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Amidst the growing forums of kinky Jews, orthodox drag queens, and Jewish geisha girls, we find today's sexy Jewess in a host of reflexive plays with sexed-up self-display. A social phantasm with real legs, she moves boldly between neo-burlesque striptease, comedy television, ballet movies, and progressive porn to construct the 21st Century Jewish American woman through charisma and comic craft, in-your-face antics, and offensive charm. Her image redresses longstanding stereotypes of the hag, the Jewish mother, and Jewish American princess that have demeaned the Jewish woman as overly demanding, inappropriate, and unattractive across the 20th century, even as Jews assimilated into the American mainstream. But why does "sexy" work to update tropes of the Jewish woman? And how does sex link to humor in order for this update to work? Entangling questions of sexiness to race, gender, and class, The Case of the Sexy Jewess frames an embodied joke-work genre that is most often, but not always meant to be funny. In a contemporary period after the thrusts of assimilation and women's liberation movements, performances usher in new versions of old scripts with ranging consequences. At the core is the recuperative performance of identity through impersonation, and the question of its radical or conservative potential. Appropriating, re-appropriating, and mis-appropriating identity material within and beyond their midst, Sexy Jewess artists play up the failed logic of representation by mocking identity categories altogether. They act as comic chameleons, morphing between margin and center in countless number of charged caricatures. Embodying ethnic and gender positions as always already on the edge while ever more in the middle, contemporary Jewish female performers extend a comic tradition in new contexts, mobilizing progressive discourses from positions of newfound race and gender privilege.

Vinyl LP pressing of the classic Boogie Nights soundtrack. The film chronicles one man's rise in the Golden Age of porn of the 1970s through to his fall during the excesses of the '80s. The music captures the feeling of the era, as it runs through disco ("Best of My Love," "Jungle Fever"), folk-pop ("Brand New Key"), funk ("Spill the Wine," "Got to Give It Up, Pt. 1," "Machine Gun"), soft rock ("Magnet & Steel") and more.

This long overdue anthology of New Narrative includes both classic New Narrative texts and rare supplementary materials, allowing the movement fueled by punk, pop, porn, French theory, and social struggle to bound back to life, ripe with dramatic propulsion, to form a new map of late 20th century creative rebellion.

This long overdue anthology of New Narrative includes both classic New Narrative texts and rare supplementary materials, allowing the movement fueled by punk, pop, porn, French theory, and social struggle to bound back to life, ripe with dramatic propulsion, to form a new map of late 20th century creative rebellion.

In an hysterical blend of absurdity, wit, and pop culture comes Would You Rather..., a collection of laugh-out-loud funny, irreverent and irresistibly thought-provoking dilemmas. Readers are stumped with questions like:-Would you rather watch a porn movie with your parents, or watch a porn movie starring your parents?-Would you rather fight Mike Tyson, or talk like him?-Would you rather live in a world where at the end of a rainbow, there really was a pot of gold, or where at the end of a rainbow there were 500 cases of Pabst Blue Ribbon?The over 200 hilarious questions ask readers to look deep within themselves and choose between two equally undesirable—or desirable—options. Filled with twisted insights and hip pop culture references, Would You Rather... is brain candy to tempt the most finicky palate.