102 products were found matching your search for Pul Paul Van Hydrography in 4 shops:

The iconic model that introduced the Sidestripe: The Old Skool. The Old Skool was Vans' first design to feature the famous Sidestripe, initially just a simple doodle by founder Paul Van Doren. Since its debut in 1977, this low-top model has become a symbol in the worlds of skateboarding, music, and fashion. From '90s skaters and punks to today's hip hop and fashion icons, the Old Skool has always been the go-to footwear for creative individuals who do things their way. This new version, characterized by its sleek pig suede uppers, is all you need to showcase that coveted yet iconic style. Iconic low-top sneakers with Sidestripe™. Durable pig suede uppers. Lace-up closure. Reinforced toecaps. Padded collars for support. Distinctive waffle rubber outsoles. Traditional Classic Old Skool™ silhouette. Composition: Suede. Model: Vn 0A2Z422391.

The iconic model that introduced the Sidestripe: The Old Skool. The Old Skool was Vans' first design to feature the famous Sidestripe, initially just a simple doodle by founder Paul Van Doren. Since its debut in 1977, this low-top model has become a symbol in the worlds of skateboarding, music, and fashion. From '90s skaters and punks to today's hip hop and fashion icons, the Old Skool has always been the go-to footwear for creative individuals who do things their way. This new version, characterized by its sleek pig suede uppers, is all you need to showcase that coveted yet iconic style. Iconic low-top sneakers with Sidestripe™. Durable pig suede uppers. Lace-up closure. Reinforced toecaps. Padded collars for support. Distinctive waffle rubber outsoles. Traditional Classic Old Skool™ silhouette. Composition: Suede. Model: Vn 0A2Z422391.

The iconic model that introduced the Sidestripe: The Old Skool. The Old Skool was Vans' first design to feature the famous Sidestripe, initially just a simple doodle by founder Paul Van Doren. Since its debut in 1977, this low-top model has become a symbol in the worlds of skateboarding, music, and fashion. From '90s skaters and punks to today's hip hop and fashion icons, the Old Skool has always been the go-to footwear for creative individuals who do things their way. This new version, characterized by its sleek pig suede uppers, is all you need to showcase that coveted yet iconic style. Iconic low-top sneakers with Sidestripe™. Durable pig suede uppers. Lace-up closure. Reinforced toecaps. Padded collars for support. Distinctive waffle rubber outsoles. Traditional Classic Old Skool™ silhouette. Composition: Suede. Model: Vn 0A2Z422391.

The iconic model that introduced the Sidestripe: The Old Skool. The Old Skool was Vans' first design to feature the famous Sidestripe, initially just a simple doodle by founder Paul Van Doren. Since its debut in 1977, this low-top model has become a symbol in the worlds of skateboarding, music, and fashion. From '90s skaters and punks to today's hip hop and fashion icons, the Old Skool has always been the go-to footwear for creative individuals who do things their way. This new version, characterized by its sleek pig suede uppers, is all you need to showcase that coveted yet iconic style. Iconic low-top sneakers with Sidestripe™. Durable pig suede uppers. Lace-up closure. Reinforced toecaps. Padded collars for support. Distinctive waffle rubber outsoles. Traditional Classic Old Skool™ silhouette. Composition: Suede. Model: Vn 0A2Z422391.

The iconic model that introduced the Sidestripe: The Old Skool. The Old Skool was Vans' first design to feature the famous Sidestripe, initially just a simple doodle by founder Paul Van Doren. Since its debut in 1977, this low-top model has become a symbol in the worlds of skateboarding, music, and fashion. From '90s skaters and punks to today's hip hop and fashion icons, the Old Skool has always been the go-to footwear for creative individuals who do things their way. This new version, characterized by its sleek pig suede uppers, is all you need to showcase that coveted yet iconic style. Iconic low-top sneakers with Sidestripe™. Durable pig suede uppers. Lace-up closure. Reinforced toecaps. Padded collars for support. Distinctive waffle rubber outsoles. Traditional Classic Old Skool™ silhouette. Composition: Suede. Model: Vn 0A2Z422391.

This Les Paul Van Gogh Starry Night custom graphic printed replacement pickguard is made to fit either Gibson Les Paul Standard or Les Paul Cu...

Our sunny cast-glass pendant necklace embellished with hand-applied gold leaf pays tribute to the Museum's Sunflowers (1887), one of four still lifes Vincent van Gogh (Dutch, 1853-1890) painted featuring these eye-catching yellow blooms in Paris during the late summer of 1887. Paul Gauguin once owned two of the smaller sunflower studies, which he displayed above his bed before selling them in the mid-1890s to finance his trip to the South Seas.

These sunny cast-glass earrings embellished with hand-applied gold leaf honor the Museum's Sunflowers (1887), one of four still lifes Vincent van Gogh (Dutch, 1853-1890) painted featuring these eye-catching yellow blooms in Paris during the late summer of 1887. Paul Gauguin once owned two of the smaller sunflower studies, which he displayed above his bed before selling them in the mid-1890s to finance his trip to the South Seas.

This sunny cast-glass brooch embellished with hand-applied gold leaf celebrates the Museum's Sunflowers (1887), one of four still lifes Vincent van Gogh (Dutch, 1853-1890) painted featuring these eye-catching yellow blooms in Paris during the late summer of 1887. Paul Gauguin once owned two of the smaller sunflower studies, which he displayed above his bed before selling them in the mid-1890s to finance his trip to the South Seas.

