665 products were found matching your search for Reality TV Person in 5 shops:

The PEERLESS-AV Paramount Series 39 in. to 90 in. Articulating Wall Mount provides versatile and multi-functional features. With this mount, extend the display up to 21.32 in. or fully retract it to just 3 in. from the wall for the ideal viewing angle. The hook-and-hang system offers easy, 1-person installation. Color: Black. Material: Steel.

This book offers Perfect and Urgent Wisdom. Perfect because the source of this Wisdom is not merely a scholar or a wise man, but Adi Da (The Da Avatar) the Very Divine, the Source and Substance of life, alive in human Form and Radiant with the Gift of His Being, which are Perfect Freedom and Perfect Happiness. Urgent, because as Adi Da points out, every one of us, even in our happiest moments, can never escape the feeling of being a separate self that is bound to die. The Truth that Adi Da Reveals, the Truth that can be Realized through a devotional relationship with Him, is that there is ultimately no "you" and no "me" - no separate self - but only the One Divine Self, Who is Bliss, Joy, Happiness, and Love. That One is your own very Nature and Condition, and That One Is Appearing now, by an incomprehensible Miracle of Divine Grace, in the form of Adi Da, the Da Avatar. The Heart's Shout is a comprehensive introduction to Adi Da and His Wisdom-Teaching, including stories of how Adi Da has Instructed His devotees face to face, In The Heart's Shout, Adi Da discusses the process and practice of Divine Self-Realization, including: * The nature of the individual self and the activity of contraction ad suffering. * The way beyond this suffering, through the practice of Devotional Communion with Adi Da. * The limits of science as a means of obtaining Knowledge. * Why the "Creator-God" is a myth. * How to truly love, and go beyond the "rejection ritual". * The necessary role of Community in Spiritual life. * What really happens at death. * The seven stages of life - Adi Da's Revelation of the complete spectrum of human possibility. * The Unique Seventh Stage Divine Revelation of Adi Da, and His Offering of that same Awakening to all who respond to Him.

Unread book in perfect condition.

This book analyses new and hybrid genres of television including observational documentaries, talk shows, game shows, docu-soaps, dramatic reconstructions, law and order programming and 24/7 formats such as Big Brother and Survivor.

Survivor. The Bachelor. Extreme Makeover. Big Brother. Joe Millionaire. American Idol. The Osbournes. It is virtually impossible to turn on a television without coming across some sort of reality programming. Yet, while this genre has rapidly moved from the fringes of television culture to its lucrative core, critical attention has not kept pace. Beginning by unearthing its historical roots in early reality shows like Candid Camera and wending its way through An American Family, Cops, and The Real World to the most recent crop of reality programs, Reality TV is the first book to address the economic, visual, cultural, and audience dimensions of reality television. The essays provide a complex and comprehensive picture of how and why this genre emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals. Topics range from the construction of televisual "reality" to the changing face of criminal violence on TV, to issues of surveillance, taste, and social control. By spanning reality television's origins in the late 1940s to its current overwhelming popularity, Reality TV demonstrates both the tenacity of the format and its enduring ability to speak to our changing political and social desires and anxieties. Contributors include: Nick Couldry, Mary Beth Haralovich, John Hartley, Chuck Kleinhans, Derek Kompare, Jon Kraszewski, Kathleen LeBesco, Justin Lewis, Ted Magder, Jennifer Maher, Anna McCarthy, Rick Morris, Chad Raphael, Elayne Rapping, Jeffrey Sconce, Michael W. Trosset, Pamela Wilson.

Welcome to Culturematic: How Reality TV, John Cheever, a Pie Lab, Julia Child, Fantasy Football, Burning Man, the Ford Fiesta Movement, Rube Goldberg, NFL Films, Wordle, Two and a Half Men, a 10,000-Year Symphony, and ROFLCom Memes Will Help You Create and Execute Breakthrough IdeasA Culturematic is a little machine for making culture. It’s an ingenuity engine.Once wound up and released, the Culturematic acts as a probe into the often-alien world of contemporary culture, to test the atmosphere, to see what life it can sustain, to see who responds and how. Culturematics start small but can scale up ferociously, bootstrapping themselves as they go.Because they are so inexpensive, we can afford to fire off a multitude of Culturematics simultaneously. This is evolutionary strategy, iterative innovation, and rapid prototyping all at once. Culturematics are fast, cheap, and out of control. Perhaps as important, they fail early and often. They are the perfect antidote to a world where we cannot guess what’s coming next.In Culturematic, anthropologist Grant McCracken describes these little machines and helps the reader master them. Examples are drawn from NFL Films, Twitter, the Apple Genius Bar, Starbucks, Ford, SNL Digital Shorts, Restoration Hardware, UNICEF, J. Crew, Pie Lab, USA Network, and the GEICO gecko.For the traditional producers of culture the creators of movies, design, advertising, publishing, magazines, newspapers, and corporate R&D this book will inspire new innovation and creativity.For the emerging producers of culture the digital players this book will serve as a practical handbook. Culturematic: our app for creating the world anew.

