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Book by Sutphen, Dick, Sutphen, Richard

Not since Richard Feynman has a Nobel Prize-winning physicist written with as much panache as Robert Laughlin does in this revelatory and essential book. Laughlin proposes nothing less than a new way of understanding fundamental laws of science. In this age of superstring theories and Big-Bang cosmology, we're used to thinking of the unknown as being impossibly distant from our everyday lives. The edges of science, we're told, lie in the first nanofraction of a second of the Universe's existence, or else in realms so small that they can't be glimpsed even by the most sophisticated experimental techniques. But we haven't reached the end of science, Laughlin argues-only the end of reductionist thinking. If we consider the world of emergent properties instead, suddenly the deepest mysteries are as close as the nearest ice cube or grain of salt. And he goes farther: the most fundamental laws of physics-such as Newton's laws of motion and quantum mechanics -are in fact emergent. They are properties of large assemblages of matter, and when their exactness is examined too closely, it vanishes into nothing.A Different Universe takes us into a universe where the vacuum of space has to be considered a kind of solid matter, where sound has quantized particles just like those of light, where there are many phases of matter, not just three, and where metal resembles a liquid while superfluid helium is more like a solid. It is a universe teeming with natural phenomena still to be discovered. This is a truly mind-altering book that shows readers a surprising, exquisitely beautiful and mysterious new world.

Book by Sutphen, Dick, Sutphen, Richard

Transcendence is the long-awaited, career-spanning monograph of American landscape painter Richard Mayhew. For over half a century, Richard Mayhew has been reinventing the genre of landscape painting. His luminous work evokes not only physical vistas but also emotions, sounds, and the pure experience of color. He's known for his masterful use of color and for his unique creative process, inspired by improvisational jazz, which involves pouring paint directly onto the canvas and shaping it into lush, emotional "moodscapes." · This monograph features 70+ of his most striking works.· Includes an exclusive interview with the artist, an introduction by his gallerist Mikaela Sardo Lamarche, and an essay by Andrew Walker, director of the Amon Carter Museum of American Art· Through engaging with his work, readers are invited into deep explorations of their own inner landscapes.Transcendence is a richly rewarding celebration of an iconic artist that will make you rethink everything you know about landscape painting.Mayhew's distinctive style emerges from his roots as a jazz musician, his immersion in the Abstract Expressionist movement, his African American, Cherokee, and Shinnecock heritage, and his unique affinity for the landscapes of the American West—but his paintings transcend boundaries of location and identity. · Great for lovers of fine art, landscape painting, Abstract Expressionism, as well as those who are interested in the intersection of art, music, and emotion· A lush celebration of Richard Mayhew's work, and an ideal introductory book for new fans · Add it to the collection of books like Abstract Expressionism by Carter Ratcliff, Jeremy Lewison, Susan Davidson, and David Anfam; California Landscapes: Richard Diebenkorn / Wayne Thiebaud by John Yau; and The Art of Richard Mayhew: A Critical Analysis with Interviews by Janet Berry Hess.

With the waning of the Cold War, the major political powers are no longer constrained to support African authoritarianism. All over Africa democratic experiments have sprung up. But can they survive, and are they compatible with renewed economic growth? Richard Sandbrook answers these questions and assesses the feasibility of the new political program in reinforcing Africa's economic recovery. He argues that the program has merit in the short term, but in the longer term, a more self-reliant, state-directed approach should be adopted to ensure prosperity and durable democracy.

Transcendence is the long-awaited, career-spanning monograph of American landscape painter Richard Mayhew. For over half a century, Richard Mayhew has been reinventing the genre of landscape painting. His luminous work evokes not only physical vistas but also emotions, sounds, and the pure experience of color. He's known for his masterful use of color and for his unique creative process, inspired by improvisational jazz, which involves pouring paint directly onto the canvas and shaping it into lush, emotional "moodscapes." · This monograph features 70+ of his most striking works.· Includes an exclusive interview with the artist, an introduction by his gallerist Mikaela Sardo Lamarche, and an essay by Andrew Walker, director of the Amon Carter Museum of American Art· Through engaging with his work, readers are invited into deep explorations of their own inner landscapes.Transcendence is a richly rewarding celebration of an iconic artist that will make you rethink everything you know about landscape painting.Mayhew's distinctive style emerges from his roots as a jazz musician, his immersion in the Abstract Expressionist movement, his African American, Cherokee, and Shinnecock heritage, and his unique affinity for the landscapes of the American West—but his paintings transcend boundaries of location and identity. · Great for lovers of fine art, landscape painting, Abstract Expressionism, as well as those who are interested in the intersection of art, music, and emotion· A lush celebration of Richard Mayhew's work, and an ideal introductory book for new fans · Add it to the collection of books like Abstract Expressionism by Carter Ratcliff, Jeremy Lewison, Susan Davidson, and David Anfam; California Landscapes: Richard Diebenkorn / Wayne Thiebaud by John Yau; and The Art of Richard Mayhew: A Critical Analysis with Interviews by Janet Berry Hess.

