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Boss Ma Vie Eau de Parfum 50mL

The BG-8K-1212MA 12x12 8K 60Hz HDMI 2.1 Matrix Switcher with Audio De-Embedder is a superior device designed for scenarios requiring the sharing of up to twelve HDMI sources across twelve displays. This advanced switcher is equipped with twelve HDMI 2.1a inputs and outputs, enabling seamless switching between multiple sources and simultaneous display on various screens. With a simple button push, you can select a single source for display across all screens. This high-performance device supports 8K resolutions and a range of high-quality audio formats, delivering professional-grade picture and sound quality. It's an ideal solution for gamers seeking high-resolution graphics at high frame rates, offering support for 4K resolution at 120Hz. This ensures your games are displayed with maximum detail and fluidity, especially crucial for fast-paced games where high frame rates significantly enhance your in-game reaction time. The BG-8K-1212MA 8K HDMI matrix switcher is not just for competitive gaming, it's also perfect for those seeking the most realistic and immersive gaming experience. It supports high resolutions up to 8K at 60Hz 4:2:0, 8K at 30Hz 4:4:4, and 4K at 120Hz 4:4:4 with HDR. With an impressive 48 Gbps of uncompressed bandwidth, HDMI signals are routed without any loss of quality. All HDMI ports on this matrix are HDCP 2.3 compliant, ensuring secure content transfer. The device also features auto downscaling on all outputs, guaranteeing compatibility with legacy displays. The BG-8K-1212MA supports Digital S/PDIF and Balanced audio output formats, further enhancing its audio capabilities. Control of the BG-8K-1212MA is versatile and user-friendly, offering multiple methods including front panel controls, IR remote control, RS-232, or TCP/IP (Web GUI). The included IR receiver enables the unit to be controlled with the included remote while located out of sight for a clean installation. The BG-8K-1212MA also includes control software that can be operated via the RS-232 connection, allowing users to adjust advanced features like EDID management, mapping, and network settings. This comprehensive control suite makes the BG-8K-1212MA a highly adaptable and user-friendly device for all your HDMI switching needs.

It epitomizes the pinnacle of video switching technology with the BG-8K-22MA 2x2 8K 60Hz HDMI 2.1 Matrix Switcher, designed to cater to the most demanding audiovisual environments. This advanced matrix switcher is engineered to facilitate seamless switching between two HDMI input sources, delivering outputs to two distinct displays with unparalleled clarity. With support for the latest 8K resolution at a 60Hz refresh rate, the switcher ensures a crystal-clear picture that is essential for high-end video production, live events, and immersive home theater experiences.The sophisticated audio de-embedding feature of this state-of-the-art device allows for the extraction of pristine audio from the HDMI signal, enabling it to be routed to an external audio system for an enriched auditory experience. This high-tech capability is particularly beneficial for settings where audio quality is paramount, such as in broadcasting or post-production studios.Innovative EDID management ensures seamless communication and compatibility between source and display devices, optimizing video and audio performance by accurately mimicking the connected displays' EDID. This sophisticated function is crucial for maintaining the integrity of the transmitted signal and preventing any potential handshake issues.The BG-8K-22MA is not only a powerhouse for 8K content but also excels in handling 4K resolution at an impressive 120Hz refresh rate. This makes it an ideal choice for the gaming community, where high-quality video and fluid frame rates contribute to an immersive gaming experience. The high refresh rates reduce motion blur and enhance the smoothness of the image, which is a game-changer for fast-paced gaming scenarios.Moreover, this innovative switcher boasts compatibility with 4:4:4 chroma subsampling and High Dynamic Range (HDR) content, delivering more accurate color representation and improved contrast. This feature is indispensable for both gaming enthusiasts and professional video applications, where color fidelity and image detail are critical.The BG-8K-22MA 2x2 8K 60Hz HDMI 2.1 Matrix Switcher with Audio De-Embedder is the ultimate solution for users seeking a sophisticated, high-performance video switching system that stands at the forefront of current technology. Whether for professional A/V setups, home theaters, conference rooms, or gaming rigs, this matrix switcher is engineered to deliver a superior audiovisual experience.

