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ex library hardback in purple cloth boards, usual stamps/markings. 1983 publication by Springer Publishing with 319pp. Boards are good, some spots to page edges, very minor coloured highlighting which does not obscure text. In fair/good overall condition. Ready for immediate despatch from Uk. 12C*

New, unused books. These copies have varying amounts of shelf wear to covers.

Vinyl LP pressing. Original soundtrack to the Cult 1971 Western starring and directed by Peter Fonda. Bruce Langhorne was one of the most significant session guitarists to emerge in the early years of Folk Rock at the start of the '60's. He is best known for playing on some of Bob Dylan's most ground breaking records, notably 1965's BRINGING IT ALL BACK HOME. His mood music beautifully enhances a film that is by turn trippy, surreal, downbeat and sad, the images underpinned by Langhorne's melanc

"The first authorized monograph on the world–famous sculptor, photographer, and video artist.In Bruce Nauman: The True Artist, Peter Plagens – a renowned writer, critic, and author who has known Nauman for more than forty years – delivers a personal and authoritative account tracing Nauman’s entire career, from his youth in Fort Wayne, Indiana, to his graduate work at the University of California, and through to the present day. Plagens first met Nauman in Pasadena, California, in 1970, where their studios were a block apart and they played basketball together every Sunday. Since then, Plagens has pursued a real understanding of his friend’s art. The book chronicles Nauman’s process, from the creation of works in his New Mexico studio to the organization, installation, and reception of his exhibitions. Throughout, Plagens is a savvy and engaging guide to the work, using his own attempts to puzzle out the meaning of the pieces, as well as the artist’s conversations about them, to offer readers a vivid and enlightening take on one of the key figures in contemporary art."

Prefazione di Tiziano Terzani. Trauzione di Marco Bosonetto. Con uno scritto di Maurizio Tosi. Il libro di Peter Levi narra la storia di un viaggio e di un'amicizia nei primi anni Settanta al ritorno dall'Afghanistan. Le valli afghane non erano ancora state bruciate dal napalm dell'esercito sovietico, e i Buddha di Bamiyan non avevano conosciuto la follia integralista. Chatwin voleva completare i suoi appunti di etnologia sulla vita nomade delle popolazioni di quei luoghi e Levi, gesuita che avrebbe poi abbandonato la tonaca per amore, sognava di visitare i siti archeologici greci smarriti fra le montagne di una terra così lontana dalle rive del Meditteraneo. Quel viaggio, le loro riflessioni, le annotazioni, i monumenti che ammirarono ritornano in questo libro attraverso la penna di Levi e gli scatti fotografici di Chatwin. cm.15x21, pp.300, Torino, Einaudi cm.15x21, pp.300, legatura editoriale con sovracopertina figurata. legatura editoriale con sovracopertina figurata.

"The first authorized monograph on the world–famous sculptor, photographer, and video artist.In Bruce Nauman: The True Artist, Peter Plagens – a renowned writer, critic, and author who has known Nauman for more than forty years – delivers a personal and authoritative account tracing Nauman’s entire career, from his youth in Fort Wayne, Indiana, to his graduate work at the University of California, and through to the present day. Plagens first met Nauman in Pasadena, California, in 1970, where their studios were a block apart and they played basketball together every Sunday. Since then, Plagens has pursued a real understanding of his friend’s art. The book chronicles Nauman’s process, from the creation of works in his New Mexico studio to the organization, installation, and reception of his exhibitions. Throughout, Plagens is a savvy and engaging guide to the work, using his own attempts to puzzle out the meaning of the pieces, as well as the artist’s conversations about them, to offer readers a vivid and enlightening take on one of the key figures in contemporary art."

