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Covering all models on the Austin-Healey Sprite from 1958 - Frogeye/Bugeye, Mk 2, Mk 3 and the Mk 4 to the end of production in 1971. This book is a portfolio of contemporary reports featuring road and comparison tests, driving impressions, racing, new model introductions, road research report, performance and technical data. The first Sprites Frogeye/Bugeye were designed as affordable sports cars. The 1961 restyle Mk 2 gave the Sprite a more conventional face; at the same time an Mg version was announced. The power output was increased from the same sized engine. In 1962 the engine was increased to 1098cc and 55bhp. Winding windows came with the Mk 3 in 1964 as well as a revised folding hood. With other small alterations production of these small sports cars continued until July 1971.

Nash had wanted to build a small economy car for some time and after several studies in the early 50s Nash Kelvinator Corp. announced that the Austin Motor Co. would build the cars on their behalf. These cars embodied Austin A40 and A30 components in the Nash-designed car of which hardtop and Drophead coupT version were produced. In 1956 the body style was æAmericanized' and the engine changed to the A50 making it more acceptable to the US market. By 1957 it was available to the British market and fitted with the B-series engine. Production came to an end in 1962. This was America's first high quality, well-engineered minicar confirmed by the number that still survive. This is a book of contemporary road tests, new model introductions, specification and technical data, driver's impressions, development, used cars on the road, history. Models covered include: Convertible, CoupT, 1200, 1500.

Nash had wanted to build a small economy car for some time and after several studies in the early 50s Nash Kelvinator Corp. announced that the Austin Motor Co. would build the cars on their behalf. These cars embodied Austin A40 and A30 components in the Nash-designed car of which hardtop and Drophead coupT version were produced. In 1956 the body style was æAmericanized' and the engine changed to the A50 making it more acceptable to the US market. By 1957 it was available to the British market and fitted with the B-series engine. Production came to an end in 1962. This was America's first high quality, well-engineered minicar confirmed by the number that still survive. This is a book of contemporary road tests, new model introductions, specification and technical data, driver's impressions, development, used cars on the road, history. Models covered include: Convertible, CoupT, 1200, 1500.

Covering all models on the Austin-Healey Sprite from 1958 - Frogeye/Bugeye, Mk 2, Mk 3 and the Mk 4 to the end of production in 1971. This book is a portfolio of contemporary reports featuring road and comparison tests, driving impressions, racing, new model introductions, road research report, performance and technical data. The first Sprites Frogeye/Bugeye were designed as affordable sports cars. The 1961 restyle Mk 2 gave the Sprite a more conventional face; at the same time an Mg version was announced. The power output was increased from the same sized engine. In 1962 the engine was increased to 1098cc and 55bhp. Winding windows came with the Mk 3 in 1964 as well as a revised folding hood. With other small alterations production of these small sports cars continued until July 1971.

At age fifteen, Matt Seto set up a mutual fund with $23,000 from relatives and has since watched it top the Dow Jones Industrial Average by 31 percent annually, outperforming 99 percent of the funds in its category and bringing him national media acclaim. Here, Seto shares the profoundly simple but enormously effective investment philosophy that caught the attention of Wall Street and the world. Forget brokers and the chore of tracking stocks. Matt shows how to mix street smarts with good judgment to develop a powerfully lucrative investment strategy. Loaded with common sense and great tips on demystifying the market, spotting misleading trends, minimizing risk, and much more, The Whiz Kid of Wall Street's Investment Guide offers innovative investment strategies for everyone.

Book is in good to very good condition. No rips, tears, or mark-ups. Just normal minimal wear that paperbacks tend to have. AUTOGRAPHED BY THE AUTHOR & THE SUBJECT!

David Heymann crafts seven masterful tales of a young architect who fails again and again to dissuade his clients from their bad decisions. So the houses he designs aid and abet the ongoing erasure of Austin

University of Texas at Austin 101 is required reading for every future Longhorn! From the spirit of the Gone to Texas rally to the sounds of Big Bertha and The Eyes of Texas, you'll share all the great memories with the next generation! This sturdy board book features loads of high quality photos and content for young and old alike. Perfect for fans and alumni to share with kids and grandchildren. The book makes a great baby shower gift, birthday gift and holiday gift! Make sure the little ones grow up supporting the RIGHT school and team!!!!

