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Stephen Gardiner was Bishop of Winchester under three reigns - Henry VIII, Edward VI and Queen Mary. His career began before the break with Rome and spanned the dangerous years of religious reform under Henry and Edward. This is the first biography of Stephen Gardiner - the "Wily Winchester" of Protestant propaganda - since the 1920s. Based on original research in archives in England and Europe, it proves a narrative of Gardiner's career at Cambridge, his involvement in Henry VIII's divorce and in protecting Catholic doctrine after the break with Rome and during the reign of Edward VI. The book reassesses the facts around John Foxe's portrait of Gardiner as the all-powerful conservative machinator and shows how through skilful deployment of foreign policy his influence on Henry VIII was frequently decisive.

The Anarchy was the first civil war in post-Conquest England, enduring throughout the reign of King Stephen between 1135 and 1154. It ultimately brought about the end of the Norman dynasty and the birth of the mighty Plantagenet kings. When Henry I died having lost his only legitimate son in a shipwreck, he had caused all of his barons to swear to recognize his daughter Matilda, widow of the Holy Roman Emperor, as his heir and remarried her to Geoffrey, Count of Anjou. When she was slow to move to England on her father’s death, Henry’s favourite nephew Stephen of Blois rushed to have himself crowned, much as Henry himself had done on the death of his brother William Rufus.Supported by his brother Henry, Bishop of Winchester, Stephen made a promising start, but Matilda would not give up her birthright and tried to hold the English barons to their oaths. The result was more than a decade of civil war that saw England split apart. Empress Matilda is often remembered as aloof and high-handed, Stephen as ineffective and indecisive. By following both sides of the dispute and seeking to understand their actions and motivations, Matthew Lewis aims to reach a more rounded understanding of this crucial period of English history and asks to what extent there really was anarchy.

The Anarchy was the first civil war in post-Conquest England, enduring throughout the reign of King Stephen between 1135 and 1154. It ultimately brought about the end of the Norman dynasty and the birth of the mighty Plantagenet kings. When Henry I died having lost his only legitimate son in a shipwreck, he had caused all of his barons to swear to recognize his daughter Matilda, widow of the Holy Roman Emperor, as his heir and remarried her to Geoffrey, Count of Anjou. When she was slow to move to England on her father’s death, Henry’s favourite nephew Stephen of Blois rushed to have himself crowned, much as Henry himself had done on the death of his brother William Rufus.Supported by his brother Henry, Bishop of Winchester, Stephen made a promising start, but Matilda would not give up her birthright and tried to hold the English barons to their oaths. The result was more than a decade of civil war that saw England split apart. Empress Matilda is often remembered as aloof and high-handed, Stephen as ineffective and indecisive. By following both sides of the dispute and seeking to understand their actions and motivations, Matthew Lewis aims to reach a more rounded understanding of this crucial period of English history and asks to what extent there really was anarchy.

The Red Badge of Courage was published in 1895, when its author, an impoverished writer living a bohemian life in New York, was only twenty-three. It immediately became a bestseller, and Stephen Crane became famous. Crane set out to create "a psychological portrayal of fear." Henry Fleming, a Union Army volunteer in the Civil War, thinks "that perhaps in a battle he might run....As far as war was concerned he knew nothing of himself." And he does run in his first battle, full of fear and then remorse. He encounters a grotesquely rotting corpse propped against a tree, and a column of wounded men, one of whom is a friend who dies horribly in front of him. Fleming receives his own "red badge" when a fellow soldier hits him in the head with a gun. "The idea of falling like heroes on ceremonial battlefields," Ford Madox Ford remarked later, "was gone forever." Shelby Foote, author of The Civil The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with afford-able hardbound editions of impor-tant works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoringas its emblem the running torch-bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

An account of the civil war that dominated Stephen's reign which suggests that there were really two separate wars: the war for Matilda's succession, which began in 1139 and ended in 1148, and the war for Henry's succession. Both wars are examined in detail through the various campaigns giving insight into the horrors of twelfth-century war.

Maggie Tulliver has two lovers Philip Wakem, son of her father's enemy, and Stephen Guest, already promised to her cousin. But the love she wants most in the world is that of her brother Tom. Maggie's struggle against her passionate and sensual nature leads her to a deeper understanding and to eventual tragedy.

