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What is the meaning of blackness in Africa? While much has been written on Africa’s complex ethnic and tribal relationships, Jemima Pierre’s groundbreaking The Predicament of Blackness is the first book to tackle the question of race in West Africa through its postcolonial manifestations. Challenging the view of the African continent as a nonracialized space—as a fixed historic source for the African diaspora—she envisions Africa, and in particular the nation of Ghana, as a place whose local relationships are deeply informed by global structures of race, economics, and politics. Against the backdrop of Ghana’s history as a major port in the transatlantic slave trade and the subsequent and disruptive forces of colonialism and postcolonialism, Pierre examines key facets of contemporary Ghanaian society, from the pervasive significance of “whiteness” to the practice of chemical skin-bleaching to the government’s active promotion of Pan-African “heritage tourism.” Drawing these and other examples together, she shows that race and racism have not only persisted in Ghana after colonialism, but also that the beliefs and practices of this modern society all occur within a global racial hierarchy. In doing so, she provides a powerful articulation of race on the continent and a new way of understanding contemporary Africa—and the modern African diaspora.

What is the meaning of blackness in Africa? While much has been written on Africa’s complex ethnic and tribal relationships, Jemima Pierre’s groundbreaking The Predicament of Blackness is the first book to tackle the question of race in West Africa through its postcolonial manifestations. Challenging the view of the African continent as a nonracialized space—as a fixed historic source for the African diaspora—she envisions Africa, and in particular the nation of Ghana, as a place whose local relationships are deeply informed by global structures of race, economics, and politics. Against the backdrop of Ghana’s history as a major port in the transatlantic slave trade and the subsequent and disruptive forces of colonialism and postcolonialism, Pierre examines key facets of contemporary Ghanaian society, from the pervasive significance of “whiteness” to the practice of chemical skin-bleaching to the government’s active promotion of Pan-African “heritage tourism.” Drawing these and other examples together, she shows that race and racism have not only persisted in Ghana after colonialism, but also that the beliefs and practices of this modern society all occur within a global racial hierarchy. In doing so, she provides a powerful articulation of race on the continent and a new way of understanding contemporary Africa—and the modern African diaspora.

What is the meaning of blackness in Africa? While much has been written on Africa’s complex ethnic and tribal relationships, Jemima Pierre’s groundbreaking The Predicament of Blackness is the first book to tackle the question of race in West Africa through its postcolonial manifestations. Challenging the view of the African continent as a nonracialized space—as a fixed historic source for the African diaspora—she envisions Africa, and in particular the nation of Ghana, as a place whose local relationships are deeply informed by global structures of race, economics, and politics. Against the backdrop of Ghana’s history as a major port in the transatlantic slave trade and the subsequent and disruptive forces of colonialism and postcolonialism, Pierre examines key facets of contemporary Ghanaian society, from the pervasive significance of “whiteness” to the practice of chemical skin-bleaching to the government’s active promotion of Pan-African “heritage tourism.” Drawing these and other examples together, she shows that race and racism have not only persisted in Ghana after colonialism, but also that the beliefs and practices of this modern society all occur within a global racial hierarchy. In doing so, she provides a powerful articulation of race on the continent and a new way of understanding contemporary Africa—and the modern African diaspora.

What is the meaning of blackness in Africa? While much has been written on Africa’s complex ethnic and tribal relationships, Jemima Pierre’s groundbreaking The Predicament of Blackness is the first book to tackle the question of race in West Africa through its postcolonial manifestations. Challenging the view of the African continent as a nonracialized space—as a fixed historic source for the African diaspora—she envisions Africa, and in particular the nation of Ghana, as a place whose local relationships are deeply informed by global structures of race, economics, and politics. Against the backdrop of Ghana’s history as a major port in the transatlantic slave trade and the subsequent and disruptive forces of colonialism and postcolonialism, Pierre examines key facets of contemporary Ghanaian society, from the pervasive significance of “whiteness” to the practice of chemical skin-bleaching to the government’s active promotion of Pan-African “heritage tourism.” Drawing these and other examples together, she shows that race and racism have not only persisted in Ghana after colonialism, but also that the beliefs and practices of this modern society all occur within a global racial hierarchy. In doing so, she provides a powerful articulation of race on the continent and a new way of understanding contemporary Africa—and the modern African diaspora.

Does it make sense - can it make sense - for someone who appreciates the explanatory power of modern science to continue believing in a traditional religious account of the ultimate nature and purpose of our universe? This book is intended for those who care about that question and are dissatisfied with the rigid dichotomies that dominate the contemporary debate. The extremists won't be interested - those who assume that science answers all the questions that matter, and those so certain of their religious faith that dialogue with science, philosophy, or other faith traditions seems unnecessary. But far more people today recognize that matters of faith are complex, that doubt is endemic to belief, and that dialogue is indispensable in our day. In eight probing chapters, the authors of The Predicament of Belief consider the most urgent reasons for doubting that religious claims--in particular, those embedded in the Christian tradition--are likely to be true. They develop a version of Christian faith that preserves the tradition's core insights but also gauges the varying degrees of certainty with which those insights can still be affirmed. Along the way, they address such questions as the ultimate origin of the universe, the existence of innocent suffering, the challenge of religious plurality, and how to understand the extraordinary claim that an ancient teacher rose from the dead. They end with a discussion of what their conclusions imply about the present state and future structure of churches and other communities in which Christian affirmations are made.

