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This is the first comprehensive coverage of socially and politically engaged Buddhism in Asia, presenting the historical development and institutional forms of engaged Buddhism in the light of traditional Buddhist conceptions of morality, interdependence, and liberation.This is the first comprehensive study of socially and politically engaged Buddhism in the lands of its origin. Nine accounts of contemporary movements in India, Sri Lanka, Thailand, Tibet, Taiwan, Vietnam, and Japan are framed by interpretive essays. The historical development and institutional forms of engaged Buddhism are considered in the light of traditional Buddhist conceptions of morality, interdependence, and liberation; and Western ideas of freedom, human rights, and democracy.Since the fiery self-immolation of the Vietnamese monk Thich Quang Duc on a Saigon street in 1963, “engaged Buddhism” has spread throughout Asia and the West. Twice in recent years the Nobel Prize for peace was awarded to Buddhists for their efforts to free their compatriots from totalitarian regimes.Engaged Buddhism presents ordained and lay Buddhist activists like Thich Nhat Hanh of Vietnam, Buddhadasa Bhikkhu and Sulak Sivaraksa of Thailand, A. T. Ariyaratne and the Sarvodaya Shramadana movement of Sri Lanka, Daisaku Ikeda and the Soka Gakkai movement of Japan, followers of the Indian Untouchable leader, Dr. B. R. Ambedkar, and Buddhist women throughout Asia. These leaders have campaigned relentlessly, attracted and organized millions of new converts, faced death threats, landed in jail, founded schools and universities, and produced a massive new Buddhist literature to restore social and economic justice to their societies.

El Cimarrn is one of the most important examples of politically engaged music - a milestone in the history of Hans Werner Henze's oeuvre, musical theater that had not been known or mastered previously. In his "recital for four musicians", Henze tells the story of Esteban Montejo, an escaped Cuban slave who, at the age of 104, was interviewed extensively about his life by the Cuban ethnologist and writer Miguel Barnet. Barnet's book provided the model for a libretto by the German writer Hans M

Vinyl LP pressing. 2012 release from the Canadian Progressive Thrash legends. Propagandhi join the Epitaph roster with Failed States just in time for their politically engaged anthems to form a soundtrack to that magical theatrical production known as the US elections. Failed States is the band's sixth album, and their second as a four piece with the addition of Dave "The Beaver" Guillas on guitar. This has led to a distinctive thickening and fortifying of the band's sound, to the point where th

Insurgent Encounters illuminates the dynamics of contemporary transnational social movements, including those advocating for women and indigenous groups, environmental justice, and alternative—cooperative rather than exploitative—forms of globalization. The contributors are politically engaged scholars working within the social movements they analyze. Their essays are both models of and arguments for activist ethnography. They demonstrate that such a methodology has the potential to reveal empirical issues and generate theoretical insights beyond the reach of traditional social-movement research methods. Activist ethnographers not only produce new understandings of contemporary forms of collective action, but also seek to contribute to struggles for social change. The editors suggest networks and spaces of encounter as the most useful conceptual rubrics for understanding shape-shifting social movements using digital and online technologies to produce innovative forms of political organization across local, regional, national, and transnational scales. A major rethinking of the practice and purpose of ethnography, Insurgent Encounters challenges dominant understandings of social transformation, political possibility, knowledge production, and the relation between intellectual labor and sociopolitical activism.Contributors. Giuseppe Caruso, Maribel Casas-Cortés, Janet Conway, Stéphane Couture, Vinci Daro, Manisha Desai, Sylvia Escárcega, David Hess, Jeffrey S. Juris, Alex Khasnabish, Lorenzo Mosca, Michal Osterweil, Geoffrey Pleyers, Dana E. Powell, Paul Routledge, M. K. Sterpka, Tish Stringer

