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“When the theatre explosives experts Rimini Protokoll light the fuse, the world and the theatre are blown in the air – and land, usually, happily back on the stage. Brilliant.” Neue Zürcher Zeitung Elderly ladies, teenagers, unemployed air traffic controllers, talented mayoral candidates, Vietnam soldiers, counsellors, Bulgarian long-­distance lorry drivers, Indian call centre workers – “real people” are ­always at the centre of Rimini Protokoll’s directorial work. Experts of their daily lives, they are the defining aspect of the documentary work of Helgard Haug, Stefan Kaegi and Daniel Wetzel. It is rare that the clash between fiction and reality is made so clear, and simultaneously so emotional and playful, as in the theatre of Rimini Protokoll. In this volume, journalists, academics and artists present and reflect upon the stage productions, as well as the site-specific works, audio tours and radio pieces of the successful trio of directors. With ­numerous colour photographs and a complete catalogue of works. Articles by Eva Behrendt, Miriam Dreysse, Ehren Fordyce, Heiner Goebbels, Hans-Thies Lehmann, Florian Malzacher, Annemarie Matzke, Tobi Müller, Priyanka Nandy, Matthias Pees, Rimini Protokoll, Kathrin Röggla, Jens Roselt and Gerald Siegmund.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

German language. 9.37x6.50x1.10 inches. In Stock.

Dieses Buch ist das Protokoll einer Trauer. Vier Jahre lang, von 1976 bis 1979, hat Judith Offenbach daran geschrieben. Sie wollte Sonja ein Denkmal setzen. Herausgekommen ist ein (in der nicht spektakulären, sehr detaillierten Art) aufklärender, anklagender und ermutigender Bericht über den verborgenen Alltag lesbischer Paare und über das alltägliche Leben mit einer Behinderten.

In Everything: And Other Performance Texts from Germany, Matt Cornish gathers texts drawn from performances by five of the most renowned theater collectives working today: andcompany&Co., Gob Squad, Rimini Protokoll, She She Pop, and Showcase Beat Le Mot. Drawn from theater events variously described as documentary, post-dramatic, and live art, the texts collected in Everything seldom look or read like plays—some comprise rules for improvisation; others could best be described as theatrical scenarios; a few are transcripts; one includes a soup recipe. Yet amid these dramaturgical tests and trials, one finds poetry: heartbreaking stories of disability and triumph as well as strange, disjointed fairy tales interrupted by communist songs.   This volume is an extension of the original theatrical experiments. For the reader, the texts are calls to action. They ask one to do things: watch the news, listen to music, make soup, and dance. While the groups do not mean for actors to repeat the words printed here, they invite the reader to adapt their ideas and rules to make their own entirely new productions.  

In Everything: And Other Performance Texts from Germany, Matt Cornish gathers texts drawn from performances by five of the most renowned theater collectives working today: andcompany&Co., Gob Squad, Rimini Protokoll, She She Pop, and Showcase Beat Le Mot. Drawn from theater events variously described as documentary, post-dramatic, and live art, the texts collected in Everything seldom look or read like plays—some comprise rules for improvisation; others could best be described as theatrical scenarios; a few are transcripts; one includes a soup recipe. Yet amid these dramaturgical tests and trials, one finds poetry: heartbreaking stories of disability and triumph as well as strange, disjointed fairy tales interrupted by communist songs.   This volume is an extension of the original theatrical experiments. For the reader, the texts are calls to action. They ask one to do things: watch the news, listen to music, make soup, and dance. While the groups do not mean for actors to repeat the words printed here, they invite the reader to adapt their ideas and rules to make their own entirely new productions.  

“When the theatre explosives experts Rimini Protokoll light the fuse, the world and the theatre are blown in the air – and land, usually, happily back on the stage. Brilliant.” Neue Zürcher Zeitung Elderly ladies, teenagers, unemployed air traffic controllers, talented mayoral candidates, Vietnam soldiers, counsellors, Bulgarian long-­distance lorry drivers, Indian call centre workers – “real people” are ­always at the centre of Rimini Protokoll’s directorial work. Experts of their daily lives, they are the defining aspect of the documentary work of Helgard Haug, Stefan Kaegi and Daniel Wetzel. It is rare that the clash between fiction and reality is made so clear, and simultaneously so emotional and playful, as in the theatre of Rimini Protokoll. In this volume, journalists, academics and artists present and reflect upon the stage productions, as well as the site-specific works, audio tours and radio pieces of the successful trio of directors. With ­numerous colour photographs and a complete catalogue of works. Articles by Eva Behrendt, Miriam Dreysse, Ehren Fordyce, Heiner Goebbels, Hans-Thies Lehmann, Florian Malzacher, Annemarie Matzke, Tobi Müller, Priyanka Nandy, Matthias Pees, Rimini Protokoll, Kathrin Röggla, Jens Roselt and Gerald Siegmund.