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An outstanding American historian is at his brilliant, pro­vocative best in these essays on World War II war crimes, Allied terror bomb­ing, Fascism, the draft, the American mass media's wartime love affair with Stalin, America's postwar "defense" imperialism, and more. Important for anyone with a serious interest in twentieth century history.

2015 release, the second full-length from Brooklyn avant-post-metal outfit Sannhet (the word means "truth" in Norwegian). Continuing where Known Flood leaves off, Revisionist delivers an epic, trance-inducing concoction of math-metal intricacy, prismatic pop shimmer, and dense metallic crush. Dynamic indie rock-isms and the metal-gaze sound of like-minded combos Deafheaven or Alcest are distilled into concise song structures. at the same time, Sannhet offers the powerful emotiveness of instrumen

Extremely limited deluxe vinyl LP edition housed in an over-sized LP book with a heavy matte stock cover and four heavy stock pages featuring artwork by renowned Brazilian artist Joo Raus. Includes digital download of album AND two recent EPs - Heavy and Empty. 2015 release from composer William Ryan Fritch (Vieo Abiungo). Revisionist brings an emphatic close to his incredibly prolific 2014. Just a few months after the release of Death Blues' Ensemble - his powerhouse collaboration with drummer

Buy with confidence! Book is in new, never-used condition 0.4

In October 1944, the US Office of Strategic Services described the Irgun Tsvai Leumi – National Military Organization – as ‘an underground, quasi-military organization with headquarters in Palestine ... fanatical Zionists who wish to convert Palestine and Transjordan into an independent Jewish state ... advocate the use of force both against the Arabs and the British to achieve this maximal political goal’.In 1925, Ze’ev Jabotinsky founded the Revisionist Zionism organization, whose secular, right-wing ideology would lead to the formation of the Irgun and, ultimately, of the Likud Party. Commencing operations in the British Mandate of Palestine in 1931, Irgun adopted a mainly guarding role, while facilitating the ongoing immigration of Jews into Palestine. In 1936, Irgun guerrillas started attacking Arab targets. The British White Paper of 1939 rejected the establishment of a Jewish nation, and as a direct consequence, Irgun guerrillas started targeting the British.The authorities executed captured Irgun operatives found guilty of terrorism, while deporting hundreds to internment camps overseas. As details of Jewish genocide – the Holocaust – emerged, Irgun declared war on the British in Palestine. Acts of infrastructural sabotage gave way to the bombing of buildings and police stations, the worst being the bombing of the King David Hotel in Jerusalem – the hub of British operations and administration – in July 1946, killing ninety-one. Freedom fighters or terrorists – Irgun was only dissolved when the independent Jewish state of Israel was born on 14 May 1948. This is their story.

This anthology, which brings together some of the most important research and writing on Reconstruction during the past three decades, represents what historians today generally accept as an accurate portrait of the period. Twenty-three articles and book excerpts by the leading scholars in the field are grouped under five headings: “Lincoln, Johnson, and Reconstruction,” “The Radical Republicans,” “The Freedmen,” “Radical Reconstruction in the South,” and “The Collapse of Reconstruction.” The emphasis here is on recent scholarship in which many of the older concepts about Reconstruction have been challenged and brought back into clearer perspective, but some work dating back to the thirties by such scholars as W. E. B. Du Bois and Horace Mann Bond is also included. Other contributors include C. Vann Woodward, Richard N. Current, Eric L. McKitrick, LaWanda and John H. Cox, Stanley Coben, Howard Jay Graham, James M. McPherson, Willie Lee Rose, Joel Williamson, David Donald, Thomas B. Alexander, Allen W. Trelease, Louis R. Harlan, Vernon L. Wharton, Jack B. Scroggs, and W. R. Brock.

