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Writing series can be a great way to level up your author career, create a more stable writing income, and create a devoted fanbase. It's also challenging, and can be overwhelming if you're not prepared. Series authors need to consider many things that standalone title authors don't have to worry about. And everything is exponentially more complex once you're tackling more than one book! You might be wondering:What kind of series should I write?Which details do I need to keep track of?How much advance planning should I do?Is publishing strategy different for a series vs standalone titles?How can I get the most bang for my buck in marketing and promotion?Experienced series author Crystal Hunt will help you answer all these questions and more with this combination strategy manual and exercises that will get you applying what you've learned to your own series project.Whether you're a seasoned series author, or just starting to explore your options and thinking a series might be a good next step for you, this book can help you write and publish your series smarter from ideas through publication and promotion!This is the third book in the Creative Academy Guides for Writers series. Be sure to check out the rest of the guides for writers in this series.Scrappy Rough Draft by Donna BarkerBuild Better Characters by Eileen CookStrategic Series Author by Crystal Hunt

Chambers's Journal of Popular Literature, Science, and Art, No. 727, published on December 1, 1877, is a fascinating compilation that showcases the era's cultural, scientific, and artistic zeitgeist. Edited by various authors, this issue reflects the journal's mission to enlighten and entertain a diverse readership. It features an eclectic mix of articles that range from insightful scientific discoveries to captivating literary pieces, making it an engaging read for those with varied interests. Notably, the journal carries the hallmark clarity and accessibility that Chambers was known for, making complex subjects approachable for the average reader. The illustrations complement the text, enriching the reader's experience and adding depth to the topics discussed. Overall, this issue encapsulates the spirit of the late 19th century, making it an invaluable resource for scholars and enthusiasts seeking to understand the societal pulse during this transformative period. It's a testament to the enduring appeal of interdisciplinary exploration.

"Harper's Round Table," published on May 5, 1896, is a fascinating periodical that captures the spirit and imagination of late 19th-century America. Aimed primarily at a young readership, this classic publication is a delightful blend of adventure, education, and entertainment. Each issue features a variety of engaging articles, stories, and illustrations that not only reflect the socio-cultural context of the time but also inspire young minds to explore and learn. Contributors, including various authors and writers, showcase their talents through captivating narratives and informative pieces, covering topics ranging from historical adventures to moral tales. The vibrant illustrations enhance the storytelling, immersing readers in the vivid worlds crafted by the writers. The Round Table's charm lies in its ability to entertain while educating, making it a cherished component of children's literature during its era. This blend of creativity and learning establishes "Harper's Round Table" as a timeless treasure in literary history.

The Irish Penny Journal, Vol. 1 No. 12, dated September 19, 1840, is a captivating glimpse into 19th-century Ireland, offering readers a rich tapestry of culture, history, and everyday life. Authored by various contributors, this edition reflects the journal's mission to educate and entertain its readership, with accessible insights into Irish society at that time. In this volume, the blend of essays, anecdotes, and illustrations serves to celebrate Irish heritage while addressing contemporary issues. The detailed articles delve into local customs, notable figures, and historical events, framed by a genuine love for the land and its people. The journal not only aims to enlighten but also to preserve the evolving narrative of Ireland during a formative era. With its affordable price, it made literature accessible to a broad audience, making it a significant cultural artifact that resonates with both historical enthusiasts and those seeking to understand Ireland's past.

"Chambers's Journal of Popular Literature, Science, and Art, No. 724" is a fascinating compendium that reflects the cultural and intellectual climate of its time. Published by various authors, this edition captures a blend of fiction, informative articles, and artistic discussions, catering to a diverse readership curious about both literature and science. The journal exemplifies the rich tapestry of 19th-century thought, offering readers insights into contemporary issues and innovations. Readers will find engaging stories that resonate with the human experience, alongside thought-provoking essays that delve into scientific advancements and artistic expressions. The prose is accessible, making it an appealing read for those seeking both entertainment and enlightenment. The journal not only serves as a historical artifact but also as a mirror of societal values and interests of its era. Overall, it is a delightful exploration for anyone intrigued by the intersection of literature, science, and art.

