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An Anchor OriginalThe 80th anniversary edition of "the nation's most prestigious awards for the short story."--The Atlantic MonthlyEstablished early in the last century as a memorial to O. Henry, throughout its history this annual collection has consistently offered a remarkable sampling of contemporary short stories. Each year stories are chosen from large and small literary magazines and a panel of distinguished writers is enlisted to award the top prizes. The result is a superb collection of twenty inventive, full-bodied stories representing the very best in American and Canadian fiction.

Established early in the last century as a memorial to O. Henry, throughout its history this annual collection has consistently offered a remarkable sampling of contemporary short stories. Each year, stories are chosen from large and small literary magazines, and a panel of distinguished writers is enlisted to award top prizes. The result is a superb collection of seventeen inventive, full-bodied stories representing the very best in American and Canadian fiction. And in celebration of this distinguished literary form, Prize Stories 2001 a Special Award for Continuing Achievement is presented to Alice Munro.FIRST PRIZEMARY SWANThe DeepSECOND PRIZEDAN CHAONBig MeTHIRD PRIZEALICE MUNROFloating BridgeFRED G. LEEBRONThat WinterT.CORAGHESSAN BOYLEThe Love of My LifeJOYCE CAROL OATESThe Girl with the Blackened EyeDAVID SCHICKLERThe SmokerANTONYA NELSONFemale TroubleELIZABETH GRAVERThe Mourning DoorPICKNEY BENEDICTZog-19: A Scientific RomanceRON CARLSONAt the Jim BridgerLOUISE EDRICHRevival RoadWILLIAM GAYThe PaperhangerDALE PECKBlissMURAD KALAMBow DownGEORGE SAUNDERSPastoraliaANDREA BARRETTServants of the Map

Established in 1918 as a memorial to O. Henry, this annual literary tradition has presented a remarkable offering of stories over its 76-year history. O. Henry first-prize winners have included Dorothy Parker, William Faulkner, Truman Capote, John Cheever, John Updike, and Cynthia Ozick as well as some lesser know writers such as Alison Baker and Cornelia Nixon. Many talented writers who were unknown when first chosen for an O. Henry Award later went on to become seminal voices of contemporary American fiction. Representative of the very best in contemporary American fiction, these are varied, full-bodied fictional creations brimming with life--proof of the continuing strength and variety of the American short story.

The #1 New York Times bestselling memoir of U.S. Navy Seal Chris Kyle, and the source for Clint Eastwood’s blockbuster movie which was nominated for six academy awards, including best picture.From 1999 to 2009, U.S. Navy SEAL Chris Kyle recorded the most career sniper kills in United States military history. His fellow American warriors, whom he protected with deadly precision from rooftops and stealth positions during the Iraq War, called him “The Legend”; meanwhile, the enemy feared him so much they named him al-Shaitan (“the devil”) and placed a bounty on his head. Kyle, who was tragically killed in 2013, writes honestly about the pain of war—including the deaths of two close SEAL teammates—and in moving first-person passages throughout, his wife, Taya, speaks openly about the strains of war on their family, as well as on Chris. Gripping and unforgettable, Kyle’s masterful account of his extraordinary battlefield experiences ranks as one of the great war memoirs of all time.

Winner, 2019 Liz Carpenter Award, sponsored by the Texas State Historical Association (TSHA) In recent decades, a small but growing number of historians have dedicated their tireless attention to analyzing the role of women in Texas history. Each contribution—and there have been many—represents a brick in the wall of new Texas history. From early Native societies to astronauts, Women in Texas History assembles those bricks into a carefully crafted structure as the first book to cover the full scope of Texas women’s history. By emphasizing the differences between race and ethnicity, Angela Boswell uses three broad themes to tie together the narrative of women in Texas history. First, the physical and geographic challenges of Texas as a place significantly affected women’s lives, from the struggles of isolated frontier farming to the opportunities and problems of increased urbanization. Second, the changing landscape of legal and political power continued to shape women’s lives and opportunities, from the ballot box to the courthouse and beyond. Finally, Boswell demonstrates the powerful influence of social and cultural forces on the identity, agency, and everyday life of women in Texas. In challenging male-dominated legal and political systems, Texan women shaped (and were shaped by) class, religion, community organizations, literary and artistic endeavors, and more.Women in Texas History is the first book to narrate the entire span of Texas women’s history and marks a major achievement in telling the full story of the Lone Star State. Historians and general readers alike will find this book an informative and enjoyable read for anyone interested in the history of Texas or the history of women.

Good old-fashioned Southern cooking and award-winning recipes. More than 100,000 sold! Includes a special section of Lebanese and Syrian recipes. Inducted into the Walter S. McIlhenny Cookbook Hall of Fame.

