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This book brings together prominent voices from the global North and South to present brief analyses of liberation theology's future. It includes leaders in the field along with the newest voices. Each of these pieces was presented in the American Academy of Religion in the first five years of the Liberation Theologies Consultation. 

This book brings together prominent voices from the global North and South to present brief analyses of liberation theology's future. It includes leaders in the field along with the newest voices. Each of these pieces was presented in the American Academy of Religion in the first five years of the Liberation Theologies Consultation. 

Most accounts explain the postwar globalization of financial markets as a product of unstoppable technological and market forces. Drawing on extensive historical research, Eric Helleiner provides the first comprehensive political history of the phenomenon, one that details and explains the central role played by states in permitting and encouraging financial globalization.Helleiner begins by highlighting the commitment of advanced industrial states to a restrictive international financial order at the 1944 Bretton Woods conference and during the early postwar years. He then explains the growing political support for the globalization of financial markets after the late 1950s by analyzing five sets of episodes: the creation of the Euromarket in the 1960s, the rejection in the early 1970s of proposals to reregulate global financial markets, four aborted initiatives in the late 1970s and early 1980s to implement effective controls on financial movements, the extensive liberalization of capital controls in the 1980s, and the containment of international financial crises at three critical junctures in the 1970s and 1980s.He shows that these developments resulted from various factors, including the unique hegemonic interests of the United States and Britain in finance, a competitive deregulation dynamic, ideological shifts, and the construction of a crisis-prevention regime among leading central bankers. In his conclusion Helleiner addresses the question of why states have increasingly embraced an open, liberal international financial order in an era of considerable trade protectionism.

422 pages. 9.00x6.00x1.02 inches. In Stock.

Most accounts explain the postwar globalization of financial markets as a product of unstoppable technological and market forces. Drawing on extensive historical research, Eric Helleiner provides the first comprehensive political history of the phenomenon, one that details and explains the central role played by states in permitting and encouraging financial globalization.Helleiner begins by highlighting the commitment of advanced industrial states to a restrictive international financial order at the 1944 Bretton Woods conference and during the early postwar years. He then explains the growing political support for the globalization of financial markets after the late 1950s by analyzing five sets of episodes: the creation of the Euromarket in the 1960s, the rejection in the early 1970s of proposals to reregulate global financial markets, four aborted initiatives in the late 1970s and early 1980s to implement effective controls on financial movements, the extensive liberalization of capital controls in the 1980s, and the containment of international financial crises at three critical junctures in the 1970s and 1980s.He shows that these developments resulted from various factors, including the unique hegemonic interests of the United States and Britain in finance, a competitive deregulation dynamic, ideological shifts, and the construction of a crisis-prevention regime among leading central bankers. In his conclusion Helleiner addresses the question of why states have increasingly embraced an open, liberal international financial order in an era of considerable trade protectionism.

Most accounts explain the postwar globalization of financial markets as a product of unstoppable technological and market forces. Drawing on extensive historical research, Eric Helleiner provides the first comprehensive political history of the phenomenon, one that details and explains the central role played by states in permitting and encouraging financial globalization.Helleiner begins by highlighting the commitment of advanced industrial states to a restrictive international financial order at the 1944 Bretton Woods conference and during the early postwar years. He then explains the growing political support for the globalization of financial markets after the late 1950s by analyzing five sets of episodes: the creation of the Euromarket in the 1960s, the rejection in the early 1970s of proposals to reregulate global financial markets, four aborted initiatives in the late 1970s and early 1980s to implement effective controls on financial movements, the extensive liberalization of capital controls in the 1980s, and the containment of international financial crises at three critical junctures in the 1970s and 1980s.He shows that these developments resulted from various factors, including the unique hegemonic interests of the United States and Britain in finance, a competitive deregulation dynamic, ideological shifts, and the construction of a crisis-prevention regime among leading central bankers. In his conclusion Helleiner addresses the question of why states have increasingly embraced an open, liberal international financial order in an era of considerable trade protectionism.

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Hardcover conceptual art book.

The Virgin: Mary's Cult and the Re-Emergence of the Goddessxi, 262 pp. "In this masterly exploration of the cult of Mary, Geoffrey Ashe examines ancient myths, theology, history, literature and feminine spirituality to throw new light on the role of Mary in today's Church, which is only partly derived from the Gospels. Tracing the cult from its origins to the present day with the re-subordination of Mary to Christ, this remarkable book also illuminates the spiritual battle of the sexes, a conflict that remains unresolved to this day."Keywords: GEOFFREY ASHE VIRGIN MARY CULT RE-EMERGENCE GODDESS RELIGION SPIRITUALITY WOMEN'S WOMEN MYTHOLOGY THEOLOGY LITERATURE FEMININE FEMALE

The impulse that prompts humans to envision themselves as heroic is as inherent to women as to men. The idealization of the hero, however, is an outgrowth of the more primary conception of the god. In Western culture the reduction and eventual denial of the feminine divine has affected cultural perception of feminine principles, particularly archetypal and autonomous patterns. This book delves first into the literary strata from which the archetypes have been culled, the stories of the Bible and the myths of the Aegean, to look at how the characterization of the goddess was revised. Employing evidence from psychology, artifacts and pictorial art, the author shapes an outline for a more authentic figure. The obscure and muted goddess-heroine of ancient literature is then given detail by the articulate voices of the archetype as she reemerges in contemporary fiction.

