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Benvenuto Olivieri was a Florentine banker active in Rome during the first half of the sixteenth century. A self made man without any great family patrimony, he rose to prominence during the pontificate of Pope Paul III, becoming involved with a variety of papal enterprises which allowed him to get to the heart of the mechanisms governing the papal finances. Amassing a considerable fortune along the way, Olivieri soon built himself a role as co-ordinator of the appalti (revenue farms) and became one of the most powerful players in the complex network that connected bankers and the papal revenue. This book explores the indissoluble link that had developed between the papacy and bankers, illuminating how the Apostolic Chamber, increasingly in need of money, could not meet its debts, without farming out the rights to future income. Utilising documents from a rich corpus of unpublished sources in Florence and Rome, Guidi Bruscoli unravels the web of financial connections that bound together Florentine and Genoese bankers with the papacy, and looks at how money was raised and the appalti managed.

Used Epiphone Les Paul Traditional Pro III Blue w/CaseNo International Shipping.Weight: 8 lbs 6.0 ozTHIS IS A CONSIGNMENT ITEM. SOLD AS IS.This Ep...

Premium Thick-Wrap Canvas entitled Clearwater Shells III. Square shell, starfish, and coral decor in light blue, green, and white. Our proprietary canvas provides a classic and distinctive texture. It is acid free and specially developed for our giclee print platforms. Each print is produced with our own archival UV quality inks supporting a vibrant color gamut, while being scratch and fade resistant. Each premium canvas gallery wrap is finished with a closed back preventing dust collection inside the back of the wrap. The back includes a pre-installed, ready-to-hang sawtooth hardware. Color: Multi-Color.

Premium Thick-Wrap Canvas entitled Clearwater Shells III . Square shell, starfish, and coral decor in light blue, green, and white. Our proprietary canvas provides a classic and distinctive texture. It is acid free and specially developed for our giclee print platforms. Each print is produced with our own archival UV quality inks supporting a vibrant color gamut, while being scratch and fade resistant. Each premium canvas gallery wrap is finished with a closed back preventing dust collection inside the back of the wrap. The back includes a pre-installed, ready-to-hang sawtooth hardware. Color: Multi-Color.

Premium Thick-Wrap Canvas entitled Clearwater Shells III . Square shell, starfish, and coral decor in light blue, green, and white. Our proprietary canvas provides a classic and distinctive texture. It is acid free and specially developed for our giclee print platforms. Each print is produced with our own archival UV quality inks supporting a vibrant color gamut, while being scratch and fade resistant. Each premium canvas gallery wrap is finished with a closed back preventing dust collection inside the back of the wrap. The back includes a pre-installed, ready-to-hang sawtooth hardware. Color: Multi-Color.

Premium Thick-Wrap Canvas entitled Golf Time III. Fun golf decor with a golf cart on a course with a wooden board effect. Our proprietary canvas provides a classic and distinctive texture. It is acid free and specially developed for our giclee print platforms. Each print is produced with our own archival UV quality inks supporting a vibrant color gamut, while being scratch and fade resistant. Each premium canvas gallery wrap is finished with a closed back preventing dust collection inside the back of the wrap. The back includes a pre-installed, ready-to-hang sawtooth hardware. Color: Multi-Color.

Welcome to Qsic's Reverb Shop!1. The description texts have been generated from our Japanese site by automatic translation.Instrument or music term...

Epiphone Les Paul Ultra III with Epiphone brand HSC.

Circa 2020s Automatic movement Silver-Tone Stainless Steel bracelet Push-button Deployant clasp Stainless Steel bezel Stainless Steel case Sapphire crystal Screw-in crown Black dial Case: 43 x 12.7 Bracelet/strap: 22 wide x 8 long Water-resistant up to 200 meters Manufacturer's limited warranty

This is a pre-owned/used instrument available as shown for local delivery, pickup at our storefront (curbside or in store) in Beltsville, Maryland,...

The glamorous life, gilded family, and tragic times of J. Paul Getty III, whose kidnapping made headlines in 1973J. Paul ("Little Paul") Getty III, the grandson of Getty Oil founder J. Paul Getty, may have been cursed by money and privilege from the moment he was born. Falling in with the wrong people and practically abandoned by his famous family, Getty was a child of his international jet set era, moving from Marrakesh to Rome, nightclubs to well-appointed drug dens. His high-profile kidnapping defined the decade―and was permanently memorable for the ear that was mailed to his mother as evidence of the kidnappers' intentions.Uncommon Youth is richly reported, and includes many interviews with Getty himself conducted from the late 1970s to the early 1990s, that raise new angles about the case. How much did Getty acquiesce to the kidnappers? Why wouldn't his rich-as-Croesus grandfather pay the ransom, which began at the equivalent of $550,000 in lire and bulged to 3.6 million as the months dragged on? Charles Fox began following and researching this story since the days shortly after Getty's disappearance. Fox's writing captures the voices of models and maids, mistresses and mothers, carabinieri and club-owners, drug dealers and drivers, alongside the Getty family members themselves to paint an evocative portrait of an era and one of its most misunderstood participants.