Entirely comprised of poems contained in her latest collection, 2016's Certain Magical Acts, Live in Seattle elucidates why Alice Notley is one of the world's most revered poets, the recipient of the Los Angeles Times Book Award, the Griffin Prize, the Shelley Memorial Award, the Lenore Marshall Prize, and the Poetry Foundation's Ruth Lilly Prize. Live in Seattle includes excerpts of the onstage conversation Notley had with Seattle poets John Marshall, Christine Deavel and Rebecca Hoogs. Among o

Understanding Tony Kushner surveys the acclaimed writings of the author of the Pulitzer Prize-winning drama Angels in America and coauthor of the Academy Award-nominated screenplay for the film Munich. Viewing Tony Kushner as a sociopolitical dramatist in the tradition of Henrik Ibsen, George Bernard Shaw, and Bertolt Brecht, James Fisher guides readers through Kushner's influences and creations to map the importance of the writer's body of work in expanding postmodern literary and cultural landscapes.

Winner, Carroll Abbott Memorial Award, Native Plant Society of Texas, 2002Many visitors to Texas beaches see only the sands between the surf and the first low dunes. Because few plants grow there, it's easy to get the impression that Texas beaches consist mostly of barren sand—while just the opposite is true. Beyond the dunes grow an amazing variety and abundance of native plants. Many of them, like Indian Blanket, Goldenrod, and Seaside Gerardia, produce great splashes of flowering color. Others display more modest flowers or are interesting for their growing habits. In all, over seven hundred species of flowering plants grow on Texas beaches and islands.This handy field guide will aid you in identifying some 275 common and/or noteworthy flowering plants of the Texas beaches and islands from the Rio Grande to the Louisiana border. Each plant is illustrated by a color photograph, accompanied by a description of its appearance, habitat, and blooming time. The plants are grouped by families, which in turn are arranged according to relationships and similarities for easy reference. An introduction to beach habitats and plant life, references for further reading, and a glossary of terms make this book fully useful for everyone who wants a good, general understanding of beach plant life and wildflowers.

2016 Choice Outstanding Academic Title Finalist for 2016 Richard Wall Memorial Award by the Theatre Library  Long listed for the 2017 Kraszna-Krausz Best Photography Book Award from the Kraszna-Krausz Foundation Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually came at the tail end of a long wave of gender-bending films that included more than 400 movies featuring women dressed as men.   Laura Horak spent a decade scouring film archives worldwide, looking at American films made between 1908 and 1934, and what she discovered could revolutionize our understanding of gender roles in the early twentieth century. Questioning the assumption that cross-dressing women were automatically viewed as transgressive, she finds that these figures were popularly regarded as wholesome and regularly appeared onscreen in the 1910s, thus lending greater respectability to the fledgling film industry. Horak also explores how and why this perception of cross-dressed women began to change in the 1920s and early 1930s, examining how cinema played a pivotal part in the representation of lesbian identity.  Girls Will Be Boys excavates a rich history of gender-bending film roles, enabling readers to appreciate the wide array of masculinities that these actresses performed—from sentimental boyhood to rugged virility to gentlemanly refinement. Taking us on a guided tour through a treasure-trove of vintage images, Girls Will Be Boys helps us view the histories of gender, sexuality, and film through fresh eyes.   

Nominated for the Howard O'Hagan Award for Short Fiction of the Alberta Book Awards. Winner of the 2005 Canadian Jewish Book Award Winner of the Modern Language Association's 2002-2005 Fenia and Yaakov Leviant Memorial Prize in Yiddish Studies Nominated for the 2005 ALTA National Translation Award In these seven stories, survivors of the holocaust play out that tragedy's last acts. Barukh, in "The Greenhorn", is a newly arrived immigrant in Montreal and is an oddity for reasons beyond the winter coat he continues to wear long into spring. As a dying request, Amalia, in "Last Love", asks her husband to find her a young Parisian lover. In "Edgia's Revenge", Rella, a former kapo, loses her identity over the course of two decades in Montreal to the woman whose life she spared in the camps. "François" is the account of a crumbling marriage; in it, Leah takes on an imaginary lover. The wife in "Little Red Bird" imagines kidnapping a baby from the nursery in the hospital so that she will be able to love, nurture, and raise a child of her own. These are stories of exile. Of life, loss, and love. In Survivors, Chava Rosenfarb takes the Yiddish short story, in the tradition of Isaac Bashevis Singer, and extends it with touches of Philip Roth and Gabriel Garcia Marquez.