This book celebrates Carlos Almaraz, one of the most influential Los Angeles artists of the 1970s and 1980s. Playing with Fire: Paintings by Carlos Almaraz is the first full length monograph devoted to an artist known for both his politically engaged cultural production as well as his vibrant, highly sought-after studio art, particularly his scenes of car crashes and pastoral depictions of L.A.’s Echo Park. Among the leading figures whose artistic, cultural, and political motivations catalyzed the Chicano Art movement in the 1970s, Almaraz began his career with works for the United Farm Workers and cofounded the important artists collective Los Four. Although he saw himself as an activist, Almaraz straddled multiple—and often contradictory—identities that drew from divergent cultures and approaches, and his work became less overtly political and more personal, psychological, dreamlike, and even mystical as he evolved artistically. The book features more than 60 works, mostly from the late 1970s through 1989, the year of the artist’s untimely death at age 48, as well as selections from his journals and recollections from numerous colleagues and friends who knew him throughout his career.

For Terkel, hope is born of activism, engagement, and a stubborn determination to improve the world. In Hope Dies Last, he talks with a wide range of politically-engaged Americans, musing on fundamental questions: where does hope spring from? How can it sustain us? How does one instil it in others? As well as talking to well-known figures, including Paul Tibbets (pilot of the plane that dropped the bomb on Hiroshima), Sixties activist Tom Hayden and economist John Kenneth Galbraith, Terkel talks to ordinary citizens, such as a death-row inmate pardoned after serving nearly 20 years for a crime he did not commit, a schoolteacher in a tough inner-city high school, and a homeless advocate who points out that 'Some people have the luxury of losing hope. But poor people never lose hope. They can't afford to.' Throughout, he encourages these fascinating people to speak passionately and candidly on their life's work. Hope Dies Last is a celebration of hope in troubled times, an inspiring book about political engagement in the face of indifference.

Marcus Borg sets out his deepest convictions about God and the Bible, and reveals how a series of mystical experiences helped to make him a world champion of progressive, inclusive and politically engaged Christianity. Borg is an internationally respected biblical scholar whose books have sold over a million copies in English alone. Each chapter explores a different aspect of the faith, laced with moving stories of the author's intellectual and spiritual development. 'The story of my life and my Christian journey is about memories, conversions, and convictions. Memories of what I absorbed growing up. Conversions: major changes in my understanding of the Bible and God and Jesus and what it means to be Christian. Convictions: the affirmations that have flowed from those changes. Three kinds of conversions and convictions have shaped my life: intellectual, political and religious ...' Marcus Borg

By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art, look at how cultural production can be reparative. Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics, affect studies, feminist theory, politics and photography. Conceptually innovative and fiercely original this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection.

This is the first commentary in any language on Aeschines' Against Timarchos, the prosecution speech in the politically crucial trial of 346/5BC. The case was that Timarchos was forbidden to hold public office and disenfranchised because he had engaged in improper homosexual relationships in the past and had wasted his inheritance on debauchery. The speech is our most important source for Athenian legal sanctions and moral attitudes concerning same-sex relations, and has been the focus of intense recent debates on the nature of Greek sexualities and on the relationship between sex, politics, and cultural life. It illuminates Athenian politics at the time when Athens faced the challenge to her independence from Philip of Macedon. It is a rhetorical masterpiece of misrepresentation, which persuaded the jury to convict Timarchos despite the fact that Aeschines had virtually no evidence of his misdeeds. This book provides a new translation, a full introduction, and a commentary, all accessible to those without knowledge of Greek. The introduction explores the main issues of the case, including Aeschines' career, Athenian laws and attitudes relating to homosexual relations, and the reasons for Aeschines' success: it is suggested that the verdict reflects the same moral and cultural unease in Athens which was shortly to produce the attempts at political, social, and cultural renewal associated with the age of Lycurgus. The fully documented commentary pays attention to the rhetorical strategy of the speech, explores important aspects of the language used, especially in relation to the moral denunciation of Timarchos' sexual and other malpractices, and explains all references to historical events and people.

