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Absolute power and flexibility, RME presents the Fireface UCX II the successor of the legendary Fireface UCX. Fitting to RME's 25th anniversary the...

Excellent signal/noise ratio, lowest harmonic distortions and wide gain range make the QuadMic II a first choice for superior studio recordings. Qu...

The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long t...

The ADI-2 DAC FS 2-Channel DA Converter is a high-end, professional-grade audio converter that offers unparalleled sound quality and advanced features. This device is designed to convert analog audio signals into digital format, making it an ideal choice for both home and studio use. This converter is equipped with an improved SteadyClock, a meticulously fine-tuned analog circuitry, and a new MRC remote control. It also boasts an Extreme Power headphone output and a specialized IEM output, offering a comprehensive range of features that have made the ADI-2 Pro a popular choice among audio professionals. The ADI-2 DAC FS 2-Channel DA Converter is renowned for its perfectly transparent sound signature and full DSP processing capabilities, including Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed, and more. Its simplified operation and sleek design make it a perfect centerpiece for home listening and studio reference playback. This converter is the home and hi-fi optimized version of the ADI-2 Pro, a studio AD/DA converter of the highest quality. It is packed with innovative features and useful functions, making it a reference in the field of DA conversion. With its combination of high-end DA conversion, two exceptional headphone IEM outputs, and a remote control, it has received numerous positive reviews for its sound, flexibility, and technical capabilities. The ADI-2 DAC FS 2-Channel DA Converter is designed to offer balanced/unbalanced analog I/Os, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, and sample rates up to 768 kHz. It also supports DSD and Direct DSD playback. The updated version of the ADI-2 DAC uses AKM's AK4493 in a special circuit variant developed by RME engineers, allowing the chip to perform at its best. With noise levels of 123 dBA, distortion less than -120 dB, or THD+N of -116 dB, the device delivers outstanding measured values. The ADI-2 DAC FS 2-Channel DA Converter is a versatile and reliable audio converter that offers top high-end quality DA conversion, along with two exceptional headphone and IEM outputs. It is a true 2 channel Full Duplex audio interface that is sure to enhance your audio experience.

Why settle for less when you can have the best with the Fireface UCX II 40-Channel Advanced USB Audio Interface? This professional-grade audio interface is designed to deliver superior sound quality and versatility for both studio and live recordings. The Fireface UCX II is a testament to RME's commitment to compact, advanced design. It packs a wealth of features typically spread across multiple 19-inch panels into a sleek, half-rack size unit. This high-quality audio interface offers a plethora of connectivity options, including 8x Analog I/O, 2x XLR/TRS Mic/Inst/Line, 2x Line/Inst Input, Phones Output, AES I/O, ADAT I/O, SPDIF I/O Coax, Word Clock I/O, and MIDI I/O. This advanced USB audio interface is equipped with the latest Plug and Play technology, ensuring a hassle-free installation process, even for novice users. The Fireface UCX II is designed with a user-friendly Settings dialog and an integrated routing solution, making it quick and efficient to operate. The front panel of the Fireface UCX II houses two mic/line preamps in XLR combo configuration, two digitally controlled line/instrument inputs, a headphone jack, various control buttons, a clear color display, and the main volume knob. The rear panel features ten analogue balanced line inputs and outputs, MIDI I/O, ADAT I/O, AES/EBU and SPDIF I/O, USB 2.0, and a switchable word clock I/O. The Fireface UCX II is powered by RME's SteadyClock FS, the latest in clock and jitter rejection technology. This femtosecond clock significantly reduces intrinsic jitter when converting from and to analogue over all digital formats, ensuring the highest audio fidelity. The Fireface UCX II also boasts full stand-alone functionality. You can control all device states directly from the front panel, and the internal memory allows for the permanent storage of six different states of the unit. This makes the Fireface UCX II a versatile tool, capable of transforming into different devices at the click of a button. The Fireface UCX II also comes with the TotalMix FX DSP mixer, offering comprehensive routing and monitoring options, and the DIGICheck Analyzer for precise measurement and analysis of digital data feeds. All of the Fireface UCX II's line-level outputs are fully DC-coupled, making it ideal for use with modular synthesizers and other studio hardware. The Fireface UCX II operates in two modes: driver-based USB2 and Class Compliant. The latter is a standard natively supported by operating systems like Windows, Mac OSX, and Linux distributions, requiring no proprietary drivers. In conclusion, the Fireface UCX II 40-Channel Advanced USB Audio Interface is a durable, high-quality, and versatile solution for all your professional audio recording and processing needs. It's not just an audio interface; it's a complete audio system designed to deliver the best sound quality possible.

