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Horace's Odes have a surface translucency that belies their rhetorical sophistication. Gregson Davis brings together recent trends in the study of Augustan poetry and critical theory and deftly applies them to individual poems. Exploring four rhetorical strategies―what he calls modes of assimilation, authentication, consolation, and praise and dispraise―Davis produces enlightening, new interpretations of this classic work.Polyhymnia, named after one of the Muses invoked in Horace's opening poem, revises the common image of Horace as a complacent, uncomplicated, and basically superficial singer. Focusing on the artistic persona―the lyric "self" that is constituted in the text―Davis explores how the lyric speaker constructs subtle "arguments" whose building-blocks are topoi, recurrent motifs, and generic conventions. By examining the substructure of lyric argument in groupings of poems sharing similar strategies, the author discloses the major principles that inform Horatian lyric composition.

Polyhymnia Caducea Wilson / Capella Ducale - CD 074646292921

She’s not a princess . . . but then, he’s no prince. Polyhymnia is deep in enchanted sleep. High in a tower, behind an impenetrable barrier of magical thorns, she sleeps, dreams, and falls ever deeper into her curse. Woken by a kiss, Poly finds herself in an alien world where three hundred years have passed and everyone she has ever known is dead. Luck, the enchanter who woke her, seems to think she is the princess. Understandable, since he found her asleep on the princess’ bed, in the royal suite, and dressed in the princess’ clothes. Who cursed Poly? Why is someone trying to kill her and Luck? Why can’t she stop falling asleep? And why does her hair keep growing? Sometimes breaking the curse is just the beginning of the journey.

She’s not a princess . . . but then, he’s no prince. Polyhymnia is deep in enchanted sleep. High in a tower, behind an impenetrable barrier of magical thorns, she sleeps, dreams, and falls ever deeper into her curse. Woken by a kiss, Poly finds herself in an alien world where three hundred years have passed and everyone she has ever known is dead. Luck, the enchanter who woke her, seems to think she is the princess. Understandable, since he found her asleep on the princess’ bed, in the royal suite, and dressed in the princess’ clothes. Who cursed Poly? Why is someone trying to kill her and Luck? Why can’t she stop falling asleep? And why does her hair keep growing? Sometimes breaking the curse is just the beginning of the journey.