Drawing on cultural theory and interviews with fans, cast members and producers, this book places the reality TV trend within a broader social context, tracing its relationship to the development of a digitally enhanced, surveillance-based interactive economy and to a savvy mistrust of mediated reality in general. Surveying several successful reality TV formats, the book links the rehabilitation of 'Big Brother' to the increasingly important economic role played by the work of being watched. The author enlists critical social theory to examine how the appeal of 'the real' is deployed as a pervasive but false promise of democratization.

Used book that is in excellent condition. May show signs of wear or have minor defects.

In the late 1990s the television landscape underwent a seismic change as the reality game shows Big Brother and Survivor won unprecedented audiences across Europe and the US. Subjecting their contestants to protracted seclusion from the outside world, the shows offered up a novel combination of mundanity and extremity, and bred a host of imitations which ranged from the absurdly inept to the outright sadistic. Shooting People explores the emergence of the form, its relation to documentary and its significance in a globalized TV industry. Sam Brenton and Reuben Cohen draw parallels between some of the methods employed to control contestants and techniques of incarceration and psychological interrogation, and expose the nefarious influence of psychologists and psychotherapists in the business of reality TV. This ‘ultimate form of light entertainment’ is also shown to be a perfect propaganda vehicle for an anti-political culture in which, in the absence of grand narratives, the personal focus, the detritus of selfhood, has become seen as the only story worth telling.

The Apprentice. Project Runway. The Bachelor. My Life on the D-list. Extreme Makeover. American Idol. It is virtually impossible to turn on a television without coming across some sort of reality programming. Yet, while this genre has rapidly moved from the fringes of television culture to its lucrative core, critical attention has not kept pace.Beginning by unearthing its historical roots in early reality shows like Candid Camera and wending its way through An American Family and The Real World to the most recent crop of reality programs, Reality TV, now updated with eight new essays, is one of the first books to address the economic, visual, cultural, audience, and new media dimensions of reality television and has become the standard in the field. The essays provide a complex and comprehensive picture of how and why this genre emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals. Topics range from the blending of fact and fiction, to the uses of viewer labor and “interactivity,” to issues of surveillance, gender performativity, hyper-commercialism, and generic parody.By spanning reality television’s origins in the late 1940s to its current overwhelming popularity, Reality TV demonstrates both the tenacity of the format and its enduring ability to speak to our changing political and social desires and anxieties.

187 pages. 8.00x5.00x0.47 inches. In Stock.

Reality TV restores a crucial, and often absent, element to the critical debate about reality television: the voices of people who watch reality programmes. From Animal Hospital to Big Brother, Annette Hill argues that much can be learned from listening to audience discussion about this popular and rapidly changing television genre. Viewers' responses to reality TV can provide invaluable information to enhance our understanding of both the reality genre and contemporary television audiences. Drawing on quantitative and qualitative audience research to understand how viewers categorise the reality genre, and how they judge the performance of ordinary people and the representation of authenticity within different types of reality programmes. * Do audiences think reality TV is real? * Can people learn from watching reality TV? * How critical are viewers of reality TV? Reality TV argues that audiences are engaged in a critical examination of the development of popular factual television. The book examines how audiences can learn from watching reality programmes, and how viewers think and talk about the ethics of reality TV.

American viewers are attracted to what they see as the non-scripted, unpredictable freshness of reality television. But although the episodes may not be scripted, the shows are constructed within a deliberately designed framework, reflecting societal values. The political, economic and personal issues of reality TV are in many ways simply an exaggerated version of everyday life, allowing us to identify (perhaps more closely than we care to admit) with the characters onscreen. With 16 essays from scholars around the world, this volume discusses the notion of representation in reality television. It explores how both audiences and producers negotiate the gulf between representations and truth in reality shows such as Survivor, The Apprentice, Big Brother, The Nanny, American Idol, Extreme Makeover, Joe Millionaire and The Amazing Race. Various identity categories and character types found in these shows are discussed and the accuracy of their television portrayal examined. Dealing with the concept of reality, audience reception, gender roles, minority portrayal and power issues, the book provides an in-depth look at what we see, or think we see, in "reality" TV. Instructors considering this book for use in a course may request an examination copy here.

