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Now in it's 15th edition, the Perelman's Pocket Cyclopedia of Cigars provides complete details of handmade, marchine-made and small cigars distributed in the United States. It's the most complete book of its kind. It's the authority!

Entering the warped world of S.J. Perelman is an experience. Written mainly for "New Yorker" magazine from the 1930s onwards, his sketches made reckless guerilla forays behind enemy lines to expose the absurdities of modern life and bring succour to that most persecuted minority of all: the embattled sane. A scalpel-keen satirist and parodist, he assembled a baroque range of registers and genres to lampoon the pretentions and inanities of the new language of popular culture wherever he found it - in advertising, publishing, magazines, movies, television and newspapers. But, more often than not, it is Perelman's own mock-sombre and eternally put-upon fictional persona who is the undoubted star of these sketches. While all he craves is a little peace and sanity, he is continually pushed closer to the edge by the steady stream of those sent to try him: movie moguls, the Marx brothers, Broadway impresarios, dry cleaners, house painters, insurance salesmen, au pairs, dentists and second-hand car dealers.

Book is in NEW condition. 1.19

Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.3

Excerpt from The Best of S. J. Perelman: With a Critical IntroductionAccords old ladies on street cars, babies traveling unescort ed on planes, and the feeble-minded generally-it is impor4 tant to remember the crushing, the well-nigh intolerable odds under which the man has struggled to produce what may well be, in the verdict of history, the most picayune prose ever produced in America. Denied every advantage, beset and plagued by ill fortune and a disposition so crabbed as to make Alexander Pope and Dr. Johnson seem sunny by contrast, he has nevertheless managed to belt out a series of books each less distinguished than its predeces sor, each a milestone of bombast, conceit, pedantry, and strutting pomposity. In his pages proliferate all the weird grammatical flora tabulated by H. W. Fowler in his Mod em English Usage - the Elegant Variation, the Facetious Zeugma, the cast-iron Idiom, the Battered Ornament.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Swiss Family Perelman is the hilarious and unforgettable account of the master humorist Perelman's trip around the world with his wife, son, daughter, and a cello. This collection of stories, originally published in Holiday in the late 1940s, is jam-packed with Perelman's signature wit and extraordinary prose style. (6 X 9, 224 pages, illustrations)

In these pages one of the delights of sophisticated conversation lives again. His interviews collected in this book comprise a treasury of wit. Perelman (1904-1979) was one of America's best writers and, undeniably, one of its wittiest talkers. His great ability to take the tired English language and make it new and shiny was perhaps his most amazing feat. For his seemingly effortless contributions to the world of humor and to an avid, exhilarated readership flourishing over six decades the New York Times Book Review declared him a national treasure.Spanning his entire career, these conversations show that from the beginning he was a unique practitioner and a professional curmudgeon. He discusses his progress from youthful cartoonist to comic writer. He amuses listeners with accounts of hilarious adventures in Hollywood working with the Marx Brothers and later with Mike Todd on Around the World in 80 Days, for which Perelman won an Academy Award for scriptwriting.

The author offers a humorous account of his family's voyage to the Far East, France, and England

In these pages one of the delights of sophisticated conversation lives again. His interviews collected in this book comprise a treasury of wit. Perelman (1904-1979) was one of America's best writers and, undeniably, one of its wittiest talkers. His great ability to take the tired English language and make it new and shiny was perhaps his most amazing feat. For his seemingly effortless contributions to the world of humor and to an avid, exhilarated readership flourishing over six decades the New York Times Book Review declared him a national treasure.Spanning his entire career, these conversations show that from the beginning he was a unique practitioner and a professional curmudgeon. He discusses his progress from youthful cartoonist to comic writer. He amuses listeners with accounts of hilarious adventures in Hollywood working with the Marx Brothers and later with Mike Todd on Around the World in 80 Days, for which Perelman won an Academy Award for scriptwriting.

This book includes many of the greatest hits from 1930 to 1958--available only in this edition--by the devastatingly witty Perelman, the leading figure of The New Yorker magazine's golden age of humor and one of the most popular American humorists ever. In these hilarious pieces, the charmingly cranky Perelman turns his scathing attention to books, movies, New York socialites, the newspaper business, country life, travel, Hollywood, the publishing industry, and, last but not least, himself. His self-portrait: "Under a forehead roughly comparable to . . . Piltdown Man are visible a pair of tiny pig eyes, lit up alternately by greed and concupiscence. . . . Before they made S. J. Perelman, they broke the mold." Sophisticated and supremely mischievous, Perelman is an acrobat of language who turns a phrase and then, before the reader has time to finish admiring his agility, turns it again.

