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346p grey cloth, very good, unused copy, shelfwear

Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen markings In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9783618680079

First published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.

Unread book in perfect condition.

New! This book is in the same immaculate condition as when it was published 1.47

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.47

Wolfram von Eschenbach's Parzival expands and transforms the Arthurian tradition into a grand depiction of the medieval cosmos around 1200. Standing between clerical and chivalric cultures and articulating the interests and values of both, Wolfram produced the most popular vernacular work in medieval Germany and one of the most vibrant of the High Middle Ages. The brilliance, boldness, and astonishing originality of Parzival, along with the allure of its elusive author and his enigmatic grail, have continued to fascinate modern audiences since the nineteenth century. And in the late 20th century, as the study of literature becomes increasingly interdisciplinary, Wolfram's masterpiece continues to hold forth a seemingly inexhaustible supply of cultural knowledge and insights. The original essays in this volume provide a definitive treatment in English of significant aspects of Parzival (Wolfram's modes of narrative presentation, his relationship to his sources, his portrayal of the grail), and of some of the broader social and cultural issues it raises (the theology of the Fall, the status of chivalric self-assertion, the characterization of women, the modern reception of Parzival). These and other essays point in new directions for the future study of Parzival, and demonstrate that the poem deservedly occupies a central position in our understanding of the High Middle Ages.

The story of the Holy Grail has gripped the imaginations of millions since it first appeared in medieval romances, among them Wolfram von Eschenbach's Middle High German Parzival (c. 1210). Strangely, the Grail is identified in Parzival not as a cup or dish, but as a stone. This oddity is usually interpreted merely as further evidence of the difficulty of discerning the true sources of the Grail legend. G. Ronald Murphy seeks to illuminate this mystery and to enable a far better appreciation of Wolfram's insight into the nature of the Grail and its relationship to the Crusades. Wolfram's "sacred stone" was in fact a consecrated altar, precious by virtue of the sacrament but also, Murphy argues, by virtue of the material from which it was made: a precious green stone associated with the rivers of Paradise. Parzival, Murphy believes, was intended as an argument against continued efforts by Latin Christians to recover the Sepulchre by force. In Wolfram's story, warring Christians and Muslims are brought together in peace by the power of the Grail - a stone Murphy believes still exists. An entirely original reading of Wolfram's famous text, this engrossing and accessible book appeals not only to scholars and students of medieval literature but to anyone who is drawn to the lasting mystery of the Holy Grail.

Arthur Groos here challenges traditional approaches to Wolfram von Eschenbach's quest-romance Parzival (ca. 1210). He offers a new model for reading the text in the light of narrative theory by means of close textual analysis as well as scrupulous investigation of Wolfram's scientific sources.Taking as his starting point the assertion by the Russian narrative theorist Mikhail Bakhtin that Parzival achieved a pluralism of novelistic discourse generally associated with more recent works, Groos traces several strands of narrative - especially Arthurian and Grail. He focuses on crucial episodes in the hero's quest, ranging from his discovery of knighthood to the healing of the Fisher King, and shows how Wolfram transposes the clerical French perspective of Chretien de Troyes's Li Contes del Graal into the context of chivalric German culture. Examining the variety of language registers and genres incorporated in Parzival, Groos demonstrates that the interaction of chivalric romance, hagiography, dynastic chronicle, and scientific and medical treatise produces a decentered fictional universe in which various religious and secular viewpoints enter into dialogue. In the Grail episodes in particular, Groos finds a narrative universe that both suggests a transcendent teleology and resists ideological closure.

The story of the Holy Grail has gripped the imaginations of millions since it first appeared in medieval romances, among them Wolfram von Eschenbach's Middle High German Parzival (c. 1210). Strangely, the Grail is identified in Parzival not as a cup or dish, but as a stone. This oddity is usually interpreted merely as further evidence of the difficulty of discerning the true sources of the Grail legend. G. Ronald Murphy seeks to illuminate this mystery and to enable a far better appreciation of Wolfram's insight into the nature of the Grail and its relationship to the Crusades. Wolfram's "sacred stone" was in fact a consecrated altar, precious by virtue of the sacrament but also, Murphy argues, by virtue of the material from which it was made: a precious green stone associated with the rivers of Paradise. Parzival, Murphy believes, was intended as an argument against continued efforts by Latin Christians to recover the Sepulchre by force. In Wolfram's story, warring Christians and Muslims are brought together in peace by the power of the Grail - a stone Murphy believes still exists. An entirely original reading of Wolfram's famous text, this engrossing and accessible book appeals not only to scholars and students of medieval literature but to anyone who is drawn to the lasting mystery of the Holy Grail.

The story of the Holy Grail has gripped the imaginations of millions since it first appeared in medieval romances, among them Wolfram von Eschenbach's Middle High German Parzival (c. 1210). Strangely, the Grail is identified in Parzival not as a cup or dish, but as a stone. This oddity is usually interpreted merely as further evidence of the difficulty of discerning the true sources of the Grail legend. G. Ronald Murphy seeks to illuminate this mystery and to enable a far better appreciation of Wolfram's insight into the nature of the Grail and its relationship to the Crusades. Wolfram's "sacred stone" was in fact a consecrated altar, precious by virtue of the sacrament but also, Murphy argues, by virtue of the material from which it was made: a precious green stone associated with the rivers of Paradise. Parzival, Murphy believes, was intended as an argument against continued efforts by Latin Christians to recover the Sepulchre by force. In Wolfram's story, warring Christians and Muslims are brought together in peace by the power of the Grail - a stone Murphy believes still exists. An entirely original reading of Wolfram's famous text, this engrossing and accessible book appeals not only to scholars and students of medieval literature but to anyone who is drawn to the lasting mystery of the Holy Grail.

