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Book is in NEW condition. 2.16

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"I like these songs better than all the rest, and someday you will too," Franz Schubert told the friends who were the first to hear his song cycle Winterreise. These lieder have always found admiring audiences, but the poetry he chose to set them to has been widely regarded as weak and trivial. Susan Youens looks not only at Schubert's music but at the poetry, drawn from the works of Wilhelm Müller, who once wrote in his diary, "perhaps there is a kindred spirit somewhere who will hear the tunes behind the words and give them back to me!"Youens maintains that Müller, in depicting the wanderings of the alienated lover, produced poetry that was simple but not simple-minded, poetry that embraced simplicity as part of its meaning. In her view, Müller used the ruder folk forms to give his verse greater immediacy, to convey more powerfully the wanderer's complex inner state. Youens addresses many different aspects of Winterreise: the cultural milieu to which it belonged, the genesis of both the poetry and the music, Schubert's transformation of poetic cycle into music, the philosophical dimension of the work, and its musical structure.

"I like these songs better than all the rest, and someday you will too," Franz Schubert told the friends who were the first to hear his song cycle Winterreise. These lieder have always found admiring audiences, but the poetry he chose to set them to has been widely regarded as weak and trivial. Susan Youens looks not only at Schubert's music but at the poetry, drawn from the works of Wilhelm Müller, who once wrote in his diary, "perhaps there is a kindred spirit somewhere who will hear the tunes behind the words and give them back to me!"Youens maintains that Müller, in depicting the wanderings of the alienated lover, produced poetry that was simple but not simple-minded, poetry that embraced simplicity as part of its meaning. In her view, Müller used the ruder folk forms to give his verse greater immediacy, to convey more powerfully the wanderer's complex inner state. Youens addresses many different aspects of Winterreise: the cultural milieu to which it belonged, the genesis of both the poetry and the music, Schubert's transformation of poetic cycle into music, the philosophical dimension of the work, and its musical structure.

This book is a response to Socrates' invitation to 'know thyself'. The journey moves from immediate experience, to the discovery of First Being with the human person as the central figure of inquiry, in order to discover the purpose of human life. This is an important work in the renewal of metaphysics called for by Pope John Paul Ii in Fides et Ratio (1998).A philosophical inquiry into reality in all its dimensions.

I like these songs better than all the rest, and someday you will too, Franz Schubert told the friends who were the first to hear his song cycle, Winterreise. These lieder have always found admiring audiences, but the poetry he chose to set them to has been widely regarded as weak and trivial. In Retracing a Winter's Journey, Susan Youens looks not only at Schubert's music but at the poetry, drawn from the works of Wilhelm Müller, who once wrote in his diary, "perhaps there is a kindred spirit somewhere who will hear the tunes behind the words and give them back to me!"Youens maintains that Müller, in depicting the wanderings of the alienated lover, produced poetry that was simple but not simple-minded, poetry that embraced simplicity as part of its meaning. In her view, Müller used the ruder folk forms to give his verse greater immediacy, to convey more powerfully the wanderer's complex inner state. Youens addresses many different aspects of Winterreise: the cultural milieu to which it belonged, the genesis of both the poetry and the music, Schubert's transformation of poetic cycle into music, the philosophical dimension of the work, and its musical structure.

Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.6

SILVER MEDALIST FOR THE GENERAL NONFICTION FLORIDA BOOK AWARDWhat really happened to Amelia Earhart? After years of painstaking research and the careful compilation of information from numerous interviews, Pacific Islander folklore, and US and Japanese military documents, there may finally be an answer to this intriguing question! Author Dave Horner argues that Earhart ventured north of her intended destination in search of Jaluit Atoll, and newly discovered evidence supports his stunning conclusion.

Photographs and text trace the journey of W. Hodding Carter and a crew of eleven sailors as they attempted to re-create the Vikings' voyage to North America one thousand years ago aboard a replica of a traditional Viking knarr.

