76 products were found matching your search for Persecution Collaboration Resistance in 4 shops:

Neuware - When Germany invaded Norway on 9 April 1940, the long lasting bilateral relations changed fundamentally. Immediately, the administration of the 'Reichskommissariat Norwegen' (responsible for culture and therein music together with the Norwegian puppet regime's department for culture) implemented the adaption to the new, official National Socialist guidelines.The diversity of music in Norway during the occupation is presented in this book by Norwegian and German authors, confronting research on collaboration, persecution, and resistance for the first time as an international endeavour. The different essays illustrate not only examples of exile and persecution and ask for the consequences of Nazi politics on prominent and forgotten fates, but depict how Norwegian artists and their organisations positioned themselves towards collaboration or resistance during and after the war, as well as contrasting it with the impressions of German musicians, both military and civilian, playing in Norway during the occupation.Including Norway into the international discourse on 'Music and Nazism', the articles address readers both interested in the German occupation of Norway, and the implications the German administration and its Norwegian counterparts had on the music life.

1st edn. 8vo. Original laminated pictorial boards (Fine), no dustwrapper. Pp. xxviii + 598 (no inscriptions).

Broché. Fayard. 2008. 785 p. Index. Bibliographie. Format 16 x 24 cm. Bon état. Expédition dans une enveloppe à bulles.

Focusing on the responses of writers in Shanghai to the Japanese occupation, this book corrects the postwar conception of occupied China as a field of conflict between selfless resisters and shameless collaborators by showing a complexity and ambiguity of moral choices that defies such stereotyping.

Produced in association with the New York Public Library and IMEC, the French foundation that holds the archives from which this book is drawn, Collaboration and Resistance provides a fresh and fascinating view into the behavior of French writers under the Nazi occupation, from those who collaborated to those who gave their lives to resist. With more than five hundred illustrations, including photographs, diaries, letters, official documents, manuscripts, and pamphlets, no other book offers such a sweeping overview of the decisions that both prominent and little-known writers and editors made during this period. With an unpublished 1946 text by Jean-Paul Sartre.

A careful and thorough study of the Jamaican Maroons from the British conquest to the late 18th century. Choice This richly textured study of the struggles of the Maroons of Jamaica against the British colonial authorities, their subsequent collaboration with and betrayal by them, will be of great interest to historians of Africa. . . . Elegantly written . . . the author . . . makes her own contribution to current debates on resistance and collaboration. Michael Crowder, Institute of Commonwealth Studies

Three hundred black-and-white photographs and little-known documents--including posters, newspaper articles, and leaflets--accompany a vivid, close-up look at life in France during the German occupation during World War II, along with commentaries from eight distinguished French historians. History Bk Club.

This concise history of France from the occupation in 1940 to liberation in 1944 focuses on the struggle between those who favoured collaboration with the occupying Germans and those who opted to resist. Roderick Kedward shows how ordinary people experienced the occupation; he examines the politics and ideology of the Victory regime, and he discusses the many different forms of resistance launched from inside and outside France. He particularly emphasizes the changing nature of both collaboration and resistance as the pressure of the occupatoin intensified, and asks whether France was involved in a civil war by 1944.

Ships same or next business day with delivery confirmation. Brand New. Expedited shipping available.

Europe on Trial explores the history of collaboration, retribution, and resistance during World War II. These three themes are examined through the experiences of people and countries under German occupation, as well as Soviet, Italian, and other military rule. Those under foreign rule faced innumerable moral and ethical dilemmas, including the question of whether to cooperate with their occupiers, try to survive the war without any political involvement, or risk their lives by becoming resisters. Many chose all three, depending on wartime conditions. Following the brutal war, the author discusses the purges of real or alleged war criminals and collaborators, through various acts of violence, deportations, and judicial proceedings at the Nuremberg International Military Tribunal as well as in thousands of local courts. Europe on Trial helps us to understand the many moral consequences both during and immediately following World War II.

Focusing on the responses of writers in Shanghai to the Japanese occupation, this book corrects the postwar conception of occupied China as a field of conflict between selfless resisters and shameless collaborators by showing a complexity and ambiguity of moral choices that defies such stereotyping.

Unread book in perfect condition.

A careful and thorough study of the Jamaican Maroons from the British conquest to the late 18th century. Choice This richly textured study of the struggles of the Maroons of Jamaica against the British colonial authorities, their subsequent collaboration with and betrayal by them, will be of great interest to historians of Africa. . . . Elegantly written . . . the author . . . makes her own contribution to current debates on resistance and collaboration. Michael Crowder, Institute of Commonwealth Studies

For many years, the history of Byelorussia under Nazi occupation was written primarily from the perspective of the resistance movement. This movement, a reaction to the brutal occupation policies, was very strong indeed. Still, as the author shows, there existed in Byelorussia a whole web of local institutions and organizations which, some willingly, others with reservations, participated in the implementation of various aspects of occupation policies. The very sensitivity of the topic of collaboration has prevented researchers from approaching it for many years, not least because in the former Soviet territories ideological considerations have played an important role in preserving the topic’s “untouchable” status. Focusing on the attitude of German authorities toward the Byelorussians, marked by their anti-Slavic and particularly anti-Byelorussian prejudices on the one hand and the motives of Byelorussian collaborators on the other, the author clearly shows that notwithstanding the postwar trend to marginalize the phenomenon of collaboration or to silence it altogether, the local collaboration in Byelorussia was clearly visible and pervaded all spheres of life under the occupation.

