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Germany's greatest Renaissance artist   Though most famous for his engravings, Albrecht Dürer (1471-1528) was also a master painter and draftsman whose work exemplifies the spirit of German art. Dürer’s importance in the German High Renaissance was such that he can be considered to embody the movement entirely. His visits to Italy (where he studied most notably with Giovanni Bellini) had a profound effect on his artistic development and enabled him to combine both German and Italian influences in his work. In his later life, Dürer’s passion for knowledge and progress led him to research and write on the subjects of art theory and mathematics, making him not only the greatest Northern European artist of his time, but also one of its leading thinkers. This overview of Dürer’s entire oeuvre—covering his oil, tempera, and watercolor paintings, copper and wood engravings, and his drawings and sketches—is the perfect introduction to his work.   About the Series: Each book in TASCHEN’s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

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See Features:Features:Piano SoloPages: 135Instrumentation: Piano

8 vocalises by various composers in the modern style.Features:High VoicePages: 36Instrumentation: PianoInstrumentation: Vocal

See Features:Features:Pages: 44Instrumentation: Marching Band

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Albrecht Dürer (1471–1528) was hailed in his lifetime as a founder of the Northern Renaissance, and his work revolutionized the art of printmaking. Dürer was also the first artist outside Italy to leave behind a large body of writing. Contemporaries and succeeding generations added their accounts of him to this documentary legacy. Jeffrey Ashcroft’s new book provides the first English translation of the whole corpus of Dürer’s writings; the legal, financial, and administrative documentation of his life and work; and what others wrote about him during his life and in the following century. Translations of primary documents are accompanied by extensive commentary, providing Anglophone scholars access to German-language research. This unique combination of documentary evidence, current research, and exhaustive bibliography will doubtless become a definitive source for students and scholars of Dürer and his work, as well as for historians of early modern culture, language, and literature.

Albrecht Dürer (1471–1528) was hailed in his lifetime as a founder of the Northern Renaissance, and his work revolutionized the art of printmaking. Dürer was also the first artist outside Italy to leave behind a large body of writing. Contemporaries and succeeding generations added their accounts of him to this documentary legacy. Jeffrey Ashcroft’s new book provides the first English translation of the whole corpus of Dürer’s writings; the legal, financial, and administrative documentation of his life and work; and what others wrote about him during his life and in the following century. Translations of primary documents are accompanied by extensive commentary, providing Anglophone scholars access to German-language research. This unique combination of documentary evidence, current research, and exhaustive bibliography will doubtless become a definitive source for students and scholars of Dürer and his work, as well as for historians of early modern culture, language, and literature.

David Hotchkiss Price, a specialist in Renaissance cultural and ecclesiastical history, has broken new ground with this comprehensive analysis of Renaissance humanism as the foundation for Dürer's religious art and, in particular, for Dürer's reception of the Reformation movements. Price also offers an innovative study of the relationships between text and image, and a pioneering assessment of the representation of Jews in Dürer's religious art. David Price is Associate Professor of History and of Church History, Southern Methodist University.

Has a sturdy binding with some shelf wear. May have some markings or highlighting. Used copies may not include access codes or Cd's. Slight bending may be present.

Rediscover the drawings of Albrecht Dürer, one of the most prominent Renaissance artists, known as an incomparable painter and draughtsman with a keen eye for the natural world.During his lifetime, Dürer found tremendous success as a painter and printmaker, taking commissions from prominent figures such as Frederick the Wise and Holy Roman Emperor Maximilian I. His drawings and studies reveal his interest in human proportions, anatomy, and perspective. Featured in this book are Dürer's drawings from the Albertina Museum's preeminent collection including family portraits, studies of animals and plants, and studies of the human body. This book showcases more than 100 of Dürer's drawings including Hare, Self Portrait at the Age of 13, and Melencolia I, along with paintings and prints. Featuring scholarly essays and beautifully reproduced works, this book shows the reader not only how important Dürer's drawings are to his own oeuvre, but also how he helped drawing become an appreciated medium in its own right.

Examines the life and artistic process of the artist, looking at his works in the context of the historical and cultural ferment of pre- and post- Reformation Europe.

The Staatliche Graphische Sammlung in Munich houses one of the finest and most famous collections of drawings and prints in Germany, with holdings of around 400,000 works ranging from the fifteenth century to modernity. Published to accompany an exhibition at the Morgan Library and Museum in New York, 100 Master Drawings from Munich comprises lush full-color illustrations of over one hundred of the museum’s works of art. Demonstrating the impressive depth and breadth of works owned by the Staatliche Graphische Sammlung, the works in this volume range from rough preparatory sketches to meticulously executed studies and encompass a variety of media, including silverpoint, chalk, ink, and aquarelle. Among the many extraordinary pieces are Old Dutch and German prints, nineteenth-century German drawings, and works by Dürer and Rembrandt. But equally not to be missed are the many compelling works of contemporary graphic art for which the museum is best known.

Here Strieder presents 80 paintings, 77 of them in color reproductions (3 paintings illustrated in black and white are lost). 106 of Dürer's approximately 350 woodcuts are reproduced (2 in color). Of his approximately 100 engravings, etchings and drypoints, 4 etchings and 52 engravings are illustrated. 26 reproductions, of which 25 are in color, represent Dürer's watercolors. Of the more than 1,000 drawings by Dürer, 69 pen drawings (21 of them in color), 19 brush drawings (8 in color), 14 crayon or charcoal drawings, and 18 metalpoint works are shown. Other reproductions illustrate documents and works by other artists.

This study aims to clarify Venetian Quattrocento Orientalism, which affected Durer and thus Northern Europe, and to define the sources and practitioners of its Oriental motifs.At the end of the fifteenth century a large number of paintings were produced in Venice that depict exotic animals and figures set against the backdrop of Oriental architecture.It was Europe's earliest attempt to portray Muslims in a Muslim habitat, but it was more than a vague and ill-informed evocation of the East. Realistic in many of their details, these Orientalist pictures reflect the Serenissima's political and mercantile links with the fifteenth century Islamic Empires of the Eastern Mediterranean.

Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

The Lubomirski Dürers, once an integral part of the Ossolinski National Institute, were among the most treasured artifacts in Poland before the Second World War. Yet like the splendid art collections of the Czartoryskis in Krakow and Goluchow, and Potockis in Lancut, the Museum of the Lubomirski Princes suffered tremendous losses due to theft, confiscation, coercive transfer and looting by the Germans and Soviets. This is the tragic and still unresolved story of the dispersed collection of these Dürer drawings.

Through more than 200 works, the representation and pictorial meaning of the window in Western art. Through more than 200 works from private collections and museums from all over the world, this book seeks to analyze the gradual changes which have occurred in the representation and pictorial meaning of the window.