In Collecting Shakespeare, Stephen H. Grant recounts the American success story of Henry and Emily Folger of Brooklyn, a couple who were devoted to each other, in love with Shakespeare, and bitten by the collecting bug.Shortly after marrying in 1885, the Folgers started buying, cataloging, and storing all manner of items about Shakespeare and his era. Emily earned a master's degree in Shakespeare studies. The frugal couple worked passionately as a tight-knit team during the Gilded Age, financing their hobby with the fortune Henry earned as president of Standard Oil Company of New York, where he was a trusted associate of John D. Rockefeller Sr.While a number of American universities offered to house the collection, the Folgers wanted to give it to the American people. Afraid the price of antiquarian books would soar if their names were revealed, they secretly acquired prime real estate on Capitol Hill near the Library of Congress. They commissioned the design and construction of an elegant building with a reading room, public exhibition hall, and the Elizabethan Theatre. The Folger Shakespeare Library was dedicated on the Bard's birthday, April 23, 1932.The library houses 82 First Folios, 275,000 books, and 60,000 manuscripts. It welcomes more than 100,000 visitors a year and provides professors, scholars, graduate students, and researchers from around the world with access to the collections. It is also a vibrant center in Washington, D.C., for cultural programs, including theater, concerts, lectures, and poetry readings.The library provided Grant with unprecedented access to the primary sources within the Folger vault. He draws on interviews with surviving Folger relatives and visits to 35 related archives in the United States and in Britain to create a portrait of the remarkable couple who ensured that Shakespeare would have a beautiful home in America.

This book tells the story of the transition from the reign of King Stephen of England (1135-54) to that of Henry II (1154-89). It is a story of change: from civil war to peace, from a threatened throne to stability, from weak to strong royal government. Although previous writers on the general period have recognised the importance of the changeover, its details have been left largely unconsidered until now. Professor Amt explores the problems Henry faced in obtaining the throne, the conditions which allowed the negotiation of the peace treaty of 1153, the terms of that treaty and the basic steps by which the new royal government established its authority in England after 1154. This is achieved through detailed studies of both particular geographical regions (Gloucestershire, Oxfordshire and Essex) and of groups of people (Flemings and financial networks) who proved helpful in easing the transition. Also included are new analyses of royal financial adminstration in the first five years of the new reign. EMILIE AMT is associate professor of history, Washington College, Chestertown, Maryland.

The first comprehensive study of Henry Wallis, celebrated Pre-Raphaelite painter and art collector/connoisseurIncludes an extensive catalogue raisonné of Wallis's workContains numerous unpublished letters, to and from members of the Pre-Raphaelite circle: William Holman Hunt, Frederic George Stephens, Dante Gabriel Rossetti, Edward Burne-Jones and William MorrisThe Death of Chatterton hangs from the wall of the Tate Britain, a resplendent depiction of tragedy. This is the canvas that earned Henry Wallis his lasting legacy. It embodies the Pre-Raphaelite aesthetic, from its morbid subject (Thomas Chatterton, a precocious 18th-century poet who poisoned himself to escape poverty, aged only seventeen), to its vibrant colorwork and detailed naturalism, characteristic of the first phase of Pre-Raphaelitism. Despite this, no significant study has been dedicated to Wallis - until now. Henry Wallis: From Pre-Raphaelite to Collector/Connoisseur - delivers the first comprehensive appraisal of this often-overlooked Pre-Raphaelite. Composed of three parts - a biography, a catalogue raisonné and a series of important appendices - this book demonstrates the full range of Wallis's contributions to the world of Victorian art. The biography acknowledges Wallis's expertise as a colorist and draughtsman, while paying respect to his lesser-known accomplishments as both collector and connoisseur. The Illustrated Catalogue gathers every identifiable work in the painter's name - of which there are many, including The Stonebreaker: Wallis's other great masterpiece. Finally, the appendices present a selection of correspondence between Wallis and various members of the Pre-Raphaelite circle - William Holman Hunt, Frederic George Stephens, Dante Gabriel Rossetti, William Bell Scott, Arthur Hughes, Edward Burne-Jones and William Morris.A pioneering exploration of the artist and the man, Henry Wallis will be at home on the bookshelf of any Pre-Raphaelite enthusiast.

This book tells the story of the transition from the reign of King Stephen of England (1135-54) to that of Henry II (1154-89). It is a story of change: from civil war to peace, from a threatened throne to stability, from weak to strong royal government. Although previous writers on the general period have recognised the importance of the changeover, its details have been left largely unconsidered until now. Professor Amt explores the problems Henry faced in obtaining the throne, the conditions which allowed the negotiation of the peace treaty of 1153, the terms of that treaty and the basic steps by which the new royal government established its authority in England after 1154. This is achieved through detailed studies of both particular geographical regions (Gloucestershire, Oxfordshire and Essex) and of groups of people (Flemings and financial networks) who proved helpful in easing the transition. Also included are new analyses of royal financial adminstration in the first five years of the new reign. EMILIE AMT is associate professor of history, Washington College, Chestertown, Maryland.