This is the long-awaited second part of the author’s meticulously researched and scrupulously impartial study of the complicated and anguished history of Yugoslavia during the years of World War II. The previous volume dealt with the Chetniks, the resistance movement formed by officers of the defeated Yugoslav army who came to regard the Communist-led Partisans as their chief enemy, and who reached accords with the occupying powers―first with the Italians and then with the Germans. The present volume deals with the rule of the Axis powers in occupied Yugoslavia, along with the role of the other groups that collaborated with them―primarily the extremist Croatian nationalist organization known as the Ustashas. The book begins by briefly describing the establishment of Yugoslavia in 1918 and its internal history during the interwar period. It then discusses the breakup of the state in April 1941, the annexation or occupation of parts of its territory by its neighbors, and the establishment by the Ustashas of the independent state of Croatia as a German-Italian quasi protectorate, focusing on its governmental policies and its problems with the Bosnian Muslims. The book also examines the role of religion during the occupation, the destruction of the Yugoslav Jewish community, and the economic exploitation of Yugoslav territory by the Axis powers. The work concludes by discussing the wartime population losses of the country and the ultimate fate of the collaborationist forces.

For many years, the history of Byelorussia under Nazi occupation was written primarily from the perspective of the resistance movement. This movement, a reaction to the brutal occupation policies, was very strong indeed. Still, as the author shows, there existed in Byelorussia a whole web of local institutions and organizations which, some willingly, others with reservations, participated in the implementation of various aspects of occupation policies. The very sensitivity of the topic of collaboration has prevented researchers from approaching it for many years, not least because in the former Soviet territories ideological considerations have played an important role in preserving the topic’s “untouchable” status. Focusing on the attitude of German authorities toward the Byelorussians, marked by their anti-Slavic and particularly anti-Byelorussian prejudices on the one hand and the motives of Byelorussian collaborators on the other, the author clearly shows that notwithstanding the postwar trend to marginalize the phenomenon of collaboration or to silence it altogether, the local collaboration in Byelorussia was clearly visible and pervaded all spheres of life under the occupation.

To continue doing business in Germany after Hitler's ascent to power, Hollywood studios agreed not to make films that attacked the Nazis or condemned Germany's persecution of Jews. Ben Urwand reveals this bargain for the first time--a "collaboration" (Zusammenarbeit) that drew in a cast of characters ranging from notorious German political leaders such as Goebbels to Hollywood icons such as Louis B. Mayer.At the center of Urwand's story is Hitler himself, who was obsessed with movies and recognized their power to shape public opinion. In December 1930, his Party rioted against the Berlin screening of All Quiet on the Western Front, which led to a chain of unfortunate events and decisions. Fearful of losing access to the German market, all of the Hollywood studios started making concessions to the German government, and when Hitler came to power in January 1933, the studios--many of which were headed by Jews--began dealing with his representatives directly.Urwand shows that the arrangement remained in place through the 1930s, as Hollywood studios met regularly with the German consul in Los Angeles and changed or canceled movies according to his wishes. Paramount and Fox invested profits made from the German market in German newsreels, while MGM financed the production of German armaments. Painstakingly marshaling previously unexamined archival evidence, The Collaboration raises the curtain on a hidden episode in Hollywood--and American--history.

For many years, the history of Byelorussia under Nazi occupation was written primarily from the perspective of the resistance movement. This movement, a reaction to the brutal occupation policies, was very strong indeed. Still, as the author shows, there existed in Byelorussia a whole web of local institutions and organizations which, some willingly, others with reservations, participated in the implementation of various aspects of occupation policies. The very sensitivity of the topic of collaboration has prevented researchers from approaching it for many years, not least because in the former Soviet territories ideological considerations have played an important role in preserving the topic’s “untouchable” status. Focusing on the attitude of German authorities toward the Byelorussians, marked by their anti-Slavic and particularly anti-Byelorussian prejudices on the one hand and the motives of Byelorussian collaborators on the other, the author clearly shows that notwithstanding the postwar trend to marginalize the phenomenon of collaboration or to silence it altogether, the local collaboration in Byelorussia was clearly visible and pervaded all spheres of life under the occupation.

This is the long-awaited second part of the author’s meticulously researched and scrupulously impartial study of the complicated and anguished history of Yugoslavia during the years of World War II. The previous volume dealt with the Chetniks, the resistance movement formed by officers of the defeated Yugoslav army who came to regard the Communist-led Partisans as their chief enemy, and who reached accords with the occupying powers―first with the Italians and then with the Germans. The present volume deals with the rule of the Axis powers in occupied Yugoslavia, along with the role of the other groups that collaborated with them―primarily the extremist Croatian nationalist organization known as the Ustashas. The book begins by briefly describing the establishment of Yugoslavia in 1918 and its internal history during the interwar period. It then discusses the breakup of the state in April 1941, the annexation or occupation of parts of its territory by its neighbors, and the establishment by the Ustashas of the independent state of Croatia as a German-Italian quasi protectorate, focusing on its governmental policies and its problems with the Bosnian Muslims. The book also examines the role of religion during the occupation, the destruction of the Yugoslav Jewish community, and the economic exploitation of Yugoslav territory by the Axis powers. The work concludes by discussing the wartime population losses of the country and the ultimate fate of the collaborationist forces.

LP version. On October 6th, sui generis Brooklyn-based band Barbez, in collaboration with singer Velina Brown, release a remarkable tribute to the International Brigades called For Those Who Came After: Songs Of Resistance From The Spanish Civil War. The album, consisting of inventive and moving new renderings of the indelible protest songs of the International Brigades, was recorded live at the Japan Society, in 2016, at the annual reunion of veterans of the Abraham Lincoln Brigade. The highlig