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Originally published in 1947, The Spanish Riding School in Vienna: Home of the Art of Riding in Jeopardy was written by General Decarpentry to pay homage to this unique institution. After World War II, the viability of the Spanish Riding School was in question. Published in both French and English to illustrate and document the great work and traditions of the Viennese School. This book is a time capsule containing the history of the great riders and traditions of the Spanish School, including masters from the beginning of the nineteenth century. We carefully reproduce the original 69 photographs and paintings. Piaffer et Passage, first published in 1931 in French, was written to address the perceived weaknesses in international-level French riders and horses. Decarpentry gives unique insights from his personal experience, training his horse Professeur in these difficult movements. Xenophon Press has revisited the original French to help clarify vagueness that may have permeated previous English translations. Many unique French terms used by Decarpentry, like rassembler, have been restored and completely defined in English. The pairing of these two rare texts reflects Xenophon Press's mission of keeping classical equestrian literature accessible in English.

Originally published in 1947, The Spanish Riding School in Vienna: Home of the Art of Riding in Jeopardy was written by General Decarpentry to pay homage to this unique institution. After World War II, the viability of the Spanish Riding School was in question. Published in both French and English to illustrate and document the great work and traditions of the Viennese School. This book is a time capsule containing the history of the great riders and traditions of the Spanish School, including masters from the beginning of the nineteenth century. We carefully reproduce the original 69 photographs and paintings. Piaffer et Passage, first published in 1931 in French, was written to address the perceived weaknesses in international-level French riders and horses. Decarpentry gives unique insights from his personal experience, training his horse Professeur in these difficult movements. Xenophon Press has revisited the original French to help clarify vagueness that may have permeated previous English translations. Many unique French terms used by Decarpentry, like rassembler, have been restored and completely defined in English. The pairing of these two rare texts reflects Xenophon Press's mission of keeping classical equestrian literature accessible in English.

With stunningly beautiful photographs and clear descriptions, classical dressage authority Anja Beran breaks down the physical requirements of the rider's seat on the horse, as well as its responsibilities during various movements—from the gaits and paces to lateral work, lead changes, piaffe, passage, and pirouettes. Beran provides a unique perspective on the use of breath when riding, citing the recommendations of a classically-trained opera singer who regularly works with Beran and her riding students to develop their deep breathing skills. “A relaxed seat,” Beran says, “is never possible with restricted breathing.” In addition, she explores the need for an improved inner attitude in order to truly refine your seat on a horse. Fear, stress, and tension all interfere with your ability to focus on the horse and connect with him during the time you are together. Simple practices can help open and calm the mind, and over time, contribute to an overall better outlook and enhanced physical capacity. In the second half of the book, Beran is joined by her personal physiotherapist and dance teacher for an in-depth look at human anatomy and how it functions in conjunction with the horse. Practical exercises give readers easy ways to improve mobility, strength, stability, coordination, perception, and overall posture, with superb results.

With stunningly beautiful photographs and clear descriptions, classical dressage authority Anja Beran breaks down the physical requirements of the rider's seat on the horse, as well as its responsibilities during various movements—from the gaits and paces to lateral work, lead changes, piaffe, passage, and pirouettes. Beran provides a unique perspective on the use of breath when riding, citing the recommendations of a classically-trained opera singer who regularly works with Beran and her riding students to develop their deep breathing skills. “A relaxed seat,” Beran says, “is never possible with restricted breathing.” In addition, she explores the need for an improved inner attitude in order to truly refine your seat on a horse. Fear, stress, and tension all interfere with your ability to focus on the horse and connect with him during the time you are together. Simple practices can help open and calm the mind, and over time, contribute to an overall better outlook and enhanced physical capacity. In the second half of the book, Beran is joined by her personal physiotherapist and dance teacher for an in-depth look at human anatomy and how it functions in conjunction with the horse. Practical exercises give readers easy ways to improve mobility, strength, stability, coordination, perception, and overall posture, with superb results.