The late eighteenth century in England was the first great age of cartooning, and English caricature prints of the period have long been enjoyed for their humor and vitality. Now Diana Donald presents the first major study of these caricatures, which challenges many assumptions about them. She shows that they were a widely disseminated form of political expression and propaganda as subtle and eloquent as the written word.Donald analyzes the meanings of the prints, applying current perspectives on the eighteenth century about the changing roles of women and constructions of gender, the alleged rise of a consumer society, the growth of political awareness outside aristocratic circles, and the problems of defining "class" values in the later Georgian era. She discusses, for example, the social position of the Georgian satirist within the hierarchy of high and low art production; the relation between the shifting styles of political prints and the antagonisms of different political cultures; caricatures of fashion as expressions of ambivalent attitudes to luxury and "high society"; treatment of the crowd in the prints and the light this sheds on the myth of the freeborn Englishman; and what caricatures reveal about British reactions to the French Revolution in the 1790s. Donald concludes by describing the demise of the Georgian satirical print in the early nineteenth century, which she attributes in part to the new and urgent political purposes of radicals in the post-Napoleonic era. Illustrated with works by Gillray, Rowlandson, and other artists, many of which have never been published before, the book will be an enlightening and enjoyable reference for scholars and the general reader.

The late eighteenth century in England was the first great age of cartooning, and English caricature prints of the period have long been enjoyed for their humor and vitality. Now Diana Donald presents the first major study of these caricatures, which challenges many assumptions about them. She shows that they were a widely disseminated form of political expression and propaganda as subtle and eloquent as the written word.Donald analyzes the meanings of the prints, applying current perspectives on the eighteenth century about the changing roles of women and constructions of gender, the alleged rise of a consumer society, the growth of political awareness outside aristocratic circles, and the problems of defining "class" values in the later Georgian era. She discusses, for example, the social position of the Georgian satirist within the hierarchy of high and low art production; the relation between the shifting styles of political prints and the antagonisms of different political cultures; caricatures of fashion as expressions of ambivalent attitudes to luxury and "high society"; treatment of the crowd in the prints and the light this sheds on the myth of the freeborn Englishman; and what caricatures reveal about British reactions to the French Revolution in the 1790s. Donald concludes by describing the demise of the Georgian satirical print in the early nineteenth century, which she attributes in part to the new and urgent political purposes of radicals in the post-Napoleonic era. Illustrated with works by Gillray, Rowlandson, and other artists, many of which have never been published before, the book will be an enlightening and enjoyable reference for scholars and the general reader.

James Wyatt (1746–1813) is widely recognized as the most celebrated and prolific English architect of the 18th century. At the start of his lengthy career, Wyatt worked on designs for the Oxford Street Pantheon's neo-Classical interior as well as Dodington, the Graeco-Roman house that served as the model for the Regency country house. Wyatt was the first truly eclectic and historicist architect, employing several versions of Classical and Gothic styles with great facility while also experimenting in Egyptian, Tudor, Turkish, and Saxon modes. His pioneering Modern Gothic marked him as an innovator, and his unique neo-Classical designs were influenced by his links with the Midlands Industrial Revolution and his Grand Tour education. This groundbreaking book sheds new light on modern architectural and design history by interweaving studies of Wyatt's most famous works with his fascinating life narrative. This masterly presentation covers the complex connections formed by his web of wealthy patrons and his influence on both his contemporaries and successors.

Drum City Guitarland ~ Family Owned Drum & Guitar Shop Since 1965BRAND NEWSOLD WITH WARRANTYneck type Wizard III3pc Maple/Bubinga necktop/back...

This volume completes the collected works of an American genius that Coffee House has helped rediscover.

Paul Reed Smith PRS Phase III Locking Tuner Gold Hardware PRS designed locking tuners with un-plated brass shaft. Set of six. (Includes bushings an...

Gibson Les Paul Custom Shop 1958 (R8) Historic Collection 70th Anniversary Iced Tea Burst 2022Pickup Neck & Bridge Custombucker Alnico III (Unp...

Pre-ownedCondition: Very GoodComes with hard case & COABody - MahoganyNeck - MahoganyFretboard - RosewoodPickups - Custombucker Alnico III Humb...

2019 Gibson Custom Shop 1959 Les Paul Reissue 60th Anniversary VOS-Cherry Tea Burst. It comes with the original Gibson custombucker Alnico III unpo...