A richly illustrated testament to the reemergence of the Goddess in the art and in the lives of contemporary women and men. In this beautifully illustrated and far-reaching history. Elinor Gadon vividly weaves words and images to demonstrate the powerful connections between ancient and contemporary art, between the Goddess of the Ice Age and the Goddess of today. This panoramic view of Goddess imagery extends from the prehistoric Goddess representations of Catal Huyuk, Malta, Avebury, and Crete, tot he more patriarchal images of the Sumerians, Greeks, and Christians, to the wide range of contemporary artists inspired by the Goddess, including Frida Kahlo, Mayumi Oda, and Judy Chicago.

Delightfully diverse, the conservatory wallpaper collection is artistically designed around the reemergence of floral motifs and modern design. Manufactured on a unique high performance substrate, this ultra-easy removable wallpaper is guaranteed easy to install and easy to remove. Perfectly fit for all interior decoration areas. Color: Beige & Cream.

Delightfully diverse, the conservatory wallpaper collection is artistically designed around the reemergence of floral motifs and modern design. Manufactured on a unique high performance substrate, this ultra-easy removable wallpaper is guaranteed easy to install and easy to remove. Perfectly fit for all interior decoration areas. Color: Grey.

Delightfully diverse, the conservatory wallpaper collection is artistically designed around the reemergence of floral motifs and modern design. Manufactured on a unique high performance substrate, this ultra-easy removable wallpaper is guaranteed easy to install and easy to remove. Perfectly fit for all interior decoration areas. Color: Beige.

Delightfully diverse, the conservatory wallpaper collection is artistically designed around the reemergence of floral motifs and modern design. Manufactured on a unique high performance substrate, this ultra-easy removable wallpaper is guaranteed easy to install and easy to remove. Perfectly fit for all interior decoration areas. Color: Cream.

Delightfully diverse, the Conservatory wallpaper collection from York Wallcoverings is artistically designed around the reemergence of floral motifs and modern design. Manufactured on SureStrip, a unique high performance substrate, this ultra-easy removable wallpaper is guaranteed easy to install and easy to remove; simply use water to activate. Ribbon Stripe Wallpaper boasts open space crisscrossed by contrasting parallel lines that meet to create diamond shapes and form a large-scale trellis. Color: White/Black.

Delightfully diverse, the Conservatory wallpaper collection from York Wallcoverings is artistically designed around the reemergence of floral motifs and modern design. Manufactured on SureStrip, a unique high performance substrate, this ultra-easy removable wallpaper is guaranteed easy to install and easy to remove; simply use water to activate. Inspired by historical pieces sourced from Yorks century old archives, Midsummer Jacobean Wallpaper features large-scale colossal blossoms and leaves creating splashes of color on a solid background. Color: White/Blue.

Delightfully diverse, the Conservatory wallpaper collection from York Wallcoverings is artistically designed around the reemergence of floral motifs and modern design. Manufactured on SureStrip, a unique high performance substrate, this ultra-easy removable wallpaper is guaranteed easy to install and easy to remove; simply use water to activate. With two patterns in one, this is Congas Stripe Wallpaper featuring raised horizontal lines over elongated six-sided figures. Color: Beige.

Delightfully diverse, the Conservatory wallpaper collection from York Wallcoverings is artistically designed around the reemergence of floral motifs and modern design. Manufactured on SureStrip, a unique high performance substrate, this ultra-easy removable wallpaper is guaranteed easy to install and easy to remove; simply use water to activate. A stunning design inspired by York's historical archives, Botanical Damask Wallpaper features outsize flowers, pretty birds, and butterflies, and is printed using York's century-old surface press in which heavy inks and an engraved roller transfer color to paper to create a truly distinct raised ink wallpaper design impossible to duplicate on a modern press. Color: Grey.

Delightfully diverse, the Conservatory wallpaper collection from York Wallcoverings is artistically designed around the reemergence of floral motifs and modern design. Manufactured on SureStrip, a unique high performance substrate, this ultra-easy removable wallpaper is guaranteed easy to install and easy to remove; simply use water to activate. Through clever color application, Papyrus Weave Wallpaper achieves the realistic look of texture necessary to trick the eye into seeing woven fiber. Color: Beige.