Make your professional audio setup more efficient and versatile with the DTOX-16 O Breakout Panel. This high-quality audio equipment seamlessly connects 16 XLR outputs to two D-sub 25-pin connectors, effectively managing channels 1-8 and channels 9-16. Designed to support all interfaces using an analog 25-pin D-sub output, this breakout panel is an essential tool for any professional audio environment.Engineered by RME, a renowned name in professional audio equipment, the DTOX-16 O Breakout Panel is compatible with a range of RME interfaces, including the M-32 DA and M-16 DA. This compatibility ensures a reliable and consistent audio experience, making it an ideal choice for live performances, recording studios, and sound reinforcement systems.Crafted with a durable stage box form factor, this breakout panel is built to withstand the rigors of professional use. Its high-quality DB-25, XLR connectors provide a secure and stable connection, ensuring optimal audio signal transmission. Incorporate the DTOX-16 O Breakout Panel into your professional audio setup and experience the difference in quality and reliability it brings. Whether you're a sound engineer, a recording artist, or a live performer, this versatile and reliable breakout panel is designed to meet your professional audio needs.

20-in/20-out USB 2.0 Audio Interface - Mac/PC/iOS.

How can you enhance your digital multichannel interfaces with a professional, solid, and stable system? The DTOX-32 Dual Set of 25-Pin D-Sub to 4 XLR Male and 4 XLR Female Breakout Panel is your answer. This high-quality breakout panel is designed to replace common breakout cables D-sub to XLR, providing a more robust and reliable solution for your audio and video needs. The DTOX-32 breakout panel features two sets of D-sub to 4 x XLR male and 4 x XLR female each, offering ample connectivity options for your equipment. It's pin-compatible with both TASCAM (=RME) and Yamaha formats, ensuring wide-ranging compatibility with various devices. This breakout panel is not just about functionality; it's also designed with flexibility in mind. The DTOX-32, along with its counterpart DTOX-16, comes with removable rack-mount brackets. These brackets can be mounted in either the front or back position, providing you with the convenience to set up your system as per your requirements. One of the standout features of the DTOX-32 breakout panel is its selectable pinout standards for the 25-pin D-sub connectors. You can choose between the TASCAM-compatible format and the YAMAHA-compatible format. By default, the DTOX-32 is set to the factory default TASCAM (RME) format. However, if you wish to change the format, it can be done by accessing an internal connector inside the panel. All it requires is a medium size cross recessed screwdriver (PH-2 size). In conclusion, the DTOX-32 Dual Set of 25-Pin D-Sub to 4 XLR Male and 4 XLR Female Breakout Panel is a versatile, reliable, and professional solution for enhancing your digital multichannel interfaces.

Explore the pinnacle of connectivity with the RME Professional Balanced Analog Breakout Cable, meticulously engineered for the HDSP 9632 System. This robust and reliable cable is the perfect solution for audio professionals seeking to bridge their digital and analog worlds with unparalleled precision.Crafted from high-quality materials, this durable breakout cable ensures a secure and interference-free connection, thanks to its 15-pin D-sub connector that seamlessly interfaces with your HDSP 9632 System. On the other end, four XLR analog outputs provide a versatile and professional means to connect to a wide array of analog devices, including mixers and audio interfaces.The RME Professional Balanced Analog Breakout Cable is not just about robust construction; it's about delivering pristine audio quality. By facilitating a balanced analog output, it preserves the integrity of your audio signal, ensuring that every nuance of your sound is captured with clarity and detail.Whether you're in a studio setting or out in the field, this cable's reliability and high-performance standards make it an indispensable tool for any serious audio setup. Its compatibility with the RME HDSP 9632 System guarantees optimal performance, making it a top choice for those who demand the best in audio reproduction.In summary, the RME Professional Balanced Analog Breakout Cable stands as a testament to quality and functionality, offering a professional-grade solution for those who refuse to compromise on audio excellence.

New RME Audio M-16 AD - 16-Channel High-End Analog to MADI/ADAT ConverterThe M-16 AD from RME is an extremely high-quality 16-channel A/D converter...

