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Edward Bunting fell into his destiny when, at the age of 19, he was commissioned to write down the tunes performed at a gathering of traditional harp players in Belfast in July 1792. This assignment marked the beginning of a 100-year process of enormous importance: the preservation of a country's music, which otherwise might be lost forever. In time, Bunting passed the torch to apprentice George Petrie who, in turn, became instrumental in founding the Society for the Preservation and Publication of the Melodies of Ireland, which published Petrie's first collection in 1855. Petrie's daughter subsequently entrusted the much-honored Sir Charles Stanford with three bound volumes of her father's work, leading to the ultimate compilation, published in 1905, of 1,582 traditional melodies — the musical wealth of a nation.

Complete in three volumes. D. Reidel, 1979; corrected second printings; clvii, 174pp. / 677pp. / 502pp. Text in German (fraktur script) and English on facing pages. VG- hardcovers. Bindings are tight, sturdy, and square; minor wear to edges of red cloth boards, a few surface scratches Vol. 1 front board; light rubbing to black/gilt titling, otherwise remains bright and bold; text very good throughout set; a few very faint, small water spots on top edge of page block on Vols. 1 and 2. No dust jackets. Due to the size/weight of this set extra charges will apply for international and/or expedited shipping.

Ann Petry (1908-1997) was a prominent writer during a period in which few black writers were published with regularity in America. Her novels The Street, Country Place, and The Narrows, along with a collection of short stories and various essays and works of nonfiction, give voice to black experience outside of the traditional strains of poverty and black nationalism. At Home Inside: A Daughter's Tribute to Ann Petry sifts the myriad contradictions of Ann Petry's life from a daughter's vantage. Ann Petry hoarded antiques but destroyed many of her journals. She wrote, but, failing to publish for years, she used her imagination to design and sew clothes, to bake, and to garden. When fame finally came, Ann Petry did not enjoy the travel it brought. Though she suffered phobias and anxieties all her life, she did not avoid the obligations of literary success until late in her career. Ann Petry applied her formidable skills to stories she told about herself and her family, and the corrections Elisabeth Petry makes to her mother's inventions will prove invaluable. Talking about her life publicly, Ann Petry acknowledged six different birth dates. She hid her first marriage, and even represented her father, Peter C. Lane, Jr., as a potential killer. Mining Petry's journals Elisabeth Petry creates part biography, part love letter, and part sounding of her mother's genius and luminescent personality. Elisabeth Petry is a freelance writer with a juris doctor from the University of Pennsylvania. She lives in Middletown, Connecticut, and is the editor of Can Anything Beat White? A Black Family's Letters (University Press of Mississippi).

The second part of Hegel’s Encyclopaedia of the Philosophical Sciences in outline. Translated, and with an introduction by, MJ Petry. This edition first published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Introducing Petry By BS Trousers, the perfect addition to your wardrobe. These straight trousers in peony pink are designed with a slim fit and feature a beautiful pearl flower button. Part of the exclusive Byumbers collection, each piece has a unique designumber. Made with a blend of polyester, wool, and elastane, these trousers are both comfortable and stylish. Pair them with the Fabiana By BS blazer for a complete look.

Introducing Petry By BS Trousers, the perfect addition to your wardrobe. These straight trousers in peony pink are designed with a slim fit and feature a beautiful pearl flower button. Part of the exclusive Byumbers collection, each piece has a unique designumber. Made with a blend of polyester, wool, and elastane, these trousers are both comfortable and stylish. Pair them with the Fabiana By BS blazer for a complete look.

