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In 1921, one of the biggest movie stars in the world was accused of killing a woman. What followed was an unprecedented avalanche of press coverage, the original “trial of the century,” and a wave of censorship that altered the course of Hollywood filmmaking.  It began on Labor Day, when comic actor Roscoe “Fatty” Arbuckle, then at the pinnacle of his fame and fortune, hosted a party in San Francisco’s best hotel. As the party raged, he was alone in room 1219 with Virginia Rappe, a minor actress. Four days later, she died, and he was charged with her murder.  Room 1219 tells the story of Arbuckle’s improbable rise and stunning fall—from Hollywood’s first true superstar to its first pariah. Simultaneously, it presents the crime story from the day of the “orgy” through the three trials. Relying on a careful examination of documents, the book finally reveals, after almost a century of wild speculation, what most likely occurred in room 1219. In addition, Room 1219 covers the creation of the film industry—from the first silent experiments to a studio-based system capable of making and, ultimately, breaking a beloved superstar.

Neoplatonism is a term used to designate the form of Platonic philosophy that developed in the Roman Empire from the third to the fifth century A.D. and that based itself on the corpus of Plato's dialogues. Sara Rappe's challenging and innovative study is the first book to analyze Neoplatonic texts themselves using contemporary philosophy of language. It covers the whole tradition of Neoplatonic writing from Plotinus through Proclus to Damascius. In providing the broadest available survey of Neoplatonic writing the book will appeal to classical philosophers, classicists, as well as students of religious studies.

Neoplatonism is a term used to designate the form of Platonic philosophy that developed in the Roman Empire from the third to the fifth century A.D. and that based itself on the corpus of Plato's dialogues. Sara Rappe's challenging and innovative study is the first book to analyze Neoplatonic texts themselves using contemporary philosophy of language. It covers the whole tradition of Neoplatonic writing from Plotinus through Proclus to Damascius. In providing the broadest available survey of Neoplatonic writing the book will appeal to classical philosophers, classicists, as well as students of religious studies.

Johann Wilhelm Wolf: Deutsche Hausmärchen Erstdruck: Göttingen (Dieterich'sche Buchhandlung/Leipzig: Vogel) 1851. Inhaltsverzeichnis Deutsche Hausmärchen Vorrede Der Fischerssohn, der Rappe und der Schimmel Das Schneiderlein und die drei Hunde Die Prinzessin von Tiefenthal Von den achtzehen Soldaten Das goldne Königreich Die Königstochter im Berge Muntserrat Die schlechten Kameraden Der goldene Hirsch Der Metzgergesell Der graue Wackenstein Die getreue Frau Die Räuberhöhle im Walde Die zwölf Brüder Der Hasenhirt Das weiße Hemd, das schwere Schwert und der goldene Ring Die drei Königskinder Das Kind vom Grabe Die fünf Fragen Die eisernen Stiefel Von der schönen Schwanenjungfer Die Zwerchpfeife Der Vogel Phönix Des Todten Dank Der Kaiserssohn und sein Pathe Die Leichenfresserin Die Schlange im brennenden Wald Die erlöste Schlange Das treue Füllchen Grünus Kravalle Der Geiger und seine drei Gesellen Der Jüngling im Feuer und die drei goldnen Federn Die Mandelkörbchen Hans ohne Furcht Die dreizehn verwünschten Prinzessinnen Der Pfiffigste Das Schloß des Todes Der Hinkelhirt Das graue Männchen Der getreue Paul Der Schäferssohn und die zauberische Königstochter Vom Räuberhauptmann Hans Kühstock Das beste Essen von der Welt Fürchten lernen Des Gockels Hochzeit Der Traum des Wolfes Odenwälder Lügenmärchen Das Unglaubliche Vom Stiefelputzer Hinkelbrühe Von einem Pfarrer, der allzu kräftig predigte Das allzeit zufriedene Knäbchen Wie der Teufel auf der Flöte blies Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2017. Textgrundlage ist die Ausgabe: Johann Wilhelm Wolf: Deutsche Hausmärchen. Göttingen: Dieterich'sche Buchhandlung/Leipzig: Vogel, 1851. Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Arthur Rackham, Die wahre Braut, um 1910. Gesetzt aus der Minion Pro, 11 pt.

Argues that Socrates’ fundamental role in the dialogues is to guide us toward self-inquiry and self-knowledge.In this highly original and provocative book, Sara Ahbel-Rappe argues that the Platonic dialogues contain an esoteric Socrates who signifies a profound commitment to self-knowledge and whose appearances in the dialogues are meant to foster the practice of self-inquiry. According to Ahbel-Rappe, the elenchus, or inner examination, and the thesis that virtue is knowledge, are tools for a contemplative practice that teaches us how to investigate the mind and its objects directly. In other words, the Socratic persona of the dialogues represents wisdom, which is distinct from and serves as the larger space in which Platonic knowledge―ethics, epistemology, and metaphysics―is constructed. Ahbel-Rappe offers complete readings of the Apology, Charmides, Alcibiades I, Euthyphro, Lysis, Phaedrus, Theaetetus, and Parmenides, as well as parts of the Republic. Her interpretation challenges two common approaches to the figure of Socrates: the thesis that the dialogues represent an “early” Plato who later disavows his reliance on Socratic wisdom, and the thesis that Socratic ethics can best be expressed by the construct of eudaimonism or egoism.