American viewers are attracted to what they see as the non-scripted, unpredictable freshness of reality television. But although the episodes may not be scripted, the shows are constructed within a deliberately designed framework, reflecting societal values. The political, economic and personal issues of reality TV are in many ways simply an exaggerated version of everyday life, allowing us to identify (perhaps more closely than we care to admit) with the characters onscreen. With 16 essays from scholars around the world, this volume discusses the notion of representation in reality television. It explores how both audiences and producers negotiate the gulf between representations and truth in reality shows such as Survivor, The Apprentice, Big Brother, The Nanny, American Idol, Extreme Makeover, Joe Millionaire and The Amazing Race. Various identity categories and character types found in these shows are discussed and the accuracy of their television portrayal examined. Dealing with the concept of reality, audience reception, gender roles, minority portrayal and power issues, the book provides an in-depth look at what we see, or think we see, in "reality" TV. Instructors considering this book for use in a course may request an examination copy here.

Reality TV is popular entertainment. And yet a common way to start a conversation about it is ‘I wouldn’t want anyone to know this but...’ Why do people love and love to hate reality TV? This book explores reality TV in all its forms - from competitive talent shows to reality soaps - examining a range of programmes from the mundane to those that revel in the spectacle of excess. Annette Hill’s research draws on interviews with television producers on the market of reality TV and audience research with over fifteen thousand participants during a fifteen year period. Key themes in the book include the phenomenon of reality TV as a new kind of inter-generic space; the rise of reality entertainment formats and producer intervention; audiences, fans and anti-fans; the spectacle of reality and sports entertainment; and the ways real people and celebrities perform themselves in cross-media content. Reality TV explores how this form of popular entertainment invites audiences to riff on reality, to debate and reject reality claims, making it ideal for students of media and cultural studies seeking a broader understanding of how media connects with trends in society and culture.

Reality TV: An Insider's Guide to TV's Hottest Market is a no-nonsense read that doesn't sugarcoat the realities of the process or the ethical gut-checks that writers and producers often experience in trying to deliver an engaging end product. This newly updated 2nd edition includes new exercises, information about the Global Reality TV Market, and the latest information about Reality TV.

Want to know more about the real realities of reality television?  Reality TV: An Insider's Guide to TV's Hottest Market lays them all out in this engaging read from a working producer with more than a decade's worth of experience in bringing top reality shows to life.   While many other books on the subject focus solely on creating and selling shows (and don't worry... that's all here, too), reality producer Troy DeVolld's book aims instead to become the definitive primer on storytelling in the genre.   Reality TV: An Insider's Guide to TV's Hottest Market is a no-nonsense read that doesn't sugarcoat the realities of the process or the ethical gut-checks that writers and producers often experience in trying to deliver an engaging end product.  Written in an easygoing, conversational style, the book explains the history of reality TV and its process from preproduction

Reality TV has changed television and changed reality, even if we are not among the millions who watch. Written for a broad audience, this accessible overview addresses questions such as:  How real is reality TV? How do its programs represent gender, sex, class, and race? How does reality TV relate to politics, to consumer society, to surveillance?  What kind of ethics are on display? Drawing on current media research and the author’s own analysis, this study encompasses the history and evolution of reality television, its production of reflexive selves and ordinary celebrity, its advertising and commercialization, and its spearheading of new relations between television and social media. To dismiss this programming as trivial is easy. Deery demonstrates that reality television merits serious attention and her incisive analysis will interest students in media studies, cultural studies, politics, sociology, and anyone who is simply curious about this global phenomenon.

This title examines the remarkable life of reality television personality Guy Fieri. Readers will learn about Fieri's family background, childhood, education, and his journey from successful restaurateur to winning The Next Food Network Star to stardom on Food Network's Diners, Drive-Ins and Dives, to best-selling author. Informative sidebars, a helpful timeline, a glossary, and an index supplement the rare photos and easy-to-read text showcased in this inspiring biography. There's also a fun-to-make recipe! Aligned to Common Core Standards and correlated to state standards. Checkerboard Library is an imprint of Abdo Publishing, a division of ABDO.

Reality TV is popular entertainment. And yet a common way to start a conversation about it is ‘I wouldn’t want anyone to know this but...’ Why do people love and love to hate reality TV? This book explores reality TV in all its forms - from competitive talent shows to reality soaps - examining a range of programmes from the mundane to those that revel in the spectacle of excess. Annette Hill’s research draws on interviews with television producers on the market of reality TV and audience research with over fifteen thousand participants during a fifteen year period. Key themes in the book include the phenomenon of reality TV as a new kind of inter-generic space; the rise of reality entertainment formats and producer intervention; audiences, fans and anti-fans; the spectacle of reality and sports entertainment; and the ways real people and celebrities perform themselves in cross-media content. Reality TV explores how this form of popular entertainment invites audiences to riff on reality, to debate and reject reality claims, making it ideal for students of media and cultural studies seeking a broader understanding of how media connects with trends in society and culture.