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Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 1.17

crisp clean w/light shelfwear/edgewear - may have remainder mark - NICE! Standard-sized.

THIS BOOK IS PUBLISHED BY MISSOURI LIFE MAGAZINE AND DISTIBUTED BY THE UNIVERSITY OF MISSOURI PRESS.Historical figures, Native Americans and local characters inhabit the sweeping views of the New Regionalist paintings by Bryan Haynes. Influenced from an early age by American Regionalist painters Thomas Hart Benton and Grant Wood, Haynes’s landscape and historical paintings are characterized by sculptural forms, undulating lines, and rhythmic gestures. These paintings celebrate local history and people often ignored in the cultural centers of urban America.In this beautiful coffee table book, Haynes presents the progression of his art career from the 1980s to the present, including his commercial work and murals, but mainly focusing on what he is best known for: his landscape and historical paintings, particularly those of Missouri. These are carefully researched and the details of historical figures’ clothing, tools, activities, and the surrounding landscape are painstakingly accurate. These details enhance the breathtaking beauty of his landscapes and people.

Book is in NEW condition. 1.17

THIS BOOK IS PUBLISHED BY MISSOURI LIFE MAGAZINE AND DISTIBUTED BY THE UNIVERSITY OF MISSOURI PRESS.Historical figures, Native Americans and local characters inhabit the sweeping views of the New Regionalist paintings by Bryan Haynes. Influenced from an early age by American Regionalist painters Thomas Hart Benton and Grant Wood, Haynes’s landscape and historical paintings are characterized by sculptural forms, undulating lines, and rhythmic gestures. These paintings celebrate local history and people often ignored in the cultural centers of urban America.In this beautiful coffee table book, Haynes presents the progression of his art career from the 1980s to the present, including his commercial work and murals, but mainly focusing on what he is best known for: his landscape and historical paintings, particularly those of Missouri. These are carefully researched and the details of historical figures’ clothing, tools, activities, and the surrounding landscape are painstakingly accurate. These details enhance the breathtaking beauty of his landscapes and people.

Theories of New Regionalism represents the first systematic attempt to bring together leading theories of new regionalism. Major theorists from around the world develop their own distinctive theoretical perspectives, spanning new regionalism & world order approaches along with regional governance, liberal institutionalism & neoclassical development regionalism, to regional security complex theory (RSCT) and the region-building approach.

In this broad ranging study, Gretchen Woertendyke reconfigures US literary history as a product of hemispheric relations. Hemispheric Regionalism: Romance and the Geography of Genre, brings together a rich archive of popular culture, fugitive slave narratives, advertisements, political treatises, and literature to construct a new literary history from a hemispheric and regional perspective. At the center of this history is romance, a popular and versatile literary genre uniquely capable of translating the threat posed by the Haitian Revolution--or the expansionist possibilities of Cuban annexation--for a rapidly increasing readership. Through romance, she traces imaginary and real circuits of exchange and remaps romance's position in nineteenth century life and letters as irreducible to, nor fully mediated by, a concept of nation. The energies associated with Cuba and Haiti, manifest destiny and apocalypse, bring historical depth to an otherwise short national history. As a result, romance becomes remarkably influential in inculcating a sense of new world citizenry. The study shifts our critical focus from novel and nation, to romance and region, inevitable, she argues, when we attend to the tangled, messy relations across geographic and historical boundaries.Woertendyke reads the archives of Gabriel Prosser, Nat Turner, and Denmark Vesey along with less frequently treated writers such as John Howison, William Gilmore Simms, and J.H. Ingraham. The study provides a new context for understanding works by Washington Irving, Edgar Allan Poe, Herman Melville, and James Fenimore Cooper and brings together the theories of Charles Brockden Brown, the editorial work of Maturin M. Ballou, and the historical romances of Walter Scott. In Hemispheric Regionalism, Woertendyke demonstrates that US literature has always been the product of hemispheric and regional relations and that all forms of romance are central to this history.

Theories of New Regionalism represents the first systematic attempt to bring together leading theories of new regionalism. Major theorists from around the world develop their own distinctive theoretical perspectives, spanning new regionalism & world order approaches along with regional governance, liberal institutionalism & neoclassical development regionalism, to regional security complex theory (RSCT) and the region-building approach.