It's time to elevate your professional audio setup with the DTOX-16 I Breakout Panel, a high-quality and reliable solution for managing multiple audio sources. This versatile panel seamlessly integrates 16 XLR inputs into two D-sub 25-pin connectors, effectively streamlining channels 1-8 and 9-16. Designed with durability in mind, the DTOX-16 I Breakout Panel is perfect for live sound or recording setups, where a multitude of audio devices such as microphones or mixers need to be connected to a central mixing console or recorder. Its compatibility extends to all interfaces utilizing analog 25-pin D-sub inputs, and it's specifically tailored to work flawlessly with RME interfaces like the M-32 AD and M-16 AD. With the DTOX-16 I Breakout Panel, you're not just getting a piece of equipment, you're investing in a professional-grade tool that enhances your audio management capabilities. Whether you're in a recording studio or live event, this breakout panel ensures a smooth, high-quality audio experience.

Remote Control for RME Audio Interfaces - Black.

Add 12 channels of pristine mic/line inputs featuring 75 dB of gain to your networked audio system with the 12Mic-D Kit from RME. Designed to conve...

The RME 12Mic-D features twelve microphone and line level inputs with digital, no-compromise, studio-quality conversion; remote controllable gains;...

Add 12 channels of pristine mic/line inputs featuring 75 dB of gain to your networked audio system with the 12Mic-D from RME. Designed to convenien...

Take your audio setup to the next level with the DTOX-16 I/O Breakout Panel, a high-quality, reliable solution for connecting 8 XLR inputs to a 25-pin D-sub connector and 8 XLR outputs to another 25-pin D-sub connector. This versatile breakout panel is designed to support all interfaces utilizing an analog 25-pin D-sub I/O, making it an essential tool for any professional audio setup.In addition to its compatibility with generic interfaces, the DTOX-16 I/O Breakout Panel is also specifically designed to work seamlessly with a range of RME interfaces. These include the ADI-8 QS, ADI-8 DS Mk III, M-32 AD, M-32 DA, M-16 AD, and M-16 DA. This ensures that you can integrate this breakout panel into your existing setup with ease, regardless of the RME interface you're using.With its robust construction and high-quality connectors, the DTOX-16 I/O Breakout Panel ensures reliable, interference-free connections for your audio equipment. Whether you're a professional sound engineer or an audio enthusiast, this breakout panel is a must-have addition to your audio equipment arsenal.

Let the RME 12Mic, a high-quality 12-channel digitally controlled microphone preamplifier, elevate your professional recording experience. This advanced device is RME's first preamp for audio networks, offering a no-compromise A/D conversion, integrated AVB and MADI connectivity, and a plethora of features tailored to enhance any professional recording setup.The 12Mic is equipped with twelve transparent mic preamps, delivering exceptional conversion performance. Its PAD-free microphone input stages boast a 75 dB gain range, accepting signals of up to +18 dBu. The impressive SNR values reveal an extraordinary 121.2 dB(A) on all channels, ensuring the highest audio quality.The front-facing XLR connections accept both microphone and line-level signals. The first four connections also accept TRS connectors, with switchable high impedance (Hi-Z) for instruments, making this device versatile and adaptable to various recording scenarios.For maximum flexibility, the 12Mic features both coaxial and optical MADI I/O, which can be used independently or redundantly. These can be utilized for daisy-chaining, merging, and converting MADI signals with incredibly low latency. Three optical ADAT outputs provide up to 24 channels of audio at single speed, ensuring compatibility with a wide range of audio interfaces.The 12Mic is the first RME device to offer two fully redundant network ports, meticulously implementing the IEEE standards for audio-streaming, discovery, and control. This allows RME devices to be discovered and fully controlled by any AVB controller, making vendor-specific control protocols obsolete.Control all device states directly from the front panel or remotely via a web-interface on any network link, including wirelessly over Wi-Fi. The integrated routing matrix allows for quick routing of any analog inputs straight to the headphone output, as well as all digital signals and AVB streams.The 12Mic also offers full SteadyClock FS performance for the lowest jitter and highest jitter immunity. This ensures optimal recordings and mixes, as the soundstage has more depth and clarity. Experience the sophistication and reliability of the RME 12Mic, a perfect companion for your professional recording setup.

Near perfect condition as seen in photos.

COMPAREWith the M-32 AD and M-32 DA, RME presented two independent 32-channel converters in 2010, which quickly became the industry standard thanks...

The HDSPe AES-32 from RME is a short-length PCIe Express card with AES/EBU interfaces. It provides 8 AES inputs (16 channels) and 8 AES outputs (16...