“I look beyond solution; I look for an expression.”—Eduardo Souto de Moura The architect Eduardo Souto de Moura (b. 1952) has won many accolades, including the 2011 Pritzker Architecture Prize. Based in Porto, Souto de Moura studied under Fernando Távora and worked under fellow Portuguese architect Álvaro Siza, with whom he continues to collaborate. Souto de Moura established his own practice in 1980, and his wide-ranging influences, including Mies van der Rohe and Donald Judd, can be seen in the stunning variety of his work, from his acclaimed private houses, to the striking Paula Rego Museum in Cascais and the Braga Municipal Stadium, to his work in historical contexts such as the Convento das Bernardas in Tavira.   This beautifully illustrated retrospective provides the most comprehensive account of Souto de Moura’s career to date. Drawings, notes and sketches from his archive, and newly commissioned photographs complement essays by scholars and prominent architects that trace Souto de Moura’s career, contextualize his work within the larger trends of contemporary international architectural culture, and highlight the originality of his design strategy.

The Portuguese architect Eduardo Souto de Moura was born in 1952 in Porto. During his architectural studies he had the good fortune to work for Alvaro Siza, and in 1980 he opened his own office in Porto. Today Souto de Moura, with his purist yet atmospheric structures is one of the most well-known architects on the Iberian peninsula. "I began practically at the very beginning and concentrated on the essence of architecture. The most fundamental element is naturally the wall." Souto de Moura succeeded in combining Portugal's strong tradition of stone masonry with abstract modern forms, creating an architecture of compelling beauty. Werner Blaser conveys through wonderfully expressive photography the elemental and timeless nature of Souto de Moura's buildings focussing in particular on his use of stone as a building material.

Among contemporary Portuguese architects there is a large group whose members, while trained or influenced by Alvaro Siza, have embarked on an independent line of common research; one of these is Eduardo Souto de Moura (b. 1952). This monograph presents the designer who has combined great attention to the "principle of settlement" with a respect for local architecture, expressed through the use of natural materials. Souta de Moura transforms the figurative elements of classical architecture using a modern sensibility. A minimalist approach and the discreet use of local materials are the essential components of his activity. Among his best-known projects: the Municipal Market in Braga (1980-84), the cultural center for the S.E.C. at Oporto (1981-91), houses at Miramar (1987-91) and Alcanena (1987-92), the patio houses at Matosinhos (1993-99) and the Portuguese pavilion at the Hannover Expo 2000 with Siza (1999). Essays by the authors, along with an interview with Siza, Francisco Tavora and Souto de Moura himself, introduce the architect's work.

The Portuguese architect Eduardo Souto de Moura was born in 1952 in Porto. During his architectural studies he had the good fortune to work for Alvaro Siza, and in 1980 he opened his own office in Porto. Today Souto de Moura, with his purist yet atmospheric structures is one of the most well-known architects on the Iberian peninsula. "I began practically at the very beginning and concentrated on the essence of architecture. The most fundamental element is naturally the wall." Souto de Moura succeeded in combining Portugal's strong tradition of stone masonry with abstract modern forms, creating an architecture of compelling beauty. Werner Blaser conveys through wonderfully expressive photography the elemental and timeless nature of Souto de Moura's buildings focussing in particular on his use of stone as a building material.

“I look beyond solution; I look for an expression.”—Eduardo Souto de Moura The architect Eduardo Souto de Moura (b. 1952) has won many accolades, including the 2011 Pritzker Architecture Prize. Based in Porto, Souto de Moura studied under Fernando Távora and worked under fellow Portuguese architect Álvaro Siza, with whom he continues to collaborate. Souto de Moura established his own practice in 1980, and his wide-ranging influences, including Mies van der Rohe and Donald Judd, can be seen in the stunning variety of his work, from his acclaimed private houses, to the striking Paula Rego Museum in Cascais and the Braga Municipal Stadium, to his work in historical contexts such as the Convento das Bernardas in Tavira.   This beautifully illustrated retrospective provides the most comprehensive account of Souto de Moura’s career to date. Drawings, notes and sketches from his archive, and newly commissioned photographs complement essays by scholars and prominent architects that trace Souto de Moura’s career, contextualize his work within the larger trends of contemporary international architectural culture, and highlight the originality of his design strategy.

