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Phrasing is the way the elements of music (melody, harmony, and rhythm) are interpreted by different cultures (or different musicians, including vocalists). In Phrasing in Brazilian Music, Antonio Adolfo demonstrates through written and recorded musical examples on the piano---how the different elements of music play an important role when musicians are performing Brazilian music. The book covers phrasing in different Brazilian styles in two beat and is enhanced by a very didactic text. Although almost all examples are played on the piano (many times accompanied by shaker), the book will be of much interest for musicians of any instrument.

Phrasing is the way the elements of music (melody, harmony, and rhythm) are interpreted by different cultures (or different musicians, including vocalists). In Phrasing in Brazilian Music, Antonio Adolfo demonstrates through written and recorded musical examples on the piano---how the different elements of music play an important role when musicians are performing Brazilian music. The book covers phrasing in different Brazilian styles in two beat and is enhanced by a very didactic text. Although almost all examples are played on the piano (many times accompanied by shaker), the book will be of much interest for musicians of any instrument.

Jazz Phrasing for Beginners is the perfect introduction to jazz for all aspiring saxophonists. The book features ten melodic pieces which are easy to play, yet convey the essence of mainstream (Swing/Bebop/Bossa) jazz vocabulary. The short, catchy pieces demonstrate how to use sequences and voice-leading to make a musical statement, while clearly outlining the chord progression, without the need for advanced technical or reading abilities.

A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Jazz Phrasing for Saxophone features ten melodic pieces which are easy to play, yet convey the essence of mainstream (Swing/Bebop/Bossa) jazz vocabulary. The pieces are catchy and melodic, demonstrating the use of sequence and voice-leading to make a musical statement. The book includes two play-along CDs (one for alto and one for tenor) featuring a world-class rhythm section, plus Greg Fishman demonstrating each piece. In addition, there are play-along tracks with just the rhythm section, so students have the option of playing along with Greg Fishman or with just the rhythm section. The Jazz Phrasing for Saxophone series (Volumes 1-3) are prequels to Greg Fishman's more advanced books, Jazz Saxophone Etudes and Jazz Saxophone Duets, and will provide valuable insights into a melodic approach to jazz improvisation. This book is recommended for saxophonists of all levels who wish to improve their tone, articulation, phrasing, and understanding of thematic development. Special Features of Jazz Phrasing for Saxophone: Suggested Use Section - Provides detailed instructions on a variety of ways to work with the book. Idiomatically Correct - Both Alto and Tenor read the same written part - every song is in the perfect register. Style & Analysis Section - Provides clear, concise explanations of sequence, variation and voice-leading Thematic Index - Lets you compare the opening themes of all ten songs in a convenient two page at-a-glance format. Also includes detailed information on the opening interval of each song, as well as harmonic context of the opening interval.

Unread book in perfect condition.

Amazing Phrasing is for any sax player interested in learning how to improvise and how to improve their creative phrasing. The ideas are divided in...

Jazz Conception is an exciting way for players at all levels to learn the language of jazz! Each book and CD set features 21 solo etudes based on chord changes to standards and blues. See and hear how a well-known soloist phrases, articulates, and plays along with or without the soloist on the CD. Play along with one of today's finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Start out fairly easy, then get progressively more difficult. Use the etudes as a bridge to solos of the masters that are usually more complicated and involved. Learn melodies and lines that will give you a solid jazz vocabulary and musicality. Use the book and CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet. If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes off the MP3 CD (then check against the book), or for just having fun playing along with a great jazz rhythm section. Use as an improvisation study, learning how to construct a swinging, logical solo---works especially well in combination with the Study Guide. Titles: Groove Blues * Amen * A Doll * Total Blues * Grease * Rose * Joe's Thing * Proxy * Father Song * Ind Line * Miles * Blue Minor * Autumn * Friends * Great Love * Two Plus Two * Lunar * Tunisia * Bird Blues * Somewhere * Passage.

