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With new color photography showing off a thorough inside-and-out refurbishment, this volume celebrates a beloved landmark. The New York Public Library, one of the nation's architectural wonders, is possibly our finest classical building. Designed by John Merven Carrere and Thomas Hastings, and inspired by the great classical buildings in Paris and Rome, it was completed in 1911. The library boasts a magnificent exterior, but that is only the beginning. In the interior, one splendid hall follows another, an awesome gallery leads to richly decorated rooms, and stairways are vaulted in marble. From the terrace to the breathtaking Main Reading Room is a triumphal way. All the devices of the classical tradition, the main artistic current of Western civilization, are brought into play. Maidens, cherubs, and satyr masks look down from ceilings. Lions' heads, paws, rams' heads, and griffins are on every side. In this beautiful volume, featuring new color photography by Anne Day, every facet of the building is described, including its inception and construction. 250 full-color photographs

With new color photography showing off a thorough inside-and-out refurbishment, this volume celebrates a beloved landmark. The New York Public Library, one of the nation's architectural wonders, is possibly our finest classical building. Designed by John Merven Carrere and Thomas Hastings, and inspired by the great classical buildings in Paris and Rome, it was completed in 1911. The library boasts a magnificent exterior, but that is only the beginning. In the interior, one splendid hall follows another, an awesome gallery leads to richly decorated rooms, and stairways are vaulted in marble. From the terrace to the breathtaking Main Reading Room is a triumphal way. All the devices of the classical tradition, the main artistic current of Western civilization, are brought into play. Maidens, cherubs, and satyr masks look down from ceilings. Lions' heads, paws, rams' heads, and griffins are on every side. In this beautiful volume, featuring new color photography by Anne Day, every facet of the building is described, including its inception and construction. 250 full-color photographs

The Hans van Heeswijk architecture firm was founded in Amsterdam in 1985, and it has designed and realized a great variety of projects, among them offices, public buildings, museums, bridges, renovations, refurbishments, interiors and product design. Those projects are without exception matchlessly lucid and crafted to a standard rarely seen, particularly in an economy where tight budgets are the rule. Their forms, reticent at first, become articulate at close range. Each encounter with them seems right--thus the aura of tranquility, typical for buildings composed with great care and attention. This monograph deals with the works and ideas of Hans van Heeswijk architects over the last decade, including the recent commission for the refurbishment of the Hermitage Museum in Amsterdam.

The Hans van Heeswijk architecture firm was founded in Amsterdam in 1985, and it has designed and realized a great variety of projects, among them offices, public buildings, museums, bridges, renovations, refurbishments, interiors and product design. Those projects are without exception matchlessly lucid and crafted to a standard rarely seen, particularly in an economy where tight budgets are the rule. Their forms, reticent at first, become articulate at close range. Each encounter with them seems right--thus the aura of tranquility, typical for buildings composed with great care and attention. This monograph deals with the works and ideas of Hans van Heeswijk architects over the last decade, including the recent commission for the refurbishment of the Hermitage Museum in Amsterdam.

Over recent decades, many museums, galleries and historic sites around the world have enjoyed an unprecedented level of large-scale investment in their capital infrastructure, in building refurbishments and new gallery displays. This period has also seen the creation of countless new purpose-built museums and galleries, suggesting a fundamental re-evaluation of the processes of designing and shaping of museums. Museum Making: Narratives, Architectures, Exhibitions examines this re-making by exploring the inherently spatial character of narrative in the museum and its potential to connect on the deepest levels with human perception and imagination. Through this uniting theme, the chapters explore the power of narratives as structured experiences unfolding in space and time as well as the use of theatre, film and other technologies of storytelling by contemporary museum makers to generate meaningful and, it is argued here, highly effective and affective museum spaces. Contributions by an internationally diverse group of museum and heritage professionals, exhibition designers, architects and artists with academics from a range of disciplines including museum studies, theatre studies, architecture, design and history cut across traditional boundaries including the historical and the contemporary and together explore the various roles and functions of narrative as a mechanism for the creation of engaging and meaningful interpretive environments.