The Predicament of Culture is a critical ethnography of the West in its changing relations with other societies. Analyzing cultural practices such as anthropology, travel writing, collecting, and museum displays of tribal art, Clifford shows authoritative accounts of other ways of life to be contingent fictions, now actively contested in postcolonial contexts. His critique raises questions of global significance: Who has the authority to speak for any group's identity and authenticity? What are the essential elements and boundaries of a culture? How do self and "the other" clash in the encounters of ethnography, travel, and modern interethnic relations? In discussions of ethnography, surrealism, museums, and emergent tribal arts, Clifford probes the late-twentieth century predicament of living simultaneously within, between, and after culture.

The Predicament of Culture is a critical ethnography of the West in its changing relations with other societies. Analyzing cultural practices such as anthropology, travel writing, collecting, and museum displays of tribal art, James Clifford shows authoritative accounts of other ways of life to be contingent fictions, now actively contested in post-colonial contexts. His critique raises questions of global significance: Who has the authority to speak for any group’s identity and authenticity? What are the essential elements and boundaries of a culture? How do self and “the other” clash in the encounters of ethnography, travel, and modern interethnic relations?In chapters devoted to the history of anthropology, Clifford discusses the work of Malinowski, Mead, Griaule, Lévi-Strauss, Turner, Geertz, and other influential scholars. He also explores the affinity of ethnography with avant-garde art and writing, recovering a subversive, self-reflexive cultural criticism. The surrealists’ encounters with Paris or New York, the work of Georges Bataille and Michel Leiris in the Collège de Sociologie, and the hybrid constructions of recent tribal artists offer provocative ethnographic examples that challenge familiar notions of difference and identity. In an emerging global modernity, the exotic is unexpectedly nearby, the familiar strangely distanced.

Heather McHugh takes her cue from Aristotle, who wrote that "the father of the predicaments is being." For McHugh, being is intimately, though not ultimately, bound to language, and these poems cut to the quick, delivering their revelations with awesome precision.

This classic in the annals of village studies will be widely read and debated for what it reveals about China's rural dynamics as well as the nature of state power, markets, the military, social relations, and religion. Built on extraordinarily intimate and detailed research in a Sichuan village that Isabel Crook began in 1940, the book provides an unprecedented history of Chinese rural life during the war with Japan. It is an essential resource for all scholars of contemporary China.

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This classic in the annals of village studies will be widely read and debated for what it reveals about China's rural dynamics as well as the nature of state power, markets, the military, social relations, and religion. Built on extraordinarily intimate and detailed research in a Sichuan village that Isabel Crook began in 1940, the book provides an unprecedented history of Chinese rural life during the war with Japan. It is an essential resource for all scholars of contemporary China.

Nonfiction. Politics. Literary Criticism THE MODERN PREDICAMENT is George Scialabba's second essay collection, following his acclaimed WHAT ARE INTELLECTUALS GOOD FOR? (Pressed Wafer, 2009). In 23 compact, lucid essays ranging across philosophy (Kierkegaard, Nietzsche), literature (D. H. Lawrence, T. S. Eliot), history (Michael Foucault, Christopher Lasch) and politics (Michael Harrington), Scialabba poses a number of searching questions, directly and eloquently, continually returning to one: Is moral progress possible, and at what price? In her introduction Barbara Ehrenreich writes, "As long as we exist as a species, we'll be debating what constitutes morality and virtue, and we could hardly have a better guide than George Scialabba." James Woods hails THE MODERN PREDICAMENT as a stimulating encounter with "one of America's best all-round intellects."

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How have Arab political ideas and institutions evolved since the 1967 War? How have the Arabs contended with the external influences to which their wealth has exposed them? What are the implications of the rise of Islamic fundamentalism? Fouad Ajami seeks to answer these and related questions in his illuminating study of the constraints and possibilities facing the Arab world today. This book documents the political and intellectual response to the defeat of 1967 and surveys the choices facing the Arab world as exemplified by the case of Egypt. It seeks to explain the resurgence of Islamic fundamentalism and locates its roots in the failures of the dominant political order, and the stalemate of secular political ideas. This revised 1992 edition of Ajami's acclaimed study has been updated and renews the book's status as an indispensable guide to the politics of the Arab world.

This collection of Kofi Awoonor's writings comprises essays written over a period of three decades, and includes several previously unpublished pieces. According to the author himself: '[they] reflect a life-time of engagement in literature and politics, my two passions...'

This collection of Kofi Awoonor's writings comprises essays written over a period of three decades, and includes several previously unpublished pieces. According to the author himself: '[they] reflect a life-time of engagement in literature and politics, my two passions...'

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.2

From time to time therapists find themselves in a bind―faced with a challenging situation, unsure how to proceed. Such a conundrum leaves the therapist on edge, concerned that the success of treatment might rest on how he or she responds to the circumstance. The situation seems to call for more than pat clinical protocol, leaving the therapist uncertain as he or she ventures into novel territory wondering "what do I do now?" Conundrums and Predicaments in Psychotherapy and Psychoanalysis: The Clinical Moments Project comprises twelve distinct clinical moments during which the treating/presenting analyst feels him- or herself in just such a quandary. The presented moment comes to a head at a point where the therapist feels uncertain what his or her next and best "move" might be―one that balances the protection of the therapeutic alliance with the need to address a clinical development head on. Space is then left for 25 well-known analysts ("commentators") of varying theoretical persuasions to weigh in, sharing what they think about the situation and how they imagine they might have proceeded. In the final analysis, the point of this project is not to determine how the moment "should" have been handled given the input of experts; rather, it aims to illuminate the clinical theories that therapists carry with them into sessions where they operate implicitly, directing their attention to select sorts of data that are then used to fashion an intervention. This, then, is the ultimate lesson of the Clinical Moments Project―to learn how to listen to how therapists listen to the unfolding material. This book will be of great interest to psychoanalysts and psychoanalytic psychotherapists of all persuasions.

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