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The Last “Darky” establishes Bert Williams, the comedian of the late nineteenth century and early twentieth, as central to the development of a global black modernism centered in Harlem’s Renaissance. Before integrating Broadway in 1910 via a controversial stint with the Ziegfeld Follies, Williams was already an international icon. Yet his name has faded into near obscurity, his extraordinary accomplishments forgotten largely because he performed in blackface. Louis Chude-Sokei contends that Williams’s blackface was not a display of internalized racism nor a submission to the expectations of the moment. It was an appropriation and exploration of the contradictory and potentially liberating power of racial stereotypes.Chude-Sokei makes the crucial argument that Williams’s minstrelsy negotiated the place of black immigrants in the cultural hotbed of New York City and was replicated throughout the African diaspora, from the Caribbean to Africa itself. Williams was born in the Bahamas. When performing the “darky,” he was actually masquerading as an African American. This black-on-black minstrelsy thus challenged emergent racial constructions equating “black” with African American and marginalizing the many diasporic blacks in New York. It also dramatized the practice of passing for African American common among non-American blacks in an African American–dominated Harlem. Exploring the thought of figures such as Booker T. Washington, W. E. B. Du Bois, Marcus Garvey, and Claude McKay, Chude-Sokei situates black-on-black minstrelsy at the center of burgeoning modernist discourses of assimilation, separatism, race militancy, carnival, and internationalism. While these discourses were engaged with the question of representing the “Negro” in the context of white racism, through black-on-black minstrelsy they were also deployed against the growing international influence of African American culture and politics in the twentieth century.

Benjamin and William Franklin narrows in on the relationship between father and son, as a microcosm for the struggle over the question of loyalty to England during the American Revolution.

In this previously untold story of African American self-education, Heather Andrea Williams moves across time to examine African Americans' relationship to literacy during slavery, during the Civil War, and in the first decades of freedom. Self-Taught traces the historical antecedents to freedpeople's intense desire to become literate and demonstrates how the visions of enslaved African Americans emerged into plans and action once slavery ended.Enslaved people, Williams contends, placed great value in the practical power of literacy, whether it was to enable them to read the Bible for themselves or to keep informed of the abolition movement and later the progress of the Civil War. Some slaves devised creative and subversive means to acquire literacy, and when slavery ended, they became the first teachers of other freedpeople. Soon overwhelmed by the demands for education, they called on northern missionaries to come to their aid. Williams argues that by teaching, building schools, supporting teachers, resisting violence, and claiming education as a civil right, African Americans transformed the face of education in the South to the great benefit of both black and white southerners.

Reveals the stormy and vengeful relationship between Ben Franklin and his illegitimate only son, William, who served as royal governor of New Jersey, and presents a new dimension to this great American figure

Benjamin Frankiln’s Bastard by Sally Cabot is an absorbing and compelling work of literary historical fiction that brings to life a little-known chapter of the American Revolution — the story of Benjamin Franklin and his bastard son, and the women who loved them both.William Franklin, the son of Benjamin and his favorite mistress, Anne, is raised by Deborah, Benjamin’s wife. A steadfast loyalist, he and his father cannot reconcile their wildly disparate views, causing a rift in the bond both thought unbreakable.Fascinating and heartbreaking, Benjamin Franklin’s Bastard is a gripping tale of family, love, and war, set against one of America’s most fascinating periods of history.

"Simply compelling."--Mordecai Richler. "A cautionary tale of scholarly merit."--William S. Burroughs. "Chilling...will keep you up nights turning pages."--Peter Gorner, The Chicago Tribune. In 1845, Sir John Franklin set off, determined to "penetrate the icy fastness" of the Arctic. But he and his 129 men never made it. For the next 35 years, more than 20 major rescue parties searched fruitlessly for the vanished expedition. In this updated version of a bestseller that sold over 118,000 copies, a top forensic anthropologist and a historian tell the dramatic tale of excavating three sailors from the Franklin party. The bodies, well preserved by the permafrost, gave up their secrets to 20th century science, and the researchers pieced together a story of horrific starvation, scurvy, and cannibalism...Absolutely unforgettable--with photos in both color and black and white. The authors both live in Alberta, Canada. 192 pages, 43 color illus., 5 x 7 3/4.

