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Max Mara Weekend boot-cut jeans for women in rapallo.

Max Mara Weekend boot-cut jeans for women in Rapallo style.

Our Rapallo TiffanyTable Lamp features bold style and superior craftsmanship that will ensure it will command attention wherever you choose to display it. The dome shade features beige background panels in the center accented with red art glass in diamond shape. Each piece of glass is hand rolled and individually copper foiled using the same technique first developed by Louis Comfort Tiffany more than a century ago. The tapered resin base is beautifully textured and finished in rich antique bronze. A matching finial and shade cap tops the fixture and adds balance to the overall design. Our Rapallo Tiffany Table Lamp will add a vivid statement in any bedroom, den or living area.

Max Mara Weekend boot-cut jeans for women in rapallo.

Max Mara Weekend boot-cut jeans for women in rapallo.

Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 0.9

The treaty of Rapallo, concluded in 1922 between Germany and the Soviet Union, the two vanquished powers of the Great War, ranks high among the diplomatic coups de surprise of the twentieth century. Its real importance, however, lies in the repercussions of the alliance on the subsequent policies of the two victorious powers, Britain and France. This study examines the impact of Rapallo on British foreign policy between 1922 and 1934, when the German-Soviet relationship had virtually ended. The "ghost of Rapallo" is the central theme of this story, as ever since the treaty's conclusion Rapallo has been a byword for Soviet-German secret and potentially dangerous collaboration. This book describes how the British viewed the Rapallo co-operation, how they dealt with this special relationship, and how the lingering memory of Rapallo affected British policy for decades to come. While examining a particular aspect of international relations it throws additional light on broader topics of European relations in the 1920s and early 1930s. Dr STEPHANIE SALZMANN completed her PhD at Trinity Hall, Cambridge.

Elevate your beach style with the Peninsula Rapallo V1 Swim Short. Made for the modern man who values both comfort and style, these swim shorts are a must-have for your next beach getaway.

extremely rare book by Mark Cohen, this is his third monograph, published on occasion of his first european solo show at Rapallo Fotografia Contemporanea Festival in 2008. Mark Cohen adheres to the fundamental principles of street photography. He uses small format equipment and chooses the urban context as his unique field of action. Despite this he does not haunt large metropolises but, almost without exception, produces his work in small towns and, above all, in his hometown of Wilkes-Barre, a coal mining suburb of Pennsylvania, where he was born and where he has always lived. This is also true of the series he produced along the Levante Riviera in Liguria, during his stay in Rapallo. The scale of places in which the American photographer moves, as well as his attitude, is essentially unchanging. Unlike fellow photographers working on the streets of New York, Paris or London, Cohen is actually unable to disappear into the crowd and remains constantly visible. The act of photography becomes a veritable performance for him, made up of ambushes, agility and a rapid encounter/collision with his subjects the moment the shutter is released . . . The aesthetics and the content of the American artist's photographs are essentially the same on the Ligurian coast as they are just a few steps from home. Wherever he is, Cohen continues to use the same method and remains sensitive to similar influences. His work presupposes a strong ability to plan. Although, as we mentioned earlier, his work contains the street photographer's instinctiveness, this acts within the boundaries of a plan which corresponds to his idea of the world and of photography. Beyond the genius loci (geography, even if recognisable and typical, proves to be a chance element in his work) and the decisive moment, in Italy as elsewhere, Cohen uses photography to tell his own story." (from the essay by Francesco Zanot)

Ernest Hemingway is most often associated with Spain, Cuba, and Florida, but Italy was equally important in his life and work. This book, the first full-length study on the subject, explores Hemingway’s visits throughout his life to such places as Sicily, Genoa, Rapallo, Cortina, and Venice. Richard Owen describes how Hemingway first visited Italy during World War I, an experience that set the scene for A Farewell to Arms. The writer then returned after World War II, where he would find inspiration for Across the River and into the Trees. When Men without Women was published, some reviewers declared Hemingway to be at heart a reporter preoccupied with bullfighters, soldiers, prostitutes, and hard drinkers, but their claims failed to note that he also wrote sensitively and passionately about love and loss against an Italian backdrop. Owen highlights the significance of Italy in the writer’s life. On the night he shot himself in July 1961, for example, Hemingway sang a song he had once learned in Cortina d’Ampezzo. Hemingway returned to Italy again and again, and the places he visited or used as inspiration for his work are many. At the same time, the inspiration goes both ways: Owen describes how the fifteenth century villa Ca’ Erizzo at Bassano del Grappa, where the American Red Cross ambulances were stationed, is now a museum devoted to the writer and World War I. Showing how the Italian landscape, from the Venetian lagoon to the Dolomites and beyond, deeply affected one of the greatest writers of the twentieth century, Hemingway in Italy demonstrates that this country belongs alongside Spain as a key influence on his writing—and why the Italian themselves took Hemingway and his writing to heart.