1st edition. 375 pages. 9.25x6.50x1.25 inches. In Stock.

I am selling my prized guitar. This is my 2023 Fender Custom Shop Austin Macnutt Masterbuilt 1962 jazzmaster in aged olympic white over 3-tone sunb...

My Austin OTA-2 Ribbon Microphone transformer is Made in the USA, and now available as an individual item. Not familiar with Austin Ribbon Mic...

Created by me, artist Jasmine Becket-Griffith - "Portfolio One" is my second "solo" art book (following the previous "Fairy" book). "Portfolio Volume One" is a stunningly beautiful new book, featuring all new artwork not found in my previous book. It features artwork from 2005-2008. A glossy portfolio-style picture book, this is a very personal book to me - basically I have selected over sixty of the paintings that mean a lot to me, and I think are my best (as the artist). All are reproduced beautifully and in full colour. It is 64 full colour pages, a perfect book for fans of my art, or fans of the gothic/fantasy/fairy art genre in general. It is basically a gallery-style book consisting nearly solely of large, stunning images. Almost like buying over 60 fine art prints, all together in one book!

The Mini was a triumph of design by Alec Issigonis who produced a thoroughly drivable and likeable economy car. The neat styling immediately gave it more character than any other economy car of the time. Under BMC's badge engineering system the original Morris Mini Minor became an Austin Se7en and with a boot became the Riley Elf and Wolseley Hornet. It always had a strong sales basis. This is a book of contemporary road tests, new model introductions, specification and technical data, long-term tests, competition, history. Models covered include: De Luxe, Austin 850, Estate, Wolseley Hornet, Riley Elf, Mini Cooper, Super De Luxe, Cooper S, Riley Elf Mk II, Viking Hornet Sport, Van, De Luxe Automatic, 1,000, Mk II, Mk III.

TOP FIVE REASONS TO READ THIS BOOK 5. Learn what admissions committees at top art colleges really look for when deciding who to admit. 4. Find out which mistakes other students most often make when applying to art schools so that you can avoid making some of the same ones. 3. View extraordinary artworks my students have created to win hundreds of thousands of dollars in scholarship awards. 2. Familiarize yourself with new career paths that have emerged for young artists and designers in recent years. 1. Discover specific and actionable tips you can follow in your own quest to achieve admissions and scholarship success. In the first half of this book, you'll learn how vital a role art plays in the success of businesses today, what admissions committees at top art colleges really look for when deciding who to admit, and essential tips for developing winning art portfolio pieces. In the second half, you'll learn about the distinct advantages and histories of the most highly-ranked and popular art colleges in the Northeast, specific and actionable tips for getting into each school, and any changes these schools have made to their admissions criteria in recent years. You'll also come across images of successful student-made art portfolio pieces throughout the book, which have been included to illustrate the amount of dedication, focus, and creative talent you should expect to exhibit in your own pieces to gain admission to and win scholarships from the schools featured in this book. In going through the different chapters, you'll also gain insight into the mechanisms of art college admissions, become encouraged to solve problems more creatively, and, hopefully, find inspiration to develop the artistic talent that lies untapped in you.

Created by me, artist Jasmine Becket-Griffith - "Portfolio One" is my second "solo" art book (following the previous "Fairy" book). "Portfolio Volume One" is a stunningly beautiful new book, featuring all new artwork not found in my previous book. It features artwork from 2005-2008. A glossy portfolio-style picture book, this is a very personal book to me - basically I have selected over sixty of the paintings that mean a lot to me, and I think are my best (as the artist). All are reproduced beautifully and in full colour. It is 64 full colour pages, a perfect book for fans of my art, or fans of the gothic/fantasy/fairy art genre in general. It is basically a gallery-style book consisting nearly solely of large, stunning images. Almost like buying over 60 fine art prints, all together in one book!

In my humble opinion, this is the definitive Fats Domino performance ever captured on camera. First of all, like his hero Louis Armstrong a generation earlier, Fats is synonymous with New Orleans. Not to mention the early days of rock-and-roll. Who doesnt love the infectious lyrics and floating melodies of Blueberry Hill, Aint That A Shame, Im Walkin, Im In Love Again or Blue Monday? Music was practically a birthright for Antoine Domino, Jr., one of nine kids from a poor family. H

MINT CONDITION: NEVER READ! Clearing out my personal collection; books have been stored on bookshelves in a clean dry environment!