Dutch artist Constant Nieuwenhuys (b. 1920) developed his visionary architectural project New Babylon between 1956 and 1974. Emerging out of the remarkable activist group the Situationist International, the project was concerned with issues of "unitary urbanism" and the future of art in a technocratic society. It has had a major impact on subsequent generations of artists, architects, and urbanists. Exploring the intersection of drawing, utopianism, and activism in a multimedia era, The Activist Drawing not only traces this historical moment but reveals surprisingly contemporary issues about the relationship between a fully automated environment and human creativity. Several decades before the current debate about architecture in the supposedly placeless electronic age, Constant conceived an urban and architectural model that literally envisaged the World Wide Web. The inhabitants of his New Babylon drift through huge labyrinthine interiors, perpetually reconstructing every aspect of the environment according to their latest desires. Walls, floors, lighting, sound, color, texture, and smell keep changing. This network of vast "sectors" can be seen as a physical embodiment of the Internet, where people configure their individual Web sites and wander from site to site without limits. With its parallels to our virtual world, New Babylon seems as radical today as when it was created. The essays explore the relevance of Constant's utopian work to that of his peers in the Situationist International and experimental architectural movements of the 1960s, as well as later generations of architects and artists. They use Constant's revolutionary project as a springboard to reconsider the role of drawing in an electronic age. Copublished with the Drawing Center, New York City. Contributors: Benjamin Buchloh, Constant Nieuwenhuys, Rosalyn Deutsche, Catherine de Zegher, Elizabeth Diller, Tom McDonough, Martha Rosler, Bernard Tschumi, Anthony Vidler, Mark Wigley.

Dutch artist Constant Nieuwenhuys (b. 1920) developed his visionary architectural project New Babylon between 1956 and 1974. Emerging out of the remarkable activist group the Situationist International, the project was concerned with issues of "unitary urbanism" and the future of art in a technocratic society. It has had a major impact on subsequent generations of artists, architects, and urbanists. Exploring the intersection of drawing, utopianism, and activism in a multimedia era, The Activist Drawing not only traces this historical moment but reveals surprisingly contemporary issues about the relationship between a fully automated environment and human creativity. Several decades before the current debate about architecture in the supposedly placeless electronic age, Constant conceived an urban and architectural model that literally envisaged the World Wide Web. The inhabitants of his New Babylon drift through huge labyrinthine interiors, perpetually reconstructing every aspect of the environment according to their latest desires. Walls, floors, lighting, sound, color, texture, and smell keep changing. This network of vast "sectors" can be seen as a physical embodiment of the Internet, where people configure their individual Web sites and wander from site to site without limits. With its parallels to our virtual world, New Babylon seems as radical today as when it was created. The essays explore the relevance of Constant's utopian work to that of his peers in the Situationist International and experimental architectural movements of the 1960s, as well as later generations of architects and artists. They use Constant's revolutionary project as a springboard to reconsider the role of drawing in an electronic age. Copublished with the Drawing Center, New York City. Contributors: Benjamin Buchloh, Constant Nieuwenhuys, Rosalyn Deutsche, Catherine de Zegher, Elizabeth Diller, Tom McDonough, Martha Rosler, Bernard Tschumi, Anthony Vidler, Mark Wigley.

SILVER MEDALIST FOR THE GENERAL NONFICTION FLORIDA BOOK AWARDWhat really happened to Amelia Earhart? After years of painstaking research and the careful compilation of information from numerous interviews, Pacific Islander folklore, and US and Japanese military documents, there may finally be an answer to this intriguing question! Author Dave Horner argues that Earhart ventured north of her intended destination in search of Jaluit Atoll, and newly discovered evidence supports his stunning conclusion.

The author chronicles his journey through modern day India, following the same route taken by the Hindu god Rama in the three-thousand-year-old epic, the Ramayana