Peter Ames Carlin’s New York Times bestselling biography of one America’s greatest musicians is the first in twenty-five years to be written with the cooperation of Bruce Springsteen himself; “Carlin gets across why Mr. Springsteen has meant so much, for so long, to so many people” (The New York Times).In Bruce, acclaimed music writer Peter Ames Carlin presents a startlingly intimate and vivid portrait of a rock icon. For more than four decades, Bruce Springsteen has reflected the heart and soul of America with a career that includes twenty Grammy Awards, more than 120 million albums sold, two Golden Globes, and an Academy Award. Peter Ames Carlin masterfully encompasses the breadth of Springsteen’s astonishing career and explores the inner workings of a man who managed to redefine generations of music. A must read for fans, Bruce is a meticulously researched, compulsively readable biography of a man laden with family tragedy, a tremendous dedication to his artistry, and an all-consuming passion for fame and influence.

In 1970, Peter Levi—classical scholar, archaeologist, and poet—set off with Bruce Chatwin in search of the classical heritage of Afghanistan. Greek conquerors, Buddhist monks, Moghul emperors, doomed British soldiers—all have traveled Afghanistan, one of the great crossroads of history. This classic work, written prior to the Soviet invasion, is now reissued with fresh photographs from the Chatwin archives as well as a new introduction in which Peter Levi looks back on a bygone Afghanistan and on his friendship with the young Chatwin.

Recounting the more than century-long stage and screen history of J.M. Barrie's play Peter Pan, Bruce K. Hanson updates and expands his 1993 volume on "The Boy Who Wouldn't Grow Up." Hanson traces the origin of Barrie's tale through the first London production in 1904, to various British and American theatrical and film productions up to and including the stage versions of 2010. Included are excerpts of interviews with actresses Dinah Sheridan, Mary Martin and Sandy Duncan, all of whom portrayed Peter Pan on stage, and Betty Comden and Adolph Green, lyricists for the 1954 Broadway musical. The book features a wealth of rare photos, posters, programs and costume designs. An appendix lists virtually every actor who has performed a featured role in a London, Broadway or Hollywood production of Peter Pan from 1904 to the present.

The latest collection for Peter David devotees starts off with a crisis Countdown that takes the gray Hulk from one fight to another against the Abomination, the Fantastic Four, and a Madman who can't decide if he's Bruce Banner's biggest fan or worst enemy! Then, it's a reunion with Doctor Strange and Namor the Sub-Mariner when the Hulk joins his fellow founding Defenders against an invasion from a universe even stranger than they are! Plus: the fate of Betty Brant Banner! Also featuring Mister Hyde and the mutants of Freedom Force! Collects Incredible Hulk #364-372, Annual #16

FF Bruce was a master commentator. Good expositional study book.

Recounting the more than century-long stage and screen history of J.M. Barrie's play Peter Pan, Bruce K. Hanson updates and expands his 1993 volume on "The Boy Who Wouldn't Grow Up." Hanson traces the origin of Barrie's tale through the first London production in 1904, to various British and American theatrical and film productions up to and including the stage versions of 2010. Included are excerpts of interviews with actresses Dinah Sheridan, Mary Martin and Sandy Duncan, all of whom portrayed Peter Pan on stage, and Betty Comden and Adolph Green, lyricists for the 1954 Broadway musical. The book features a wealth of rare photos, posters, programs and costume designs. An appendix lists virtually every actor who has performed a featured role in a London, Broadway or Hollywood production of Peter Pan from 1904 to the present.

Bikers. Babes. Revenge. Nothing could better sum up this Hells Angels auctioneer directed by Roger Corman (producer of many classic B movies including Death Race 2000, Little Shop of Horrors, Targets) and starring Bruce Dern (Nebraska, the Cowboys), Peter Fonda (Easy Rider, the Limey) and Nancy Sinatra (Get Yourself a College Girl, Speedway). The action is set in motion when a bike is stolen from the Hells Angels. An epic chase to retrieve the bike ensues as the bikers spread fear and trembling

