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Demonstrates techniques for linear, dot, edge, window, glass, chrome, hard, and soft highlighting, and shows how to create starbursts and glitter effects

Built with the tradesman in mind, the OX Pro QuickSkim RE was designed to make rendering faster, easier and more comfortable for the end user. The blade is forged from stainless steel with a thicker profile to hold up to the high demands of external renders. With its notched shape, the OX Pro QuickSkim RE easily scratches away base coat plaster and render, leaving a key for you to put on a smooth top-coat or a useful starting point to put down mesh before applying a finishing coat. The long blade and light weight condenses work time during initial stages of plastering and reduces stress on the end user. All of OX's QuickSkim blades are interchangeable using the handle and end caps, making the system efficient and versatile for any plastering or rendering project.

The OX Speedskim Stainless Steel Notched Rendering Rule is a fully interchangeable notched render rule crafted from tough Sheffield stainless steel. This render rule keys all base coats, including Monocouche, silic1 based and colored, as well as cement render and traditional sand render systems. The rule achieves a faster and flatter finish with an evenly delivered base coat and assuages the harmful effects of fatigue and repetitive strain injury. This tool is ideal for both DIY enthusiasts and trade professionals.

The OX Speedskim Stainless Steel Notched Rendering Rule is a fully interchangeable notched render rule crafted from tough Sheffield stainless steel. This render rule keys all base coats, including Monocouche, silic1 based and colored, as well as cement render and traditional sand render systems. The rule achieves a faster and flatter finish with an evenly delivered base coat and assuages the harmful effects of fatigue and repetitive strain injury. This tool is ideal for both DIY enthusiasts and trade professionals.

VEVOR LED Track Lighting Heads, 6.5W 3000K 470lm Warm White, Dimmable H Type Track Light Head, CRI85+ True Color Rendering Adjustable Tilt Angle Track Lighting Fixture for Accent Retail, 12 Pack BlackMix, Match & ShineGentle on the EyesTrue Colors Shine ThroughTailored for H-Type TracksVersatility at Its BrightestStay Cool, Shine OnBrightness: 470LM,Item Model Number: SYS-12,Product Weight: 4.6 lbs/2.1 kg,Quantity: 12PCS,Input Voltage: AC120V 60Hz,Material: Aluminum,Product Dimensions: 5.6 x 2.6 x φ2.2 in/143 x 65 x φ55 mm,Power: 6.5W

VEVOR LED Track Lighting Heads, 6.5W 3000K 470lm Warm White, Dimmable H Type Track Light Head, CRI85+ True Color Rendering Adjustable Tilt Angle Track Lighting Fixture for Accent Retail, 3 Pack, BlackMix, Match & ShineGentle on the EyesTrue Colors Shine ThroughTailored for H-Type TracksVersatility at Its BrightestStay Cool, Shine OnBrightness: 470LM,Item Model Number: SYS-3,Product Weight: 1.2 lbs/0.55 kg,Quantity: 3PCS,Input Voltage: AC120V 60Hz,Material: Aluminum,Product Dimensions: 5.6 x 2.6 x φ2.2 in/143 x 65 x φ55 mm,Power: 6.5W

When interpreting Scripture, do we take an academic or a spiritual approach? Do we emphasize the human or the divine agency? Do we focus on man's authorship or God's inspiration?Mark Bowald argues that these are false dichotomies. We need to understand both the human qualities of Scripture and the divine, as an overemphasis on either will lead to distortions. In Rendering the Word in Theological Hermeneutics, Bowald surveys various schools of thought, explaining where they lose the balance between the two. He analyzes the hermeneutical methods of George Lindbeck, Hans Frei, Kevin Vanhoozer, Francis Watson, Stephen Fowl, David Kelsey, Werner Jeanrond, Karl Barth, James K. A. Smith, and Nicholas Wolterstorff.Bowald shows that we should view Scripture as equally human and divine in origin and character. And our reading of Scripture should involve both critical rigor and openness to the leading of God's Spirit.

When interpreting Scripture, do we take an academic or a spiritual approach? Do we emphasize the human or the divine agency? Do we focus on man's authorship or God's inspiration?Mark Bowald argues that these are false dichotomies. We need to understand both the human qualities of Scripture and the divine, as an overemphasis on either will lead to distortions. In Rendering the Word in Theological Hermeneutics, Bowald surveys various schools of thought, explaining where they lose the balance between the two. He analyzes the hermeneutical methods of George Lindbeck, Hans Frei, Kevin Vanhoozer, Francis Watson, Stephen Fowl, David Kelsey, Werner Jeanrond, Karl Barth, James K. A. Smith, and Nicholas Wolterstorff.Bowald shows that we should view Scripture as equally human and divine in origin and character. And our reading of Scripture should involve both critical rigor and openness to the leading of God's Spirit.

Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.

Describes and illustrates the tools and methods involved in creating a pencil drawing, focusing on the techniques for rendering architecture, interior furnishings, and landscapes

This book focuses on the "big ideas" that have shaped American Government. There are many ways to gain exposure to these ideas, but none are better than actually reading the primary sources that first articulated them. You will see many founding documents, Supreme Court cases, and momentous speeches within these pages.

Unread book in perfect condition.

Rendering Violence explores the problems and possibilities that the subject of political violence presented to American painters working between 1830 and 1890, a turbulent period during which common citizens frequently abandoned orderly forms of democratic expression to riot, strike, and protest violently. Examining a range of critical texts, this book shows for the first time that nineteenth-century American aesthetic theory defined painting as a privileged vehicle for the representation of political order and the stabilization of liberal-democratic life. Analyzing seven paintings by Thomas Cole, John Quidor, Nathaniel Jocelyn, George Henry Hall, Thomas Nast, Martin Leisser, and Robert Koehler, Ross Barrett reconstructs the strategies that American artists developed to explore the symbolic power of violence in a medium aligned ideologically with lawful democracy. He argues that American paintings of upheaval “render” their subjects in divergent ways. By exploring the inner conflicts that structure these painterly projects, Barrett sheds new light on the politicized pressures that shaped visual representation in the nineteenth century and on the anxieties and ambivalences that have long defined American responses to political turmoil.

Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.From the Trade Paperback edition.

Rendering Violence explores the problems and possibilities that the subject of political violence presented to American painters working between 1830 and 1890, a turbulent period during which common citizens frequently abandoned orderly forms of democratic expression to riot, strike, and protest violently. Examining a range of critical texts, this book shows for the first time that nineteenth-century American aesthetic theory defined painting as a privileged vehicle for the representation of political order and the stabilization of liberal-democratic life. Analyzing seven paintings by Thomas Cole, John Quidor, Nathaniel Jocelyn, George Henry Hall, Thomas Nast, Martin Leisser, and Robert Koehler, Ross Barrett reconstructs the strategies that American artists developed to explore the symbolic power of violence in a medium aligned ideologically with lawful democracy. He argues that American paintings of upheaval “render” their subjects in divergent ways. By exploring the inner conflicts that structure these painterly projects, Barrett sheds new light on the politicized pressures that shaped visual representation in the nineteenth century and on the anxieties and ambivalences that have long defined American responses to political turmoil.

New Book. Shipped from UK. Established seller since 2000.

The first cultural history of the Philippines during the twentieth century, Musical Renderings of the Philippine Nation focuses on the relationships between music, performance, and ideologies of nation. Spanning the hundred years from the Filipino-American War to the 1998 Centennial celebration of the nation's independence from Spain, the book has added emphasis on the period after World War II. Author Christi-Anne Castro describes the narratives of nation embedded in several major musical genres, such as classical music and folkloric song and dance, and enacted by the most well-known performers of the country, including Bayanihan, The Philippine National Dance Company and the Philippine Madrigal Singers. Castro delves into the ideas and works of prominent native composers, from the popular art music of Francisco Santiago and Lucio San Pedro to the People Power anthem of 1986 by Jim Paredes of the group Apo Hiking Society. Through both archival research and ethnographic fieldwork, Castro reveals how individuals and groups negotiate with and contest the power of the state to define the nation as a modern and hybrid entity within a global community.

Taking full advantage of the range of manual media available, the author first reviews drawing surfaces, tools, and fundamental color mixing and drawing techniques, and then shows how to render basic materials and their surfaces. The heart of the guide discusses techniques for rendering walls, ceilings, and floors, as well as features ranging from furniture, support objects, and plants to windows, lighting, people and animals. Illustrations show classic renderings of living rooms with fireplaces, children's environments, storefronts and retail displays, nightclubs, and lobbies. Annotation c. by Book News, Inc., Portland, Or.

Architecture and drafting students and professionals alike will find a rich range of instructional and ready reference materials in this source. The author demonstrates proven techniques for clearly expressing a wide variety of architectural forms - from loose sketches and easy line drawing, to detailed renderings and final presentations.