Ted Chiang's first published story, "Tower of Babylon," won the Nebula Award in 1990. Subsequent stories have won the Asimov's SF Magazine reader poll, a second Nebula Award, the Theodore Sturgeon Memorial Award, and the Sidewise Award for alternate history. He won the John W. Campbell Award for Best New Writer in 1992. Story for story, he is the most honored young writer in modern SF.Now, collected here for the first time are all seven of this extraordinary writer's stories so far-plus an eighth story written especially for this volume.What if men built a tower from Earth to Heaven-and broke through to Heaven's other side? What if we discovered that the fundamentals of mathematics were arbitrary and inconsistent? What if there were a science of naming things that calls life into being from inanimate matter? What if exposure to an alien language forever changed our perception of time? What if all the beliefs of fundamentalist Christianity were literally true, and the sight of sinners being swallowed into fiery pits were a routine event on city streets? These are the kinds of outrageous questions posed by the stories of Ted Chiang. Stories of your life . . . and others.

Winner of the 2016 John W. Campbell Memorial Award for Best Science Fiction Novel of the Year There are two themes to Radiomen. First, if there are aliens interacting with our world they are likely just as confused about who or what God is as human beings are; and second, whoever they are, they're probably just as fond of dogs as we are.Laurie, a woman who works at a bar at Kennedy airport doesn't remember that when she was a child, she met an alien on the fire escape of a building where her uncle kept a shortwave radio. The radio is part of a universal network of repeaters maintained by an unknown alien race; they us the network to broadcast prayers into the universe.She meets a psychic who is actually part of a Scientology-like cult called the "Blue Awareness," as well as a late-night radio host. All have their own reasons for unraveling the mystery of the lost radio network.Laurie is given a strange dog by her neighbor, an immigrant and a member of the Dogon tribe - people who believe they were visited by aliens long ago and repeat a myth about how the aliens brought dog-like animals with them. All Dogon dogs are supposedly descended from that animal.As conflict develops between the Blue Awareness leader and the other characters, the Dogon acts as an intermediary between the humans, who want to understand why the aliens need the radio network, and the aliens who need the humans to help them find a lost element of the universal network.

Labrador Innu cultural and environmental activist Tshaukuesh Elizabeth Penashue is well-known both within and far beyond the Innu Nation. The recipient of a National Aboriginal Achievement Award and an honorary doctorate from Memorial University, she has been a subject of documentary films, books, and numerous articles. She led the Innu campaign against NATO’s low-level flying and bomb testing on Innu land during the 1980s and ’90s, and was a key respondent in a landmark legal case in which the judge held that the Innu had the “colour of right” to occupy the Canadian Forces base in Goose Bay, Labrador. Over the past twenty years she has led walks and canoe trips in nutshimit, “on the land,” to teach people about Innu culture and knowledge.Nitinikiau Innusi: I Keep the Land Alive began as a diary written in Innu-aimun, in which Tshaukuesh recorded day-to-day experiences, court appearances, and interviews with reporters. Tshaukuesh has always had a strong sense of the importance of documenting what was happening to the Innu and their land. She also found keeping a diary therapeutic, and her writing evolved from brief notes into a detailed account of her own life and reflections on Innu land, culture, politics, and history.Beautifully illustrated, this work contains numerous images by professional photographers and journalists as well as archival photographs and others from Tshaukuesh’s own collection.

Downriver is a brilliant London novel by its foremost chronicler, Iain Sinclair. WINNER OF THE ENCORE AWARD AND THE JAMES TAIT BLACK MEMORIAL PRIZE The Thames runs through Downriver like an open wound, draining the pain and filth of London and its mercurial inhabitants. Commissioned to document the shifting embankments of industry and rampant property speculation, a film crew of magpie scavengers, high-rent lowlife, broken criminals and reborn lunatics picks over the rivers detritus. They examine the wound, hoping to expose the cause of the city's affliction . . . 'Remarkable: part apocalyptic documentary, part moth-eaten ghost story, part detective story. Inventive and stylish, Sinclair is one of the most interesting of contemporary novelists' Sunday Times 'One of those idiosyncratic literary texts that revivify the language, so darn quotable as to be the reader's delight and the reviewer's nightmare' Guardian 'Crazy, dangerous, prophetic' Angela Carter Iain Sinclair is the author of Downriver (winner of the James Tait Black Memorial Prize and the Encore Award); Landor's Tower; White Chappell, Scarlet Tracings; Lights Out for the Territory; Lud Heat; Rodinsky's Room (with Rachel Lichtenstein); Radon Daughters; London Orbital, Dining on Stones, Hackney, that Rose-Red Empire and Ghost Milk. He is also the editor of London: City of Disappearances.