The apprentice system in colonial America began as a way for young men to learn valuable trade skills from experienced artisans and mechanics and soon flourished into a fascinating and essential social institution. Benjamin Franklin got his start in life as an apprentice, as did Mark Twain, Horace Greeley, William Dean Howells, William Lloyd Garrison, and many other famous Americans. But the Industrial Revolution brought with it radical changes in the lives of craft apprentices. In this book, W. J. Rorabaugh has woven an intriguing collection of case histories, gleaned from numerous letters, diaries, and memoirs, into a narrative that examines the varied experiences of individual apprentices and documents the massive changes wrought by the Industrial Revolution.

In this previously untold story of African American self-education, Heather Andrea Williams moves across time to examine African Americans' relationship to literacy during slavery, during the Civil War, and in the first decades of freedom. Self-Taught traces the historical antecedents to freedpeople's intense desire to become literate and demonstrates how the visions of enslaved African Americans emerged into plans and action once slavery ended.Enslaved people, Williams contends, placed great value in the practical power of literacy, whether it was to enable them to read the Bible for themselves or to keep informed of the abolition movement and later the progress of the Civil War. Some slaves devised creative and subversive means to acquire literacy, and when slavery ended, they became the first teachers of other freedpeople. Soon overwhelmed by the demands for education, they called on northern missionaries to come to their aid. Williams argues that by teaching, building schools, supporting teachers, resisting violence, and claiming education as a civil right, African Americans transformed the face of education in the South to the great benefit of both black and white southerners.

After the Civil War, African Americans placed poignant "information wanted" advertisements in newspapers, searching for missing family members. Inspired by the power of these ads, Heather Andrea Williams uses slave narratives, letters, interviews, public records, and diaries to guide readers back to devastating moments of family separation during slavery when people were sold away from parents, siblings, spouses, and children. Williams explores the heartbreaking stories of separation and the long, usually unsuccessful journeys toward reunification. Examining the interior lives of the enslaved and freedpeople as they tried to come to terms with great loss, Williams grounds their grief, fear, anger, longing, frustration, and hope in the history of American slavery and the domestic slave trade. Williams follows those who were separated, chronicles their searches, and documents the rare experience of reunion. She also explores the sympathy, indifference, hostility, or empathy expressed by whites about sundered black families. Williams shows how searches for family members in the post-Civil War era continue to reverberate in African American culture in the ongoing search for family history and connection across generations.

Book by Miller, Clarence William

For the 380,000 African American soldiers who fought in World War I, Woodrow Wilson's charge to make the world "safe for democracy" carried life-or-death meaning. Chad L. Williams reveals the central role of African American soldiers in the global conflict and how they, along with race activists and ordinary citizens, committed to fighting for democracy at home and beyond. Using a diverse range of sources, Torchbearers of Democracy reclaims the legacy of African American soldiers and veterans and connects their history to issues such as the obligations of citizenship, combat and labor, diaspora and internationalism, homecoming and racial violence, "New Negro" militancy, and African American memories of the war.

"Franklin's is one of the greatest autobiographies in literature, and towers over other autobiographies as Franklin towered over other men."—William Dean Howells

“Roosevelt bit me and I went mad,” William Allen White said of his first encounter with Teddy in 1897. He grudgingly praised Franklin D. Roosevelt’s performance at the 1943 Casablanca Conference with, “We who hate your gaudy guts salute you.” Editor of the Emporia (Kansas) Gazette, the Sage of Emporia is known for his quips, quotations, and a sharply crafted view from Main Street expressed in his 1896 essay, “What’s the Matter with Kansas?” But for all his carefully cultivated small-town sagacity, William Allen White (1868–1944) was a public figure and political operator on a grand scale. Writing the first biography in a half-century to look at this side of White’s character and career, Charles Delgadillo brings to life a leading light of a once-widespread liberal Republican movement that has largely become extinct.White built his reputation as the voice of the midwestern middle class through his nationally syndicated articles and editorials. Crusader for Democracy takes us behind the veneer of the small-town newspaperman to show us the sophisticated, well-traveled man of the world who rubbed elbows with local, state, and national politicians, world-renowned journalists and authors, political activists of all kinds, and every president from William McKinley to FDR. Paradoxically, White, the master of insider politics, was also an insurgent who fought a fifty-year crusade for liberal reform, usually through and sometimes against the Republican Party. Delgadillo’s vivid portrait gives readers a behind-the-scenes view of the twentieth-century political and economic order in the making, with William Allen White firmly in the middle, deploying the soft power of friendship and influence to advance the cause of the common man and the promise of equal opportunity as the very foundation of American democracy.

