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Book is in NEW condition. 1.09

A new Rastafarian prayerbook with Biblical readings and speeches of the prophet Marcus Garvey and Emperor Haile Selassie.

Soul Jazz Records' new album Rastafari: The Dreads Enter Babylon 1955-83 charts the many links between reggae music and the Rastafarian faith. Featuring the music of Count Ossie, Johnny Clarke, The Mystic Revelation of Rastafari, Ras Michael and The Sons of Negus, Bongo Herman, Roy Ashanti (Congos), Earth &Stone, Mutabaruka and many more, this is an in-depth look at some of the most unique and righteous music ever made and comes complete with a 40+ page outsize booklet, containing exclusive phot

Rastafari Dub Ras Michael - LP 053436825112

This book takes the reader, in both fascinating text and stunning photography, deep into Jamaica, the birthplace of Rastafarianism.

Since its emergence from the ghettoes of West Kingston, Jamaica in the 1930s, the Rastafarian Movement has been transformed from an obscure group of outcasts to a vibrant movement that has not only become firmly entrenched in Jamaican society, but has successfully expanded beyond the Caribbean to North America, the British Isles, and Africa. Ennis Barrington Edmonds provides a compelling portrait of the Rastafarian phenomenon and chronicles how a once-obscure group, much maligned and persecuted, became a dominant cultural force in the world today. Edmonds charts the evolution of the relationship between Rastafari and the wider Jamaican society. In the early years of the movement, there was outright confrontation and repression, as Rastas were seen as a threat to Jamaican society. This evolved into a grudging tolerance and eventually an aggressive appropriation of Rastafarian symbols in the 1970s and 1980s--as evidenced by the veritable coronation of reggae artist Bob Marley--resulting in the "culture tourism" of the late twentieth century. Edmonds focuses in particular on the internal development of Rastafarianism as a social movement, with its network of "houses" (small, informal groups that form around leading Rastas) and "mansions" (larger, more communal associations), to track the process of this strikingly successful integration. He further demonstrates how Rastafarian artistic creativity, especially in fashioning the music and message of reggae, was a significant factor in the transition of Rastas from the status of outcasts to the position of culture bearers. Rastafari presents an intimate account of a unique movement, which over the course of several decades had entrenched itself in Jamaican society and has become the international cultural and political force it is today.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.09

The mother of all books on the Rastafari way of life. Written for black people as appointed by the Almighty Jah, this book is a great read for the serious student who wants to follow Rastafari as a spiritual way of life. Learn what it means to be black, who are the Rastafari great heroes and leaders, and the real reason Rastafarians wear dreadlocks. This book is a must, for African Americans who seek spiritual truth.

"No one knows when the hour of africa's redemption cometh.It is in the wind. It is coming. One day like a storm it will be here. When that day comes, all africa will stand together!"

Drawing on literary, musical, and visual representations of and by Rastafari, Darren J. N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta’s association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton’s analysis complements current introductions to Afro-Caribbean religions and offers an engaging example of the role of popular culture in illuminating the beliefs and practices of emerging religions. Recognizing that outsiders as well as insiders have shaped the Rasta movement since its modest beginnings in Jamaica, Middleton includes interviews with members of both groups, including: Ejay Khan, Barbara Makeda Blake Hannah, Geoffrey Philp, Asante Amen, Reggae Rajahs, Benjamin Zephaniah, Monica Haim, Blakk Rasta, Rocky Dawuni, and Marvin D. Sterling.

A chronicle of Ethiopia's history.

A new Rastafarian prayerbook with Biblical readings and speeches of the prophet Marcus Garvey and Emperor Haile Selassie.

For the Healing of the Nations

The mother of all books on the Rastafari way of life. Written for black people as appointed by the Almighty Jah, this book is a great read for the serious student who wants to follow Rastafari as a spiritual way of life. Learn what it means to be black, who are the Rastafari great heroes and leaders, and the real reason Rastafarians wear dreadlocks. This book is a must, for African Americans who seek spiritual truth.