Film theory is in crisis. The dominant psychoanalytical paradigm is contested by cognitive models and post-theory. In the background is a wider crisis in cultural studies, particularly as regards the public role of the politically engaged intellectual. In this major new study Slavoj Zizek challenges both cognitivist-historicist accounts of cinema and conventional film theory. Arguing that the reading of Lacan operative in the '70s and '80s was particularly reductive, Zizek asserts that there is "another Lacan," in reference to whom film theory, cultural studies, and critical thought as such can be transformed and revitalized. He supports and expands this argument with an extensive reading of the work of Kieslowski and, in a substantial appendix, with a discussion of the relationship between Christianity, Gothicism and the "progressive digitalisation of our life-world."

The Good Citizen uses a new 2014 national opinion survey to describe how Americans’ views of what it means to be a good citizen is changing. Russell J. Dalton shows that contrary to conventional wisdom, younger generations are more politically engaged, more politically tolerant, and more supportive of social justice; the young are creating new norms of citizenship that are leading to a renaissance of democratic participation. The new edition of this groundbreaking work will reshape the way we think about the American public, American youth, and the prospects for contemporary democracy. It describes Americans’ changing citizenship norms, the emergence of the Millennial Generation, how the Internet is changing participation patterns, and a new statistical primer to help students understand the survey findings.

The inter-war years between 1918 and 1939 saw the newly created Royal Air Force fighting for its very existence politically, being dispatched to the remotest corners of the British Empire and its Protectorates in various policing roles and then finally engaged in a headlong rush to modernize in the face of the new German Fascist regime that was threatening British and European freedom. Yet this important period in RAF history and its effect on political and military rationale during the period has never been completely documented. This exhaustive and comprehensive reference is the most detailed work to be published on the subject. The author gives full information on the changing structure of the Force during the period, squadron operations, political machinations and their effects, the airplanes and their equipment, the personnel, technical advances in navigation and breakthroughs achieved in engine performance. The book is cross-referenced throughout, extremely well illustrated and contains an abundance of location maps and other diagrams. This book will become a Bible for anyone interested in the history of the RAF.This work has been reviewed by personnel at the RAF Historical Branch who praise it.

"A fine example of politically engaged literary criticism.--Belles Lettres "Price Herndl's compelling individual readings of works by major writers (Harriet Beecher Stowe, Hawthorne, Wharton, James, Fitzgerald) and minor ones complement her examination of germ theory, psychic and somatic cures, medicine's place in the rise of capitalism, and the cultural forms in which men and women used the trope of female illness.--Choice "A rich and provocative study of female illnesses and their textual representations. . . . A major contribution to the feminist agenda of literature and medicine.--Medical Humanities Review "[An] important book.--Nineteenth-Century Literature "[This] sophisticated new study . . . brings the best current strategies of a thoroughly historicized feminist literary criticism to bear on textual representations of female invalidism.--Feminist Studies "An outstanding study of the representation of female invalidism in American culture and literature. There emerges from this work a striking sense of the changing meanings of female invalidism even as the conjunction of these terms has remained a constant in American cultural history. . . . Moreover, Invalid Women provides fascinating readings of female illness in a variety of texts.--Gillian Brown, University of Utah "A provocative study based on imaginative historical research and very fine close readings. The book provides a useful American complement to Helena Michie's The Flesh Made Word and Margaret Homans's Bearing the World. It should prove enlightening and otherwise useful not just to scholars of American literature, but also to those engaged in American studies, feminist criticism and theory, women's studies, the sociology of medicine and illness, and the history of science and medicine.--Cynthia S. Jordan, Indiana University

A superbly illustrated, retrospective survey that focuses on Miró’s politically engaged art, published to accompany a major touring exhibition.Joan Miró’s paintings are among the most widely recognized of any modern artist,reproduced everywhere from books to T-shirts to posters. While he is most often seen as a surrealist or a postwar abstract painter, terms he rejected, this book brings new insights into Miró’s work by framing it in the context of the turbulent times in which he lived.Miró’s contemporary Picasso left Spain, promising never to return under a Fascist government. In contrast, Miró chose internal exile, removing himself to the island of Mallorca, a decision that has led to him being viewed as a less political artist. This book challenges that impression by focusing on Miró’s politically engaged works, from the rural, anarchist tradition and strong Catalan nationalism reflected in early paintings like The Farm and Head of a Catalan Peasant to the triptych The Hope of a Condemned Man (1974) through which he publicly declared his opposition to Franco.Drawing on new scholarship from an international group of experts, the book accompanies the first exhibition in nearly half a century to show work from throughout Miró’s career. It sheds new light on the life and achievements of one of the greatest artists of the twentieth century. 200 color illustrations