Among contemporary Portuguese architects there is a large group whose members, while trained or influenced by Alvaro Siza, have embarked on an independent line of common research; one of these is Eduardo Souto de Moura (b. 1952). This monograph presents the designer who has combined great attention to the "principle of settlement" with a respect for local architecture, expressed through the use of natural materials. Souta de Moura transforms the figurative elements of classical architecture using a modern sensibility. A minimalist approach and the discreet use of local materials are the essential components of his activity. Among his best-known projects: the Municipal Market in Braga (1980-84), the cultural center for the S.E.C. at Oporto (1981-91), houses at Miramar (1987-91) and Alcanena (1987-92), the patio houses at Matosinhos (1993-99) and the Portuguese pavilion at the Hannover Expo 2000 with Siza (1999). Essays by the authors, along with an interview with Siza, Francisco Tavora and Souto de Moura himself, introduce the architect's work.

Among contemporary Portuguese architects there is a large group whose members, while trained or influenced by Alvaro Siza, have embarked on an independent line of common research; one of these is Eduardo Souto de Moura (b. 1952). This monograph presents the designer who has combined great attention to the "principle of settlement" with a respect for local architecture, expressed through the use of natural materials. Souta de Moura transforms the figurative elements of classical architecture using a modern sensibility. A minimalist approach and the discreet use of local materials are the essential components of his activity. Among his best-known projects: the Municipal Market in Braga (1980-84), the cultural center for the S.E.C. at Oporto (1981-91), houses at Miramar (1987-91) and Alcanena (1987-92), the patio houses at Matosinhos (1993-99) and the Portuguese pavilion at the Hannover Expo 2000 with Siza (1999). Essays by the authors, along with an interview with Siza, Francisco Tavora and Souto de Moura himself, introduce the architect's work.

EL CROQUIS 218 presenta el trabajo del arquitecto portugués EDUARDO SOUTO DE MOURA (2015-2023). Además de mostrar los proyectos y obras más relevantes realizados por este arquitecto desde 2015, la monografía incluye una entrevista con Eduardo Souto de Moura llevada a cabo por Inmaculada Maluenda y Enrique Encabo.

Architect Eduardo Souto celebrated for works in his native Portugal, his buildings display classic and early modernism with landscapes that have an intimate connection to nature.

Eduardo Souto de Moura (b 1952) has long been one of Portugal's leading architects but gained wider international recognition when he won the Pritzker Architecture Prize in 2011. Born in Porto, he collaborated with the much-respected Alvaro Siza from 1974 to 1979 before establishing his own architectural studio in 1980. Since then, he has completed more than 100 projects ranging from private houses such as his Casa do Cinema for film director Manoel de Oliveira in Porto (2002) to larger projects such as the stadium in Braga (2004), the venue for the 2004 European Championships. All are illustrated in this comprehensive book, which also features essays by Souto de Moura and a discussion between Souto de Moura, Siza and fellow Portuguese architect Fernando Tavora. Souto de Moura's work, often compared to that of Mies van der Rohe, was praised by the Pritzker Prize jury for its 'unique ability to convey seemingly conflicting characteristics - power and modesty, bravado and subtlety, bold public authority and a sense of intimacy - at the same time.' His work often reflects his aesthetic interest in architectural ruins and interstitial spaces, and a desire to create a rapport between nature and architecture. This is demonstrated at Braga, where the substantial stadium is carefully inserted into the side of a granite quarry. His most high-profile recent projects show a powerful use of form - at the Paula Rego Museum near Lisbon (2008), for example, two pyramid-shaped towers of red-coloured concrete loom memorably over the entrance. This monograph is a detailed record of Souto de Moura's architecture over 35 years with 600 illustrations that do full justice to this impressive body of work.

