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Young Rue Cassels of the Cycler Compact -- a civilization based around remote brown dwarf stars -- is running for her life from her bullying brother, Jentry, who has stolen her family inheritance and threatens to sell her into slavery. Fleeing in a shuttle spacecraft from the sparsely populated and austere comet-mining habitat she has lived in her whole life, she spots a distant, approaching object, and stakes a legal claim to it. It is not the valuable comet she hoped for but something even more wonderful, an abandoned Cycler starship.Since the discovery of a faster-than-light drive, unfortunately operable only between larger stars, the Cycler Compact civilization has gradually dwindled. It's much cheaper for the star-based civilizations of the new Rights Economy to bypass the stops that can't be made with the new technology, and the civilizations of the brown stars are gradually sinking into anarchy and chaos. It has been decades since the last Cycler ship passed anywhere near the system in which Rue grew up. Her discovery unleashes a fury of action, greed, and interstellar intrigue as many factions attempt to take advantage of the last great opportunity to revitalize-and perhaps control--the Compact.This is the story of Rue's quest to visit and claim this ship and its treasures, set against a background of warring empires, strange alien artifacts, and fantastic science. It is a story of hope and danger, of a strange and compelling religion, Permanence, unique to this star-faring age, and of the rebirth of life and belief in a place at the edge of forever.

Permanence and Change was written and first published in the depths of the Great Depression. Attitudes Toward History followed it two years later. These were revolutionary texts in the theory of communication, and, as classics, they retain their surcharge of energy. Permanence and Change treats human communication in terms of ideal cooperation, whereas Attitudes Towards History characterizes tactics and patterns of conflict typical of actual human associations. It is in Permanence and Change that Burke establishes in path-breaking fashion that form permeates society just as it does poetry and the arts. Hence, his master idea that forms of art are not exclusively aesthetic: the cycles of a storm, the gradations of a sunrise, the stages of an epidemic, the undoing of Prince Hamlet are all instances of progressive form. This new edition of Permanence and Change reprints Hugh Dalziel Duncan's long sociological introduction and includes a substantial new afterward in which Burke reexamines his early ideas in light of subsequent developments in his own thinking and in social theory.

Why have radical political theorists, whose thinking inspired mass movements for democracy, been so suspicious of political plurality? According to Joseph Schwartz, their doubts were involved with an effort to transcend politics. Mistakenly equating all social difference with the harmful way in which particular interests dominated marketplace societies, radical thinkers sought a comprehensive set of "true human interests" that would completely abolish political strife. In extensive analyses of Rousseau, Hegel, Marx, Lenin, and Arendt, Schwartz seeks to mediate the radical critique of democratic capitalist societies with the concern for pluralism evidenced in both liberal and postmodern thought. He thus escapes the authoritarian potential of the radical position, while appropriating its more democratic implications.In Schwartz's view, a reconstructed radical democratic theory of politics must sustain liberalism's defense of individual rights and social pluralism, while redressing the liberal failure to question structural inequalities. In proposing such a theory, he criticizes communitarianism for its premodern longing for a monolithic, virtuous society, and challenges the "politics of difference" for its failure to question the undemocratic terrain of power on which "difference" is constructed. In conclusion, he maintains that an equitable distribution of power and resources among social groups necessitates not the transcendence of politics but its democratic expansion.

Why have radical political theorists, whose thinking inspired mass movements for democracy, been so suspicious of political plurality? According to Joseph Schwartz, their doubts were involved with an effort to transcend politics. Mistakenly equating all social difference with the harmful way in which particular interests dominated marketplace societies, radical thinkers sought a comprehensive set of "true human interests" that would completely abolish political strife. In extensive analyses of Rousseau, Hegel, Marx, Lenin, and Arendt, Schwartz seeks to mediate the radical critique of democratic capitalist societies with the concern for pluralism evidenced in both liberal and postmodern thought. He thus escapes the authoritarian potential of the radical position, while appropriating its more democratic implications.In Schwartz's view, a reconstructed radical democratic theory of politics must sustain liberalism's defense of individual rights and social pluralism, while redressing the liberal failure to question structural inequalities. In proposing such a theory, he criticizes communitarianism for its premodern longing for a monolithic, virtuous society, and challenges the "politics of difference" for its failure to question the undemocratic terrain of power on which "difference" is constructed. In conclusion, he maintains that an equitable distribution of power and resources among social groups necessitates not the transcendence of politics but its democratic expansion.