“Anyone can become a killer under the right circumstances—even you.”   For the first time, award-winning investigative journalist M. William Phelps reveals the identity of “Raven,” the serial killer who co-starred with him on Dark Minds—and tells the story of his intriguing bond with one of America’s most disturbing killers.   In September 2011, M. William Phelps made a bold decision that would change the landscape of reality-based television—and his own life.  He asked a convicted serial killer to act as a consultant for his TV series. Under the code name “Raven,” the murderer shared his insights into the minds of other killers and helped analyze their crimes.  As the series became an international sensation, Raven became Phelps’s unlikely confidante, ally—and friend.   “I’m not making excuses for the eight murders I committed.”   In this deeply personal account, Phelps traces his own family’s dark history, and takes us into the heart and soul of a serial murderer. He also chronicles the complex relationship he developed with Raven. From questions about morality to Raven’s thoughts on the still-unsolved, brutal murder of Phelps’s sister-in-law, the author found himself grappling with an unwanted, unexpected, unsettling connection with a cold-blooded killer.   “It made me feel warm inside to know that I was responsible for that pain . . .”   Drawing on over 7,000 pages of letters, dozens of hours of recorded conversations, personal and Skype visits, and a friendship five years in the making, Phelps sheds new light on Raven’s bloody history, including details of an unknown victim, the location of a still-buried body—and a jaw-dropping admission. Eye-opening and provocative, Dangerous Ground is an unforgettable journey into the mind of a charming, manipulative psychopath that few would dare to know—and the determined journalist who did just that.

For nearly twenty years Robert H. Phelps ran interference for, cheered on, and sometimes scolded star reporters and top editors at the New York Times. Starting his editing career at the desk of the Providence Journal-Bulletin, Phelps joined the New York Times as a copy editor, eventually serving as the Times news editor for the Washington bureau. Along the way he struggled with balancing his moral ideals and his personal ambition. In this compelling memoir, Phelps interweaves his personal and professional experiences with some of the most powerful stories of the era. With candor and keen observation, Phelps chronicles both the triumphant and the tragic events at the Times. He explains the missed lessons of the Pentagon Papers, why the Times played catchup with the Washington Post on the Watergate scandal but eventually surpassed it on covering that seminal story, and how the Times failed to report a key element of the riots at the 1968 Democratic convention. Phelps offers mixed appraisals of such luminaries as A. M. Rosenthal, James B. Reston, E. Clifton Daniel, and Max Frankel, and expresses great admiration for Seymour Hersh, Neil Sheehan, and Bill Beecher, three unlikely scoop artists. As Phelps settled in at the New York Times, journalism became the religion he had searched for since his adolescence. Over his tenure of nearly two decades, however, Phelps found that journalism’s stark emphasis on fact was insufficient to address many of life’s dilemmas and failed to provide the sustaining guidance he envied in his wife’s Catholic faith.

An entertaining look at how a number of baseball players have left fthe game all too soon, this book covers murders, suicides, accidents and bizarre mishaps, deaths by alcoholism, and even deaths by sexually transmitted diseases. The ever amusing and interesting stories include James Phelps, who made a running catch, was bitten by a poisonous snake, finished the game, then promptly died; Harold B. “Rowdy” Elliott, who fell out of an apartment window in San Francisco in 1934 at the age of 33; Gus Sandberg, who’s demise was when he decided to light a match to see how much gas was in the tank of his car; Dernell Stensen, who was shot in the chest and head and run over by his own SUV in 2003 at the age of 25; Len Koenecke, who got his head smashed in by a pilot as he tried to grab controls in the cockpit of a commercial airplane flying from Chicago to Buffalo in 1935; and love-sick, star-stuck Bob Lansford, who poisoned himself to death with a picture of a young actress in front of him in 1907. There are countless offbeat facts, trivia, and even specific locations of where many of the ballplayers are buried such as Lou Gehrig, Babe Ruth, Billy Martin, and many more. The book also provides you with a grave-hunting for dummies chapter with tips on how to find your favorite deceased ballplayer.