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With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities—while loved by fans who flock to them in droves—tend to be dismissed by critics and scholars as markers of the death of high culture. Cycles, Sequels, Spin-offs, Remakes, and Reboots takes the opposite view, surveying a wide range of international media multiplicities for the first time to elucidate their importance for audiences, industrial practices, and popular culture.The essays in this volume offer a broad picture of the ways in which cinema and television have used multiplicities to streamline the production process, and to capitalize on and exploit viewer interest in previously successful and/or sensational story properties. An impressive lineup of established and emerging scholars talk seriously about forms of multiplicity that are rarely discussed as such, including direct-to-DVD films made in Nigeria, cross-cultural Japanese horror remakes, YouTube fan-generated trailer mash-ups, and 1970s animal revenge films. They show how considering the particular bonds that tie texts to one another allows us to understand more about the audiences for these texts and why they crave a version of the same story (or character or subject) over and over again. These findings demonstrate that, far from being lowbrow art, multiplicities are actually doing important cultural work that is very worthy of serious study.

Limited alien space swirl purplke vinyl LP pressing. A remake of the 1960s sci-fi series about a family struggling for survival in outer space. Produced by Legendary Pictures Television. Created by Irwin Allen, Matt Sazama and Burk Sharpless. Composed By Christopher Lennertz (Mass Effect 3, Agent Carter, Supernatural, Medal Of Honor).

One of the top-grossing independent films of all time, The Evil Dead (1981) sparked a worldwide cult following, resulting in sequels, remakes, musicals, comic books, conventions, video games and a television series. Examining the legacy of one of the all-time great horror films, this collection of new essays covers the franchise from a range of perspectives. Topics include The Evil Dead as punk rock cinema, the Deadites' (demon-possessed undead) place in the American zombie tradition, the powers and limitations of Deadites, evil as affect, and the films satire of neoliberal individualism.

The iconic image of King Kong climbing the Empire State Building has been a pop-culture staple since the original King Kong film premiered in 1933. Since then, there have been King Kong remakes, comic books, television series, and even a musical. King Kong also inspired other films, such as the Planet of the Apes franchise and big-ape documentaries. This resource will take readers behind the scenes of these thrilling movies with posters and stills from each era of the King Kong phenomenon, discussion of special effects, and more.

One of the top-grossing independent films of all time, The Evil Dead (1981) sparked a worldwide cult following, resulting in sequels, remakes, musicals, comic books, conventions, video games and a television series. Examining the legacy of one of the all-time great horror films, this collection of new essays covers the franchise from a range of perspectives. Topics include The Evil Dead as punk rock cinema, the Deadites' (demon-possessed undead) place in the American zombie tradition, the powers and limitations of Deadites, evil as affect, and the films satire of neoliberal individualism.

In this charming television series remake of the Oscar TM winning 1944 film Going My Way starring Bing Crosby, dancer and actor Gene Kelly (American in Paris) takes on Crosby's role of Father O'Malley, a Catholic priest sent to St. Dominick's, a poor parish in New York City. There he teams up with Father Fitzgibbon (Leo G. Carroll), the elderly pastor of St. Dom's, and his housekeeper Mrs. Featherstone (Nydia Westerman). As luck would have it, Father O'Malley's boyhood friend Tom, played by none