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The Primacy of Perception brings together a number of important studies by Maurice Merleau-Ponty that appeared in various publications from 1947 to 1961. The title essay, which is in essence a presentation of the underlying thesis of his Phenomenology of Perception, is followed by two courses given by Merleau-Ponty at the Sorbonne on phenomenological psychology. "Eye and Mind" and the concluding chapters present applications of Merleau-Ponty's ideas to the realms of art, philosophy of history, and politics. Taken together, the studies in this volume provide a systematic introduction to the major themes of Merleau-Ponty's philosophy.

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This expanded second edition carries forward the initial insights into the biological and existential significances of animation by taking contemporary research findings in cognitive science and philosophy and in neuroscience into critical and constructive account. It first takes affectivity as its focal point, elucidating it within both an enactive and qualitative affective-kinetic dynamic. It follows through with a thoroughgoing interdisciplinary inquiry into movement from three perspectives: mind, brain, and the conceptually reciprocal realities of receptivity and responsivity as set forth in phenomenology and evolutionary biology, respectively. It ends with a substantive afterword on kinesthesia, pointing up the incontrovertible significance of the faculty to cognition and affectivity. Series A

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Margherita Guarducci, acclaimed scholar of ancient literature, extending her research to various disciplines, such as philology, ancient history, archaeology and epigraphy, demonstrates how they contribute toward clarifying and resolving a centuries-old problem: the primacy of the Church of Rome over the other Christian Churches. The resulting picture spans over two millennia of history, illuminated by several "primacies" of Christianity, gathered and evaluated together for the first time: ownership of the oldest Christian basilica, the oldest portrait of Christ, the oldest icon of Mary, and, most importantly, the oldest relic of St. Peter in the Vatican Basilica. Guarducci gives evidence of certain concatenations of events which tend to confirm the primacy of the Church of Rome, the ancient universality of which survives to this day in the spiritual primacy of the Roman "Catholic"— that is, Universal—Church. And this survival is guaranteed down through the centuries by the extraordinary presence in the Vatican of the authentic earthly remains of the Apostle whom Christ selected as His vicar on earth. Illustrated

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In this important and original book, Deanna Petherbridge―herself a practicing artist―affirms the significance of drawing as visual thinking in western art from the 15th century to the present. Scrutinizing a wide range of drawings, Petherbridge confirms a long historical commitment to the primal importance of sketching in generating ideas and problem solving, examines the production of autonomous drawings as gifts or for pleasure, and traces the importance of the life-class and theories of drawing in the training of artists until well into the 20th century. She also addresses the changing role of drawing in relation to contemporary practice and its importance for conceptual artists working in a nonhierarchical manner with a multiplicity of practices, techniques and technologies.  In addition to analyzing specific works by Leonardo, Michelangelo, Rembrandt, Goya, Picasso, and other great draftsmen, Petherbridge pays close attention to those artists traditionally regarded as “minor” because of their graphic elaboration or involvement with caricature and play, as well as to the important contribution of women artists in the 20th and 21st centuries. Responding to the vibrant rediscovery of drawing as significant practice in studios, exhibitions, and art schools, Petherbridge proposes an ambitious and novel agenda for the study and enjoyment of drawing.

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How do things come to stand for something other than themselves? An understanding of the ontology of relations allows for a compelling account of the action of signs. The Primacy of Semiosis is concerned with the ontology of relations and semiosis, the action of signs. Drawing upon the work of Gilles Deleuze, John Deely, and John Poinsot, Paul Bains focuses on the claim that relations are 'external' to their terms, and seeks to give an ontological account of this purported externality of relations.Bains develops the proposition, first made in 1632 by John Poinsot (John of St. Thomas), that, ontologically, signs are relations whose whole being is in esse ad ('being-toward'). Furthermore, relations are found to be univocal in their being as relations. This univocity of being is antecedent to the division between 'ens rationis' and 'ens reale'. The ontology of relations Bains presents is thus neither mind-dependent nor mind-independent insofar as the rationale of the relation is concerned.The book includes chapters on Deleuze and Deely on relations, Jacob von Uexkull and Heidegger on Umwelten (self-worlds), Maturana and Varela on Autopoieis. It provides the vicarious causality, by way of the scholastic doctrine of the 'species', that is now being resuscitated by Graham Harman and the emerging school of 'object oriented ontology'.The Primacy of Semiosis provides a semiotic that subverts the opposition between realism and idealism; one in which what have been called 'nature' and 'culture' interpenetrate in an expanding collective of human and non-human. Bains' work promises to be a touchstone for semiotic discussion for years to come.

Many music books are designed to help better understand written music and theory, but "Primacy of the Ear" focuses on the development of the ear. "Primacy" outlines pianist and MacArthur Fellow Ran Blake's approach to growing the ear and explains how musical memory is the key to becoming a more potent musician and shaping a personal musical style. Included are the legendary "ear-robics" exercises, developed by Ran over the course of 30 years as head of the Contemporary Improvisation Department at New England Conservatory of Music. Also covered: The Auteur Theory and how it translates into music making, developing and differentiating between the conscious and subconscious mind, listening and musical memory, how to learn from your musical heroes without being consumed by them, developing and using repertoire, and how to record your music most effectively. Primacy of the Ear is Ran Blake's genius distilled-his teaching and musical philosophy in one volume. Co-written by Jason Rogers.