For the Healing of the Nations

Drawing on literary, musical, and visual representations of and by Rastafari, Darren J. N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta’s association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton’s analysis complements current introductions to Afro-Caribbean religions and offers an engaging example of the role of popular culture in illuminating the beliefs and practices of emerging religions. Recognizing that outsiders as well as insiders have shaped the Rasta movement since its modest beginnings in Jamaica, Middleton includes interviews with members of both groups, including: Ejay Khan, Barbara Makeda Blake Hannah, Geoffrey Philp, Asante Amen, Reggae Rajahs, Benjamin Zephaniah, Monica Haim, Blakk Rasta, Rocky Dawuni, and Marvin D. Sterling.

Rastafari Preliminary Notes on the H.I.M. Haile Selassie I [Amharic] Bible: An Introduction to the Book of the Seven Seals by Ras Iadonis Tafari & the Lion of Judah Society. A brief introductory presentation of THE REVISED AMHARIC BIBLE OF H.I.M. HAILE SELASSIE I and its relevance to the Rastafarian movement, Ethiopian biblical and pre-Masoretic Hebrew studies. This Book discusses Judeo-Christianity in Ethiopia, the Bible, the Queen of Sheba, the Black Hebrews, the Lion of Judah, the monk named Abu Rumi and the history of translations prior to the Emperor’s Bible; reveals and explain why the H.I.M. Haile Selassie I Amharic Bible is the Holy Writ for the Ethiopian-Hebrews, faithful Black Jews and Elect Rastafari in the New Ethiopian Millennium, the New Age... ***This edition has been published in the 50th Anniversary, or Jubilee Year of the very first printing and publication of the Emperor Haile Sellassie I’s Revised Amharic Bible, the Imperial Authorized Version of the Ethiopian Holy Bible.

Since its emergence from the ghettoes of West Kingston, Jamaica in the 1930s, the Rastafarian Movement has been transformed from an obscure group of outcasts to a vibrant movement that has not only become firmly entrenched in Jamaican society, but has successfully expanded beyond the Caribbean to North America, the British Isles, and Africa. Ennis Barrington Edmonds provides a compelling portrait of the Rastafarian phenomenon and chronicles how a once-obscure group, much maligned and persecuted, became a dominant cultural force in the world today. Edmonds charts the evolution of the relationship between Rastafari and the wider Jamaican society. In the early years of the movement, there was outright confrontation and repression, as Rastas were seen as a threat to Jamaican society. This evolved into a grudging tolerance and eventually an aggressive appropriation of Rastafarian symbols in the 1970s and 1980s--as evidenced by the veritable coronation of reggae artist Bob Marley--resulting in the "culture tourism" of the late twentieth century. Edmonds focuses in particular on the internal development of Rastafarianism as a social movement, with its network of "houses" (small, informal groups that form around leading Rastas) and "mansions" (larger, more communal associations), to track the process of this strikingly successful integration. He further demonstrates how Rastafarian artistic creativity, especially in fashioning the music and message of reggae, was a significant factor in the transition of Rastas from the status of outcasts to the position of culture bearers. Rastafari presents an intimate account of a unique movement, which over the course of several decades had entrenched itself in Jamaican society and has become the international cultural and political force it is today.

7th Edition of first book on Rastafari by a member of the world's newest religion. All you want to know written in simple explanations. Chapters on Emperor Haile Selassie I, Marcus Garvey, Bob Marley, Ganja sacrament, Reggae Music, RastafarI Mansions, Dreadlocks, Repatriation, the Holy Bible, White Rastas and more. Fully illustrated with rare colour and B&W photos and icons.

7th Edition of first book on Rastafari by a member of the world's newest religion. All you want to know written in simple explanations. Chapters on Emperor Haile Selassie I, Marcus Garvey, Bob Marley, Ganja sacrament, Reggae Music, RastafarI Mansions, Dreadlocks, Repatriation, the Holy Bible, White Rastas and more. Fully illustrated with rare colour and B&W photos and icons.