestic side of Long's practice, beginning with a biographical sketch and detailed observations of his firm’s work. It is also a testament to the lasting appeal of his work―a clear but quiet simplicity, with due respect for the needs and tastes of his clients and the standards of classicism.

This retrospective look at the career of Henry Wessel, one of the late twentieth century's most original and dryly funny photographers, tracks his contribution to the New Topographics movement of the 1970s and continues through more than 30 years of incisive observations on the American social landscape. In 133 photographs, it offers up a range of work from the earliest in the 1960s to a recent series on Las Vegas, made between 2000 and 2004. Throughout, Wessell not only chronicles the idiosyncrasies and anomalies of Southern California and the American West, but demonstrates over and over that photography can surpass its documentary role to speculate and to suggest narratives within and beyond the frame. Ultimately, he challenges not only our expectations of his medium, but our ways of seeing and our preconceptions about the familiar. Sandra Phillips, Curator of Photography at the San Francisco Museum of Modern Art, writes of his emergence from the era's pack, "Wessel's remarkable work, witty, evocative and inventive, is distinctive and at the same time a component part of the great development of photography which flourished in the 1970s. The pictures continue to grow and evolve and the work is now regarded as an individual and important contribution to twentieth-century American photography."

Henry Chandler Cowles (1869-1939) was an ecologist, botanist, teacher, and conservationist. At the end of the 19th century, Cowles made hundreds of field observations of the sand dunes landscape that rings the southern and eastern shores of Lake Michigan. His study demonstrated that the outdoor environment is a dynamic system in which plants, soil, moisture, climate, and topography interact. Specifically, he made sense of a poorly understood natural phenomenon called plant succession, which denotes the way that communities of plants come into a landscape, flourish, and create conditions for their replacement by other plant communities. This is the first and only book on Cowles and will serve as the definitive text on this pioneer ecologist. It will appeal to ecology and natural area professionals, academics, active conservationists and the general public.

Volume two of the Journal includes Thoreau's extensive reminiscences of his 1839 excursion with his brother John along the Concord and Merrimack rivers and all his first impressions and observations entered in journals during the famous Walden sojourn. Collectively, these journals illustrate the middle stage of Thoreau's literary career--a stage noteworthy for his "devotion to the mastery of his craft" as evidenced by the progressive, intermingled drafts of A Week on the Concord and Merrimack Rivers and Walden, "Thomas Carlyle and His Works," "Wendell Phillips Before Concord Lyceum," and "Ktaadn, and the Maine Woods." More than half of the material presented in Journal 2 is previously unpublished.

Henry David Thoreau has long been revered for his writings and observations on the natural world. His words evoke his environment with stunning clarity as well as his own innate sense of wonder. His journal, from which the text of Of Woodland Pools, Spring-Holes and Ditches is drawn, shares these strengths, providing an intimate view of Thoreau’s day-to-day existence.The selected excerpts are pulled from the months of March, April, and May, and all pertain to what are now called vernal pools temporary pools of water, free of fish, at their peak in the spring, and the breeding ground for numerous creatures.In this volume, Thoreau’s words are accompanied by 28 engravings by artist Abigail Rorer. The delicacy and detail of these engravings make them the perfect companion to Thoreau’s words, adding another layer of beauty to his observations. Each engraving is a work of art in and of itself, enriched by the text and Thoreau’s visionary descriptions. The engravings are based on the woods and vernal pools explored by Thoreau, lending them undeniable authenticity.Thoreau once proclaimed, I have an appointment with spring.” Through his words and Rorer’s art, so too does the reader.

Henry David Thoreau has long been revered for his writings and observations on the natural world. His words evoke his environment with stunning clarity as well as his own innate sense of wonder. His journal, from which the text of Of Woodland Pools, Spring-Holes & Ditches is drawn, shares these strengths, providing an intimate view of Thoreau's day-to-day existence.The selected excerpts are pulled from the months of March, April, and May, and all pertain to what are now called vernal pools—temporary pools of water, free of fish, at their peak in the spring, and the breeding ground for numerous creatures.In this volume, Thoreau's words are accompanied by twenty-eight engravings by artist Abigail Rorer. The delicacy and detail of these engravings make them the perfect companion to Thoreau's words, adding another layer of beauty to his observations. Each engraving is a work of art in and of itself, enriched by the text and Thoreau's visionary descriptions. The engravings are based on the woods and vernal pools explored by Thoreau, lending them undeniable authenticity.Thoreau once proclaimed, "I have an appointment with spring." Through his words and Rorer's art, so too does the reader.

Contains detailed observations and decriptions of bird behavior along with personal reflections and anecdotes by the author

Published in 1765, these are memoirs of Lt. Henry Timberlake, who accompanied Cherokee Indians to England. Also includes his observations of the Cherokee Indians in general.