After a successful career as a law professor and government regulator, William O. Douglas was appointed to the Supreme Court by Franklin D. Roosevelt in 1939. During his thirty-six years on the court, he became known as one of its most outspoken and controversial members. In this volume, which was originally published for the William O. Douglas Institute, distinguished scholars examine four major aspects of Justice Douglas's work: his relations with his colleagues; his views on civil liberties, which primarily led to his reputation as a liberal; his stance as an environmentalist; and his views as an internationalist.

In George Washington Williams, John Hope Franklin reconstructs the life of the controversial, self-made black intellectual who wrote the first history of African Americans in the United States. Awarded the Clarence L. Holte Literary Prize, this book traces Franklin’s forty-year quest for Williams’s story, a story largely lost to history until this volume was first published in 1985. The result, part biography and part social history, is a unique consideration of a pioneering historian by his most distinguished successor. Williams, who lived from 1849 to 1891, had a remarkable career as soldier, minister, journalist, lawyer, politician, freelance diplomat, and African traveler, as well as a historian. While Franklin reveals the accomplishments of this neglected figure and emphasizes the racism that curtailed Williams’s many talents, he also highlights the personal weaknesses that damaged Williams’s relationships and career. Williams led the way in presenting African American history accurately through the use of oral history and archival research, sought to legitimize it as a field of historical study, and spoke out in support of an American Negro Historical Society and as a critic of European imperialism in Africa. He also became erratic and faithless to his family and creditors and died at the age of forty-one, destitute and alienated from family and friends. George Washington Williams is nothing less than a classic biography of a brilliant though flawed individual whose History of the Negro Race in America remains a landmark in African American history and American intellectual history.

“Roosevelt bit me and I went mad,” William Allen White said of his first encounter with Teddy in 1897. He grudgingly praised Franklin D. Roosevelt’s performance at the 1943 Casablanca Conference with, “We who hate your gaudy guts salute you.” Editor of the Emporia (Kansas) Gazette, the Sage of Emporia is known for his quips, quotations, and a sharply crafted view from Main Street expressed in his 1896 essay, “What’s the Matter with Kansas?” But for all his carefully cultivated small-town sagacity, William Allen White (1868–1944) was a public figure and political operator on a grand scale. Writing the first biography in a half-century to look at this side of White’s character and career, Charles Delgadillo brings to life a leading light of a once-widespread liberal Republican movement that has largely become extinct.White built his reputation as the voice of the midwestern middle class through his nationally syndicated articles and editorials. Crusader for Democracy takes us behind the veneer of the small-town newspaperman to show us the sophisticated, well-traveled man of the world who rubbed elbows with local, state, and national politicians, world-renowned journalists and authors, political activists of all kinds, and every president from William McKinley to FDR. Paradoxically, White, the master of insider politics, was also an insurgent who fought a fifty-year crusade for liberal reform, usually through and sometimes against the Republican Party. Delgadillo’s vivid portrait gives readers a behind-the-scenes view of the twentieth-century political and economic order in the making, with William Allen White firmly in the middle, deploying the soft power of friendship and influence to advance the cause of the common man and the promise of equal opportunity as the very foundation of American democracy.

Portrays the life of William D. Leahy, depicts his career in the Navy, and examines his role as a military advisor to President Franklin D. Roosevelt

Portrays the life of William D. Leahy, depicts his career in the Navy, and examines his role as a military advisor to President Franklin D. Roosevelt

This Title Comes In Quantities Of Five (5) Copies(1 Order=5 Copies) Lean on Me Composer: Kirk Franklin arr. Andre Williams Publisher: Hal ...