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Germany's greatest Renaissance artist   Though most famous for his engravings, Albrecht Dürer (1471-1528) was also a master painter and draftsman whose work exemplifies the spirit of German art. Dürer’s importance in the German High Renaissance was such that he can be considered to embody the movement entirely. His visits to Italy (where he studied most notably with Giovanni Bellini) had a profound effect on his artistic development and enabled him to combine both German and Italian influences in his work. In his later life, Dürer’s passion for knowledge and progress led him to research and write on the subjects of art theory and mathematics, making him not only the greatest Northern European artist of his time, but also one of its leading thinkers. This overview of Dürer’s entire oeuvre—covering his oil, tempera, and watercolor paintings, copper and wood engravings, and his drawings and sketches—is the perfect introduction to his work.   About the Series: Each book in TASCHEN’s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

This 4pc NGK 1643 Standard Spark Plugs replaces NGK; Champion LKR7E, 1643 RER8MC and is perfect for replacement or a performance upgrade.

This 2pc NGK 1989 Laser Iridium Spark Plugs replaces Bosch, Champion, DENSO, NGK ILKR7B8, RER8ZWYCB4, 1989, 9691, 3441, SXU22HDR8, 9407 and is perfect for replacement or a performance upgrade.

New Balance’s coveted1906R mesh runners arrive fresh with metallic silver details this season. Open mesh in crisp white teams up with jet black up top, whilst an ACTEVA LITE midsole and N-ergy outsole brings that cushioned support that we all know and love. A high-performance style finetuned for the everyday, they’re a must-have to step into the spotlight. Mesh Upper, Synthetic Overlays, TPU Heel Cage, ACTEVA LITE Midsole Cushioning, ABZORB SBS Heel Cushioning, N-ergy & Stability Web Outsole, Rubber Outsole, New Balance. New Balance M1906RER in Silver Metallic, Size UK 7

This 4pc NGK 1989 Laser Iridium Spark Plugs replaces Bosch, Champion, DENSO, NGK ILKR7B8, RER8ZWYCB4, 1989, 9691, 3441, SXU22HDR8, 9407 and is perfect for replacement or a performance upgrade.

See Features:Features:Piano SoloPages: 135Instrumentation: Piano

8 vocalises by various composers in the modern style.Features:High VoicePages: 36Instrumentation: PianoInstrumentation: Vocal

See Features:Features:Pages: 44Instrumentation: Marching Band

Has a sturdy binding with some shelf wear. May have some markings or highlighting. Used copies may not include access codes or Cd's. Slight bending may be present.

Albrecht Dürer (1471–1528) was hailed in his lifetime as a founder of the Northern Renaissance, and his work revolutionized the art of printmaking. Dürer was also the first artist outside Italy to leave behind a large body of writing. Contemporaries and succeeding generations added their accounts of him to this documentary legacy. Jeffrey Ashcroft’s new book provides the first English translation of the whole corpus of Dürer’s writings; the legal, financial, and administrative documentation of his life and work; and what others wrote about him during his life and in the following century. Translations of primary documents are accompanied by extensive commentary, providing Anglophone scholars access to German-language research. This unique combination of documentary evidence, current research, and exhaustive bibliography will doubtless become a definitive source for students and scholars of Dürer and his work, as well as for historians of early modern culture, language, and literature.

Albrecht Dürer (1471–1528) was hailed in his lifetime as a founder of the Northern Renaissance, and his work revolutionized the art of printmaking. Dürer was also the first artist outside Italy to leave behind a large body of writing. Contemporaries and succeeding generations added their accounts of him to this documentary legacy. Jeffrey Ashcroft’s new book provides the first English translation of the whole corpus of Dürer’s writings; the legal, financial, and administrative documentation of his life and work; and what others wrote about him during his life and in the following century. Translations of primary documents are accompanied by extensive commentary, providing Anglophone scholars access to German-language research. This unique combination of documentary evidence, current research, and exhaustive bibliography will doubtless become a definitive source for students and scholars of Dürer and his work, as well as for historians of early modern culture, language, and literature.