 The New Mormon History is the banner under which many professional historians today approach Latter-day Saint historiography. Scholars who embrace this term attempt to put significant events into context rather than bracketing data that might seem challenging to traditional assumptions. These scholars are also as interested in the experience of the rank-and-file as in the lives and edicts of the leaders, and pursue questions about women, minorities, domestic life, diet, fashion, and the common church experience. They employ statistical analysis and theories and methods of the social sciences in their work.In this collection, D. Michael Quinn has selected fifteen essays which demonstrate the methods of this new history. Contributors include Thomas G. Alexander, James B. Allen, Leonard J. Arrington, Maureen Ursenbach Beecher, Eugene E. Campbell, Kenneth L. Cannon II, Mario S. DePillis, Robert B. Flanders, Klaus J. Hansen, William G. Hartley, Stanley S. Ivins, Dean L. May, Linda King Newell, B. H. Roberts, Jan Shipps, and Ronald W. Walker. Participants offer new ideas and give readers the opportunity to determine for themselves the relative success of these approaches by presenting examples. The collection demonstrates areas of interpretation that may be considered revisionist as well.

To many people in the nineteenth century, the railroad and the telegraph were powerful, transformative forces, ones that seemed to work closely together to shape the economy, society, and politics of the United States. However, the perception―both popular and scholarly―of the intrinsic connections between these two institutions has largely obscured a far more complex and contested relationship, one that created profound divisions between entrepreneurial telegraph promoters and warier railroad managers. In The Train and the Telegraph, Benjamin Sidney Michael Schwantes argues that uncertainty, mutual suspicion, and cautious experimentation more aptly describe how railroad officials and telegraph entrepreneurs hesitantly established a business and technical relationship. The two industries, Schwantes reveals, were drawn together gradually through external factors such as war, state and federal safety regulations, and financial necessity, rather than because of any perception that the two industries were naturally related or beneficial to each other. Complicating the existing scholarship by demonstrating that the railroad and telegraph in the United States were uneasy partners at best―and more often outright antagonists―throughout the nineteenth and early twentieth centuries, The Train and the Telegraph will appeal to scholars of communication, transportation, and American business history and political economy, as well as to enthusiasts of the nineteenth-century American railroad industry.

To many people in the nineteenth century, the railroad and the telegraph were powerful, transformative forces, ones that seemed to work closely together to shape the economy, society, and politics of the United States. However, the perception―both popular and scholarly―of the intrinsic connections between these two institutions has largely obscured a far more complex and contested relationship, one that created profound divisions between entrepreneurial telegraph promoters and warier railroad managers. In The Train and the Telegraph, Benjamin Sidney Michael Schwantes argues that uncertainty, mutual suspicion, and cautious experimentation more aptly describe how railroad officials and telegraph entrepreneurs hesitantly established a business and technical relationship. The two industries, Schwantes reveals, were drawn together gradually through external factors such as war, state and federal safety regulations, and financial necessity, rather than because of any perception that the two industries were naturally related or beneficial to each other. Complicating the existing scholarship by demonstrating that the railroad and telegraph in the United States were uneasy partners at best―and more often outright antagonists―throughout the nineteenth and early twentieth centuries, The Train and the Telegraph will appeal to scholars of communication, transportation, and American business history and political economy, as well as to enthusiasts of the nineteenth-century American railroad industry.

In this explosive and compelling book, author Brian Desborough explores the activities of the thirteen interconnected family bloodlines that collectively comprise the secret group known as the Illuminati. His years spent aiding survivors of Satanic ritual abuse and mind control has provided the author with an in-depth knowledge of Illuminati history and their future plans for the human race. The culmination of three decades of intensive research, this provocative book is designed to take readers out of their comfort zone and examine the historical and archaeological data, which reveal that:· Israel was created not by illiterate pastoralists, as is claimed by biblical scholars, but by skilled Kenite copper smelters.· The Dead Sea Scrolls were not written at Khirbat Qumran.· The Temple Mount is not the site of the Temples of Solomon and Herod.Applying a synthesis of history, politics, science and covert intelligence sources, the author explores such diverse subjects as mind control, advanced energy systems, terrestrially constructed flying saucers, extraterrestrials, and the planned double-cross of the western Illuminati factions by China and Russia.Oriented toward both the scholar and layperson, this revealing book is a "must read" for those interested in history, politics or high technology.