100% Satisfaction is Guaranteed! There are no problems in page content and in the paper. You will be the first to open the book cover. For Used condition books in our store; It shows signs of wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact , but may have aesthetic issues such as price clipping, nicks, scratches, and scuffs. Pages may include some notes and highlighting. For all our books; Cargo will be delivered in the required time.

Seventeen pieces by the late, great American humorist--none ever before collected--are combined with a generous portion of his unfinished autobiography, "The Hindsight Saga"

A literary event--the hilarious, revealing, poignant correspondence of one of the greatest American humorists of the twentieth century. 8 pages of black-and-white photographs.

Includes contributions from Rachel Blau DuPlessis, Bob Perelman, and Peter Nicholls. 5-1/8" x 8-1/4", 372pp incl. prelims. Printed on alkaline paper and bound in glued signatures in laminated printed card stock cover with folding flaps that slightly overhang fore edge of book block. Minor Spine has a reading crease but binding remains square and tight. Pages are clean and bright and unmarked.

Vintage Books Paperback No. V-907; copyrights 1931 - 1972; previously published in 1944 and 1947 by Modern Library as "The Best of S. J. Perelman". 300 + xiv + 4 unnumbered pp. Size 7 1/4" by 4 1/4" by 1/2". Binding intact; no loose or missing pages; spine not creased. Covers and pages clean and unmarked EXCEPT piece of packing tape at bottom of spine repair a 1/4" tear and a small scratch on front cover. About 50 of the author's choice and choicest pieces of commentary, humor, review, and whatever from a forty-year period of publishing, mostly in "The New Yorker".

Salvador Dalí, Jerome Robbins, Jackie Onassis. Gregory Peck, Mick Jagger-S. J. Perelman-I. M. Pei. Philip Johnson, Josephine Baker, John Lennon: they, and so many more who made New York City the center of the universe in the 1970s, all had one thing in common besides their adopted hometown-they shopped at a legendary palace of books, music and art: Rizzoli Books at 712 Fifth Avenue. There, Kennedys and Rockefellers mingled with tourists and "regular" customers under the watchful gaze of sophisticated employees, themselves a multi-talented, international collection of artists, scholars and rogues. Nights at Rizzoli is the memoir of Felice Picano, an aspiring but near-starving young writer who in 1971 lucked into a part-time job at the stunningly elegant store via a friend. It metamorphosed into a life-changing experience, one that exposed him to some of the brightest lights in the world's cultural capital. At the store, he himself became a key player on a stage that opened every night to a new drama that often featured romance, at times violence, and of course always the books and their readers. And when his shift was over, in this post-Stonewall, pre-AIDS era, the handsome young bookstore manager stepped from one world into another, prowling the piers, bars and very private clubs of a different New York City.

Opportunity: In April 2013 the pre-eminent free-jazz saxophone player of our times, Ivo Perelman, comes down to the Stone, John Zorn's experimental music club on Manhattan's Lower East Side, to hear the drummer play with Slobber Pup, a thunderously intense band featuring Morris on distortion-laced guitar, Trevor Dunn on electric bass and Jamie Saft on keyboards.

The first in the series of duo recordings by Ivo Perelman with bass clarinet specialists. The Brazilian-born saxophonist meets his match in the German bass clarinet wizard Rudi Mahall. Says Ivo: We are both foreigners, we both grew outside of American jazz. I never met anyone quite like Rudi. He has a refined compositional sense, smart counterpoint, rhythmic displacement, harmonic and melodic development. The recording surpassed my wildest expectations. It is a textbook example of how to approac

(2-CD set) With 55 albums now under his name, Perelman's saxophone creations have perhaps never had more emotional resonance. With this double CD dedicated to the memory of Greek diva Maria Callas, Ivo Perelman and Matthew Shipp open a new chapter in their musical partnership. It is not just two improvising musicians with telepathic understanding of each other. It goes beyond that. There are many brilliant examples of saxophone-piano duets but this one is different. It is a kind of a new genre.

Bucks County, Pennsylvania—the name conjures up images of colonial villages, pastoral vistas, and famous artists. Walking down the streets of Doylestown or New Hope in the 1930s or 40s, you might have glimpsed humorist Dorothy Parker at a lunch counter or satirist S. J. Perelman at the hardware store, not to mention Pulitzer-Prize-winning writers like Oscar Hammerstein, James A. Michener, George S. Kaufman, Moss Hart, or Pearl S. Buck. Thanks to cheap real estate, proximity to New York City, and the lure of country living, Bucks County became such a well-known haven for creativity that the New York media began to call it "the genius belt."This book tells the story of Bucks County's rich artistic tradition: from the nineteenth-century's best-known primitive painter, Edward Hicks, to the turn-of-the-century birth of a major art colony along the Delaware River, to the influx of literary and theatrical figures during the Depression. A colorful introduction by James Michener begins with the renowned author's boyhood in Doylestown and recalls his delightful memories of the county's "golden years."