This pioneering book studies the rise, heyday and demise of regionalism from the Belle Époque until the Eve of the Second World War. By using a novel comparative perspective it gives a fresh view of the relationship between cultural regionalism, political regionalism and nationalism. Storm further illuminates how during the first decades of the twentieth century the culture of regionalism slowly lost the battle against its main rival: the avant-garde.Regional identities, like national identities, were created and sometimes even invented; and this was equally the case in France, Germany and Spain. Artists, architects and international exhibitions played a highly influential role in this process. They all appropriated, and in some cases perverted, the regionalist message showing that strong regional identities would ultimately reinforce national unity.This book offers new perspectives to specialists of regionalism and nationalism, but will also be of interest to students of the cultural history of France, Germany and Spain and to specialists from the fields of politics, ethnology, art history, cultural studies and architectural history.

Unread book in perfect condition.

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New Book. Shipped from UK. Established seller since 2000.

This book explores the phenomenon of regionalism. In a seeming contradiction to globalization, there is a growing tendency for countries to enter into regional arrangements as a response to the pressures of operating in a global marketplace. But regionalism is also emerging as a phenomenon in its own right, serving distinct purposes and taking different forms in different areas. The contributors explore how these patterns impact on wider issues such as global governance, democracy and trade.  The book reviews the major theoretical approaches to regional cooperation including perspectives from international relations, political economy, economics and sociology. It is divided into three main sections: theoretical approaches to regionalism; issues of regional cooperation (such as security, monetary issues, identity and integration); and an exploration of specific case studies including the Middle East, Africa, the Americas, China, Europe, Asia and the Pacific. With an international range of contributors, including Bjorn Hettne, Louise Fawcett and Andrew Hurrell, this in-depth and multi-disciplinary guide will be of interest to students across the social sciences and to the wider policy community.

Exhibition catalog for the Lone Star Regionalism exhibition at the Dallas Museum of Art in Texas' sesquicentennial year (1986). This was the inaugural exhibit for the new museum. 199 pages, including a section of color plates, Biographies and Catalog Listing, Index, and Photo Credits. The Dallas Nine in the subtitle refers to a group of artists in Dallas who turned to the Southwest for inspiration during the Great Depression years.

The idea of "region" in America has often served to isolate places from each other, observes Douglas Reichert Powell. Whether in the nostalgic celebration of folk cultures or the urbane distaste for "hicks," certain regions of the country are identified as static, insular, and culturally disconnected from everywhere else. In Critical Regionalism, Reichert Powell explores this trend and offers alternatives to it.Reichert Powell proposes using more nuanced strategies that identify distinctive aspects of particular geographically marginal communities without turning them into peculiar "hick towns." He enacts a new methodology of critical regionalism in order to link local concerns and debates to larger patterns of history, politics, and culture. To illustrate his method, in each chapter of the book Reichert Powell juxtaposes widely known texts from American literature and film with texts from and about his own Appalachian hometown of Johnson City, Tennessee. He carries the idea further in a call for a critical regionalist pedagogy that uses the classroom as a place for academic writers to build new connections with their surroundings, and to teach others to do so as well.

Green design is the major architectural movement of our time. Throughout the world architects are producing sustainable buildings in an attempt to preserve the environment and our globe's natural resources. However, current strategies for forming sustainable solutions are typically too general and fail to take advantage of critical geographical, environmental, and cultural factors particular to a specific place. By focusing on the Pacific Northwest, this book provides essential lessons to architects and students on how sustainable architecture can and should be shaped by the unique conditions of a region.Pacific Northwest regionalism has consistently supported an architecture aimed at environmental needs and priorities. This book illuminates the history of a "green trail" in the work of key architects of the Northwest. It discusses environmental strategies that work in the region, organized according to nature's most basic elements―earth, air, water, and fire―and their underlying principles and forces. The book focuses on technologies, materials, and methods, with a final section that examines thirteen exceptional Northwest buildings in detail and in light of their contributions to sustainable architecture.Critical case studies by Northwest architects illustrate some of the best environmental design work in North America. Notable architects from Seattle, Portland, and British Columbia are included. These projects feature innovative design in water and site stewardship, intelligent technologies, passive energy strategies, ecologically sound building materials, and environmentally sensitive energy management systems.