"Lippincott's Magazine of Popular Literature and Science, Volume 20, December 1877" is a remarkable compilation that captures the intellectual spirit of the late 19th century. This volume features an eclectic mix of literature and scientific exploration, appealing to a diverse readership. The magazine offers a variety of essays, short stories, and illustrations, demonstrating the era's fascination with both the arts and sciences. In this edition, readers can find thought-provoking literary pieces that reflect social issues of the time, as well as insightful articles on scientific advancements, showcasing the rapid growth of knowledge during the Industrial Revolution. The work of various authors within the magazine reflects a commitment to quality and depth, ensuring that each contribution resonates with the audience. Overall, this volume serves as a historical window into the cultural trends and intellectual discourse of its time, making it a significant literary artifact for those interested in understanding the cross-section of literature and science in the 19th century.

"The Girl's Own Paper, Vol. XX, No. 1014, June 3, 1899" is a fascinating glimpse into the lives and aspirations of young women at the turn of the 20th century. This publication, a staple of its time, was designed to empower and entertain its readership, offering a mix of fiction, advice, and practical articles. The volume combines delightful short stories, engaging illustrations, and practical tips, catering specifically to the interests and concerns of its audience. Within its pages, readers will find themes of friendship, family, and personal growth, alongside valuable life lessons presented in a relatable manner. The writing reflects the social norms and challenges of the era, while the stories often feature strong female protagonists who navigate their worlds with courage and wit. Overall, this edition of "The Girl's Own Paper" serves not just as entertainment but as an insightful cultural artifact that showcases the changing roles and expectations of women during this vibrant period in history.

"The Girl's Own Paper, Vol. XX, No. 994, January 14, 1899" is a delightful glimpse into the life and interests of young women in the late 19th century. This issue features a variety of engaging stories, practical advice, and inspiring essays, all tailored to the female readership of its time. The contributors, a diverse array of authors, tackle themes such as friendship, self-improvement, and the importance of education for women. The vibrant illustrations complement the written content beautifully, capturing the imagination of girls eager to explore their world. This volume encourages creativity and independence, showcasing the evolving role of women in society. While stylistically rooted in its era, the themes of empowerment and personal growth remain relevant today. Overall, readers will find "The Girl's Own Paper" not only entertaining but also a reflection of historical attitudes towards gender and individuality, making it a worthwhile read for anyone interested in women’s history and literature.

"My Queen: A Weekly Journal for Young Women," Issue 5, published on October 27, 1900, by Lurana Sheldon, is a captivating blend of guidance and inspiration tailored for young women of the early 20th century. In this issue, Sheldon addresses the challenges and triumphs faced by her readership, offering practical advice on matters such as personal development, social etiquette, and the importance of education. The journal reflects contemporary societal expectations while advocating for women's empowerment and self-expression. Each article is imbued with a sense of compassion, encouraging young women to embrace their individuality and pursue their dreams with determination. Sheldon’s writing is engaging and relatable, often intertwining personal anecdotes with universal themes. Overall, Issue 5 serves as a historic snapshot of the era's values, while also providing timeless wisdom that resonates with readers even today. It's a must-read for those interested in women's history and the evolution of gender roles.

First published in 1996, All the Nations Under Heaven has earned praise and a wide readership for its unparalleled chronicle of the role of immigrants and migrants in shaping the history and culture of New York City. This updated edition of a classic text brings the story of the immigrant experience in New York City up to the present with vital new material on the city’s revival as a global metropolis with deeply rooted racial and economic inequalities.All the Nations Under Heaven explores New York City’s history through the stories of people who moved there from countless places of origin and indelibly marked its hybrid popular culture, its contentious ethnic politics, and its relentlessly dynamic economy. From Dutch settlement to the extraordinary diversity of today’s immigrants, the book chronicles successive waves of Irish, German, Jewish, and Italian immigrants and African American and Puerto Rican migrants, showing how immigration changes immigrants and immigrants change the city. In a compelling narrative synthesis, All the Nations Under Heaven considers the ongoing tensions between inclusion and exclusion, the pursuit of justice and the reality of inequality, and the evolving significance of race and ethnicity. In an era when immigration, inequality, and globalization are bitterly debated, this revised edition is a timely portrait of New York City through the lenses of migration and immigration.