The history of footbinding is full of contradictions and unexpected turns. The practice originated in the dance culture of China's medieval court and spread to gentry families, brothels, maid's quarters, and peasant households. Conventional views of footbinding as patriarchal oppression often neglect its complex history and the incentives of the women involved. This revisionist history, elegantly written and meticulously researched, presents a fascinating new picture of the practice from its beginnings in the tenth century to its demise in the twentieth century. Neither condemning nor defending foot-binding, Dorothy Ko debunks many myths and misconceptions about its origins, development, and eventual end, exploring in the process the entanglements of male power and female desires during the practice's thousand-year history. Cinderella's Sisters argues that rather than stemming from sexual perversion, men's desire for bound feet was connected to larger concerns such as cultural nostalgia, regional rivalries, and claims of male privilege. Nor were women hapless victims, the author contends. Ko describes how women―those who could afford it―bound their own and their daughters' feet to signal their high status and self-respect. Femininity, like the binding of feet, was associated with bodily labor and domestic work, and properly bound feet and beautifully made shoes both required exquisite skills and technical knowledge passed from generation to generation. Throughout her narrative, Ko deftly wields methods of social history, literary criticism, material culture studies, and the history of the body and fashion to illustrate how a practice that began as embodied lyricism―as a way to live as the poets imagined―ended up being an exercise in excess and folly.

The Jewish Radical Right is the first comprehensive analysis of Zionist Revisionist thought in the 1920s and 1930s, and of its ideological legacy in modern-day Israel. The Revisionists, under the leadership of Ze'ev Jabotinsky, offered a radical view of Jewish history and a revolutionary vision for its future. Using new archival material, Eran Kaplan examines the intellectual and cultural origins of the Zionist and Israeli Right, when Revisionism evolved into one of the most important movements in the Zionist camp. He presents revisionism as a form of integral nationalism, rooted in an ontological monism and intellectually related to the radical right-wing ideologies that flourished in the early twentieth century. Kaplan provocatively suggests that revisionism's legacies can be found both in the right-wing policies of Likud and in the heart of Post Zionism and its critique of mainstream (Labor) Zionism.Published with support from the Koret Jewish Studies Program

Contents: The court historians versus revisionism; Blasting the historical blackout; Revisionism and brainwashing.

In this important new anthology, Venetria K. Patton and Maureen Honey bring together a comprehensive selection of texts from the Harlem Renaissance-a key period in the literary and cultural history of the United States. The collection revolutionizes our way of viewing this era, since it redresses the ongoing emphasis on the male writers of this time. Double-Take offers a unique, balanced collection of writers-men and women, gay and straight, familiar and obscure. Arranged by author, rather than by genre, this anthology includes works from major Harlem Renaissance figures as well as often-overlooked essayists, poets, dramatists, and artists. The editors have included works from a wide variety of genres-poetry, short stories, drama, and essays-allowing readers to understand the true interdisciplinary quality of this cultural movement. Biographical sketches of the authors are provided and most of the pieces are included in their entirety. Double-Take also includes artwork and illustrations, many of which are from original journals and have never before been reprinted. Significantly, Double-Take is the first Harlem Renaissance title to include song lyrics to illustrate the interrelation of various art forms.

In this lively and entertaining book, Terence Ball maintains that 'classic' works in political theory continue to speak to us only if they are periodically re-read and reinterpreted from alternative perspectives. That, the author contends, is how these works became classics, and why they are regarded as such. Ball suggests a way of reading that is both 'pluralist' and 'problem-driven'--pluralist in that there is no one right way to read a text, and problem-driven in that the reinterpretation is motivated by problems that emerge while reading these texts. In addition, the subsequent readings and interpretations become more and more suffused with the interpretations of others. This tour de force, always entertaining and eclectic, focuses on the core problems surrounding many of the major thinkers. Was Machiavelli really amoral? Why did language matter so much to Hobbes--and why should it matter to us? Are the roots of the totalitarian state to be found in Rousseau? Were the utilitarians sexist in their view of the franchise? The author's aim is to show how a pluralist and problem-centered approach can shed new light on old and recent works in political theory, and on the controversies that continue over their meaning and significance. Written in a lively and accessible style, the book will provoke debate among students and scholars alike.