Winner of the 2019 Margaret and John Savage First Book Award – Non-FictionShortlisted for the 2019 Kobo Emerging Writer PrizeLonglisted for the 2019 RBC Taylor PrizeShortlisted for the 2019 Stephen Leacock Memorial Medal for HumourA hilarious story of family, getting into trouble, and finding one's place in the worldWhat could be better than growing up in the 1980s? How about growing up in 1980s Newfoundland, which--as Mark Critch will tell you--was more like the 1960s. Take a trip to where it all began in this funny and warm look back on his formative years.Here we find a young Mark trick-or-treating at a used car lot, getting locked out of school on a fourth-floor window ledge, faking an asthma attack to avoid being arrested by military police, trying to buy beer from an untrustworthy cab driver, shocking his parents by appearing naked onstage--and much more. Best known as the "roving reporter" for CBC's This Hour Has 22 Minutes, Mark Critch has photo-bombed Justin Trudeau, interviewed Great Big Sea's Alan Doyle (while impersonating Alan Doyle), offered Pamela Anderson a million dollars to stop acting, and crashed White House briefings. But, as we see in this playful debut, he's been causing trouble his whole life.Son of a Critch captures the wonder and cluelessness of a kid trying to figure things out, but with the clever observations of an adult, and the combination is perfect.

In Exile, the compelling sequel to Garnethill—winner of the 1998 John Creasey Memorial Award for Best First Crime Novel—Denise Mina returns to Glasgow's grimmer residential precincts and the untidy life of Maureen O'Donnell. Again Maureen is confronted with a grisly case of murder. Ann Harris is nursing two broken ribs and reeking of alcohol when she visits Maureen's office at a Glasgow women's shelter two weeks before she turns up dead hundreds of miles away, under a mattress on the banks of the Thames. Maureen, eager to escape family difficulties of her own, travels to London to determine the circumstances of Ann's brutal death. She soon finds herself treacherously out of her depth, however, in her attempt to piece together the ugly details of Ann's last days in a seedy underworld of criminal exiles and dangerous drug lords. The suspense ratchets up, as Maureen strives to save herself from Ann's fate and as Denise Mina secures her place among today's top-ranking writers of crime fiction with visceral shocks and grim wit. "Reads like a slap in the face—and a kick in the ribs and a fist in the stomach...." —Marilyn Stasio, New York Times Book Review "A second powerful novel ... by a writer of stunning talent."—Publishers Weekly (starred review) "The danger reaches a frightening pitch that is soon surpassed by a stunning twist at the conclusion."—Rocky Mountain News "Mina offers us a complex plot with a shocking ending...."—Cleveland Plain Dealer

Tim Powers is the author of numerous novels including Hide Me Among the Graves, Three Days to Never, Declare, Last Call, and On Stranger Tides, which inspired the feature film Pirates of the Caribbean: On Stranger Tides. He has won the Philip K. Dick Memorial Award twice, and the World Fantasy Award three times. He lives in San Bernardino, California.

Named by Harold Bloom as one of the most significant American novelists of our time, Cormac McCarthy has been honored with the National Book Award and the National Book Critics Circle Award for All the Pretty Horses, the James Tait Black Memorial Prize and the Pulitzer Prize for The Road, and the coveted MacArthur Fellowship. Steven Frye offers a comprehensive treatment of McCarthy's fiction to date, dealing with the author's aesthetic and thematic concerns, his philosophical and religious influences, and his participation in Western literary traditions.Frye provides extensive readings of each novel, charting the trajectory of McCarthy's development as a writer who invigorates literary culture both past and present through a blend of participation, influence, and aesthetic transformation. Understanding Cormac McCarthy explores the early works of the Tennessee period in the context of the "romance" genre, the southern gothic and grotesque, as well as the carnivalesque. A chapter is devoted to Blood Meridian, a novel that marks McCarthy's transition to the West and his full recognition as a major force in American letters. In the final two chapters, Frye explores McCarthy's Border Trilogy and his later works― specifically No Country for Old Men and The Road―addressing the manner in which McCarthy's preoccupation with violence and human depravity exists alongside a perpetual search for meaning, purpose, and value. Frye provides scholars, students, and general readers alike with a clearly argued foundational examination of McCarthy's novels in their historical and literary contexts as an ideal roadmap illuminating the author's work as it charts the dark and mythic topography of the American frontier.

Winner of the first Paul A. Baran-Paul M. Sweezy Memorial Award for an original monograph concerned with the political economy of imperialism, John Smith's Imperialism in the Twenty-First Century is a seminal examination of the relationship between the core capitalist countries and the rest of the world in the age of neoliberal globalization.Deploying a sophisticated Marxist methodology, Smith begins by tracing the production of certain iconic commodities-the T-shirt, the cup of coffee, and the iPhone-and demonstrates how these generate enormous outflows of money from the countries of the Global South to transnational corporations headquartered in the core capitalist nations of the Global North. From there, Smith draws on his empirical findings to powerfully theorize the current shape of imperialism. He argues that the core capitalist countries need no longer rely on military force and colonialism (although these still occur) but increasingly are able to extract profits from workers in the Global South through market mechanisms and, by aggressively favoring places with lower wages, the phenomenon of labor arbitrage. Meticulously researched and forcefully argued, Imperialism in the Twenty-First Century is a major contribution to the theorization and critique of global capitalism.