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One of the masterpieces of Latin and, indeed, world literature, Virgil's Aeneid was written during the Augustan "renaissance" of architecture, art, and literature that redefined the Roman world in the early years of the empire. This period was marked by a transition from the use of rhetoric as a means of public persuasion to the use of images to display imperial power. Taking a fresh approach to Virgil's epic poem, Riggs Alden Smith argues that the Aeneid fundamentally participates in the Augustan shift from rhetoric to imagery because it gives primacy to vision over speech as the principal means of gathering and conveying information as it recounts the heroic adventures of Aeneas, the legendary founder of Rome.Working from the theories of French phenomenologist Maurice Merleau-Ponty, Smith characterizes Aeneas as a voyant-visible, a person who both sees and is seen and who approaches the world through the faculty of vision. Engaging in close readings of key episodes throughout the poem, Smith shows how Aeneas repeatedly acts on what he sees rather than what he hears. Smith views Aeneas' final act of slaying Turnus, a character associated with the power of oratory, as the victory of vision over rhetoric, a triumph that reflects the ascendancy of visual symbols within Augustan society. Smith's new interpretation of the predominance of vision in the Aeneid makes it plain that Virgil's epic contributes to a new visual culture and a new mythology of Imperial Rome.

In this important and original book, Deanna Petherbridge―herself a practicing artist―affirms the significance of drawing as visual thinking in western art from the 15th century to the present. Scrutinizing a wide range of drawings, Petherbridge confirms a long historical commitment to the primal importance of sketching in generating ideas and problem solving, examines the production of autonomous drawings as gifts or for pleasure, and traces the importance of the life-class and theories of drawing in the training of artists until well into the 20th century. She also addresses the changing role of drawing in relation to contemporary practice and its importance for conceptual artists working in a nonhierarchical manner with a multiplicity of practices, techniques and technologies.  In addition to analyzing specific works by Leonardo, Michelangelo, Rembrandt, Goya, Picasso, and other great draftsmen, Petherbridge pays close attention to those artists traditionally regarded as “minor” because of their graphic elaboration or involvement with caricature and play, as well as to the important contribution of women artists in the 20th and 21st centuries. Responding to the vibrant rediscovery of drawing as significant practice in studios, exhibitions, and art schools, Petherbridge proposes an ambitious and novel agenda for the study and enjoyment of drawing.

How do things come to stand for something other than themselves? An understanding of the ontology of relations allows for a compelling account of the action of signs. The Primacy of Semiosis is concerned with the ontology of relations and semiosis, the action of signs. Drawing upon the work of Gilles Deleuze, John Deely, and John Poinsot, Paul Bains focuses on the claim that relations are 'external' to their terms, and seeks to give an ontological account of this purported externality of relations.Bains develops the proposition, first made in 1632 by John Poinsot (John of St. Thomas), that, ontologically, signs are relations whose whole being is in esse ad ('being-toward'). Furthermore, relations are found to be univocal in their being as relations. This univocity of being is antecedent to the division between 'ens rationis' and 'ens reale'. The ontology of relations Bains presents is thus neither mind-dependent nor mind-independent insofar as the rationale of the relation is concerned.The book includes chapters on Deleuze and Deely on relations, Jacob von Uexkull and Heidegger on Umwelten (self-worlds), Maturana and Varela on Autopoieis. It provides the vicarious causality, by way of the scholastic doctrine of the 'species', that is now being resuscitated by Graham Harman and the emerging school of 'object oriented ontology'.The Primacy of Semiosis provides a semiotic that subverts the opposition between realism and idealism; one in which what have been called 'nature' and 'culture' interpenetrate in an expanding collective of human and non-human. Bains' work promises to be a touchstone for semiotic discussion for years to come.

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The primacy of the bishop of Rome, the pope, as it was finally shaped in the Middle Ages and later defined by Vatican I and II has been one of the thorniest issues in the history of the Western and Eastern Churches. This issue was a primary cause of the division between the two Churches and the events that followed the schism of 1054: the sack of Constantinople by the crusaders in 1204, the appointment by Pope Innocent III of a Latin patriarch of Constantinople, and the establishment of Uniatism as a method and model of union. Always a topic in ecumenical dialogue, the issue of primacy has appeared to be an insurmountable obstacle to the realization of full unity between Roman Catholicism and the Orthodox Christianity. In this timely and comprehensive work, Maximos Vgenopoulos analyzes the response of major Orthodox thinkers to the Catholic understanding of the primary of the pope over the last two centuries, showing the strengths and weaknesses of these positions. Covering a broad range of primary and secondary sources and thinkers, Vgenopoulos approaches the issue of primacy with an open and ecumenical manner that looks forward to a way of resolving this most divisive issue between the two Churches. For the first time here the thought of Greek and Russian Orthodox theologians regarding primacy is brought together systematically and compared to demonstrate the emergence of a coherent view of primacy in accordance with the canonical principles of the Orthodox Church. In looking at crucial Greek-language sources Vgenopoulos makes a unique contribution by providing an account of the debate on primacy within the Greek Orthodox Church. Primacy in the Church from Vatican I to Vatican II is an invaluable resource on the official dialogue taking place between the Orthodox Church and the Roman Catholic Church today. This important book will be of broad interest to historians, theologians, seminarians, and all those interested in Orthodox-Catholic relations.

First-person accounts from practising nurses provide students with role models in this text that focuses on patients responses to stress.

Political history in the industrial world has indeed ended, argues this pioneering study, but the winner has been social democracy - an ideology and political movement that has been as influential as it has been misunderstood. Berman looks at the history of social democracy from its origins in the late nineteenth century to today and shows how it beat out competitors such as classical liberalism, orthodox Marxism, and its cousins, Fascism and National Socialism by solving the central challenge of modern politics - reconciling the competing needs of capitalism and democracy. Bursting on to the scene in the interwar years, the social democratic model spread across Europe after the Second World War and formed the basis of the postwar settlement. This is a study of European social democracy that rewrites the intellectual and political history of the modern era while putting contemporary debates about globalization in their proper intellectual and historical context.