Anne Truitt (1921-2004) is a heroine of American Minimalism, an increasingly admired artist whose journals (Daybook, Prospect, Turn) have a longstanding and devoted readership, but whose art has not previously been the subject of a substantial monograph. Perception and Reflection remedies this historical oversight superbly and decisively. The evolution of Truitt's sensibility is at once a classic Minimalist story and the tale of a truly independent spirit: following an encounter with the black paintings of Ad Reinhardt at the Guggenheim in 1961, she abandoned her earlier sculptural style and began to make stark, columnar works inscribed with bands of sometimes bright and sometimes quiet color. Truitt's account of this transition betrays her rare clarity and sensitivity: "I thought to myself, 'If I make a sculpture, it will just stand up straight and the seasons will go around it and the light will go around it and it will record time.'"

Jia Pingwa, whose novels have caused both fame and controversy, has an enormous readership throughout the Chinese speaking world. However, despite Pingwa's cultural significance and the use of his poetry, novels and prose in schools and universities, there has never been any substantial academic study of the writer and his writings. Filling that gap, this book examines the corpus of Pingwa’s writing and emphasizes his importance, prominence and relevance to contemporary Chinese society. This pioneering study discusses Pingwa's works in the light of ‘cultural nationalism’, showing how he links the cultural identity of China with the cultural authenticity of his local Shaanxi Province. In addition, the book highlights issues of nationalism in contemporary Chinese literature and underpins the significance of regional writing in negotiating China’s national identities.

"A wonderful hymn to the last true era when men of substance played pool with a vengeance."-Time OutWhen it was first published in 1959, The Hustler was the first--and the best--novel written about billiards in the 400-year history of the game. The book quickly won a respected readership and later an audience for the movie with the same name starring Paul Newman and Jackie Gleason. The Hustler is about the victories and losses of one "Fast" Eddie Felson, a poolroom hustler who travels from town to town conning strangers into thinking they could beat him at the game when in fact, he is a skillful player who has never lost a game. Until he meets his match in Minnesota Fats, the true king of the poolroom, causing his life to change drastically. This is a classic tale of a man's struggle with his soul and his self-esteem. "If Hemingway had the passion for pool that he had for bullfighting, his hero might have been Eddie Felson."-Time

This is the first comprehensive study of the contemporary French painter and calligrapher André Kneib Written in a clear and lucid style, this book is addressed to a broad audience: to scholars interested in contemporary global cultural practices, and to a general readership that will discover the joy of viewing the art of André Kneib The readers of this text will find especially useful the author's close formal accounts of the individual works of art, set within the context of a broader discussion of the technical innovations and stylistic development of André Kneib's calligraphic art André Kneib: and the Art of Chinese Calligraphy is the first comprehensive introduction to the remarkable calligraphic art of André Kneib (b. 1953), an artist and scholar living in the Alsace region of France. Kneib has gained fame and recognition in China for his highly innovative works in the traditional medium of Chinese calligraphy. This study establishes his place and defining role in the history and development of contemporary Chinese calligraphy. Foremost among his many contributions is the integration of acrylic color with the traditional medium of brush and ink, forging a synthesis of the painterly and the gestural that has truly revolutionized the practice of Chinese calligraphy. Situating this discussion in the context of the global cultural economy, it frames an understanding of contemporary art, which can no longer be defined simply within the borders of a national cultural provenance.

This is the first general comprehensive introduction to Manichaeism aimed at a non-specialist and undergraduate readership. This study will be a historical and theological introduction to Manichaeism. It will comprise a biographical treatment of the founder Mani, situating his personality, his writings and his ideas within the Aramaic Christian tradition of third century (CE) Mesopotamia. It will provide a historical treatment of the Manichaean church in late antiquity (250-700 CE), detailing the emergence of Manichaeism in the late Roman and Byzantine empires, in addition to examining the continuation of Manichaean traditions in the eastern world (China) up to the thirteenth century and beyond. The book will consider the theology of Mani's system, with the aim of providing a clear-eyed treatment of the cosmogonic, scriptural and ecclesiological ideas forming its foundations. The study will base its analysis on original Manichaean literary sources, together with rehabilitating the representation of Manichaeism in those writings that polemicised against the religion. The study will aim to demonstrate the highly syncretic nature of Manichaeism, and will look to move forward 'traditional' perceptions of the religion as being simply a form of Christian Gnostic Dualism.