Stephen King first wrote about the Dark Man in college after he envisioned a faceless man in cowboy boots and jeans and a denim jacket forever walking the roads. Later this dark man would come to be known around the world as one of King's greatest villains, Randall Flagg, but at the time King only had simple questions on his mind: where was this man going? What had he seen and done? What terrible things...?i have ridden rails...More than forty years after Stephen King first wrote his breathtaking poem The Dark Man, Glenn Chadbourne set out to answer those questions in this World's First Edition hardcover featuring more than 70 full-page illustrations from the talented artist behind The Secretary of Dreams.i have slept in glaring swamps...This Cemetery Dance Publications hardcover is a true marriage of words and art, with Chadbourne pulling the images from King's imagination and illustrating them in magnificent detail. This incredible blending of King's words with Chadbourne's art creates a unique page turning experience you can return to again and again, always finding new details hidden on every page. You'll discover hidden layers and mysterious secrets for years to come.i am a dark man...So who is the Dark Man and why is he traveling the country? The answers are terrifying....

From the national bestselling author of Bad Things Happen—the debut that Stephen King called a “great f***ing book”—comes a new crime novel that will blow readers away...  ANTHONY LARK has a list of names—Terry Dawtrey, Sutton Bell, Henry Kormoran. To his eyes, the names glow red on the page. They move. They breathe. The men on the list were once involved in a notorious robbery. And now Lark is hunting them, and he won’t stop until every one of them is dead. DAVID LOOGAN—editor of the mystery magazine Gray Streets—is living a quiet life in Ann Arbor, Michigan, with Detective ELIZABETH WAISHKEY and her daughter. But soon David and Elizabeth are drawn into Lark’s violent world. As Elizabeth works to track Lark down, David befriends Lucy Navarro, a reporter with a crazy theory about the case that threatens to implicate some very powerful people. And when Lucy disappears, David decides her theory may not be so crazy after all

Jack London's remarkable success as a short-story writer came at a critical moment in American literary history. The vacuum created by the deaths of Stephen Crane and Frank Norris, the suppression of Theodore Dreiser, the disaffection of Henry James, and the decline into old age of Mark Twain and William Dean Howells had been filled by a host of long-forgotten popular hacks. London's emergence came as a tremendous shock. 'Like Stanford's edition of Jack London's letters, this edition of his short stories will revolutionize not only London studies but cultural studies of all kinds that are focused on the Progressive Era in American history. Finally, this authoritative, carefully edited collection includes an extensive introduction that indicates a breadth and depth of scholarship that compels as much admiration as it does interest.' Joseph R. McElrath, Jr, Florida State University

Biographer and historian Stephen B. Oates tells the story of the coming of the American Civil War through the voices and perspectives of thirteen principal players in the drama, from Thomas Jefferson and Henry Clay in the Missouri crisis of 1820 down to Stephen A. Douglas, Jefferson Davis, and Abraham Lincoln in the final crisis of 1861. This innovative approach shows the crucial role that perception of events played in the sectional hostilities that pushed the United States irreversibly toward a national calamity. Nat Turner, William Lloyd Garrison, John C. Calhoun, Frederick Douglass, Harriet Beecher Stowe, George Fitzhugh, John Brown, and Mary Boykin Chesnut also provide perspectives. Each character takes a turn onstage, narrating critical events in which he or she was a major participant or eyewitness. For the dramatic monologues, Oates draws on the actual words of his speakers—in letters, speeches, interviews, recollections, and other recorded utterances—and then simulates how, were they reminiscing aloud, they would describe these events in which they were the principal actors or witnesses. All the events and themes reflect the historical record.

[Read by Stephen R. Thorne] This classic novel is the inspiration behind the beloved Christmas film of the same name starring Cary Grant and Loretta Young. Bishop Henry Brougham desperately wants to build a great cathedral for his overcrowded parish. The problem is he doesn't know how he will find a capable archdeacon to help fund the project. But that's not his only problem. Though his beautiful wife Julia fulfills her marital duties, there is no passion between them. When the bishop prays for help, it comes in the form of Michael, a handsome, golden-haired angel who takes the position of archdeacon. Michael exudes love, which draws new and unexpected emotions from Julia. However, Michael's limitless capacity for love is stifled by his mortal duties of manipulating money from wealthy religious patrons. -- With the holidays approaching, the bishop senses the mutual attraction between Julia and Michael. Will the purity of a divine love lure Julia away, or will her sense of marital duty prevail?

In retaliation for a slight, King Henry VIII forces Stephen de Lacey, the handsome and rebellious Baron of Wimberleigh, into an unwanted marriage to a gypsy horse thief, but the scheme backfires when the bride turns out to be a lost princess fleeing a deadly uprising. Original.

Henry I of England is without an heir, and his daughter Matilda--married to the German emperor--and his nephew Stephen vie to gain unrestricted control of the throne

Joseph Conrad, Stephen Crane, Ford Madox Ford, Henry James, and H.G. Wells.

The first volume of a trilogy that will follow the lives and fortunes of Henry II and Eleanor of Aquitaine presents the story of Maude, imperious daughter of Henry the I and England's uncrowned queen, and her trusted, tormented cousin Stephen. 75,000 first printing. $100,000 ad/promo. Tour.