Zustand: Gut - Gebrauchs- und Lagerspuren. Außen: angestoßen. Seiten: 156 Sprache: Englisch Produktart: Bücher

This book illustrates an approach to prosodic typology through the intonational phonology of thirteen typologically different languages and the transcription system of prosody known as Tones and Break Indices (ToBI). This is the first book introducing the history and principles of this system, and it covers European languages, Asian languages, an Australian aboriginal language, and an American Indian language. A companion website hosts dozens of sound files to accompany the text.

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 0.64

Hearin' the Changes: Dealing with Unknown Tunes by Ear is the definitive study of chord progressions of hundreds of carefully chosen tunes from the jazz musician's repertoire, comparing them, linking them together by commonalities, and codifying harmonic traits that will clarify the reader's understanding of how progressions ""work."" It not only provides the means to learn and memorize tunes more easily, but also becomes the key to acquiring the skill to cognize progressions by ear! There is more. The preface explains how we hear and understand music, establishes the methods by which we can learn to develop our musical hearing more efficiently, and addresses the importance of attitudes, as they affect the learning process. The Afterword offers further encouragement, suggests ways to continue to study, and ways to personalize the materials beyond what is presented here. Appendix A reveals the valuable list of nearly 500 tunes used in this study, indicating which tunes contain more than one harmonic trait, which facilitates more efficient choices of tunes to learn. Appendix B renders valuable, ear-opening tips for ear training. Appendix C illustrates ""road maps"" for ten tunes, showing how progressions can be more easily understood, memorized, played, and transposed to any key!

pap/psc edition. 156 pages. 12.13x9.37x0.55 inches. In Stock.

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 0.7

Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

A new and exciting way for guitar players to learn and practice basic jazz style. This book and CD set features 15 solo etudes based on blues and standard chord progressions, demonstrated by Joe Cohn on guitar along with a world-class rhythm section: Mike LeDonne, piano; Peter Washington, bass; and Kenny Washington, drums. The recording features two separate versions of each etude: one with the soloist and rhythm section and one with the rhythm section only. See and hear how the soloist phrases, play with or without the soloist on the CD and learn basic jazz style first-hand. Titles include: Basie's Blues * Bird's Backyard * Bossa at Night * Caliente Blues * Duke's Convoy * Hot and Humid * Important Events * Love Is Easy * Mist and Grits * Morning Calm * Prince Charming * Rock On * Shufflin' in F * So Long Birdie * Us.

Hearin' the Changes: Dealing with Unknown Tunes by Ear is the definitive study of chord progressions of hundreds of carefully chosen tunes from the jazz musician's repertoire, comparing them, linking them together by commonalities, and codifying harmonic traits that will clarify the reader's understanding of how progressions ""work."" It not only provides the means to learn and memorize tunes more easily, but also becomes the key to acquiring the skill to cognize progressions by ear! There is more. The preface explains how we hear and understand music, establishes the methods by which we can learn to develop our musical hearing more efficiently, and addresses the importance of attitudes, as they affect the learning process. The Afterword offers further encouragement, suggests ways to continue to study, and ways to personalize the materials beyond what is presented here. Appendix A reveals the valuable list of nearly 500 tunes used in this study, indicating which tunes contain more than one harmonic trait, which facilitates more efficient choices of tunes to learn. Appendix B renders valuable, ear-opening tips for ear training. Appendix C illustrates ""road maps"" for ten tunes, showing how progressions can be more easily understood, memorized, played, and transposed to any key!

Subtitled "From Bach To Bebop: A Corrective Approach To Jazz Phrasing," this is a revolutionary breakthrough in jazz education. The core of the book is the crucial role that rhythmic phrasing has in creating an authentic "jazz feeling." Hal was the pianist with Cannonball Adderley, Phil Woods, John Scofield, Chet Baker and many other jazz greats. A master musician as well as educator. The only jazz method book to offer an interactive website where you can take each exercise a

"A Player's Player" is a perfect description for Andy Timmons. He has great touch, phrasing and tone. Since 2001, he's been playing a DiMarzio cust...

Yngwie Speed Pot - 500kThe perfect volume pot for the guitarist who wants fast, dynamic phrasing control.When Yngwie Malmsteen turned to Seymour Du...