From El Lissitzky, Kurt Schwitters and Bruno Munari to Paul Chan, Lawrence Weiner and Richard Prince, modern artists have found ingenious ways of reinventing and reimagining books for children. With its expanded possibilities for visual play and storytelling, the children's book as a form in itself has been increasingly explored by contemporary artists. Now, Visionaire 59: Fairytale presents a mini-library of children's stories by contemporary artists and photographers in collaboration with writers. Ranging in themes from the delightful to the philosophical, and packaged in a luxurious slipcase, Visionaire's newest issue offer a meditation on innocence and childlike creativity, and makes an ideal gift for readers of all ages. Founded in 1991 as a collection of artwork and images hand-assembled by a group of friends in a one-room apartment in New York City, Visionaire has since grown into one of the most highly sought-after fashion and art publications in the world. The New Yorker has characterized Visionaire magazine as a "creative playground for leading designers, artists, photographers and thinkers," adding "it's a gallery in print. A cabinet of irresistible curiosities. A daring iconoclast dressed to thrill."

From El Lissitzky, Kurt Schwitters and Bruno Munari to Paul Chan, Lawrence Weiner and Richard Prince, modern artists have found ingenious ways of reinventing and reimagining books for children. With its expanded possibilities for visual play and storytelling, the children's book as a form in itself has been increasingly explored by contemporary artists. Now, Visionaire 59: Fairytale presents a mini-library of children's stories by contemporary artists and photographers in collaboration with writers. Ranging in themes from the delightful to the philosophical, and packaged in a luxurious slipcase, Visionaire's newest issue offer a meditation on innocence and childlike creativity, and makes an ideal gift for readers of all ages. Founded in 1991 as a collection of artwork and images hand-assembled by a group of friends in a one-room apartment in New York City, Visionaire has since grown into one of the most highly sought-after fashion and art publications in the world. The New Yorker has characterized Visionaire magazine as a "creative playground for leading designers, artists, photographers and thinkers," adding "it's a gallery in print. A cabinet of irresistible curiosities. A daring iconoclast dressed to thrill."

This fascinating book explores the development of locomotives over the course of fifty years. From Richard Trevithick's first experimental road engine of 1801 up to the Great Exhibition some fifty years later, locomotives have come far in reimagining and reinventing themselves to serve the people and British industry.The early years showed slow development amongst locomotives: Trevithick's first railway locomotives failed significantly as the engine broke the brittle cast-iron rails. The story is continued through the years when locomotives were developed to serve collieries, a period that lasted for a quarter of a century, and saw many different engineers trying out their ideas; from the rack and pinion railway developed by Blenkinsop and Murray, to George Stephenson's engines for the Stockton & Darlington Railway. The most significant change came with Robert Stephenson's innovative Rocket, the locomotive that set the formula for future developments.British engineers dominated the early years, although in France Marc Seguin developed a multi-tubular boiler at the same time as Stephenson. The next period was marked by the steady spread of railways in Europe and across the Atlantic. Timothy Hackworth of the Stockton & Darlington railway supplied locomotives to Russia, and his men had an exciting ride to deliver parts by sleigh across the snowy steppes, pursued by wolves. In America, the first locomotives were delivered from England, but the Americans soon developed their own methods and styles, culminating in the Baldwin engines, a type that has become familiar to us from hundreds of Western films.This is more than just a book about the development of a vital technology, it is also the story of the men who made it possible, from the steadily reliable team of William Buddicom and Alexander Allan, who developed their locomotives at Crewe, to the flamboyant Isambard Kingdom Brunel, whose broad gauge was served by the magnificent engines of Daniel Gooch.