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31 x 24 cm. 327 + 312 + 314 Seiten mit zahlreichen Abb. *I. Die französischen Möbel des 18. Jahrhunderts. - II. Die deutschen Möbel des 16. bis 18. Jahrhunderts. - III. Möbel des Empire, Biedermeier und Spätklassizismus. - "Die Münchner Residenz beherbergt einen einzigartigen Bestand von historischen Möbeln, der nach Rang und Bedeutung nahezu ohne Vergleich ist. Der Erschließung dieser wertvollsten deutschen Möbelsammlung ist ein großangelegtes Forschungsunternehmen gewidmet" (Verlagstext). Das vorliegende dreibändige Standardwerk in splendider Ausstattung beinhaltet die wissenschaftliche Erfassung und Bestandsbeschreibung mit zahlreichen farbigen und Detailabbildungen. - Der Schuber mit kleinen Lagerspuren, die Bände selbst in verlagsfrischer Erhaltung. ISBN 9783791318974 Sprache: Deutsch Gewicht in Gramm: 6500 Orig.-Leinenbände mit Schutzumschlag in kartoniertem Schuber (sehr gut erhalten).

318 Seiten, zahlreiche Abbildungen; Umschlag mit minimalen Gebrauchspuren, ansonsten tadellos. *** Bücher ab 1 kg: Versandkosten in Nicht-EU-Länder auf Anfrage / Books more than 1 kg: Shipping fee to countries others than EU on request*** Sprache: Deutsch Gewicht in Gramm: 2100 4°, 32 x 24,5 cm, Leinen mit Schutzumschlag

328pp 114 col & 321 b&w illus. 18th century French furniture in the Munich Museum. Very fine catalogue. German text. Old stock, jacket may show some shelfwear. Heavy item, may attract additional postage.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Written in German Die Munchner Residenz beherbergt einen einzigartigen Bestand von historischen Mobeln, der nach Rang und Bedeutung nahezu ohne Vergleich ist. Der Erschliessung dieser wertvollsten deutschen Mobelsammlung ist ein grossangelegtes Forschungsunternehmen gewidmet.

On 12 December 1750 the Venetian painter Giambattista Tiepolo arrived in Wurzburg, capital of the small German principality of Franconia. Its ruler, Prince-Bishop Carl Philipp von Greiffenclau, had commissioned him to decorate the Kaisersaal, one of the state rooms in his palace, the Residenz. Later extended to include the decoration of the Residenz's staircase, the commission resulted in a series of frescos that are numbered among the greatest glories of Baroque painting.Created by the last major representative of the Venetian tradition in painting, the frescos in the Wurzburg Residenz are a truly epochal work of art. They form the culmination of a venerable tradition of fresco decoration initiated by Giotto over four hundred years earlier and, in their marriage of mythological and historical subject-matter, constitute a monument to the dying age of absolutism. In his highly readable text Peter O. Kruckmann tells the story of how Tiepolo came to receive the commission, explores in detail the thematic and artistic intricacies of the frescos, and documents their genesis as a continuous process, from the preliminary sketches to the finished works. In examining the relationship between the painted decoration and the architecture of the Residenz, he sheds new light on the place of the frescos in the complex ceremonial rituals of provincial court.During his three-year stay in Wurzburg, Tiepolo, and his son Giandomenico, produced a number of oil paintings for the Prince-Bishop and other German patrons. These works, too, are discussed in this lavishly illustrated volume, which provides layman and expert alike with an informative and visually exciting survey of the masterpieces created in Wurzburg by the man who was probably the greatest painter of the eighteenth century.

Die Autobiographie Thomas Bernhard Die Ursache Der Keller Der Atem Die Kalte Ein Kind - Residenz Verlag 2014