Original Album Classics Vol 2 (IMPORT) Wolfgang Petry - CD 888751928329

On October 25, 2010, Staff Sergeant Salvatore Giunta became the first living person since the Vietnam War to receive the United States’ highest military decoration, and both he and Sergeant Leroy Petry (the second inductee) rightly take their place in the pages of this third edition of Medal of Honor: Portraits of Valor Beyond the Call of Duty. The book includes 144 contemporary portraits of recipients by award-winning photographer Nick Del Calzo and profiles by National Book Award nominee Peter Collier. First published on Veterans Day 2003, this New York Times bestseller has now been updated and augmented to include new essays plus:· Letters from all living presidents · A foreword by Brian Williams · Profiles of Sergeant Giunta and Sergeant Petry There are also essays by Tom Brokaw, Senator John McCain, and Victor Davis Hanson, and a multimedia DVD with historic footage and recipients’ first-person reflections. The Medal of Honor recipients in the book fought in conflicts from World War II to Afghanistan, serving in every branch of the armed services.

Ann Petry (1908-1997) achieved prominence during a period in which few black women were published with regularity in America. Her novels Country Place (1947) and The Narrows (1988), along with various short stories and nonfiction, poignantly described the struggles and triumphs of middle-class blacks living in primarily white communities. Petry's ancestors, the James family, served as in-spiration for much of her fiction. This collection of more than four hundred family letters, edited by the daughter of Ann Petry, is an engaging portrait of black family life from the 1890s to the early twentieth century, a period not often documented by African American voices. Ann Petry's maternal grandfather, Willis Samuel James, was a slave taught by his children to read and write. He believed "the best place for the negro is as near the white man as he can get." He followed that "truth," working as coachman for a Connecticut governor and buying a house in a white neighborhood in Hartford. Willis had sixteen children by three wives. The letters in this collection are from him and his second wife, Anna E. Houston James, and five of Anna's children, of whom novelist Ann Petry's mother, Bertha James Lane, was the oldest. History is made and remade by the availability of new documents, sources, and interpretations. Can Anything Beat White? contributes a great deal to this process. The experiences of the James family as documented in their letters challenge both representations of black people at the turn of the century as well as our contemporary sense of black Americans.

Included in this collection of Medieval writings are Ray Petry's careful essays on the province and character of mysticism and the history of mysticism from Plato to Bernard of Clairvaux.Long recognized for the quality of its translations, introductions, explanatory notes, and indexes, the Library of Christian Classics provides scholars and students with modern English translations of some of the most significant Christian theological texts in history. Through these works--each written prior to the end of the sixteenth century--contemporary readers are able to engage the ideas that have shaped Christian theology and the church through the centuries.

Penyak (history, Latin American studies, and women's studies; U. of Scranton, Pennsylvania) and Petry (emeritus history, Latin American and Caribbean studies, and Black studies; Fairfield U.) present 162 texts for graduate and undergraduate students or others interested in religion in Latin America. The sections are generally chronological, beginni

The postwar period witnessed an outpouring of white life novels--that is, texts by African American writers focused almost exclusively on white characters. Almost every major mid-twentieth century black writer, including Zora Neale Hurston, Richard Wright, Ann Petry and James Baldwin, published one of these anomalous texts. Controversial since their publication in the 1940s and 50s, these novels have since fallen into obscurity given the challenges they pose to traditional conceptions of the African American literary canon. Playing in the White: Black Writers, White Subjects aims to bring these neglected novels back into conversations about the nature of African American literature and the unique expectations imposed upon black texts. In a series of nuanced readings, Li demonstrates how postwar black novelists were at the forefront of what is now commonly understood as whiteness studies. Novels like Hurston's Seraph on the Suwanee and Wright's Savage Holiday, once read as abdications of the political imperative of African American literature, are revisited with an awareness of how whiteness signifies in multivalent ways that critique America's abiding racial hierarchies. These novels explore how this particular racial construction is freighted with social power and narrative meaning. Whiteness repeatedly figures in these texts as a set of expectations that are nearly impossible to fulfill. By describing characters who continually fail at whiteness, white life novels ask readers to reassess what race means for all Americans. Along with its close analysis of key white life novels, Playing in the White: Black Writers, White Subjects also provides important historical context to understand how these texts represented the hopes and anxieties of a newly integrated nation.