The idea of "region" in America has often served to isolate places from each other, observes Douglas Reichert Powell. Whether in the nostalgic celebration of folk cultures or the urbane distaste for "hicks," certain regions of the country are identified as static, insular, and culturally disconnected from everywhere else. In Critical Regionalism, Reichert Powell explores this trend and offers alternatives to it.Reichert Powell proposes using more nuanced strategies that identify distinctive aspects of particular geographically marginal communities without turning them into peculiar "hick towns." He enacts a new methodology of critical regionalism in order to link local concerns and debates to larger patterns of history, politics, and culture. To illustrate his method, in each chapter of the book Reichert Powell juxtaposes widely known texts from American literature and film with texts from and about his own Appalachian hometown of Johnson City, Tennessee. He carries the idea further in a call for a critical regionalist pedagogy that uses the classroom as a place for academic writers to build new connections with their surroundings, and to teach others to do so as well.

This pioneering book studies the rise, heyday and demise of regionalism from the Belle Époque until the Eve of the Second World War. By using a novel comparative perspective it gives a fresh view of the relationship between cultural regionalism, political regionalism and nationalism. Storm further illuminates how during the first decades of the twentieth century the culture of regionalism slowly lost the battle against its main rival: the avant-garde.Regional identities, like national identities, were created and sometimes even invented; and this was equally the case in France, Germany and Spain. Artists, architects and international exhibitions played a highly influential role in this process. They all appropriated, and in some cases perverted, the regionalist message showing that strong regional identities would ultimately reinforce national unity.This book offers new perspectives to specialists of regionalism and nationalism, but will also be of interest to students of the cultural history of France, Germany and Spain and to specialists from the fields of politics, ethnology, art history, cultural studies and architectural history.

Concrete Regionalism presents the work of four of today's most lauded and accomplished international architects, each of whom has combined vernacular building with a carefully conceived use of concrete. These buildings sensitively respond to their environments, while functioning as monumental symbols that transcend their immediate surroundings. The approaches of Antoine Predock (Albuquerque), Tadao Ando (Osaka), Riccardo Legorreta (Mexico City), and Wiel Arets (The Netherlands) have allowed them to forge an architectonic language that is both solid and meaningful. From Predock's sensitive interpretations of America's Southwest desert to Ando's graceful intervention into natural and urban contexts, from Legorreta's bold representations of Mexico's rich pre-Columbian heritage to Arets's cool "second-modernist" forms, each architect's highly individual vision has created unique buildings for people and their environments. In one sense the result of local conditions, the buildings in Concrete Regionalism also seem to exist out of time and place, constant reminders that there persists in architecture a search for enduring form. 258 illustrations, 104 in color. 4 X 4: a new series on contemporary international architecture Each title includes: * 4 concise architect profiles * 16 influential projects * reference section

In this broad ranging study, Gretchen Woertendyke reconfigures US literary history as a product of hemispheric relations. Hemispheric Regionalism: Romance and the Geography of Genre, brings together a rich archive of popular culture, fugitive slave narratives, advertisements, political treatises, and literature to construct a new literary history from a hemispheric and regional perspective. At the center of this history is romance, a popular and versatile literary genre uniquely capable of translating the threat posed by the Haitian Revolution--or the expansionist possibilities of Cuban annexation--for a rapidly increasing readership. Through romance, she traces imaginary and real circuits of exchange and remaps romance's position in nineteenth century life and letters as irreducible to, nor fully mediated by, a concept of nation. The energies associated with Cuba and Haiti, manifest destiny and apocalypse, bring historical depth to an otherwise short national history. As a result, romance becomes remarkably influential in inculcating a sense of new world citizenry. The study shifts our critical focus from novel and nation, to romance and region, inevitable, she argues, when we attend to the tangled, messy relations across geographic and historical boundaries.Woertendyke reads the archives of Gabriel Prosser, Nat Turner, and Denmark Vesey along with less frequently treated writers such as John Howison, William Gilmore Simms, and J.H. Ingraham. The study provides a new context for understanding works by Washington Irving, Edgar Allan Poe, Herman Melville, and James Fenimore Cooper and brings together the theories of Charles Brockden Brown, the editorial work of Maturin M. Ballou, and the historical romances of Walter Scott. In Hemispheric Regionalism, Woertendyke demonstrates that US literature has always been the product of hemispheric and regional relations and that all forms of romance are central to this history.