Permanence and Change was written and first published in the depths of the Great Depression. Attitudes Toward History followed it two years later. These were revolutionary texts in the theory of communication, and, as classics, they retain their surcharge of energy. Permanence and Change treats human communication in terms of ideal cooperation, whereas Attitudes Towards History characterizes tactics and patterns of conflict typical of actual human associations. It is in Permanence and Change that Burke establishes in path-breaking fashion that form permeates society just as it does poetry and the arts. Hence, his master idea that forms of art are not exclusively aesthetic: the cycles of a storm, the gradations of a sunrise, the stages of an epidemic, the undoing of Prince Hamlet are all instances of progressive form. This new edition of Permanence and Change reprints Hugh Dalziel Duncan's long sociological introduction and includes a substantial new afterward in which Burke reexamines his early ideas in light of subsequent developments in his own thinking and in social theory.

Young Rue Cassels of the Cycler Compact -- a civilization based around remote brown dwarf stars -- is running from her bullying brother, who has threatened to sell her into slavery. Fleeing in a shuttle spacecraft from the sparsely populated and austere comet-mining habitat she has lived in her whole life, she spots a distant, approaching object, and stakes a legal claim to it. It is not the valuable comet she hoped for but something even more wonderful, an abandoned Cycler starship.Her discovery unleashes a fury of action, greed, and interstellar intrigue as many factions attempt to take advantage of the last great opportunity to revitalize - and perhaps control - the Compact.This is the story of Rue's quest to visit and claim this ship and its treasures, set against a background of warring empires, strange alien artifacts, and fantastic science. It is a story of hope and danger, of a strange and compelling religion, Permanence, unique to this star-faring age, and of the re-birth of life and belief in a place at the edge of forever.

LP version. Trepaneringsritualen explores themes of religion, magick and the hidden realms of consciousness, taking it's musical cues from the old school of ritual ambient & death industrial. Rhythmic and seething at times, and oozing forward with a creeping sense of desolation at others, Trepaneringsritualen conjures forth bleak but mesmerizing visions of the end-times. Perfection & Permanence: A hymn to Isis; a further exploration of the duality of the holy harlot, the black-skinned Magdalen,

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1st edition. 360 pages. 9.00x5.90x1.50 inches. In Stock.

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Representations of projects between 1998 and 2005, from a cracker-style hunting plantation in coastal Georgia, to a mountain-top Tudor Revival retreat in North Carolina. Illustrated are the four phases of the firm's design process: the charrette and esquisse, the model, construction drawings, and the finished structure.

So this is permanence, edited by Jon Savage with a foreword by Deborah Curtis, presents the intensely personal writings of one of the most enigmatic and influential songwriters and performers of the late twentieth century, Joy Division's Ian Curtis. The songs of Joy Division, infused with the energy of punk but steeped in a resigned longing, were born of Manchester in the late seventies - a once flourishing industrial city in decline. They were the songs too of Ian Curtis' inner tragedies, as he battled depression, epilepsy and debilitating stage fright. Ian Curtis committed suicide in 1980, on the eve of the band's first American tour. Interspersed with the lyrics are previously unpublished facsimile pages of Ian's notebooks, which throw his highly emotive lyrics into fascinating relief and cast light on the creative process of this singularly poetic songwriter.

So this is permanence, edited by Jon Savage with a foreword by Deborah Curtis, presents the intensely personal writings of one of the most enigmatic and influential songwriters and performers of the late twentieth century, Joy Division's Ian Curtis. The songs of Joy Division, infused with the energy of punk but steeped in a resigned longing, were born of Manchester in the late seventies - a once flourishing industrial city in decline. They were the songs too of Ian Curtis's inner tragedies, as he battled depression, epilepsy and debilitating stage fright. Ian Curtis committed suicide in 1980, on the eve of the band's first American tour. Interspersed with the lyrics are previously unpublished facsimile pages of Ian's notebooks, which throw his highly emotive lyrics into fascinating relief and cast light on the creative process of this singularly poetic songwriter.