The history of footbinding is full of contradictions and unexpected turns. The practice originated in the dance culture of China's medieval court and spread to gentry families, brothels, maid's quarters, and peasant households. Conventional views of footbinding as patriarchal oppression often neglect its complex history and the incentives of the women involved. This revisionist history, elegantly written and meticulously researched, presents a fascinating new picture of the practice from its beginnings in the tenth century to its demise in the twentieth century. Neither condemning nor defending foot-binding, Dorothy Ko debunks many myths and misconceptions about its origins, development, and eventual end, exploring in the process the entanglements of male power and female desires during the practice's thousand-year history.Cinderella's Sisters argues that rather than stemming from sexual perversion, men's desire for bound feet was connected to larger concerns such as cultural nostalgia, regional rivalries, and claims of male privilege. Nor were women hapless victims, the author contends. Ko describes how women—those who could afford it—bound their own and their daughters' feet to signal their high status and self-respect. Femininity, like the binding of feet, was associated with bodily labor and domestic work, and properly bound feet and beautifully made shoes both required exquisite skills and technical knowledge passed from generation to generation. Throughout her narrative, Ko deftly wields methods of social history, literary criticism, material culture studies, and the history of the body and fashion to illustrate how a practice that began as embodied lyricism—as a way to live as the poets imagined—ended up being an exercise in excess and folly.

The Jewish Radical Right is the first comprehensive analysis of Zionist Revisionist thought in the 1920s and 1930s, and of its ideological legacy in modern-day Israel. The Revisionists, under the leadership of Ze'ev Jabotinsky, offered a radical view of Jewish history and a revolutionary vision for its future. Using new archival material, Eran Kaplan examines the intellectual and cultural origins of the Zionist and Israeli Right, when Revisionism evolved into one of the most important movements in the Zionist camp. He presents revisionism as a form of integral nationalism, rooted in an ontological monism and intellectually related to the radical right-wing ideologies that flourished in the early twentieth century. Kaplan provocatively suggests that revisionism's legacies can be found both in the right-wing policies of Likud and in the heart of Post Zionism and its critique of mainstream (Labor) Zionism.Published with support from the Koret Jewish Studies Program

Historians generally—and Marxists in particular—have presented the revolution of 1789 as a bourgeois revolution: one which marked the ascendance of the bourgeois as a class, the defeat of a feudal aristocracy, and the triumph of capitalism. Recent revisionist accounts, however, have raised convincing arguments against the idea of the bourgeois class revolution, and the model on which it is based.In this provocative study, George Comninel surveys existing interpretations of the French Revolution and the methodological issues these raise for historians. He argues that the weaknesses of Marxist scholarship originate in Marx’s own method, which has led historians to fall back on abstract conceptions of the transition from feudalism to capitalism. Comninel reasserts the principles of historical materialism that found their mature expression in Das Kapital; and outlines an interpretation which concludes that, while the revolution unified the nation and centralized the French state, it did not create a capitalist society.

This volume brings together some of the most distinguished historians from Ireland to offer their own interpretations of key issues and events in Irish history.

The history of footbinding is full of contradictions and unexpected turns. The practice originated in the dance culture of China's medieval court and spread to gentry families, brothels, maid's quarters, and peasant households. Conventional views of footbinding as patriarchal oppression often neglect its complex history and the incentives of the women involved. This revisionist history, elegantly written and meticulously researched, presents a fascinating new picture of the practice from its beginnings in the tenth century to its demise in the twentieth century. Neither condemning nor defending foot-binding, Dorothy Ko debunks many myths and misconceptions about its origins, development, and eventual end, exploring in the process the entanglements of male power and female desires during the practice's thousand-year history.Cinderella's Sisters argues that rather than stemming from sexual perversion, men's desire for bound feet was connected to larger concerns such as cultural nostalgia, regional rivalries, and claims of male privilege. Nor were women hapless victims, the author contends. Ko describes how women—those who could afford it—bound their own and their daughters' feet to signal their high status and self-respect. Femininity, like the binding of feet, was associated with bodily labor and domestic work, and properly bound feet and beautifully made shoes both required exquisite skills and technical knowledge passed from generation to generation. Throughout her narrative, Ko deftly wields methods of social history, literary criticism, material culture studies, and the history of the body and fashion to illustrate how a practice that began as embodied lyricism—as a way to live as the poets imagined—ended up being an exercise in excess and folly.