Among contemporary Portuguese architects there is a large group whose members, while trained or influenced by Alvaro Siza, have embarked on an independent line of common research; one of these is Eduardo Souto de Moura (b. 1952). This monograph presents the designer who has combined great attention to the "principle of settlement" with a respect for local architecture, expressed through the use of natural materials. Souta de Moura transforms the figurative elements of classical architecture using a modern sensibility. A minimalist approach and the discreet use of local materials are the essential components of his activity. Among his best-known projects: the Municipal Market in Braga (1980-84), the cultural center for the S.E.C. at Oporto (1981-91), houses at Miramar (1987-91) and Alcanena (1987-92), the patio houses at Matosinhos (1993-99) and the Portuguese pavilion at the Hannover Expo 2000 with Siza (1999). Essays by the authors, along with an interview with Siza, Francisco Tavora and Souto de Moura himself, introduce the architect's work.

Eduardo Souto de Moura (b 1952) has long been one of Portugal's leading architects but gained wider international recognition when he won the Pritzker Architecture Prize in 2011. Born in Porto, he collaborated with the much-respected Alvaro Siza from 1974 to 1979 before establishing his own architectural studio in 1980. Since then, he has completed more than 100 projects ranging from private houses such as his Casa do Cinema for film director Manoel de Oliveira in Porto (2002) to larger projects such as the stadium in Braga (2004), the venue for the 2004 European Championships. All are illustrated in this comprehensive book, which also features essays by Souto de Moura and a discussion between Souto de Moura, Siza and fellow Portuguese architect Fernando Tavora. Souto de Moura's work, often compared to that of Mies van der Rohe, was praised by the Pritzker Prize jury for its 'unique ability to convey seemingly conflicting characteristics - power and modesty, bravado and subtlety, bold public authority and a sense of intimacy - at the same time.' His work often reflects his aesthetic interest in architectural ruins and interstitial spaces, and a desire to create a rapport between nature and architecture. This is demonstrated at Braga, where the substantial stadium is carefully inserted into the side of a granite quarry. His most high-profile recent projects show a powerful use of form - at the Paula Rego Museum near Lisbon (2008), for example, two pyramid-shaped towers of red-coloured concrete loom memorably over the entrance. This monograph is a detailed record of Souto de Moura's architecture over 35 years with 600 illustrations that do full justice to this impressive body of work.

Photographs, newspaper cuttings, postcards, drawings, and slides: on entering the studio of Eduardo Souto de Moura, winner of the Pritzker Prize 2011, one is confronted with a variety of images on the walls that engage in a dialogue. How do these photos, drawings, and illustrations impact his design practice? What is the relationship between the image and the completed building? Floating Images: Eduardo Souto de Moura’s Wall Atlas uses this question as an opportunity to examine the architect’s visual universe. He has added images from his extensive collection of drawings and project sketches and reorganized them in this atlas. Complex relationships are formed between the individual illustrations and projects. Essays by Pedro Bandeira, Eduardo Souto de Moura, Diogo Seixas Lopes, and Philip Ursprung round off the publication and provide a contextualization in terms of the history of art and images.

Boss Ma Vie Eau de Parfum 30mL

Boss Ma Vie Eau de Parfum 75mL

Sylvie Demers has always been mesmerized by color. Living in the Greater Montreal area of Canada, she has illustrated multiple book covers for Presses de l'Universite du Quebec. She joined the COLOURlovers.com in 2011 and has been designing pattern templates that are youthful and fresh ever since. Watercolor and acrylic paintes help Sylvie express her optimist and inner spontaneity. She enjoys learning new techniques and exploring her creativity.

Sylvie Demers has always been mesmerized by color. Living in the Greater Montreal area of Canada, she has illustrated multiple book covers for Presses de l'Universite du Quebec. She joined the COLOURlovers.com in 2011 and has been designing pattern templates that are youthful and fresh ever since. Watercolor and acrylic paintes help Sylvie express her optimist and inner spontaneity. She enjoys learning new techniques and exploring her creativity.