Chamber Music for Winds Residenz-Quintett-M nchen - CD 4003913121967

On 12 December 1750 the Venetian painter Giambattista Tiepolo arrived in Wurzburg, capital of the small German principality of Franconia. Its ruler, Prince-Bishop Carl Philipp von Greiffenclau, had commissioned him to decorate the Kaisersaal, one of the state rooms in his palace, the Residenz. Later extended to include the decoration of the Residenz's staircase, the commission resulted in a series of frescos that are numbered among the greatest glories of Baroque painting.Created by the last major representative of the Venetian tradition in painting, the frescos in the Wurzburg Residenz are a truly epochal work of art. They form the culmination of a venerable tradition of fresco decoration initiated by Giotto over four hundred years earlier and, in their marriage of mythological and historical subject-matter, constitute a monument to the dying age of absolutism. In his highly readable text Peter O. Kruckmann tells the story of how Tiepolo came to receive the commission, explores in detail the thematic and artistic intricacies of the frescos, and documents their genesis as a continuous process, from the preliminary sketches to the finished works. In examining the relationship between the painted decoration and the architecture of the Residenz, he sheds new light on the place of the frescos in the complex ceremonial rituals of provincial court.During his three-year stay in Wurzburg, Tiepolo, and his son Giandomenico, produced a number of oil paintings for the Prince-Bishop and other German patrons. These works, too, are discussed in this lavishly illustrated volume, which provides layman and expert alike with an informative and visually exciting survey of the masterpieces created in Wurzburg by the man who was probably the greatest painter of the eighteenth century.

O.-Pappband mit OU (21,5 x 27,5 cm). Lizenzausgabe des Residenz Verlags, Salzburg und Wien 1972. Mit sehr zahlreichen teilweise ganzseitigen Farb- und Schwarzweissabbildungen.; Jahr: 1990; Format: Quart; Anzahl der Seiten: 427; Auflage: 1.; Zustand: 2 (gutes Exemplar)Auf Grund der Versandkostenvorgaben von AbeBooks/ZVAB (die Versandkostenkalkulation richtet sich nicht nach Gewicht, sondern nach Anzahl der Artikel), kann es bei Titeln mit über 1000 Gramm Gewicht oder größeren Formaten zu höheren Portokosten kommen. Nach Bestelleingang erfolgt eine Anfrage, ob Sie einverstanden sind. 1615 gr. 427 pages.

There is a glorious trinity of occurrences with this live concert recording of "Das Rheingold" performed in the chamber-like space of Herkulessaal of the Munich Residenz on April 24 and 25, 2015. Marking the third collaboration between Simon Rattle with an inspired Symphonieorchester des Bayerischen Rundfunks, this also marks Rattle's third foray into the heart of this tale that opens Wagner's mighty tetralogy "The Ring of the Nibelung". Both a robust and intimate rendering of the classic and ar

The eighteenth-century Venetian painter Giambattista Tiepolo spent his life executing commissions in churches, palaces, and villas, often covering vast ceilings like those at the Würzburg Residenz in Germany and the Royal Palace in Madrid with frescoes that are among the glories of Western art. The life of an epoch swirled around him—but though his contemporaries appreciated and admired him, they failed to understand him.Few have even attempted to tackle Tiepolo’s series of thirty-three bizarre and haunting etchings, the Capricci and the Scherzi, but Roberto Calasso rises to the challenge, interpreting them as chapters in a dark narrative that contains the secret of Tiepolo’s art. Blooming ephebes, female Satyrs, Oriental sages, owls, snakes: we will find them all, as well as Punchinello and Death, within the pages of this book, along with Venus, Time, Moses, numerous angels, Cleopatra, and Beatrice of Burgundy—a motley company always on the go.Calasso makes clear that Tiepolo was more than a dazzling intermezzo in the history of painting. Rather, he represented a particular way of meeting the challenge of form: endowed with a fluid, seemingly effortless style, Tiepolo was the last incarnation of that peculiar Italian virtue sprezzatura, the art of not seeming artful.

Packed with photographs, illustrations and maps of Munich and Bavaria, Eyewitness Travel Guide: Munich and the Bavarian Alps includes in-depth coverage of Munich's world famous Oktoberfest, Marienplatz and Residenz old towns, Bavaria's countless castles, lakes and national parks, and unearth the best of the region's stunning baroque architecture, museums, galleries and rich folklore heritage in between. You'll find 3D aerial views of Munich's most interesting districts, cutaways and floor-plans of all the major sites, and detailed listings of the best hotels and restaurants in Munich and the Bavarian Alps for all budgets. The guide includes extensive practical information and insider tips from shopping and entertainment to choosing the best local cuisine. Whether you are enjoying a drink in one of Munich's finest beer gardens, finding a bargain in one of its many flea markets or exploring the Bavarian countryside, the Eyewitness Travel Guide: Munich and the Bavarian Alps is indispensable.

Telling the story of Christmas from the Nativity to the visit of the Three Wise Men, J.S. Bach's "Christmas Oratorio" and comprised of six cantatas, this piece remains for many, ubiquitous to the holiday season. What elevates this December 2010 live recording from the Herkulessaal in the Munich Residenz is the spirited collaboration between the young and excellent vocalists including Rachel Harnisch, Anke Vondung and more, along with the fine Chor des Bayerischen Rundfunks under the direction of