2009 release. Bruce Russell (The Wire) on New Bodies in August 2009: "Peter Kolovos, guitarist in Los Angeles trio Open City, presents here three tracks of electric guitar improvisations. In New Bodies, his first solo release, Kolovos let's rip with all the skronk and blurt he's been holding in for the last decade, in tiny, tightly gated segments. His sound vocabulary is very broad, and his control of texture and timing is masterful. Using equalisation, reverb, envelope shaping and volume contro

Scenes From The Southside by Bruce Hornsby The Range: Bruce Hornsby - vocals, grand piano, synthesizer, accordion / Peter Harris - guitar, mandolin / George Marinelli - guitar, mandolin, backing vocals / Joe Puerta - bass, backing vocals / John Molo - drums Additional personnel: Huey Lewis - harmonica on "Defenders of the Flag" / David Roitstein - synthesizer / Jeff Gerson - percussion / Jimmy Bralower - drum programming LIMITED COLORED VINYL, RED (is/maybe) NO LONGER AVAILABLE 2022.

One of the most emblematic bands from the 1980's has just reformed after 15 years. The original line-up of Peter Principle, Baline Reininger and Steven Brown is joined by Luc Van Lieshout, and visual artist Bruce Geduldig. Their unique and eclectic blend of rock, classical, jazz, & electronic elements was relevant then, and is still now today.

The Pirelli Calendar is an icon of our times. Its acclaimed photographers - among them Richard Avedon, Mario Testino, Peter Lindbergh, Herb Ritts, Norman Parkinson, Bruce Weber and Annie Leibovitz - have worked with top models such as Kate Moss, Linda Evangelista and Naomi Campbell to create images of sensual escape from reality that define an ideal of beauty. Its images stretch the parameters of erotic fantasy and fabulous photography, but their subtlety and quality also establish the calendar as a paradigm of its genre and a coveted collector's item. This book contains the full calendar for all years up to 2004, and is a must for fashion aficionados, photography buffs, and advertising and design professionals.

Trade issue. Collects stories and rememberences by Ramsey Campbell, Jenny Campbell, David A. Drake, C. Bruce Hunter, Brian Lumley, David J. Schow, Peter Straub, James R. Wagner, Francis Wellman and Scott F. Wyatt. 1997 Bram Stoker Award Winner for best collection. Fine in fine and bright dust jacket. An as new copy.

Introduction to the Saints Church [Paperback] Peter Judd (Author), Bruce Lindgren (Author)

"I read Peter Y. Paik’s lucid, graceful, ruthless book in one single astonished sitting. I scarred it all over with arrows and exclamation points, so I can read it again as soon as possible." —Bruce Sterling Revolutionary narratives in recent science fiction graphic novels and films compel audiences to reflect on the politics and societal ills of the day. Through character and story, science fiction brings theory to life, giving shape to the motivations behind the action as well as to the consequences they produce. In From Utopia to Apocalypse, Peter Y. Paik shows how science fiction generates intriguing and profound insights into politics. He reveals that the fantasy of putting annihilating omnipotence to beneficial effect underlies the revolutionary projects that have defined the collective upheavals of the modern age. Paik traces how this political theology is expressed, and indeed literalized, in popular superhero fiction, examining works including Alan Moore and Dave Gibbons’s graphic novel Watchmen, the science fiction cinema of Jang Joon-Hwan, the manga of Hayao Miyazaki, Alan Moore’s V for Vendetta, and the Matrix trilogy. Superhero fantasies are usually seen as compensations for individual feelings of weakness, victimization, and vulnerability. But Paik presents these fantasies as social constructions concerned with questions of political will and the disintegration of democracy rather than with the psychology of the personal. What is urgently at stake, Paik argues, is a critique of the limitations and deadlocks of the political imagination. The utopias dreamed of by totalitarianism, which must be imposed through torture, oppression, and mass imprisonment, nevertheless persist in liberal political systems. With this reality looming throughout, Paik demonstrates the uneasy juxtaposition of saintliness and cynically manipulative realpolitik, of torture and the assertion of human dignity, of cruelty and benevolence.