Since its publication in 1935, Kenneth Burke's Permanence and Change, a text that can serve as an introduction to all his theories, has become a landmark of rhetorical theory. Using new archival sources and contextualizing Burke in the past and present, Ann George offers the first sustained exploration of this work and seeks to clarify the challenging book for both amateurs and scholars of rhetoric.This companion to Permanence and Change explains Burke's theories through analysis of key concepts and methodology, demonstrating how, for Burke, all language and therefore all culture is persuasive by nature. Positioning Burke's book as a pioneering volume of New Rhetoric, George presents it as an argument against systemic violence, positivism, and moral relativism. Permanence and Change has become the focus of much current rhetorical study, but George introduces Burke's previously unavailable outlines and notes, as well as four drafts of the volume, to investigate his work more deeply than ever before. Through further illumination of the book's development, publication, and reception, George reveals Burke as a public intellectual and critical educator, rather than the eccentric, aloof genius earlier scholars imagined him to be.George argues that Burke was not ahead of his time, but rather deeply engaged with societal issues of the era. She redefines Burke's mission as one of civic engagement, to convey the ethics and rhetorical practices necessary to build communities interested in democracy and human welfare―lessons that George argues are as needed today as they were in the 1930s.

Bringing together a wide range of environmental issues that have been debated since the mid-1950s, this book views these issues as a result of changes in values in American society since World War II. The author explores such substantive issues as pollution, natural lands, chemical carcinogens, and population-resources balances. He examines the politics of environmental science, economic analysis, planning, and management, and traces the impact of environmental issues on local, state, and federal government. The book explores political controversy to shed light on the working of political institutions and to establish their relationship to social change.

Representations of projects between 1998 and 2005, from a cracker-style hunting plantation in coastal Georgia, to a mountain-top Tudor Revival retreat in North Carolina. Illustrated are the four phases of the firm's design process: the charrette and esquisse, the model, construction drawings, and the finished structure.

In A Splendor of Letters, Nicholas A. Basbanes continues the lively, richly anecdotal exploration of book people, places, and culture he began in 1995 with A Gentle Madness (a finalist that year for the National Book Critics Circle Award) and expanded in 2001 with Patience & Fortitude, a companion work that prompted the two-time Pulitzer Prize–winning historian and biographer David McCullough to proclaim him "the leading authority of books about books."Basbanes now offers a consideration of the many pressing issues that surround the role of books in contemporary society, such as the willful destruction of books and libraries in Sarajevo, Tibet, and Cambodia, and the spirited efforts to restore them. The matter of "discards" at various libraries takes on an entirely new dimension as well, with fully researched stories about the kind of attitudes that may lead to the loss of “last copies” of important works.In vivid detail, Basbanes examines the many materials that have been used over the centuries to record information -- among them clay tablets, papyrus scrolls, slabs of stone, palm leaves, animal skins, and hammered sheets of gold and copper. Also discussed are the various debates that continue to rage about preservation, which may mean saving and storing books on paper indefinitely, or as electronic data, which are by nature ephemeral. In this beautifully packaged edition, Nicholas Basbanes brings to a close his wonderful trilogy on the remarkable world of books and bibliophiles.

So this is permanence, edited by Jon Savage with a foreword by Deborah Curtis, presents the intensely personal writings of one of the most enigmatic and influential songwriters and performers of the late twentieth century, Joy Division's Ian Curtis. The songs of Joy Division, infused with the energy of punk but steeped in a resigned longing, were born of Manchester in the late seventies - a once flourishing industrial city in decline. They were the songs too of Ian Curtis' inner tragedies, as he battled depression, epilepsy and debilitating stage fright. Ian Curtis committed suicide in 1980, on the eve of the band's first American tour. Interspersed with the lyrics are previously unpublished facsimile pages of Ian's notebooks, which throw his highly emotive lyrics into fascinating relief and cast light on the creative process of this singularly poetic songwriter.

Attempts to determine the criteria for classical literature through an analysis of the social and intellectual importance of great works of the past.

Bringing together a wide range of environmental issues that have been debated since the mid-1950s, this book views these issues as a result of changes in values in American society since World War II. The author explores such substantive issues as pollution, natural lands, chemical carcinogens, and population-resources balances. He examines the politics of environmental science, economic analysis, planning, and management, and traces the impact of environmental issues on local, state, and federal government. The book explores political controversy to shed light on the working of political institutions and to establish their relationship to social change.