Richard Bernstein's story of his long journey through Asia is at once a memoir of adventurous travel and a record of cultural discovery and spiritual quest.In the year 629, a greatly revered Chinese Buddhist monk, Hsuan Tsang, set out across Asia in search of the Buddhist Truth, to settle what he called the "perplexities of my mind." Nearly a millennium and a half later, Richard Bernstein retraces the monk's steps: from the Tang dynasty capital at Xian through ancient Silk Road oases, over forbidding mountain passes to Tashkent, Samarkand, and the Amu-Darya River, across Pakistan to the holiest cities of India—and back.Juxtaposing his experiences with those of Hsuan Tsang, Bernstein reconstructs the hazards and glories of this long and sinuous route, comparing present and past. The monk described what he saw and experienced: landscapes, customs, and, above all, people and the variety of religious beliefs held by those he met. So does our present-day author—taking us to Buddhist cave temples, to the holy places of the Buddha's own life, to the ruins of the Gandharan civilization in Pakistan, to the university in the Ganges Valley where Hsuan Tsang studied. He too encounters extraordinary figures— among them a German monk in Bodhgaya, a down-and-out maharaja, and a supposed reincarnation of Shiva.And he follows the path of Hsuan Tsang not only in physical but in contemplative ways, reflecting on the mysteries and paradoxes of Buddhist philosophy and on the nature of the Ultimate Truth that was Hsuan Tsang’s goal. Ultimate Journey is a vivid, profoundly felt account of two stirring adventures—one in the past and one in the present—in pursuit of illumination.

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An overview of the wild sheep of the world as well as stories by such famous sheep hunters as Jack Atcheson,Hubert Thummler,Duncan Gilchrist,Mike Frisina,etc.

The future of our food depends on tiny seeds in orchards and fields the world over. In 1943, one of the first to recognize this fact, the great botanist Nikolay Vavilov, lay dying of starvation in a Soviet prison. But in the years before Stalin jailed him as a scapegoat for the country’s famines, Vavilov had traveled over five continents, collecting hundreds of thousands of seeds in an effort to outline the ancient centers of agricultural diversity and guard against widespread hunger. Now, another remarkable scientist—and vivid storyteller—has retraced his footsteps.   In Where Our Food Comes From, Gary Paul Nabhan weaves together Vavilov’s extraordinary story with his own expeditions to Earth’s richest agricultural landscapes and the cultures that tend them. Retracing Vavilov’s path from Mexico and the Colombian Amazon to the glaciers of the Pamirs in Tajikistan, he draws a vibrant portrait of changes that have occurred since Vavilov’s time and why they matter.   In his travels, Nabhan shows how climate change, free trade policies, genetic engineering, and loss of traditional knowledge are threatening our food supply. Through discussions with local farmers, visits to local outdoor markets, and comparison of his own observations in eleven countries to those recorded in Vavilov’s journals and photos, Nabhan reveals just how much diversity has already been lost. But he also shows what resilient farmers and scientists in many regions are doing to save the remaining living riches of our world.   It is a cruel irony that Vavilov, a man who spent his life working to foster nutrition, ultimately died from lack of it. In telling his story, Where Our Food Comes From brings to life the intricate relationships among culture, politics, the land, and the future of the world’s food.

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From the earliest days of mankind, the movement of peoples and intercultural exchanges have played a crucial role in the development of civilization. Three legendary routes have been particularly influential: the Silk Road, the Spice Route, and the Incense Trail. Established to transport exotic merchandise, they also carried new ideas, technologies, and religions vast distances. As pathways of conquering armies and armadas, they helped shape the history of the world. In Silk, Scents, and Spice, adventurer John Lawton retraces the world's greatest trade routes. Through journeys across the steppes, deserts, mountains, and oceans of Asia, Europe, and the Far East, his book recalls the glorious past of these storied passages, documenting the legacy of art, architecture, and religion they left behind. The Incense Trail linked the aromatic growing regions of Arabia with the incense-craving empires of antiquity, including Egypt, Babylon, and Rome. The Silk Road stretched some 7,500 miles across the mountains, deserts, and steppes of Central Asia, joining the markets of China with those of Europe and the Middle East. Along it two of the world's major religions —Buddhism and Islam —were spread, and basic technologies including printing and papermaking were transferred. The Spice Route, a network of sea lanes that joined Europe, India, and the Orient, created intense international rivalries over the lucrative trade of Southeast Asian spices. The search for their source sent Columbus across the Atlantic and Magellan around the globe. Lawton vividly recounts his adventures and discoveries during a series of land and sea expeditions across the globe. Filled with fascinating historical details, descriptions of exotic locales, and breathtaking photographs, Silk, Scents, and Spice reveals the importance of these ancient trade routes —not just in the past, but for societies and cultural identities throughout the world today.