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Description: Emilio Pucci Black Long Sleeved Tassel Hem Top. Style number 9Ejm 45 9E630. Condition: Never worn, with tag Fabric content: Shell - 82% Viscose, 18% silk / trim - 100% polyester Care: Do not wash / do not bleach / iron, steam, or dry - low heat / dry clean / do not tumble dry / dry clean in net bag Country of Origin: Italy Color: Black Closure / Opening: N/A Size: US 8 / UK 10 / IT 42 / FR 38 (See measurements) Measurements: Bust: 18.5

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.97

Venezia, Magazzino del Sale, 6 maggio - 18 ottobre 2015. A cura di Germano Celant. Fondazione Emilio e Annabianca Vedova. cm.24,5x28,5, pp.154, Milano, Skira cm.24,5x28,5, pp.154, brossura copertina figurata.

Pelajes Criollos, es la obra mas completa entre todas las de su genero; el estudio mas profundo y exhaustivo de cuantos se han llevado a cabo sobre un tema que tanto apasiona e interesa a los amantes de los caballos, al hombre de campo para sus labores, como tambien al curioso de la literatura. Abarca la hipologia y la historia, y sobre la base de la investigacion y de las observaciones personales de su autor autoridad eminente, mundialmente reconocida en la materia-, muestra no solo al caballo criollo, sino tambien al hombre. El editor entrega a las manos del lector, una obra de esta naturaleza; un libro erudito y amable, Util y hermoso, profusamente ilustrado a color. Una obra unica en su genero, que constituye un verdadero diccionario en cuanto a pelajes se refiere.

Co-autori: Emilio Negri, Massimo Pirondini, Ill. bn: 340+, Ill. colori: 100+, Peso: 2135 gr

L'Eredità del Guercino.L'Inventario legale di Giovan Francesco e Filippo Antonio Gennari,a cura di Emilio Negro e Nicosetta Roio.Modena 2008 Artioli Pagine 127 ills.nel testo quarto rilegato con sovraccoperta Size: Quarto

In the context of Latin America, the theology of liberation is both dominant and world renowned. However, this context and the pursuit of theological relevance belong also to other voices. Orlando E. Costas, Samuel Escobar, J. Andrew Kirk, Emilio A. Núñez and C. René Padilla are thinkers who have sought to bring an evangelical understanding of liberation to the people of Latin America. Despite their influence on national and international theology and despite their transformative contribution to the praxis of churches ministering in contexts of poverty, their thought has not been systematized to dates. This work deals with this lacuna presenting the vitality of Latin American evangelical theology which seeks to be biblical, relevant and missiologically effective, thus offering a liberation which is holistic and grounded in the kingdom of God.

In the context of Latin America, the theology of liberation is both dominant and world renowned. However, this context and the pursuit of theological relevance belong also to other voices. Orlando E. Costas, Samuel Escobar, J. Andrew Kirk, Emilio A. Núñez and C. René Padilla are thinkers who have sought to bring an evangelical understanding of liberation to the people of Latin America. Despite their influence on national and international theology and despite their transformative contribution to the praxis of churches ministering in contexts of poverty, their thought has not been systematized to dates. This work deals with this lacuna presenting the vitality of Latin American evangelical theology which seeks to be biblical, relevant and missiologically effective, thus offering a liberation which is holistic and grounded in the kingdom of God.

Emilio Sagi's colorful 1970s-inspired production of Rossini's 'L'Equivoco Stravagante' is performed by Marco Vinco, Marina Prudenskja and Bruno de Simone with the Orchestra Haydn of Bolzano e Trento conducted by Umberto Benedetti Michelangeli. L'equivoco stravagante was written on 1811 and its Rossini's first two-act comic opera, the only one written for a theatre in Bologna (his adoptive home after he abandoned Pesaro). A truly peculiar opera; not so much in its music but with the text written