Arthur Groos here challenges traditional approaches to Wolfram von Eschenbach's quest-romance Parzival (ca. 1210). He offers a new model for reading the text in the light of narrative theory by means of close textual analysis as well as scrupulous investigation of Wolfram's scientific sources.Taking as his starting point the assertion by the Russian narrative theorist Mikhail Bakhtin that Parzival achieved a pluralism of novelistic discourse generally associated with more recent works, Groos traces several strands of narrative - especially Arthurian and Grail. He focuses on crucial episodes in the hero's quest, ranging from his discovery of knighthood to the healing of the Fisher King, and shows how Wolfram transposes the clerical French perspective of Chretien de Troyes's Li Contes del Graal into the context of chivalric German culture. Examining the variety of language registers and genres incorporated in Parzival, Groos demonstrates that the interaction of chivalric romance, hagiography, dynastic chronicle, and scientific and medical treatise produces a decentered fictional universe in which various religious and secular viewpoints enter into dialogue. In the Grail episodes in particular, Groos finds a narrative universe that both suggests a transcendent teleology and resists ideological closure.

Wolfram von Eschenbach's Parzival expands and transforms the Arthurian tradition into a grand depiction of the medieval cosmos around 1200. Standing between clerical and chivalric cultures and articulating the interests and values of both, Wolfram produced the most popular vernacular work in medieval Germany and one of the most vibrant of the High Middle Ages. The brilliance, boldness, and astonishing originality of Parzival, along with the allure of its elusive author and his enigmatic grail, have continued to fascinate modern audiences since the nineteenth century. And in the late 20th century, as the study of literature becomes increasingly interdisciplinary, Wolfram's masterpiece continues to hold forth a seemingly inexhaustible supply of cultural knowledge and insights. The original essays in this volume provide a definitive treatment in English of significant aspects of Parzival (Wolfram's modes of narrative presentation, his relationship to his sources, his portrayal of the grail), and of some of the broader social and cultural issues it raises (the theology of the Fall, the status of chivalric self-assertion, the characterization of women, the modern reception of Parzival). These and other essays point in new directions for the future study of Parzival, and demonstrate that the poem deservedly occupies a central position in our understanding of the High Middle Ages.

1204 S. 590 S. 614 S. / Schuber berieben u. etw. bestaubt, Bände: gutes Exemplar // Briefsammlung 1951-1970, Deutsche Literatur NL01 9783518412190 *.* Sprache: Deutsch Gewicht in Gramm: 1600

Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

221 Seiten Gebundenes Buch mit Original-Schutzumschlag. Buch ist wie neu, aus priv. Vorbesitz, ungelesen. ISBN: 9783894413958 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 2000 Reprint des gleichlautenden, wahrscheinlich 1908 bis 1912 erschienenen Tafelwerks.

Gr.-2°. [4 statt 33] S., 40 Bl. Orig.-Halbleinwand-Flügelmappe mit Deckeltitel. Mappendeckel etwas bestoßen und mit schwacher Knickspur. Die Tafeln im weißen Rand teils etwas beschnitten(?) und dort teils auch mit kl. Löchern (Heftzweck-Spur). Dezentes priv. Exlibris am Spiegel. Nr 735 von 800 Exemplaren der 'Sansara-Mappe'. - Die Tafeln komplett, die Textbeilage nur mit einem Doppelblatt: Titel, Einführung und Impressum. Sprache: Deutsch

Foreword by George C. Schoolfield

A prose retelling of the thirteenth-century epic poem by Wolfram von Eschenback follows Parzival's journey from wilderness to mountain in search of the Holy Grail, until he asks the right question and is crowned the Grail King.

Vast in its scope, incomparably dense in its imagery, Wolfram von Eschenbach's Parzival ranks alongside Dante's Divine Comedy as one of the foremost narrative works to emerge from medieval Europe. This book is a new translation of Parzival, together with the fragments of the Titurel, an elegiac offshoot of Parzival, and the nine love-songs attributed to Wolfram. Parzival is the greatest of the medieval Grail romances. In its depth and complexity of characterisation this work of the early thirteenth century anticipates the modern novel. It encompasses deeds of chivalry, tournaments and sieges, courtly love, and other erotic undertakings, but also sin and penance, and a deeply moving study in depression. Centre stage are the Grail Castle and Arthur's Round Table, but the pagan world of the Orient also is also reflected. Parzival has inspired and influenced works as diverse as Wagner's Parsifal and Lohengrin, Franz Kafka's The Castle, Terry Gilliam's film The Fisher King, and Umberto Eco's Baudolino. Cyril Edwards' thoughtful translation vividly conveys the power of this complex, wide-ranging medieval masterpiece. CYRIL EDWARDS is a lecturer in German at St Peter's College and Research Fellow of the Faculty of Medieval and Modern Languages, University of Oxford. He is the author of The Beginnings of German Literature (Camden House, 2002), and numerous articles on the medieval lyric and Old High German. His previous translations include Hans Sachs's "Song of the Nose" for the King's Singers, Bernhard Maier's Dictionary of Celtic Religion and Culture (Boydell & Brewer, 1997) and The Medieval Housebook (Prestel-Verlag, 1997).