The Staatliche Graphische Sammlung in Munich houses one of the finest and most famous collections of drawings and prints in Germany, with holdings of around 400,000 works ranging from the fifteenth century to modernity. Published to accompany an exhibition at the Morgan Library and Museum in New York, 100 Master Drawings from Munich comprises lush full-color illustrations of over one hundred of the museum’s works of art. Demonstrating the impressive depth and breadth of works owned by the Staatliche Graphische Sammlung, the works in this volume range from rough preparatory sketches to meticulously executed studies and encompass a variety of media, including silverpoint, chalk, ink, and aquarelle. Among the many extraordinary pieces are Old Dutch and German prints, nineteenth-century German drawings, and works by Dürer and Rembrandt. But equally not to be missed are the many compelling works of contemporary graphic art for which the museum is best known.

Examines the life and artistic process of the artist, looking at his works in the context of the historical and cultural ferment of pre- and post- Reformation Europe.

May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.85

Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

A brief biography of the German painter and printmaker accompanies fifteen color reproductions and critical interpretations of his works.

This study aims to clarify Venetian Quattrocento Orientalism, which affected Durer and thus Northern Europe, and to define the sources and practitioners of its Oriental motifs.At the end of the fifteenth century a large number of paintings were produced in Venice that depict exotic animals and figures set against the backdrop of Oriental architecture.It was Europe's earliest attempt to portray Muslims in a Muslim habitat, but it was more than a vague and ill-informed evocation of the East. Realistic in many of their details, these Orientalist pictures reflect the Serenissima's political and mercantile links with the fifteenth century Islamic Empires of the Eastern Mediterranean.

Here Strieder presents 80 paintings, 77 of them in color reproductions (3 paintings illustrated in black and white are lost). 106 of Dürer's approximately 350 woodcuts are reproduced (2 in color). Of his approximately 100 engravings, etchings and drypoints, 4 etchings and 52 engravings are illustrated. 26 reproductions, of which 25 are in color, represent Dürer's watercolors. Of the more than 1,000 drawings by Dürer, 69 pen drawings (21 of them in color), 19 brush drawings (8 in color), 14 crayon or charcoal drawings, and 18 metalpoint works are shown. Other reproductions illustrate documents and works by other artists.

The Lubomirski Dürers, once an integral part of the Ossolinski National Institute, were among the most treasured artifacts in Poland before the Second World War. Yet like the splendid art collections of the Czartoryskis in Krakow and Goluchow, and Potockis in Lancut, the Museum of the Lubomirski Princes suffered tremendous losses due to theft, confiscation, coercive transfer and looting by the Germans and Soviets. This is the tragic and still unresolved story of the dispersed collection of these Dürer drawings.

This title tells the fascinating story of German airborne heavy weapons platform designs and the difficult history behind the types' development.Intended as a progressive development of the twin-engined Bf 110 Zerstörer (“destroyer” or heavy fighter), the Me 210 first took to the air in September 1939. However, due to a lack of sufficient flight-testing before being declared service-ready, the Me 210 suffered from a less than satisfactory reputation in respect to its flight characteristics and weak undercarriage. After enhancements were made to the fuselage and wings, and the power of the plane was increased, the Me 210 became the Me 410 in late 1942. By this stage of the war much was expected of the two types, which were forced to fly in very dangerous skies over North Africa and in the defense of the German homeland. Both aircraft were deployed as heavy fighters, fighter-bombers, reconnaissance platforms and interceptors, seeing service with a number of different units. The Me 410 was fitted with 30 mm cannon, 21 cm underwing mortars and the colossal 5 cm BK cannon that was intended to pack a punch against the USAAF's four-engined bombers which threatened the Reich in large numbers from 1943 onwards. In this title, supported by contemporary photography and full-color artwork, Robert Forsyth tells the complex story of the Me 210 and 410, detailing their development and assessing their capabilities as combat aircraft.