An investigative reporter reopens the case of Fatty Arbuckle, arguing that Virginia Rappe's murder, of which Arbuckle was accused, was the tragic result of a frame-up, and he points a finger at the movie moguls who resented Arbuckle's hefty salary

Argues that Socrates’ fundamental role in the dialogues is to guide us toward self-inquiry and self-knowledge.In this highly original and provocative book, Sara Ahbel-Rappe argues that the Platonic dialogues contain an esoteric Socrates who signifies a profound commitment to self-knowledge and whose appearances in the dialogues are meant to foster the practice of self-inquiry. According to Ahbel-Rappe, the elenchus, or inner examination, and the thesis that virtue is knowledge, are tools for a contemplative practice that teaches us how to investigate the mind and its objects directly. In other words, the Socratic persona of the dialogues represents wisdom, which is distinct from and serves as the larger space in which Platonic knowledge―ethics, epistemology, and metaphysics―is constructed. Ahbel-Rappe offers complete readings of the Apology, Charmides, Alcibiades I, Euthyphro, Lysis, Phaedrus, Theaetetus, and Parmenides, as well as parts of the Republic. Her interpretation challenges two common approaches to the figure of Socrates: the thesis that the dialogues represent an “early” Plato who later disavows his reliance on Socratic wisdom, and the thesis that Socratic ethics can best be expressed by the construct of eudaimonism or egoism.

Neoplatonism is a term used to designate the form of Platonic philosophy that developed in the Roman Empire from the third to the fifth century A.D. and that based itself on the corpus of Plato's dialogues. Sara Rappe's challenging and innovative study is the first book to analyze Neoplatonic texts themselves using contemporary philosophy of language. It covers the whole tradition of Neoplatonic writing from Plotinus through Proclus to Damascius. In providing the broadest available survey of Neoplatonic writing the book will appeal to classical philosophers, classicists, as well as students of religious studies.

Fatty Arbuckle's career came to a sudden halt amidst allegations that he raped and caused the death of a young starlet named Virginia Rappe. Though he was acquitted, the comedian, who was at one time second in popularity only to Charlie Chaplin, was ruined. Interviews with many of Arbuckle's contemporaries (including Minta Durfee, his first wife) and extensive research inform this serious study of the once-fabled comedian. His early days in the Keystone comedies and his relationship with Chaplin are recounted. The details of the Rappe trial and his life afterwards are also provided.

Fatty Arbuckle's career came to a sudden halt amidst allegations that he raped and caused the death of a young starlet named Virginia Rappe. Though he was acquitted, the comedian, who was at one time second in popularity only to Charlie Chaplin, was ruined. Interviews with many of Arbuckle's contemporaries (including Minta Durfee, his first wife) and extensive research inform this serious study of the once-fabled comedian. His early days in the Keystone comedies and his relationship with Chaplin are recounted. The details of the Rappe trial and his life afterwards are also provided.

Neoplatonism is a term used to designate the form of Platonic philosophy that developed in the Roman Empire from the third to the fifth century A.D. and that based itself on the corpus of Plato's dialogues. Sara Rappe's challenging and innovative study is the first book to analyze Neoplatonic texts themselves using contemporary philosophy of language. It covers the whole tradition of Neoplatonic writing from Plotinus through Proclus to Damascius. In providing the broadest available survey of Neoplatonic writing the book will appeal to classical philosophers, classicists, as well as students of religious studies.

Johann Wilhelm Wolf: Deutsche Hausmärchen Erstdruck: Göttingen (Dieterich'sche Buchhandlung/Leipzig: Vogel) 1851. Inhaltsverzeichnis Deutsche Hausmärchen Vorrede Der Fischerssohn, der Rappe und der Schimmel Das Schneiderlein und die drei Hunde Die Prinzessin von Tiefenthal Von den achtzehen Soldaten Das goldne Königreich Die Königstochter im Berge Muntserrat Die schlechten Kameraden Der goldene Hirsch Der Metzgergesell Der graue Wackenstein Die getreue Frau Die Räuberhöhle im Walde Die zwölf Brüder Der Hasenhirt Das weiße Hemd, das schwere Schwert und der goldene Ring Die drei Königskinder Das Kind vom Grabe Die fünf Fragen Die eisernen Stiefel Von der schönen Schwanenjungfer Die Zwerchpfeife Der Vogel Phönix Des Todten Dank Der Kaiserssohn und sein Pathe Die Leichenfresserin Die Schlange im brennenden Wald Die erlöste Schlange Das treue Füllchen Grünus Kravalle Der Geiger und seine drei Gesellen Der Jüngling im Feuer und die drei goldnen Federn Die Mandelkörbchen Hans ohne Furcht Die dreizehn verwünschten Prinzessinnen Der Pfiffigste Das Schloß des Todes Der Hinkelhirt Das graue Männchen Der getreue Paul Der Schäferssohn und die zauberische Königstochter Vom Räuberhauptmann Hans Kühstock Das beste Essen von der Welt Fürchten lernen Des Gockels Hochzeit Der Traum des Wolfes Odenwälder Lügenmärchen Das Unglaubliche Vom Stiefelputzer Hinkelbrühe Von einem Pfarrer, der allzu kräftig predigte Das allzeit zufriedene Knäbchen Wie der Teufel auf der Flöte blies Neuausgabe. Herausgegeben von Karl-Maria Guth. Berlin 2017. Textgrundlage ist die Ausgabe: Johann Wilhelm Wolf: Deutsche Hausmärchen. Göttingen: Dieterich'sche Buchhandlung/Leipzig: Vogel, 1851. Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Arthur Rackham, Die wahre Braut, um 1910. Gesetzt aus der Minion Pro, 11 pt.