To Read a Poem begins the study of poetry by examining whole poems, emphasizing the goal of reading is not the analysis of parts but the understanding of wholes. For a fuller definition of petry's elements, later chapters concentrate on parts. Selections are frequently modern or contemporary, supplementing them with biographical notes on all poets. To Read a Poem will help students read poetry with intelligence, gusto, and discrimination.

A young black girl watches as her aunt’s multiple suitors disrupt her  family’s privacy. The same girl, now on the cusp of adulthood, shares her family’s growing fears that her father has disappeared. Acclaimed author Ann Petry penned these and the other unforgettable narratives in Miss Muriel and Other Stories more than seventy years ago, yet in them contemporary readers recognize characters who exist today and dilemmas that recur again and again: the reluctance of African Americans to seek help from the police, the rage that erupts in a black man worn down by brutality, the tyranny that the young can visit on their elders regardless of race. Originally published between 1945 and 1971, Petry’s stories capture the essence of African American experience since the 1940s.

A fascinating overview of how contemporary artists incorporate text and language into work that speaks to the most pressing issues of the 21st century. In this new volume celebrated artist and curator Michael Petry, addresses media and marketplace concerns about the state of language and the value of books in the digital age.As words find new modes of transmission in contemporary society, text becomes information, and information strives to become free, Petry asks, what value can text hold in the sphere of visual art? Looking at the work of a broad range of artists including Bruce Nauman, Julien Breton, Jeremy Deller, Takashi Murakami, Tracey Emin, Christian Boltanski, and more, The Word is Art explores this and related questions and demonstrates how words remain critical, powerful, and central to art practice.Presenting major areas where the word has dominated artistic practice, this book takes us on a fascinating and richly illustrated global tour of diverse contemporary art forms.  250 color illustrations

The first black american million bestseller. Ann Petry was a former member of the American Negro Theatre company. This, her first novel, is set in 1940's Harlem about the struggles of a single mother trying to raise her daughter.

"Petry is the writer we have been waiting for, hers are the stories we need to fully illuminate the questions of our moment, while also offering a page-turning good time. Ann Petry, the woman, had it all, and so does her insightful, prescient and unputdownable prose.”—Tayari Jones, The Enthusiast, New York Times Book Review THE STREET tells the poignant, often heartbreaking story of Lutie Johnson, a young black woman, and her spirited struggle to raise her son amid the violence, poverty, and racial dissonance of Harlem in the late 1940s. Originally published in 1946 and hailed by critics as a masterwork, The Street was Ann Petry's first novel, a beloved bestseller with more than a million copies in print. Its haunting tale still resonates today.

The second part of Hegel’s Encyclopaedia of the Philosophical Sciences in outline. Translated, and with an introduction by, MJ Petry. This edition first published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

How to prepare and present retro fixings the Cleavers, the Petries, and the Ricardos would envy

The postwar period witnessed an outpouring of white life novels--that is, texts by African American writers focused almost exclusively on white characters. Almost every major mid-twentieth century black writer, including Zora Neale Hurston, Richard Wright, Ann Petry and James Baldwin, published one of these anomalous texts. Controversial since their publication in the 1940s and 50s, these novels have since fallen into obscurity given the challenges they pose to traditional conceptions of the African American literary canon. Playing in the White: Black Writers, White Subjects aims to bring these neglected novels back into conversations about the nature of African American literature and the unique expectations imposed upon black texts. In a series of nuanced readings, Li demonstrates how postwar black novelists were at the forefront of what is now commonly understood as whiteness studies. Novels like Hurston's Seraph on the Suwanee and Wright's Savage Holiday, once read as abdications of the political imperative of African American literature, are revisited with an awareness of how whiteness signifies in multivalent ways that critique America's abiding racial hierarchies. These novels explore how this particular racial construction is freighted with social power and narrative meaning. Whiteness repeatedly figures in these texts as a set of expectations that are nearly impossible to fulfill. By describing characters who continually fail at whiteness, white life novels ask readers to reassess what race means for all Americans. Along with its close analysis of key white life novels, Playing in the White: Black Writers, White Subjects also provides important historical context to understand how these texts represented the hopes and anxieties of a newly integrated nation.