The Argyle Sweater has sold nearly 1 million greeting cards through American Greetings, and more than 150,000 2010 calendars.Scott Hilburn's The Argyle Sweater boasts a readership ranging from the Washington Post and the Los Angeles Times to the Calgary Herald, and more than 1 million Argyle Sweater greeting cards have been sold. Inside Hilburn's colorful cartoon panel, oversized animals, malevolent Care Bears, and an unstable Hamburger Helper cavort with bees, wolves, zebras, cavemen, mad scientists, and nursery-rhyme and funny-page icons to offer a critique of society and popular culture.Captured with Hilburn's visceral talent and bold pen stroke, The Argyle Sweater is a celebrated visual and cerebrally astute panel fueled by thoughtful imagination and a skewered attention to detail.

The French produced some of the most striking and innovatory interwar cruiser designs. A large amount of new information about these ships has become available over the past twenty years in France, but this book is the first to make this accessible to an English-speaking readership. Part I explains the design philosophy behind each of the classes built after 1922, and outlines the characteristics of each type, accompanied by detailed data tables and a comprehensive set of specially-drawn plans based on official documents, as well as carefully-selected photographs. Coverage includes the De Grasse, laid down in August 1939 and completed postwar as an AA cruiser, and also the heavy cruisers of the Saint Louis class intended to follow her, about which little has been published. Part II deals with the historical side, covering not only the eventful careers of these ships, but also explaining the peacetime organisation of the Marine Nationale, the complex politics of this turbulent period and their impact on the navy. Like its highly successful predecessor, French Battleships, this beautifully presented book subtly blends technical and historical analysis to produce what must become the standard reference work.

The first privately published edition of We Believe appeared anonymously in 1983 and subsequently, to the author's great surprise, took a wider readership by storm, selling more than 15,000 copies before his death at the age of 97 in 1998. Alfred Gilbey was already a well-known priest, having been from 1932 to 1965 Chaplain to the Catholic Undergraduates of Cambridge University. The course of instructions he gave to enquirers into the Catholic Faith had, in A. N. Wilson's words, already "acquired a legendary status", and had been responsible for more than forty vocations to the priesthood and religious life. Devoted to the life of prayer, his Commentary on the Catechism of Christian Doctrine, as this work is sub-titled, is based on a lifetime's reflection on the truths of the Faith and, his many friends would wish to add, on the daily example he gave of the precepts of Faith, Hope and Charity. The late Basil Cardinal Hume OSB, OM, revealed at Mgr Gilbey's 90th birthday celebration that he had been the model of the Cardinal's own priesthood. Anyone who has read this book without having known the author will have been aware of the spirit of humility and integrity breathing through its pages. Mgr Gilbey was endowed with remarkable gifts which were both pastoral and expository, and We Believe is an enduring legacy of his life and thought. Above all, Alfred Gilbey was guided by a conviction that, contrary to the collectivist spirit of the age, our Creator made us to be not equal to one another but, in virtue of our relationship to Him, unique; as awe-inspiring a thought, whenever we allow it to come into focus, as the author fully intended it to be in the pages of his book.

In the Victorian period, the British novel reached a wide readership and played a major role in the shaping of national and individual identity. As we come to understand the ways the novel contributed to public opinion on religion, gender, sexuality and race, we continue to be entertained and enlightened by the works of Dickens, George Eliot, Thackeray, Trollope and many others. This second edition of the Companion to the Victorian Novel has been updated fully, taking account of new research and critical methodologies. There are four new chapters and the others have been thoroughly updated, as has the guide to further reading. Designed to appeal to students, teachers and readers, these essays reflect the latest approaches to reading and understanding Victorian fiction.