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Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Neu -Der vierte und letzte Band des Werkverzeichnisses versammelt Joan Mirós druckgrafische Arbeiten der Jahre 1976 bis 1983. Ein eigens von Miró gestalteter Schutzumschlag und zwei ins Buch eingebundene Original-Holzschnitte machen diesen Catalogue Raisonné zu einem besonderen Objekt. (Text engl.) 240 pp. Englisch

Piranesi’s fantastic worlds: The great 18th century architectural artist and master engraver   “Piranesi was as savage as Salvator Rosa, fierce as Michelangelo, and exuberant as Rubens... he has imagined scenes that would startle geometry and exhaust the Indies to realize.” —Horace Walpole One of the greatest architectural artists of all time, and certainly the most famous copper engraver of the 18th century, Giovanni Battista Piranesi (1720-1778) is best known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d’Invenzione. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome; so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi’s romantic feeling for archaeological ruins, that they formed the mental picture of Rome for generations after. Indeed, Piranesi could be said to have shaped a whole strain of contemporary architecture, as well as the wider visualization of antiquity itself. In our time, he has had a direct influence on writers such as Borges and Kafka and on filmmakers such as Terry Gilliam and Peter Greenaway. Anyone who contemplates Piranesi’s etchings will confront the existential nightmare of human existence and its infinite mysteries.   Text in English, French, and German

Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

147 S. mit Ill. / gutes Exemplar // Ausstellungskatalog, Radierung , Bildband, Bildende Kunst N08 9783923848768 *.* Sprache: Deutsch Gewicht in Gramm: 971

71, [8] S. mit zahlr. Ill., zus. in durchs. Folie eingeschlagen Sprache: Deutsch Gewicht in Gramm: 550

Durer, Albrecht (1471-1528), German painter, printmaker, draughtsman and art theorist, is generally regarded as the greatest German Renaissance artist. His vast body of work includes alterpieces and religious works, numerous portraits and self-portraits, and copper engravings. His woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work.  Born in Nurnberg as the third son of the Hungarian goldsmith,  Albrecht Durer began as an apprentice to his father in 1485, but his earliest known work, one of his many self portraits, was made in 1484. He died in Nürnberg in 1528.   Meder’s catalogue raisonne remains a standard work in the field.  It includes 294 entries, with descriptions in millimeters.  Inscriptions, states, and successive editions within individual states are described.  Paper, watermarks and print quality are also treated.  Riggs, The Print Council Index of Oeuvre-Catalogues, page 238.Cloth.  Oversized Octavo. xxiii, [1], 357 p. illus. (incl. coats of arms) LII plates. 29 cm. Originally published in Vienna: Gilhofer & Rauschburg, 1932

Piranesi’s fantastic worlds: The great 18th century architectural artist and master engraver   “Piranesi was as savage as Salvator Rosa, fierce as Michelangelo, and exuberant as Rubens... he has imagined scenes that would startle geometry and exhaust the Indies to realize.” —Horace Walpole One of the greatest architectural artists of all time, and certainly the most famous copper engraver of the 18th century, Giovanni Battista Piranesi (1720-1778) is best known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d’Invenzione. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome; so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi’s romantic feeling for archaeological ruins, that they formed the mental picture of Rome for generations after. Indeed, Piranesi could be said to have shaped a whole strain of contemporary architecture, as well as the wider visualization of antiquity itself. In our time, he has had a direct influence on writers such as Borges and Kafka and on filmmakers such as Terry Gilliam and Peter Greenaway. Anyone who contemplates Piranesi’s etchings will confront the existential nightmare of human existence and its infinite mysteries.   Text in English, French, and German

Durer, Albrecht (1471-1528), German painter, printmaker, draughtsman and art theorist, is generally regarded as the greatest German Renaissance artist. His vast body of work includes alterpieces and religious works, numerous portraits and self-portraits, and copper engravings. His woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work.  Born in Nurnberg as the third son of the Hungarian goldsmith,  Albrecht Durer began as an apprentice to his father in 1485, but his earliest known work, one of his many self portraits, was made in 1484. He died in Nürnberg in 1528.   Meder’s catalogue raisonne remains a standard work in the field.  It includes 294 entries, with descriptions in millimeters.  Inscriptions, states, and successive editions within individual states are described.  Paper, watermarks and print quality are also treated.  Riggs, The Print Council Index of Oeuvre-Catalogues, page 238.Cloth.  Oversized Octavo. xxiii, [1], 357 p. illus. (incl. coats of arms) LII plates. 29 cm. Originally published in Vienna: Gilhofer & Rauschburg, 1932

Bound in the publisher's original brown cloth over boards, spine and cover stamped in black. Frontis and additional black and white illustrations throughout. A complete description of Feininger's entire graphic work, with each state reproduced on the same page as it's related description which includes histories of all states, editions and papers used, and artists work numbers. With multiple supplemental chapters, including falsley attributed woodcuts, signatures, marginalia and letterheads, exhibitions, a bibliography, index, addenda. Signed by the author on the half-title page. Text in English and German.

77 S. Text auch englisch. Umschlag leicht berieben, sonst gutes Exemplar. - Mit einem Beitrag: Andreas Franzke, Der bohrende Blick auf und in den Menschen. Zu den Radierungen Lucian Freuds. ISBN 9783924639822 Sprache: Englisch Gewicht in Gramm: 756 Mit zahlr. Abb. Originalleinen mit Schutzumschlag.

95 Seiten. Das Buch zeigt die verschiedenen Gesichter der Landeshauptstadt.Mit zahlreichen kolorierten Radierungen von Editha Hackspiel,die Düsseldorfs Sehenswürdigkeiten zeigen.Mit Erläuterungen auch in Englisch,Spanisch und Japanisch.Gutes bis sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 850

This item is printed on demand - it takes 3-4 days longer - Neuware -Aus der Sammlung Hans-Jürgen Döpp, 'Der Heilige Priapus', 12 Radierungen von Fritz Erler, 1926, + 'Der Heilige Priabus', 11 Radierungen, 1926. Mit einem Essay von Hans-Jürgen Döpp, 'Priapus - der verdammte Gott'. Fritz Erler wurde 1868 in Frankenstein (Schlesien); er starb 1940 in München. Die Mappe Der heilige Priapus erschien 1926. Eine Auflage ist nicht angegeben. Ihre erste Präsentation erlebte sie 1926 - auf der Polizei-Ausstellung in Berlin! (sh. Paul Englisch, Irrgarten der Erotik, Leipzig 1931, S. 255). Die zweite Mappe unter dem Titel Der heilige Priabus(!) dürfte im gleichen Jahr erschienen sein. Englisch urteilt über dieses Werk: In Gedanken wie in der Technik gehören die Radierungen mit zum Besten, was in der letzten Zeit auf diesem Gebiet geschaffen wurde. Bilderlexikon 345; Hayn-Got.IX, 467 84 pp. Deutsch