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"A noir writer richly deserving rediscovery."—Publishers WeeklyThe book that gave birth to Italian noir . . .Milan, 1966: When Dr. Duca Lamberti is released from prison, he’s lost his medical license and his options are few. But thanks to an old connection, he lands a job, although it’s a tricky one: guarding the alcoholic son of a plastics millionaire. But Lamberti soon discovers that the young man has a terrible secret, rooted in the mysterious death of a beautiful woman on the gritty side of town. The fast cars, high fashion, and chic nightclubs of glitzy and swinging Milan conceal a dirty reality . . . This is no dolce vita.A Private Venus marks the beginning of Italian noir: Giorgio Scerbanenco pioneered a new type of novel that trained its gaze on the crime and desperation that roiled under prosperous Italian society in the 1960s. And at the heart of this book is Duca Lamberti, an unforgettable protagonist: obsessive, world-weary, unconventional in his methods, and trying hard not to make  another fatal mistake.

In the bleak Milan suburb of Metanopoli, in the late 1960s, a dead woman is found along the side of the road. Duca Lamberti is a medical doctor who has just been released from prison, where he has spent three years for having practised euthanasia. He is approached by the rich industrialist Auseri who asks Duca to cure his son Davide of his drinking habit. After an attempted suicide, Davide explains to Duca how he had met Alberta, the young girl who was found dead a few days earlier, death for which he feels responsible. Duca is compelled to find out the truth, and with the help of Alberta s friend Livia Ussaro, he and Davide support the police in uncovering a complex circle of crime, where Duca will have to find his own justice.

Édouard Vuillard was so secretive that he berated himself for betraying his emotions in conversation. He was a reticent, impassioned man, at once a timid stalker and a social climbing anarchist, caught in conflicting desires. From the 1880s until the advent of World War II, using styles from academic to pointillist to Nabi to Fauve, Vuillard’s abundant paintings revealed his turmoil of love and hatred: models pose beside a plaster torso cast from the Venus of Milo, women appear without faces, anxiety radiates from many masterpieces—while other works were left unfinished for months or years. Drawing on insights and images from Vuillard’s still unpublished diaries, Julia Frey takes us into Vuillard’s private world of cabarets, experimental theaters, holiday resorts, and intimate boudoirs, showing how his art reflects his fraught personal relations and his artistic struggles. Frey highlights many of his finest works, from his famous intimate interior scenes to book illustrations and poster designs, and she examines his complex relationships with iconic friends like Pierre Bonnard, Henri de Toulouse-Lautrec, Stéphane Mallarmé, and Felix Vallotton, as well as with the women he loved—his mother and sister, penniless models, and rich men’s wives.

Édouard Vuillard was so secretive that he berated himself for betraying his emotions in conversation. He was a reticent, impassioned man, at once a timid stalker and a social climbing anarchist, caught in conflicting desires. From the 1880s until the advent of World War II, using styles from academic to pointillist to Nabi to Fauve, Vuillard’s abundant paintings revealed his turmoil of love and hatred: models pose beside a plaster torso cast from the Venus of Milo, women appear without faces, anxiety radiates from many masterpieces—while other works were left unfinished for months or years. Drawing on insights and images from Vuillard’s still unpublished diaries, Julia Frey takes us into Vuillard’s private world of cabarets, experimental theaters, holiday resorts, and intimate boudoirs, showing how his art reflects his fraught personal relations and his artistic struggles. Frey highlights many of his finest works, from his famous intimate interior scenes to book illustrations and poster designs, and she examines his complex relationships with iconic friends like Pierre Bonnard, Henri de Toulouse-Lautrec, Stéphane Mallarmé, and Felix Vallotton, as well as with the women he loved—his mother and sister, penniless models, and rich men’s wives.

"Delectably funny...A novel that gives new meaning to the term 'classic detective fiction.'"THE WASHINGTON POST BOOK WORLDIn 70 A.D. in ancient Rome, no one is a saint. Or so thinks Marcus Didius Falco, a private investigator first introduced in the award-winning SILVER PIGS, who's trying to prevent a murder before it happens. When every man a woman marries dies, Falco knows there's smoke and fire--and he'll stop at nothing to untangle the Gordion knot that proves it.

The career of Audrey Munson, American model, is a classic tale of meteoric rise and tragic downfall. In her youth, Munson modelled for countless public and private works. She has adorned Jay P. Morgan's yacht, the Mercury Head Dime, the Walking Liberty Half-dollar, and art held at the Museum of Modern Art as well as in the estates of John D. Rockefeller and George Vanderbilt. At the peak of her career she was selected as the primary female model for the 1915 Panama Pacific International Exposition in San Francisco, eventually appearing in thousands of feet of mural decorations and scores of statues. Munson starred - mostly nude - in four controversial silent films based on her experiences as a model. After a media spectacle linking her with a murder case, her career faltered and, ultimately, at the age of 39, she was doomed to a life of reclusion in a psychiatric facility. She lived there largely unacknowledged by her family until the astonishing age of 105. This is her story.

In novels like Mars and Moonbase, and Venus, Jupiter, and Saturn, as well as Privateers, The Precipice, and The Rock Rats, Ben Bova has been telling the stories of the wars and rivalries, the outsize individuals, public crusades, and private passions that will drive us as we expand into the Solar System and make use of its vast resources. And throughout, Bova has shown our cosmic neighborhood as we know it to be, giving us a sense of Venus and Jupiter and the Asteroid Belt and Mars that's as up-to-date as the latest observations. For the last two decades have been a golden age of near-Earth astronomy and observation, and in his novels Bova has made dramatic use of our newest knowledge.But during that time Bova has also written short fiction about some of the same events and characters---Sam Gunn, Martin Humphries, Klaus Fuchs, Dan Randolph, the Asteroid Wars. Now, in Tales of the Grand Tour, those stories are collected in book form for the first time, creating a volume that is a landmark of modern SF.