With a widely eclectic variety of protest art in mediums such as relief, lithography, collagraph, and photography, this major collection of contemporary politically engaged printmaking showcases art that uses themes of social justice and global equity to engage community members in conversation. Based on an art exhibition that has traveled to more than a dozen cities in North America and including many do-it-yourself samples, this eye opening book contains works from more than 200 international artists. From the well established—Sue Coe, Swoon, Carlos Cortez—to street artists, rock poster makers, and up-and-comers such as Favianna Rodriguez and Chris Stain, this diverse collection is the work of artists who felt the need to respond to the monumental trends and events of modern politics.

The bestselling author of A People's History of the United States now provides readers with "a powerful, politically electric book" (Jonathan Kozol)--"a warmhearted memoir of a teacher who committed his politically engaged life to the belief that love is a command to action" (Colman McCarthy, The Washington Post).

A monograph surveying the storied career of German artist Hans Haacke, on the occasion of a major retrospective exhibition Born in Germany in 1936, Hans Haacke is known for his intellectual and politically engaged art that has long shed light on systems of power. A pioneer of institutional critique, conceptual art, and environmental art, Haacke creates incisive, often site-specific works that call upon the viewer to engage or participate and thereby question invisible structural dynamics at play in society. This book offers an opportunity to revisit the artist's thought-provoking career in light of contemporary culture.

Renowned political scientist Alan I. Abramowitz presents a groundbreaking argument that the most important divide in American politics is not between left and right but rather between citizens who are politically engaged and those who are not. It is the engaged members of the public, he argues, who most closely reflect the ideals of democratic citizenship—but this is also the group that is most polarized. Polarization at the highest levels of government, therefore, is not a sign of elites’ disconnection from the public but rather of their responsiveness to the more politically engaged parts of it. Though polarization is often assumed to be detrimental to democracy, Abramowitz concludes that by presenting voters with clear choices, polarization can serve to increase the public’s interest and participation in politics and strengthen electoral accountability.

Dorothea Dix was the most politically engaged woman of her generation, which was itself a remarkable tapestry of activists. An influential lobbyist as well as a paragon of the doctrine of female benevolence, she vividly illustrated the complexities of the "separate spheres" of politics and femininity. Her greatest legislative initiative, a campaign for federal land grants to endow state mental hospitals, assumed a central role in the public land controversies that intertwined with the slavery issues in Congress following the Mexican War. The passage of this legislation in 1854, and its subsequent veto by President Pierce, touched off the most protracted effort to override a veto that had yet taken place.An activist who disdained the women's rights and antislavery movements, Dix, an old-line Whig, sought to promote national harmony and became the only New England social reformer to work successfully in the lower South right up to the eve of secession. When war broke out, she sought to achieve as Superintendent of Women Nurses the sort of cultural authority she had seen Florence Nightingale win in the same role during the Crimean War. The disastrous failure of one of the most widely admired heroines in the nation provides a dramatic measure of the transformations of northern values during the war.

Film theory is in crisis. The dominant psychoanalytical paradigm is contested by cognitive models and post-theory. In the background is a wider crisis in cultural studies, particularly as regards the public role of the politically engaged intellectual. In this major new study Slavoj Zizek challenges both cognitivist-historicist accounts of cinema and conventional film theory. Arguing that the reading of Lacan operative in the '70s and '80s was particularly reductive, Zizek asserts that there is "another Lacan," in reference to whom film theory, cultural studies, and critical thought as such can be transformed and revitalized. He supports and expands this argument with an extensive reading of the work of Kieslowski and, in a substantial appendix, with a discussion of the relationship between Christianity, Gothicism and the "progressive digitalisation of our life-world."