A comprehensive guide on how to tune, test, and win in any form of racing. Includes technical information on all areas of race car engineering, including suspension and chassis, springs, brakes, aerodynamics, engine systems, safety, driving, testing, computers in racing, and a special section on race cars of the future.

This book explores van GoghOs and GauguinOs conviction that the purpose of visual art in human culture is to communicate a spiritual understanding of existence comparable to the wisdom contained in the metaphors and parables of myths, religions, and literature. Monographic studies in the book, which entail many new interpretations of Van GoghOs and GauguinOs imagery, reveal the ways in which their ideas and the specific events of their personal lives shaped their creation of meaningful symbolic motifs. Illustrated

Buy with confidence! Book is in new, never-used condition 0.75

A thought-provoking story about how artists generate and share ideas revisits the fall of 1888 when Vincent van Gogh invited Paul Gauguin to come live and work with him in his yellow house in the south of France.

352 S., mit schw/w Abb., 30cm x 22cm blauer GLn m. farb. ill. OU, dieser mit minimalen Gebrauchsspuren, Ecke m. kleinen Riss, Eb. mit silbergeprägtem Titel u. Rückentitel, ansonsten Ex. im sehr guten Zustand. Sprache: Französisch Gewicht in Gramm: 1450

Van Gogh Starry Night Guitar Art PrintThis art print is based on a Gibson Les Paul Guitar and The Starry Night painting by Van Gogh.Decorate your w...

Called the nation's greatest combat general by President Harry S. Truman, James Van Fleet led American and allied forces to battlefield victory during a career that spanned World War I and the Cold War. In this biography, Paul Braim, a military historian who commanded a rifle company under Van Fleet in Korea, relates this legendary leader's unique story and draws parallels to the U.S. Army's history of diverse challenges met in the twentieth century.

Photographer Paul Clemence celebrates a revered icon of modern architecture, the Farnsworth House, located near Plano, Illinois, and designed in 1951 by architect Ludwig Mies van der Rohe. Striking architetural details are captured in 20 eye-catching B & W postcards. Whether mailing or framing the stunning images, this book is a must-have for devotees of architecture, design, Modernism, the Bauhaus, Mies van der Rohe, and photography.

A leading scholar offers fresh insight into one of the key moments in modern art historyDuring the fall of 1888, Vincent Van Gogh and Paul Gauguin lived and worked together in Provence. There in a yellow house at Arles, they changed the course of modern art. The relationship between the two painters came at a critical point in each of their careers, and began as a plan for a new community of artist-brothers, who would flourish in a harmonious condition of mutual support. While the two painters never achieved the goal of brotherly harmony, they nonetheless found their creativity spurred by association. Until now, the Arles period has been interpreted in the light of the temperamental differences between the artists, culminating in the famous incident in which Van Gogh cut off part of his left ear lobe to spite Gauguin. In the shadow of the drama, their larger intellectual and theoretical debates at Arles have been neglected. Debora Silverman demonstrates here for the first time the great significance of their religious backgrounds and conflicts, with important new research on Van Gogh and Gauguin's respective Protestant and Catholic origins and formations, and fresh readings of the major pictures of the period. Both artists emerge in startling new ways, as the paintings they produced at Arles are reevaluated in the light of their divergent attempts to create a new sacred art.

Paul-Ferdinand Gachet (1828-1909), a physician and amateur painter, was among the first to appreciate the work of Van Gogh, Cezanne, Pissarro and other Impressionists and Post-Impressionists. He befriended many artists, and bought and received as gifts a large number of artworks, including masterpieces such as Van Gogh's "Church at Auvers" and Cezanne's "A Modern Olympia". Beginning in 1949, Gachet's children made a series of major donations to the French state from their father's extraordinary collection. Published to accompany an international exhibition, this volume presents the entire Gachet donation of paintings, drawings, prints, and even memorabilia, and also provides information on the works and the copies of them. An essay describes the eventful lives of the Gachets and their close relationships with Cezanne, Van Gogh and others.

Together with Holbein, Anthony van Dyck (1599 -1641) is one of the most important names in British pre-18th century art. Born in Antwerp he was a precocious talent, rising swiftly to become the chief assistant to Peter Paul Rubens, then Northern Europe's most prominent painter. His importance to British art cannot be overstated; during the turbulent years of the reign of Charles I, he single-handedly reinvented portrait painting, leaving behind a legacy that would influence later generations. Van Dyck first came to Britain in 1620 to work for James I. Between 1621 and 1627 he worked in Italy, adding to his clientele of wealthy patrons. Charles I recognised in van Dyck the potential to be the perfect creator of the royal image. The artist returned to London in April 1632 and was almost immediately knighted and provided with an enviable property and pension, becoming the chief painter of the court. His portraits of the royal family and courtiers, imbued with an understated authority and relaxed elegance, were an instant success. His pictures of Charles especially seemed to represent the king as both a powerful sovereign and 'nature's gentleman'. His popularity stemmed from his ease when moving in aristocratic circles, and his talent for flattering almost all subjects. Thomas Gainsborough famously said on his deathbed 'We are all going to heaven and van Dyck is of the company'. The authors not only explore van Dyck's years in England, but also his enduring influence on British art and culture in the centuries following his death, reflected in the way 18th and 19th century British sitters wanted their portraits to convey the gravitas and sophistication the earlier painter had mastered so well. Extensively illustrated, this is the most thorough examination ever published of van Dyck's English sojourn and the influence it had on the cultural life of the nation.