Essays extol the seasons, gardens, and the natural world, and include observations and advice on gardening

A chronicle of the domestic side of Long's practice, beginning with a biographical sketch and detailed observations of his firm’s work. It is also a testament to the lasting appeal of his work―a clear but quiet simplicity, with due respect for the needs and tastes of his clients and the standards of classicism.

Friendships and horses make the perfect pairing in the first four books in a contemporary middle grade series in the tradition of Marguerite Henry’s Misty of Chincoteague, now available in a collectible boxed set!Meet Madison “Maddie” Martinez, Brooke Rhodes, Hayley Duncan, and Nina Peralt, four friends whose shared love of Chincoteague ponies keeps them connected through their online Pony Post forum. From sleepaway riding camp to a spooky horse show performance, equestrian adventures await in this collection of the first four books in the Ponies of Chincoteague series! This boxed set includes Maddie’s Dream, Blue Ribbon Summer, Chasing Gold, and Moonlight Mile.

It was his friend Ralph Waldo Emerson, another inveterate journal keeper, who urged Thoreau to keep a record of his thoughts and observations. Begun in 1837, Thoreau’s journal spans a period of twenty-five years and runs to more than two million words, coming to a halt only in 1861, shortly before the author’s death. The handwritten journal had somewhat humble origins, but as it grew in scope and ambition it came to function as a record of Thoreau’s interior life as well as the source for his books and essays. Indeed, it became the central concern of the author’s literary life. Critics now recognize Thoreau’s journal as an important artistic achievement in its own right.Making selections from the entirety of the journal, Cramer presents all aspects of Thoreau: writer, thinker, naturalist, social reformer, neighbor, friend. No other single-volume edition offers such a full picture of Thoreau’s life and work. Cramer’s annotations add to the reader’s enjoyment and understanding. He provides notes on the biographical, historical, and geographical contexts of Thoreau’s life. The relation between Journal passages and the texts of works published in the author’s lifetime receive special emphasis. A companion to Walden: A Fully Annotated Edition, this gift edition of the Journal will be dipped into and treasured, and it makes a welcome addition to any book lover’s library.  

A beautifully produced gift edition of Thoreau’s Journal, carefully selected and annotated by Jeffrey S. Cramer It was his friend Ralph Waldo Emerson, another inveterate journal keeper, who urged Thoreau to keep a record of his thoughts and observations. Begun in 1837, Thoreau’s journal spans a period of twenty-five years and runs to more than two million words, coming to a halt only in 1861, shortly before the author’s death. The handwritten journal had somewhat humble origins, but as it grew in scope and ambition it came to function as a record of Thoreau’s interior life as well as the source for his books and essays. Indeed, it became the central concern of the author’s literary life. Critics now recognize Thoreau’s journal as an important artistic achievement in its own right.Making selections from the entirety of the journal, Cramer presents all aspects of Thoreau: writer, thinker, naturalist, social reformer, neighbor, friend. No other single-volume edition offers such a full picture of Thoreau’s life and work. Cramer’s annotations add to the reader’s enjoyment and understanding. He provides notes on the biographical, historical, and geographical contexts of Thoreau’s life. The relation between Journal passages and the texts of works published in the author’s lifetime receive special emphasis. A companion to Walden: A Fully Annotated Edition, this gift edition of the Journal will be dipped into and treasured, and it makes a welcome addition to any book lover’s library.

This retrospective look at the career of Henry Wessel, one of the late twentieth century's most original and dryly funny photographers, tracks his contribution to the New Topographics movement of the 1970s and continues through more than 30 years of incisive observations on the American social landscape. In 133 photographs, it offers up a range of work from the earliest in the 1960s to a recent series on Las Vegas, made between 2000 and 2004. Throughout, Wessell not only chronicles the idiosyncrasies and anomalies of Southern California and the American West, but demonstrates over and over that photography can surpass its documentary role to speculate and to suggest narratives within and beyond the frame. Ultimately, he challenges not only our expectations of his medium, but our ways of seeing and our preconceptions about the familiar. Sandra Phillips, Curator of Photography at the San Francisco Museum of Modern Art, writes of his emergence from the era's pack, "Wessel's remarkable work, witty, evocative and inventive, is distinctive and at the same time a component part of the great development of photography which flourished in the 1970s. The pictures continue to grow and evolve and the work is now regarded as an individual and important contribution to twentieth-century American photography."

Volume two of the Journal includes Thoreau's extensive reminiscences of his 1839 excursion with his brother John along the Concord and Merrimack rivers and all his first impressions and observations entered in journals during the famous Walden sojourn. Collectively, these journals illustrate the middle stage of Thoreau's literary career--a stage noteworthy for his "devotion to the mastery of his craft" as evidenced by the progressive, intermingled drafts of A Week on the Concord and Merrimack Rivers and Walden, "Thomas Carlyle and His Works," "Wendell Phillips Before Concord Lyceum," and "Ktaadn, and the Maine Woods." More than half of the material presented in Journal 2 is previously unpublished.